WJSN/Cosmic Girls had a pretty disappointing 2017. After releasing the best song of their short careers “Secret” along with an otherworldly concept to match their name, they turned to something more simple; “I Wish” had elements of the girl group’s concept in the music video but none in the music, and “Happy” was a complete […]
https://kultscene.com/wp-content/uploads/2018/02/ssis.png800800Joe Palmerhttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngJoe Palmer2018-02-28 06:26:192018-02-28 06:26:19WJSN’s “Dreams Come True” Music Video & Song Review
Ever since the conclusion of JYP Entertainment’s survival reality program Stray Kids, where the nine members of the group took part in various challenges set by the company to prove that they were able to debut as a whole group, the victorious (and complete!) group was busy with promotions for their pre-debut EP, Mixtape, which […]
https://kultscene.com/wp-content/uploads/2018/02/sk.jpg5001000Anna Cheanghttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngAnna Cheang2018-02-27 19:25:592018-02-27 19:25:59Stray Kids: JYP’s new direction
WJSN/Cosmic Girls had a pretty disappointing 2017. After releasing the best song of their short careers “Secret” along with an otherworldly concept to match their name, they turned to something more simple; “I Wish” had elements of the girl group’s concept in the music video but none in the music, and “Happy” was a complete […]
https://kultscene.com/wp-content/uploads/2018/02/ssis.png800800Joe Palmerhttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngJoe Palmer2018-02-28 06:26:192018-02-28 06:26:19WJSN’s “Dreams Come True” Music Video & Song Review
Ever since the conclusion of JYP Entertainment’s survival reality program Stray Kids, where the nine members of the group took part in various challenges set by the company to prove that they were able to debut as a whole group, the victorious (and complete!) group was busy with promotions for their pre-debut EP, Mixtape, which […]
https://kultscene.com/wp-content/uploads/2018/02/sk.jpg5001000Anna Cheanghttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngAnna Cheang2018-02-27 19:25:592018-02-27 19:25:59Stray Kids: JYP’s new direction
WJSN/Cosmic Girls had a pretty disappointing 2017. After releasing the best song of their short careers “Secret” along with an otherworldly concept to match their name, they turned to something more simple; “I Wish” had elements of the girl group’s concept in the music video but none in the music, and “Happy” was a complete 180 turn. Sticking to concepts isn’t something that groups should always do, and it is in fact often discouraged. But WJSN’s was perfectly pitched with “Secret.” So it’s no surprise then that they see a return to that style with their new single “Dreams Come True,” a strong return to form.
Song
Even though it comes months later, “Dreams Come True” feels like a direct sequel to “Secret.” This time helmed by producers Full8loom, WJSN bring their unique vocal flavour to a mix of europop synths and orchestral pop. Full8loom do a good job of replicating e.one’s style on “Secret,” combining electronics and an orchestra to create WJSN’s cosmic sound. The synths give it the classic sci-fi feeling while the orchestral elements sends it into the stratosphere.
It is clearly not a rehash though. “Secret” was decisive, an almost complete song right from the beginning. “Dreams Come True” takes more time to reveal itself. “Secret” would swap between its synths and strings within a section whereas “Dreams Come True” devotes whole sections to a particular sound, slowly adding elements to prepare for the climax. “Secret” was a song about hidden feelings, the anxiety of simultaneously falling for someone and barely knowing who they are while “Dreams Come True” is about bridging that gap, a song about gradually building the courage to give yourself to someone.
As the music begins its ascent, it is ambiguous. The girls are tasked with being the major deviations at the front of the song. WJSN have a lot of vocalists that have similar sounding voices but with noticeably different timbres when lined up. In the first verse it moves from Seola’s divinely clean voice, to then a quartet of Eunseo, Mei Qi, Bona, and Xuan Yi. Eunseo goes against the grain type by pitching high, accentuating her slightly nasally voice which meshes well with Mei Qi’s sensual whisper. Bona is more conventional and sets up the true alien of WJSN, Xuan Yi and her tiny and distinct, almost vacant voice. The sense of nervousness is clear with each one’s delivery: Eunseo complains that, “When we pass by we seem like strangers,” and Mei Qi replies, “And I hate thinking about it.”
