You guys, our prayers have been finally heard. After years of SM Town tours, a couple of fan meetings last year, and a headlining performance at KCON, it’s finally happening. We. Are. Getting. A. SHINee. Concert series. Yes, it only took them eight years or so, but the SM Entertainment boy band is finally coming to the States with their SHINee World V in USA and we’re freaking out.
by Alexis Hodoyan-Gastelum
The quintet’s highly anticipated first US solo concerts will be held in Dallas on Mar. 24 at the Verizon Theatre at Grand Prairie and in Los Angeles on Mar. 26 at the Shrine Auditorium. Tickets went on sale on Feb. 25 and range between $65 to $215.
We all know the hits: the adolescent love manifesto “Replay;” the ever energetic “Lucifer;” the dazzling “Dream Girl.” But SHINee’s awesomeness only increases once you get to know their b-sides. SHINee is one of the rare K-pop groups whose album cuts actually rival, if not surpass, the singles. And now that we’re getting a full concert, it’s important to know their non-single songs. Here are 10 that you absolutely must know in order to maximize your experience at SHINee World V in USA.
“Prism”
SHINee’s 1 of 1 album was filled with outstanding songs that overshadowed the single by the same name. “Prism” with its tempo shifts and interestingly layered vocals was one of the best album cuts on said album. On this track, the guys showed all the different vocal ranges and styles they were capable of doing. Sounds like a disaster, and it kind of is, but that’s what makes “Prism” a great, perfectly crafted piece of pop havoc.
Hands down, “Symptoms” is one of SHINee’s best songs. Single or otherwise; it’s simply perfection. How they perfectly blend Onew and Jonghyun’s soulful vocals with Key and Minho’s almost spoken interludes and then add Taemin’s powerful interpretation is mind blowing. “Symptoms” is an explosion of emotion; it’s a song you feel, not hear.
“Love Still Goes On” + “Love Should Go On”
Adding a bit of old school SHINee into the mix, what’s more OG than horribly amazing extensive raps verses from rap-god Minho and Key and a loud, dancey chorus dominated by Onew and Jonghyun? While it can’t be said for most of their concepts, SHINee’s songs tend to age gracefully in a fast-evolving genre like K-pop, partly because they’re always ahead of the curve. “Love Should Go On,” and the made-for-concert “Love Still Goes On,” is a perfect example, given it was released in 2010 and doesn’t sound dated at all.
“Feel Good”
SHINee has that thing where their angelic voices and melodies yank your emotions suddenly and violently. And with “Feel Good,” they do just that; hit you right in the feels. Although not a sentimental track, this love song makes your body tingle with butterflies while dancing your butt off. Leave it to SHINee to make you groove to a slightly sexual song.
“Beautiful”
“Beautiful” is mainly on here because this is where we got to hear Minho’s areumdaun (beautiful) vocals instead of his rapping — although he slays that part too, naturally. Not to mention the choreography for the chorus is hella lit and easy to imitate. Bonus points for Jonghyun’s belts. Catch me at the show dancing to this with my hands in the air!
“Odd Eye”
If you needed a specific example of how SHINee are no longer the dweebs professing their love to a noona like in “Replay”, it’s got to be “Odd Eye.” Penned by Mr. Sex on a Stick Jonghyun, this track is a testament that SHINee is a group of grown, sexy men. “Odd Eye” is their ultimate thirst trap, with it’s R&B inspired vocals and croons.
“Hitchhiking”
In terms of SHINee’s upbeat, lose your ish songs, “Hitchhiking” is at the top of the list. It’s such a fun, high-energy track and the boys put their all into the choreography. And, of course, SHINee wouldn’t be the kings of performances without their outstanding vocals, with which they never miss a beat of. Overall, “Hitchhiking” is a damn good time.
Yet another incredible b-side from 1 of 1, “Shift” is a bop. It’s a fast-paced track that makes you feel as if you’re running through a video game, or maybe a cartoon-ish club. Either way, it’s fun to jam to.
