The 2014 Seoulsonic show on October 22nd in New York, was a feast of light and music when From The Airport, Rock ‘N’ Roll Radio, and Glen Check took the stage. The groups, brought to New York City by the CMJ Music Marathon 2014, played in the Soho-based venue SOBs to an enthusiastic audience that […]
https://kultscene.com/wp-content/uploads/2014/10/IMG_3022.png7681024Tamar Hermanhttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngTamar Herman2014-10-24 17:30:592014-10-24 17:30:59Glen Check & More at 2014 Seoulsonic in New York
[Disclaimer: This review contains adult content and uses profane language.] Talk about a comeback. Epik High‘s Born Hater easily reached over 1 million views within its first 24 hours of being released on YouTube. Beenzino, Verbal Jint, Mino, Bobby, and B.I are all featured on the track and all appear in the video. Each rapper […]
https://kultscene.com/wp-content/uploads/2014/10/Epik-High-Born-Hater.png7681024Tarahttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngTara2014-10-23 22:19:532020-11-30 08:14:08Epik High’s ‘Born Hater’ Music Video & Song Review
The 2014 Seoulsonic show on October 22nd in New York, was a feast of light and music when From The Airport, Rock ‘N’ Roll Radio, and Glen Check took the stage. The groups, brought to New York City by the CMJ Music Marathon 2014, played in the Soho-based venue SOBs to an enthusiastic audience that […]
https://kultscene.com/wp-content/uploads/2014/10/IMG_3022.png7681024Tamar Hermanhttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngTamar Herman2014-10-24 17:30:592014-10-24 17:30:59Glen Check & More at 2014 Seoulsonic in New York
[Disclaimer: This review contains adult content and uses profane language.] Talk about a comeback. Epik High‘s Born Hater easily reached over 1 million views within its first 24 hours of being released on YouTube. Beenzino, Verbal Jint, Mino, Bobby, and B.I are all featured on the track and all appear in the video. Each rapper […]
https://kultscene.com/wp-content/uploads/2014/10/Epik-High-Born-Hater.png7681024Tarahttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngTara2014-10-23 22:19:532020-11-30 08:14:08Epik High’s ‘Born Hater’ Music Video & Song Review
The 2014 Seoulsonic show on October 22nd in New York, was a feast of light and music when From The Airport, Rock ‘N’ Roll Radio, and Glen Check took the stage.
The groups, brought to New York City by the CMJ Music Marathon 2014, played in the Soho-based venue SOBs to an enthusiastic audience that was enthralled by the variety of sounds produced by the three indie groups from South Korea. Despite coming from thousands of miles away, the audience and the musicians had no problem understanding one another– this may have also been aided by the fact that only Rock’N’Roll Radio’s songs were in Korean, while the other two groups sung in English.
After starting roughly twenty minutes late, From The Airport kicked off the Seoulsonic show. The electro-synth duo brought a rock vibe to their set, with one member on stage in full-dj mode while the other switched off between his guitar and synthesizers. Even though From The Airport had a heavy emphasis on synthesizer, to the degree where one member’s singing sounded entirely mechanized, a few songs had guitar riffs, providing a synth-rock feel.
The duo, made up of Milo and Zee, gave off a laidback concept as they stood on stage wearing T-shirts and glasses, while they performed their six song set. But From The Airport’s production anything but laid back, and every moment that the two were on stage, it was clear that they had put their heart and soul into the music. Zee in particular couldn’t seem to stand still as he delved into the music, nodding his head to every single beat other than when he had to sing into the mic.
Even though the words were partially drowned out by the music, the meaning of each song was clear thanks to the presentation. The surreal sound of the songs matched the light show throughout the set. A screen behind From The Airport created a backdrop of vibrant flashes of color that enhanced the music rather than distracted from it, as if the lights and the synth-beats were combined.