Dawon takes advantage of the diminutive Xuan Yi to bring the power and lift the song as only she can. She represents the bubbling confidence of WJSN as she bellows, “It’ll become a miracle, It’ll pull us together, It’ll make our dreams come true so…” This line has its own weird internal rhythm. Dawon is fitting as much as she can into the bar, ignoring usual resting spots. Whether or not she is ready to believe what she’s saying, she knows she doesn’t have a choice but to trust it.
From there the chorus hits,at first with a thud and then grows as it goes on. It’s given time to breathe and slowly differentiate itself from the verse, andit finally ends with the opening signature synth which even Cheng Xiao can ride with ease into outer space.
Exy’s rap represents the biggest vocal shift of the song and the music follows her. Holding on to the electro tone of the chorus, it shifts into dubstep as Exy slows things down and opens with the ominous line, “I am in the dark.” Her rapping is nicely crisp but gets slightly more emotional as it goes on, increasing in tempo as she starts to move out of the dark. Finding courage, the beat intensifies and continually adds drum fills that changes the second verse.
The bridge’s stunning quiet moment is the highlight. It has time for four of the girls to sing variations of the same scale, while the track reduces itself to just strings, a few keys, and some beautiful harmonies. It’s a stunning moment of clarity and tension, as if the whole song was leading to this point rather than the actual climax. It contextualizes the cosmic dramas of their lives in terms of their lover’s dreams. “You and me to be drawn as a dream, it will be done as you dream,” they repeat, finding the hope of their love in the short moment of peaceful stillness among the shifting scales of the track.
“Dreams Come True” continues one of the better visual collaborations in K-pop as Kim Zi Yong and Fantazy Lab return to direct the music video. It is definitely a sequel to “Secret” as we see some references from it including the book with the iconic phrase, “Have you ever felt cosmo inside of you?” In “Dreams Come True” the girls are separated by space and time and are faced with the threat of a giant wormhole opening up over Seoul. There seems to be human versions of themselves that inhabit Seoul and the cosmic versions who are in a heaven type area who stay connected via phones. They work together to call down Bona from her flying space bed, and she flies straight into the wormhole, destroying it.
This is all communicated much more elegantly in the video by Kim. No one is better at connecting the real and imaginary worlds with special effects than he is. He uses a large amount of smaller moments to build his world. Each image has very simple fantasy elements executed perfectly, but this formula is slightly tired at this stage. Compared to “Secret” it’s not much better or worse but doesn’t have the same surprise factor. It also has an unnecessary and ugly bluish colour grade. If they had gone for something closer to the wizarding world of the teasers, there could have been a lot of room to try new things. Kim Zi Yong’s aesthetic has worked well in a number of concepts and would have been unique enough to separate itself from obvious potential Harry Potter comparisons.
Overall
WJSN’s return to the cosmos has turned out to be as appropriately dramatic as can be though “Dreams Come True” lacks the dense, unique production of “Secret” that lends it its immediate qualities. Structurally though, “Dreams Come True” betters “Secret.” It produces an epic scale from disparate parts coming together and finally disappearing so the girls can dream clearly.
WJSN's "Dreams Come True"
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What do you think of WJSN’s single “Dreams Come True”? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
https://kultscene.com/wp-content/uploads/2018/02/ssis.png800800Joe Palmerhttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngJoe Palmer2018-02-28 06:26:192018-02-28 06:26:19WJSN’s “Dreams Come True” Music Video & Song Review
Ever since the conclusion of JYP Entertainment’s survival reality program Stray Kids, where the nine members of the group took part in various challenges set by the company to prove that they were able to debut as a whole group, the victorious (and complete!) group was busy with promotions for their pre-debut EP, Mixtape, which featured the group’s tracks that were mostly performed during the program.
Following its release, Mixtape proved to be a fan favorite and topped charts in the States, and also proved to encompass the essence of what is unique about this group and, by extension, showcased the new direction that JYP Entertainment is taking in debuting this group. All the seven tracks on the EP were composed in some way by the members of Stray Kids, be it in lyric-writing, songwriting or arranging. In particular, the members of “3RACHA,” a previously established trio within Stray Kids consisting of leader Bang Chan and rappers Han Jisung and Seo Changbin, wrote the lyrics for all the songs and took part in the music composition for six of them. The ownership and individuality shown here is rare in the K-pop industry, considering this is a group who has yet to officially debut.
