[Disclaimer: This article contains some spoilers.] In an episode of “Please Come Back Mister,” Lee Ha Nui’s movie star character is talking to her female manager, played by Oh Yeon Seo. The audience knows that Oh Yeon Seo is a temporary reincarnation of a man who died but came back solely to protect Lee. For […]
https://kultscene.com/wp-content/uploads/2016/04/Untitled-design.png7681024Joan Vos MacDonaldhttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngJoan Vos MacDonald2016-04-04 19:07:142016-12-31 17:02:10K-Dramas Continue to Explore LGBT Themes With Coy Devices
Every week, our writers pick their favorite songs and share them. This week, four songs by male Korean acts caught our eyes. “Get Down” by Boys Republic (March 29) The title track of Boys Republic’s third mini album, “BR: evolution,” combines a pulsating tribal drum beat and edgy hip hop with unconventional jazz elements. The […]
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[Disclaimer: This article contains some spoilers.] In an episode of “Please Come Back Mister,” Lee Ha Nui’s movie star character is talking to her female manager, played by Oh Yeon Seo. The audience knows that Oh Yeon Seo is a temporary reincarnation of a man who died but came back solely to protect Lee. For […]
https://kultscene.com/wp-content/uploads/2016/04/Untitled-design.png7681024Joan Vos MacDonaldhttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngJoan Vos MacDonald2016-04-04 19:07:142016-12-31 17:02:10K-Dramas Continue to Explore LGBT Themes With Coy Devices
Every week, our writers pick their favorite songs and share them. This week, four songs by male Korean acts caught our eyes. “Get Down” by Boys Republic (March 29) The title track of Boys Republic’s third mini album, “BR: evolution,” combines a pulsating tribal drum beat and edgy hip hop with unconventional jazz elements. The […]
https://kultscene.com/wp-content/uploads/2016/04/KultScene-Sunday3.png7681024KultScenehttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngKultScene2016-04-03 20:22:012016-04-04 19:13:15Weekly K-Pop Faves March 27-April 2: Boys Repbulic, Dok2, DAY6, N-Sonic, 10cm
[Disclaimer: This article contains some spoilers.]
In an episode of “Please Come Back Mister,” Lee Ha Nui’s movie star character is talking to her female manager, played by Oh Yeon Seo. The audience knows that Oh Yeon Seo is a temporary reincarnation of a man who died but came back solely to protect Lee. For a minute it seems as if Lee recognizes that the woman is a reincarnation of her beloved friend. But her words of affection are just part of scene she’s rehearsing. The women have obvious chemistry. Lee Ha Nui stops in the middle of rehearsing the romantic scene, saying it’s impossible to get in the mood with a woman. But the audience knows that the other woman is really the man she loved. And they can taste the chemistry.
As illogical as sex-switching reincarnation might seem, it is easier to fit that possibility into a K-drama plot than the idea of two women falling for each other. That scene is one of several ways that K-dramas circumvent the subject of homosexuality.
Honey Lee and Oh Yeon Seo in “Please Come Back Mister.”
U.S. Audiences Have LGBT role models
In the U.S., audiences have had decades to warm to openly gay characters. “All in the Family” was probably the first TV program that brought a gay character into the nation’s living room, and the number has dramatically increased since then. Willow and Tara were a couple on “Buffy The Vampire Slayer.” Grace was in unrequited love with her best friend Will on “Will and Grace.” Kurt danced to “Single Ladies” on “Glee” and his dad accepted him for who he was. “Orange is the New Black” has a main character that is bisexual. “Transparent” features a trans woman, making his family to come to terms with it. While these characters initially had some issues coming out, once they did, they served as role models for acceptance.
That’s not to say real LGBT Americans don’t suffer because of who they choose to love. But American television has provided some “out and proud” fictional role models. Media has the power to change minds in the U.S. and Korea.
Coming Out In Korea
K-dramas don’t have openly gay characters. Although the rights of LGBT Koreans are protected by the nation’s constitution, living as an openly gay person or even contemplating marriage may not be easy in Korean society. Even if they can marry elsewhere, gay couples might not feel comfortable telling their families they are a couple.
In a 2015 CNN article, Korean Micky Kim discussed his California marriage to Tony Ruse: “People who I don’t know are congratulating our marriage. But in (South) Korea, no-one even knows my marriage and I couldn’t even tell my family.” His family thinks Ruse is his business partner and Kim pretends to have a girlfriend. His family is not unusual. According to a 2013 Pew Research study, 59 percent of Koreans found homosexuality unacceptable. To put that in context, 60 percent of the U.S. found homosexuality acceptable. Furthermore, a Gallup poll showed only 43 percent of Americans felt that way in 1977.