The following act, Rock‘N’Roll Radio, was a completely different sort of indie group, forgoing technology and taking the audience back to the time when the only type of concert was one with a full five-member rock band. Rock ‘N’ Roll Radio was the relative newbie in the night’s roster, but the band had a great response from the audience, despite the fact that their lyrics are in Korean.
After From The Airport’s modern, electro-synth sound, an old school-style band like Rock‘N’Roll Radio was able to get the crowd moving. Every song that the quintet performed had a beat that was easy to move to, and several songs had simple lines of “oooh ooh ooh” or “yea yea yea” that made it simple for the audience to get into. Dance-rock songs like One Week and Shut Up and Dance were full-body experiences, and it was easy to see why Rock’N’Roll Radio received the 2014 Korean Music Awards New Artist of the Year award.
As if the audience wasn’t enthralled by the modern take on traditional bands, which are rare in the current Korean music scene, the lead singer kept the audience entertained in between songs by trying his hand at English. He had everyone in stitches with a random reference to a hit HBO show when he was discussing what it was like being in New York.
New York is cold. Winter is coming… I love Game of Thrones.
Glen Check rounded out the evening, and were definitely the most popular act in the room. The group is one of Korea’s best electronic acts, and recently had their song 60’s Cardin featured in the OST of both seasons of SBS’s Roommate. Like From The Airport, Glen Check sang in English.
The three on stage, the two members wearing matching white Glen Check sweatshirts and an additional guitarist, began performing to a loud round of applause. The set featured electro-dance songs with heavy synth, and Glen Check, like From The Airport, used the backdrop to create a light show with images and lyrics that matched their songs. The synth music that Glen Check meshed with the guitar and drums on stage created a funky sound that was both infectious and new; a style that was retro and new all at once. Numerous times throughout the set, Glen Check urged the crowd to clap along.
The group ended the set and then performed an encore song, with one of the members taking up a drumstick and hitting the cymbal numerous times. The indie-pop-dance music had everyone in SOBs moving, and brought the entire night to a perfect full circle.
Stay tuned for more pictures and video from the event coming soon!
Do you like the bands featured on 2014 Seoulsonic? Be sure to tell us which is your favorite and don’t forget to subscribe to the site and follow us on Facebook, Twitter, Instagram, Tumblr, and Bloglovin’ to keep up with all of our posts.
https://kultscene.com/wp-content/uploads/2014/10/IMG_3022.png7681024Tamar Hermanhttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngTamar Herman2014-10-24 17:30:592014-10-24 17:30:59Glen Check & More at 2014 Seoulsonic in New York
[Disclaimer: This review contains adult content and uses profane language.]
Talk about a comeback. Epik High‘s Born Hater easily reached over 1 million views within its first 24 hours of being released on YouTube. Beenzino, Verbal Jint, Mino, Bobby, and B.I are all featured on the track and all appear in the video. Each rapper has his own verse, where he addresses the haters in themed bathroom stalls (more about that below). In short, the song and the video are brilliant.
Setting
The setting of the music video is a male public bathroom with numerous stalls. The video starts with a stall door holding all of the information for the song and DJ Tukutz’s gear is seen beneath the stall door. He starts out the video in one of these stalls as he mixes his beats.
Why bathroom stalls, one may ask? Well, I’m not quite sure but I can speculate. The song is titled Born Hater, which instantly tells the listener that the song will address the haters out there. Maybe the bathroom was chosen for the link to shit. Because haters talk shit, Epik High and guests are basically telling them to eat shit because they don’t know what they’re talking about.
Or maybe it’s to show that even though Epik High is well-known in the industry and have been around for over 10 years, they want to show that they are still human who still use the same porcelain toilets as the rest of us. Again, these are speculations, but make sense given the facts in the video.
There are times throughout the video that the scene changes from the original stall of each rapper to a stark, white, non-furnished bathroom. This bathroom is much deeper than the original stalls and has no color, except for the few props that are scattered toward to front of the stall. To me, this bathroom represents the person’s attitude toward the haters right now: nothingness. It’s like their own little asylum where no one can bother them. They are void of all the hate and clutter while in that room. It is their safe haven where they can release all their anger and emotions.