“Alarm Clock”
But not everything is pump up jams and hard-hitting performances. SHINee slows it way down in “Alarm Clock,” focusing exclusively on the vocals and melodies. Hearing the rap line hold their own with the vocal line is outstanding. And of course Taemin takes the cake for evolving into an all around performer, with the dancing and power vocals on deck.
“Love Sick”
Two words: “Replay” sequel. That’s it. That’s all you need to know. With “Love Sick,” SHINee brings it all full circle by continuing the tale about being in love with an older girl, now declaring she’s their woman and she still makes their hearts flutter. Plus, now they’re men and not the dorky little dongsaengs.
What’s your favorite SHINee B-side? What song would you love to hear live? Share your picks and thoughts in the comment section below! Be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
https://kultscene.com/wp-content/uploads/2017/03/17160772_10158617599290019_895037248_n.png720960Alexis Hodoyan-Gastelumhttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngAlexis Hodoyan-Gastelum2017-03-08 09:08:342017-03-08 09:20:3510 SHINee B-sides to know before ‘SHINee World V in USA’
Each week, the KultScene crew gets together and talks which K-pop songs released the past week caught our attention. The last week of February saw a lot of good releases, but we focused this week’s playlist on boy band Victon, a B-side from the first LP from Girls’ Generation’s Taeyeon, and a hip hop collab between LIVE and DEAN.
“Eyez Eyez” by VICTON (Released Mar. 2)
Despite being all quite similar, the new generation of boy groups are quite good at delivering classic K-pop sounding tracks. VICTON’s “Eyez Eyez” is one of the best examples. Pairing the synths of Sweetune with dripping dub reminiscent of Nu’est at their best, “Eyez Eyez” is dramatic in the ways that only K-pop boy groups can be. The developing mix of synths and dub carries this drama throughout, however, never steering into the realm of silliness. Especially in the pre-chorus, it kicks into overdrive with vocals pushing the music to keep up. It has no trouble as the song climbs to an epic plateau where a chorus can naturally occur. Producers BeomXNang have worked with VICTON on all their singles so far, improving each time. VICTON lack in distinctive qualities but compared to other boy groups right now, few can compete in terms of consistency.
With its light-hearted tropical beats and Taeyeon’s brightly effusive deliver of the lovestruck lyrics, the sweet “Cover Up” is a standout from Taeyeon’s My Voice album. It’s quite honestly like a burst of fresh air on the album after “Fine,” the more melancholic opening track. “Cover Up” seems like a more positive, saccharine spin on the the electro-pop feel Taeyeon pursued on last year’s “Why,” although altogether more of a feel good song. Practically incessant in its cheeriness and cool, romantic tone, “Cover Up” seems more like a song suited for the start of spring than at the end of the winter (although I guess those are the same thing?), but regardless of its release date I am very, very happy and would love to hear this spritely version of Taeyeon more often.
— Tamar
“Know Me (feat. DEAN)” by LIVE (Released Mar 1)
I honestly don’t know who LIVE is, but he’s got a new song out with none other than DEAN, and well, here we are. In “Know Me,” DEAN doesn’t just lend his velvety vocals and falsettos, but actually talk raps and he absolutely killed it. MORE OF THIS PLEASE! The song itself goes on a roller coaster, going from fast-paced, fire spitting bars to a more mellow lullaby. And it’s just not DEAN who makes the song amazing, but LIVE’s rapping is pretty dope. I may not had known him before, but as the lyrics say, now I do.
— Alexis
What was your favorite song of the week? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
https://kultscene.com/wp-content/uploads/2017/03/K-POP-7.jpg7681024KultScenehttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngKultScene2017-03-05 19:18:242017-03-05 19:18:25Weekly K-Pop Faves Feb 27-March 5
The last full week of February saw a lot of new releases from K-pop’s female acts, some of which caught the attention of KultScene’s team. Continue reading to hear which new songs by Lovelyz, TWICE, and Dal Shabet’s Subin won us over.