In the last decade, as national opinion has slowly begun to change, the entertainment industry has become more accepting of other orientations. In 2000, when actor Hong Suk Chan told a TV audience he was gay, he was banished from TV networks. He chose to stay in Korea, even though he could not act on TV. He started a restaurant and eventually owned nine. After a few years he returned to variety shows and dramas. He mostly does cameos or small roles, his most recent cameo being in “The Time We Were Not In Love.” Coincidentally, he also had a role in “Please Come Back Mister” as a flamboyant fashion designer. A stereotypical one at that, but acceptance is a slow process and K-dramas are finding clever ways to encourage it.
Gender Swaps & Mistaken Identity
Some of the ways K-dramas subtly promote acceptance is through gender swap dramas, bromance scenes, and cases of mistaken identity. Gender swaps might be the most common way to tempt audience into having a gender “what if” moment. In “You’re Beautiful,” Park Shin Hye pretends to be the brother of a member of a top group replacing him. She lives with the three other members of the group in a male-only dorm and it takes some of them a remarkably long time to discover her gender. All three of the other members fall for her, and while two knew she was a girl, one of them, Jeremy (played by Lee Hong Ki) is disturbed to think he is falling for a boy. The fact that he does not recognize that she is a girl is less unbelievable than the idea he might fall for a totally charming, attractive, and musically talented boy.
“Coffee Prince” is a classic gender swap drama in which Yoon Eun Hye pretends to be a boy so she can work in Gong Yoo’s coffee shop. He starts to fall for her and tries to talk himself out of it, only to decide that he loves this person no matter what gender they are. It’s a touching romantic moment, but not quite pivotal enough because he is saved from the repercussions of dating someone of his own sex when he finds out she is a woman. Would the Yoon-Gong same-sex couple have been able to survive the odds? K-dramas need a happy ending.
Bromance Is A Boy’s Best Friend
Bromantic K-dramas get around the topic by either focusing the drama on a very close friendship or giving the first and second male leads plenty of quality time and opportunities for fan service together.
Lee Jong Suk and Kim Woo Bin in “School 2013.”
“School 2013” is a classic example as it shows the evolving friendship between Lee Jong Suk and Kim Woo Bin. They hate each other. They love each other. They are best friends. And they had so much chemistry that people assumed they were dating in real life. Lending fuel to the fire was the fact that Lee Jong Suk played a young man who openly confessed to liking Yoon Sang Hyun in “Secret Garden.” Yoon Sang Hyun does not make much of his confession and does not seem to be scared but continues to want to represent him.
Lee Jong Suk confronts Yoon Sang Hyun in “Secret Garden.”
Or bros can be enemies. Park Ki Woong and Joo Won won DramaFever Best Bromance Award in 2013 for playing friends who fate forced to be enemies. When they were close, they were close. When they became enemies, it was still somehow sexy.
And in 2015, Park Seo Joon and Ji Sung won a Best Couple Award from MBC. Park played an author. Ji Sung played a man with multiple personalities, one of whom was female and had a crush on Park. Ji Sung was not a man attracted to Park. One of his personalities made him do it. Again, highly unlikely but audiences got to see Ji Sung and Park Seo Joon kissing.
Mistaken Identity Could Start Something With The Wrong Someone
“Personal Taste” is one of the few K-dramas that actually has a gay character that openly expresses his attraction. This drama shows a lot of the negative reaction that Koreans might face when coming out. Lee Min Ho is pretending to be gay so he can room in a house owned by Son Ye Jin. But his declarations place him in an awkward situation when a man he’s trying to win a design bid from assumes that they have the potential for a relationship. The news is not well received by his mother. The other man, played by Ryu Seung Ryong, is a very dignified and sympathetic character who discusses the humiliation his preferences have caused in his life.
Im Seul Ong results in Lee Min Ho being mistaken for gay in “Personal Taste.”
Making a love confession to a man also comes up in the Reply series. In “Reply 1997,” a painful heartfelt confession is treated with respect. In “Ho Gu’s Love,” Im Seul Ong’s character thinks he is in love with Choi Woo Sik, but he’s really in love with Choi’s sister, played by Lee Sung Kyung. He’s mortified at the idea that he might be gay, but when he comes to accept it, he sympathizes with a gay witness he might previously have been cruel to. He realizes that love has no gender. But in the end he too is saved from all the repercussions of being gay in Korean society. His crush turns out to be a woman and she was responsible for the kiss he cannot forget.
More gay characters, or characters who merely think they are gay, will likely help change attitudes. “The Lover” plays homage to Shonen ai manga by featuring the changing relationship between two roommates. Introverted Lee Joon Jae, played by Lee Jae Joon, advertised for a roommate who can’t speak Korean very well so he won’t have to talk to him. His Japanese roommate Takuya, played by Takuya Terada, tried to bring him out of his shell. The show teases the audience with manga cliches, while at the same time giving equal credence to the relationship problems of straight and gay couples.