Videography
The music video, right from the beginning, is a vertical screen. This could be for many reasons. The music video takes place in bathroom stalls, which are narrow and private. The screen helps to portray that feeling. It also could be an ode to Epik High’s album title, Shoebox, in that the screen imitates the shape and depth of the inside of a shoebox.
The transitions throughout the video solidify the fact that this takes place in a public bathroom with many stalls. The camera quickly slides over to the next stall for the next verse. There are moments of a pan to the left/right in correspondence with the lyrics, which again add to the feeling of being in a bathroom.
The zoom never goes in extremely close to each person. However, there is the initial view of the overall stall, and then the zoom in to focus more on the person of interest at that time in the video. The zoom is not abrupt or rough, it flows smoothly and works well with the transitions and the style of the video.
Each member of Epik High, as well as the featured rappers, has his own bathroom stall that is decorated to correlate to their verses. Each stall and person within it is also a representation of the Seven Deadly Sins:
via scontent-b @instagram
Meaning
DJ Tukutz’s stall is filled with DJ equipment as he mixes the beat to start the song and throughout it. His bathroom stall is quite literal in that he always makes the beats for Epik High, and this song is no different. Tukutz sits quietly in his stall, minding his own business producing his beats. No one else is in the stall with him and he rarely, if ever, looks at the camera. His hunched position as he sits and his sunglasses imply that he doesn’t want to be seen or that no one ever really notices him. Tukutz represents Envy in that he’s always in the background of Epik High and never really in the spotlight.
via namhyun @tumblr
Tablo is surrounded by paintings of well-known artists (Dali, Van, Picasso- also a reference to Beenzino’s single) with huge red X’s over most of them, which alludes to Tablo’s Pride that he’s the best. To add to the painter motif he wears a beret. Along with the paintings, there are cockroaches scurrying all over the floor, walls, and Tablo. Throughout his verse, he’s constantly stepping on them, squishing them, and spraying them with pesticide. The cockroaches are all of the haters that keep coming at Tablo even when he continues to shut them down.
namhyun @tumblr
Beenzino is said to be Sloth. Sloth can be described as not utilizing one’s gifts and talents. This makes sense in that his haters think he gained his success through other means, like his looks, rather than his talent.
I can’t believe they say my success comes from my looks.
The Nike shoe boxes pose a bit of confusion to me. Maybe it’s a sign of his success and wealth. Let’s be honest, a lot of hip hop moguls show off their new kicks on SNS and the amount of Jordans one has in their closet seems to correlate to the amount of wealth one has, which also goes along with Beenzino’s lyrics that he is everywhere (meaning his music).
[Writer’s Edit: One of my fellow kultscene writers mentioned that the Nike shoeboxes represent Beezino’s song Nike Shoes and the girls that appear correspond to a line from that song:
Nikes on her feet make my love complete.
Hence the piles of Nike shoeboxes and the three girls who appear sitting among the boxes.]
namhyun @tumblr
B.I first appears during Beenzino’s scene as he’s trying to sweep the stall dressed in all white. He is the uncontaminated one trying to clear the mess in each stall. The all white implies purity, and since B.I has yet to debut, he is fresh and doesn’t have the amount of haters that his predecessors do. He isn’t tarnished by criticisms or harsh critiques.