”Knock Knock” by TWICE (Released Feb. 20)
I’m not a TWICE stan but I can’t deny that their title releases have always been addictive and catchy, albeit sometimes a little annoying. When they made their comeback recently I was expecting much of the same, but “Knock Knock” proved to be a surprise. Yes, it has a concept and melody that we’ve come to recognise as TWICE. But this was the first time I genuinely liked every part of the song (especially the bridge!) and thought it suited the group very well. The accompanying choreography is definitely one of my favourites so far and this no-longer-rookie group definitely feels more comfortable now. Their comeback has felt a little undermined in light of BTS’s immense success but the song has still done remarkably well and I hope TWICE only goes up from here!
It seems like everyone I’ve spoken to about Subin’s “Circle’s Dream” either compares her to Lorde, Lim Kim, or both. The low-key instrumentals–including what sounds like a whimsically plucked ukulele– act as the backdrop of the Dal Shabet member’s vocals, which are somehow simultaneously sonorous and mellow. Even as playful as Subin sounds rolling her ‘r’s and singing sweepings “woos,” the song is actually about being hurt by love. The single’s style–and Subin’s solo work in general– is such a fresh approach to a topic that K-pop’s covered before, it’s really a pity that her solo efforts are getting essentially ignored. Dal Shabet had one of the best K-pop songs of 2016, and “Circle’s Dream” highlighted the fact that it’s not just by accident: Subin is an artist not to be overlooked.
–Tamar
”WoW!” by Lovelyz (Released Feb. 26)
Lovelyz are the best girl group of the new generation. Sadly rethreads of older groups are hogging the limelight so no one really knows this. “Destiny” was one of the most complete songs of 2016 and every single by Lovelyz since their debut has been good or great. “WoW!” is their biggest departure to date although nothing is lost in the transition. Lovelyz retain the synthpop style that dramatizes their potentially overbearing cuteness. On “WoW!,” produced by Lovelyz regular Onepiece, they add a level of quirk. The structure is odd, opening with a rhythmic talk-sing of the title with funky guitars. It then moves onto handclaps and eventually the surprising, but oh so satisfying, chorus. As usual Jiae is the secret weapon of Lovelyz. She perfectly captures the saccharine cuteness while still being totally weird. Her babyish, high-pitched “jyae ippeo” adds another whole level to the song, keeping it constantly exciting as opposed to maybe just a bit different. Lovelyz put effort into their music that goes unnoticed but revives the K-pop cutesy girl group sound every time.
–Joe
What was your favorite song of the week? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
Two months after releasing their first single “Oh NaNa” and catching a lot of attention, K.A.R.D. made their first comeback on Feb. 15 with the intensely popular “Don’t Recall.” After its release, its music video racked up millions of views on YouTube with, at the time of publishing this article, over 6 million views.
DSP Media’s newest group was picked by us as one of the artists to watch in 2017, and even though they’re still rookies, it is already safe to say that they have what it takes to make it in K-pop.
Of course, it’s not the first time we see a co-ed group in the Korean scene, and the features of their sound aren’t new either. So what makes K.A.R.D. so different from the others?
Let’s analyze a few aspects.
So far, K.A.R.D.’s releases have followed a pattern: westernized pop with hip-hop and Caribbean influences, catchy synthesized hooks and vocals led by the female members. Moreover, the lyrics are about love and romance in which the women play the most active roles as the two men rap and complement the ladies’ narrative in a responsive dialogue. The lyrics are combined with well labored choreographies full of boy-girl interactions, body rolls, and hip shaking.
We’re not sure if this is going to be a standard for K.A.R.D. or if they’re just riding the tropical house music wave for now only to move onto another trend, but while we wait on that, let’s just enjoy this era and crown K.A.R.D. as the modern Korean version of Ace of Base already?