But for now, descriptions of K-drama gender-confusion tend to be coy and show some similarity to the kind of salacious innuendo found in pre-Hays Code Hollywood films.
There may be a reason for K-dramas moving so slowly and coyly toward acceptance. There may be some psychological value to a character falling in love with a boy, only to discover that everyone will ultimately approve of their union, because she turns out to be a girl. Perhaps K-drama gender-swap and mixed identity scenarios allow audiences to explore the idea of falling in love with someone, regardless of gender, without having to face any of the very real societal consequences down the line. It will be interesting to see how long it takes K-dramas to move past coy and into “out and proud.”
What’s your stance on LGBT visibility and how the community is portrayed in K-dramas? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
https://kultscene.com/wp-content/uploads/2016/04/Untitled-design.png7681024Joan Vos MacDonaldhttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngJoan Vos MacDonald2016-04-04 19:07:142016-12-31 17:02:10K-Dramas Continue to Explore LGBT Themes With Coy Devices
Every week, our writers pick their favorite songs and share them. This week, four songs by male Korean acts caught our eyes.
“Get Down” by Boys Republic (March 29)
The title track of Boys Republic’s third mini album, “BR: evolution,” combines a pulsating tribal drum beat and edgy hip hop with unconventional jazz elements. The guys display incredible vocal harmonies alongside fierce and hardcore rapping. It comes as no surprise that “Get Down” was co-produced by renowned songwriter Ryan S. Jhun, who has previously worked with the likes of numerous popular K-pop acts, ranging from EXO to U-KISS. The music video presents a very dark concept, with the band members cast as a rebellious faction in a post-apocalyptic scenario; they are sullen, brooding characters living on a knife edge and the intense choreography highlights their harsh environment perfectly. (It is important to note here that the video has a 19 + rating, as it features bloody decapitation). This new facet to the band could prove disturbing to some fans unused to seeing Boys Republic as anything other than wholesome and appealing but it is a testament to the members’ talent that they are so convincing in their roles. It’s a brilliant comeback by the group, who have upped the ante in every way possible!
— Eve
“Bad Vibes Lonely (feat. DEAN)” by Dok2 (March 27)
As far as Korean rappers are concerned, Dok2 isn’t among my favorites. His music style and lyrics, for me, come off as a little try-hard and he seems more like a caricature than an actual rapper. With that said, “Bad Vibes Lonely” is a whole other thing. For this release, Dok2 slowed it down and penned more humble lyrics about him wanting to be happy and not forget his roots. Not to mention Dean’s input at the chorus makes the song sound that more compelling. Because even without knowing what the lyrics say, that Dean verse finds it way to your feels. Overall, it’s nice to see Dok2 step away temporarily (because, c’mon, we know that’s not his actual style) from the #YOLO, swaggy, #turnup vibe.
This track is vastly different from DAY6’s title track “Letting Go” in terms of its tone and lyrical content but similar in the high production quality of the song. While DAY6 members have always had a hand in the creation of their albums, this is the first song in which all five members collaborated and wrote the lyrics together, making it extra meaningful. The instruments are also layered very nicely, creating an overall uplifting and full sound in which all the varied vocals of the members are able to shine. It’s an addictive track and stands out amongst the various different styles displayed in this album.
— Anna
“Excalibur” by N-SONIC (March 29)
N-SONIC’s “Excalibur” is exactly the type of song I would have ignored if it wasn’t for this feature. An unknown boy group with a title linked to mythology. I’ve had enough of that with VIXX alone. “Excalibur” however, is not something to be missed. It contains the most satisfying rolling drums that at first sound like they could come from a 1950s dancehall but are used to drive the electro hip-pop. Sustaining these drums allows the song to transition easily between parts and vocal styles. The choreography also reflects this by having a natural quality to its movements and transitions too (despite silly things like the air drumming). A solid release that is, along with Boys Republic, by far the strongest boy group song of the week, easily beating weak offerings from more popular counterparts.
One of the most bittersweet spring-themed songs out there, “What The Spring??” is a comical attack on people who are in love during. The duo’s typical acoustic sound turns into a query of why some people expect perfect springtime relationships, why some people are alone, and why springtime is perceived as the time of love. “Do you think cherry blossoms are pretty, you stupid?” sings 10cm’s vocalist Kwon Jeong Yeol. The song did well on Korean music charts despite the bleak lyrics because the song’s style and the amusing, realistic take a single person’s attitude towards the happiness of couples (“Actually, your boyfriend loves games more than you” is one of the bitterest but bemusing lines of the song.”) The music video, featuring “Little Prince”-inspired graphics, is an added bonus. The anti-romance song, both for its sound and unique opposite to many of the love songs popular in Korea, is one of this year’s most popular springtime Korean songs.
— Tamar
What was your favorite song from the past week? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter,Instagram, and Tumblrto keep up with all of our posts.
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