Verbal Jint’s stall at a quick, first glance is full of books and posters. But as the video progresses, it’s clear that he’s looking at porn due to the blurred out magazine covers and the photos of bikini-clad women on the walls behind him. The fact that he’s looking at pornographic content similar to porn-hd.xxx and not hiding it connects with his lyrics:
Some of y’all are born haters Male, female, old, young, distributed across all levels of society Whatever I do, they respond with their innate shallowness
Even if Verbal Jint does something that everyone else is also doing, he still receives hate because he’s in the spotlight. People respond to his actions without knowing the full story.
namhyun @tumblr
Verbal Jint represents Lust, hence all of the porn magazines and posters on the walls. B.I also appears in Verbal Jint’s stall and becomes distracted from his cleaning by the erotic books in front of him. He would likely become distracted if an escort hamburg has about would be in front of him whilst cleaning too, so it seems fair. Although B.I is the uncontaminated one throughout the music video, he’s still human and has some vices of his own.
tabloworld @tumblr
Speaking of B.I, he is in charge of vocals throughout the song. He sings about being a rookie in the business and how one has to have the drive and ambition to succeed in the entertainment world. The closing words of his verse explain it all:
it’s motherfuckin do or die.
His scene shows him in Tukutz’s stall cleaning around his equipment and in his own stall that is sparkling clean with nothing on the walls or floors. Because he hasn’t officially debuted, his stall is clean and clear from all the haters’ comments.
captivatinglia @tumblr
captivatinglia @tumblr
Mithra embodies Gluttony with a loose fitting shorts-jumpsuit and boxes of pizza, containers of french fries, bags of chips, etc. in his stall. Gluttony can also be connected to selfishness. Mithra, at this point in his career, doesn’t care about anyone else in the game. He’s heard it all and only does what he wants to do.
namhyun @tumblr
Mino’s rap is a different beat than the others. Up until this point in the song, everyone’s rhymes and verses are on beat with the music. But Mino adds a little bit of asymmetry, which makes the listener tune in even more because the flow is slightly interrupted, in a good way.
He represents Wrath in many ways. The baseball bat he uses to smash the camera lense, the wine bottles behind him in the stall, which allude to self-destruction, and his overall destructive behavior. Mino’s lyrics for his verse are basically proving that he got to this position with his own talent, not because of his company. And he basically says if you don’t like him, then don’t pay attention to him, as simple as that.
namhyun @tumblr
Bobby is clearly the personification of Greed, with the gold chains, gold mirror, the money strewn all over the floor, the gold theater ropes, and the gold champions belt hanging on the wall. Also, the stacks of cash he nonchalantly throws around the room and gives to B.I. His lyrics state how people have noticed that he’s changed and he agrees. He wants the fame and fortune, but obviously has the talent and drive for it.
iamhunchul @tumblr
B.I closes out Born Hater with the chorus as he continues to clean the stalls. He also adds his own rap. In his rap, he explains that he’s different from the cookie-cutter singers and rappers you see on TV. And the fact that he’s on TV while his haters sit at home and watch and complain about him, proves that he’s doing something right. During his scene, he’s in a stall with Tukutz, Mithra, Tablo, and a few girls. Meanwhile, B.I is in the middle of the stall and everyone else is bobbing their head to the beat and looking at him as if in agreeance with what he raps.
dohdoro @tumblr
At the end of B.I’s verse, Tukutz starts DJing and B.I tries to get in on it, but Tukutz pushes his hand away and continues to look at him as if to say, even though you are talented, you’re still young and have to respect your hyungs. After that interaction, B.I has a look of obedience on his face.
The video overall has a lot of symbolism within each stall and each rapper’s verse (which is impossible to touch on in a basic review). Some comments on the video stated that they wish Epik High was in the video more, but I like this song and video. Yes, it is an Epik High song, which implies that they are the main attraction of the song and video. But the fact that they have veteran, new, and upcoming rappers on the track shows their inclusion and understanding of where hip hop was when they started and how it’s evolved over the years and will continue to do so.
The song has an amazing beat, great rapping, and is definitely one of my favorites of 2014. The colors, style of the music video, and the beat —especially the beat– of Born Hater remind me of a Beastie Boys song and music video, which, to me, is a really good thing.
Epik High's 'Born Hater'
5
What are your thoughts on Epik High’s Born Hater and the use of the Seven Deadly Sins? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
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