Unless you’ve been living in an underground bunker, you’ve probably been keeping up with all the drama surrounding SM Entertainment and EXO-M’s former member, Kris. Was Kris selfish, perhaps wanting to pursue a solo career in China? Did SM mistreat him, his health, and his career? Whether you’re #TeamKris or #TeamEXO, everyone seems to question […]
https://kultscene.com/wp-content/uploads/2014/06/Untitled-design.png7681024Alexis Hodoyan-Gastelumhttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngAlexis Hodoyan-Gastelum2014-06-19 01:40:032014-12-31 08:43:36Did SM Entertainment Treat Kris & EXO-M Unfairly?
If we love K-Pop for its glitz and glamour, K-Indie takes a spot in our hearts for its more genuine and mellow feel. And considering that K-Pop is not even that popular in Korea, let’s take a look at a more coffee shop friendly artist of whom I love: bedroom pop princess Kim Yu Jin, […]
Unless you’ve been living in an underground bunker, you’ve probably been keeping up with all the drama surrounding SM Entertainment and EXO-M’s former member, Kris. Was Kris selfish, perhaps wanting to pursue a solo career in China? Did SM mistreat him, his health, and his career? Whether you’re #TeamKris or #TeamEXO, everyone seems to question […]
https://kultscene.com/wp-content/uploads/2014/06/Untitled-design.png7681024Alexis Hodoyan-Gastelumhttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngAlexis Hodoyan-Gastelum2014-06-19 01:40:032014-12-31 08:43:36Did SM Entertainment Treat Kris & EXO-M Unfairly?
If we love K-Pop for its glitz and glamour, K-Indie takes a spot in our hearts for its more genuine and mellow feel. And considering that K-Pop is not even that popular in Korea, let’s take a look at a more coffee shop friendly artist of whom I love: bedroom pop princess Kim Yu Jin, […]
Unless you’ve been living in an underground bunker, you’ve probably been keeping up with all the drama surrounding SM Entertainment and EXO-M’s former member, Kris. Was Kris selfish, perhaps wanting to pursue a solo career in China? Did SM mistreat him, his health, and his career? Whether you’re #TeamKris or #TeamEXO, everyone seems to question what exactly made Kris leave the group and company. With recent news of Kris’ new movie deal in China, the former questions seem to arise anew.
So, did SM Entertainment really treat Kris or any of the other EXO-M members unfairly compared to their Korean counterparts? Let’s take a look…
EXO-M was destined from its inception to focus its promotions in China, while EXO-K promoted in Korea. Both groups debuted with Mama on the same day in their respective countries and had great success on various music charts. However, they promoted together as 12 members throughout 2013 with Wolf, Growl, and Miracles in December, but were mostly split again for Overdose this year.
It is news to no one who follows K-Pop that EXO’s popularity is rarely matched. Fans loved them through the teaser videos to the pre-debut songs to Mama and beyond. Their drama, CF, music video appearances, movies, emcee, and radio and variety show gigs were distributed mostly evenly for EXO-M members in Korea. EXO-K solo member’s activities far outnumbered their Chinese members because, as I said before, they were the ones geared to promote in Korea, not EXO-M. SM Entertainment has more leverage within Korea, so it makes sense that EXO-K had better accessibility to activities.
But in order to get a better picture of how EXO-M’s appearances were distributed between the members, take a look at these infographs:
[Disclaimer: Some appearances might be missing]
… And more specifically:
As you can see, Xiumin has the lead, but let’s not forget he has an upper hand on because of his fluency in Korean, due to the fact that he is, of course, one of EXO-M’s Korean member. On the other hand, the other Korean member, Chen, had more appearances than Kris, Lay, and Tao, but fell behind Luhan, a Chinese member. So, were these assigned fairly? Yes, considering lots of these were done with other M and K members in Korea.
Since those were individual appearances, let’s now take a look at the ones they did together as EXO-M:
It seems the question about who’s really to blame – Kris being selfish or SM mistreating him– seem to confuse us more than clarify the issue. Was Kris jealous of Luhan for having acting roles? Is SM giving Tao minor acting roles to appease rumors of inequality among the members? Geez, this plot is better than any K-Drama I’m watching right now…
Whether Kris is in the right and SM in the wrong, like with Super Junior’s Hangeng and JYJ, or vice versa, one thing’s for sure: SM was not treating EXO-M’s appearances unfairly. They all seem to have had around the same number of gigs. As to why they weren’t as involved in China, I do not know, but SM is definitely trying to get the EXO-M guys out there more.
What’s your take on the whole SM vs. Kris debacle; who’s in the right? Share your thoughts with me, and let’s talk about it! Don’t forget to subscribe to the site and follow us on Facebook,Twitter, Instagram, Tumblr, and Bloglovin’ so you can keep up with all our posts.
https://kultscene.com/wp-content/uploads/2014/06/Untitled-design.png7681024Alexis Hodoyan-Gastelumhttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngAlexis Hodoyan-Gastelum2014-06-19 01:40:032014-12-31 08:43:36Did SM Entertainment Treat Kris & EXO-M Unfairly?
If we love K-Pop for its glitz and glamour, K-Indie takes a spot in our hearts for its more genuine and mellow feel. And considering that K-Pop is not even that popular in Korea, let’s take a look at a more coffee shop friendly artist of whom I love: bedroom pop princess Kim Yu Jin, more famously known as Neon Bunny.
In an international spectrum where K-Pop idols reign supreme, Neon Bunny stands out for her electro pop sound that’s completely foreign to the genre. Her 2011 debut album, Seoulight, set her apart from the mainstream dub step pop for her danceable guitars and synthesizers reminiscent of early French band Phoenix’s work. Critics acclaimed Seoulight, and it even won her the Best Pop Album award at the 2012 Korean Music Awards, where Yu Jin beat out IU. Some of the album’s standouts include Long-D and Can’t Stop Thinking About You.
Her following EP in 2012, Happy Ending, was heavily ’80s new wave influenced and delivered stronger messages with songs like Oh My Prince. Neon Bunny’s sound became more disco and therefore club friendly with more upbeat tempos than before, such as in Bubbles. You could say Happy Ending is trendier than her earlier work.
Neon Bunny laid very low after her Happy Ending success for a while, only helping out with bands Smells on Listen to your Heart and Demicat on Singing Bird. But the hiatus ended back in March of this year when she released the single, It’s You, produced by Demicat himself. And while an album or EP is still not confirmed, It’s You sufficed for us fans.
It’s You’s sound seems like Happy Ending’s continuation, embracing the retro synth and electro elements. You can see her progression since her last EP by noticing Singing Bird’s influence on the song, but still retains her individuality and signature voice. This song leaves listeners with high expectations of what’s to come from Neon Bunny in the near future.
How do you like Neon Bunny? Let me know, let’s fan-girl about it! Don’t forget to subscribe to the site and follow us on Facebook,Twitter, Instagram, Tumblr, and Bloglovin’ so you can keep up with all our posts.