It is even more surprising considering JYP’s usual management of their groups. With the exception of rock band DAY6, whose debut EP was also composed of songs created by the members, JYP’s boy groups mostly started out with EPs and title tracks composed by Park Jinyoung himself (i.e GOT7’s “Girls Girls Girls” and 2PM’s “10 Out of 10”). The members of these groups eventually went on to create their own music for their later albums and title tracks (i.e Jun K’s “Go Crazy,” JB’s “You Are”) after a few years, which is a common practice in the industry. Stray Kids releasing Mixtape could thus be an indication of a shift in JYP Entertainment’s priorities for their new groups: no longer are they optimizing safe and polished debut performances but instead highlighting releases that showcase more musicality and creative freedom. Perhaps this is to align with the current trend of self-composed music in the industry but whatever it is, it is definitely paying off for Stray Kids.
The exceptional composing skills of the members, especially the members of 3RACHA, were constantly displayed throughout the program, an instance being their rap face-off with YG Entertainment trainees, where Changbin and Jisung wowed with their original track “Matryoshka” (from their third mixtape, Horizon).
Since last January, the trio have been releasing their original tracks through SoundCloud and YouTube, with a total of three mixtapes out at the moment. The exposure they received as trainees does explain their prowess now especially for long-time trainee Bang Chan, who has so-far single-handedly done the producing and mixing for most of 3RACHA’s tracks, with Changbin and Jisung contributing to the lyrics.
The trio’s experience shows in their works, and really helped the entire boy group establish a very unique musical identity right off the bat. With the music video of “Hellevator,” the title track of “Mixtape,” racking up millions of views on YouTube before the reality show even premiered, anticipation was high for Stray Kids thanks to this intense song which highlighted the various strengths of the members, in particular their synchronized dancing. The group continued to impress with their music through the missions on the show, where they took on challenges such as performing at a live broadcast and busking on the streets.
While the group as a whole is definitely still a rookie one, especially with regard to the vocal areas, Stray Kids has proven that they can (and do) distinguish themselves from other rookie boy bands, not just musically but with their fresh personalities as well. Often displaying tough and charismatic images on stage, they played up their youthful charms on the show once off stage and even now on the occasional V-live broadcasts that they do. With an average age of 20 (youngest member Jeongin is a 2001-er), the members are cute and playful especially when they interact with each other.
Speaking of which, the unity of this group is remarkable, despite only being formed a few months before the show. Perhaps this is where Stray Kids differs most from Sixteen, the survival show from which TWICE was created in 2015. In Sixteen, the 16 members competed against each other to get into the seven member group (it was later changed to nine members), which naturally created a lot of rivalry among the members. Stray Kids, on the other hand, was promoted and run as a show where the group “fought” with JYP to debut together. Their adorable friendship and dynamic were on display from the start, and got viewers passionately rooting for the group to stay together. The most unique part of this survival show was the lack of competition between the members and the cooperation they displayed. There was very little “fighting for the main part” that often goes on in such shows, and instead, there were so many moments where the more experienced members sacrificed their own practice time to help those who were lagging behind or in danger of elimination. The hard work and effort that the whole group put in to help each other improve led to heart-wrenching and tear-jerking moments for members and fans alike when a few members ended up being eliminated through the course of the show (they were eventually brought back in the final mission), further endearing the group to the viewers.
With all the hype and popularity Stray Kids has already gotten so far, their debut is definitely a highly-anticipated one. It still has to be proven if the “free-reign” direction JYP is taking with this group will last in the future, but for now, it’s producing results and I cannot wait to see how far this group will fly from here.
Have you been keeping up with Stray Kids? What do you think of the new direction JYP is taking with them? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
https://kultscene.com/wp-content/uploads/2018/02/sk.jpg5001000Anna Cheanghttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngAnna Cheang2018-02-27 19:25:592018-02-27 19:25:59Stray Kids: JYP’s new direction