Although they’re doing an exceptional job with this music trend, it’s something we’ve heard a lot lately, like in BTS’s “Blood Sweat and Tears” and Blackpink’s “Playing with Fire,” after the fever of dancehall influenced songs in the U.S (Rihanna’s “Work;” Mike Posner’s remix of “I Took a Pill in Ibiza;” and Justin Bieber’s “Sorry,” etc.). However, with K.A.R.D., it does not seem to be just a random choice of style for a song, but rather the group’s concept. The sonic feature is a huge invitation to shake your body, and the group members actually do it! And they do it in a way that’s not so common in K-pop.
For this reason, K.A.R.D. has been very appealing to foreign fans. In fact, if it weren’t for the insertion of raps in sections that we usually don’t hear in western pop and the spoken line before the chorus, everything about “Don’t Recall” could easily pass as something recently released in the U.S. and play on the radio, alongside songs like Clean Bandit’s “Rockabye.”
The amount of references we make to western pop this article is not in vain: K.A.R.D. is probably one of the least generic K-pop groups we’ve seen in the past few years. No wonder they channel other foreign co-ed groups of the past like RBD, A*Teens, and Vengaboys (yes, you now have a clue about how old this writer is, although the very mention of Ace of Base might have given you a clue) more than Sunny Hill, the previous, most high-profile co-ed idol group in K-pop. Yet, there is still something else that makes K.A.R.D. stand out: that this is clearly a group of adults.
It is not a new thing to have a K-pop act that sounds or acts American, but K.A.R.D defies K-pop standards even more by presenting a cogent combination of a western sound and a more mature posture of the members, mostly with “Oh Na Na” and “Don’t Recall” being led by empowered women who show no traces of the cute, shy, and submissive behaviour often seen in Korean girl groups.
Their music videos have the choreography on the spotlight, with Jiwoo, B.M., Somin, and J.Seph delivering intense performances. For western fans more used to this type of music, it is more natural to see people loosely shaking their hips and shoulders while dancing to such a contagious rhythm than seeing a typical K-pop choreography. K.A.R.D.’s choreographies are more daring and their execution lets us know that they are grown adults aware of their bodies and sensuality to the point that it doesn’t even seem like they are forcing a sexy concept even when they twerk or grind close to each other; it just seems natural. But it’s not just their dancing; in the Youtube videos their agency constantly uploads with footage of the members having fun while practicing, it is noticeable how relaxed and “real” they are encouraged to come across as.
It is not to say that all groups should be like this; we love K-pop for a reason. Nevertheless, different concepts are always welcomed, especially when it can help portray idols in a more human way and nurturing a little bit of spontaneity and self-acceptance. Plus, it’s a realistic portrayal of how people of the opposite sex interact without the boundaries set by K-pop agencies in fear of fan reproach, which result in incredibly awkward exchanges in music shows or concerts. It’s weird to say, but K.A.R.D. may be the group to normalize it. If fans can accept BM uploading selfies with Somin, saying she slays, who’s to say other groups can’t in the future?
This group has something unique and special — and not just because it’s a co-ed group that dances sexily with each other– that has the potential to make a difference in K-pop if Koreans are open to accept this new approach. K.A.R.D.’s international fan base grows more every day and it is easy to understand how they connect with the members not only through music but through their personalities as well. However, we must not forget that they are a Korean group that makes music for Koreans first.
The recent disbandments of groups like 4Minute, 2NE1, and Wonder Girls are a sign that one era of K-pop is coming to an end. But on the other hand, the enormous success of newer groups like Twice, BTS, and GFriend denotes that some of the most distinctive marks of K-pop won’t die soon.
It is hard to imagine K-pop without robotically executed choreographies, aegyo, cute concepts, and music videos full of colors and aesthetics, even for the future. But right now, it is also hard to imagine K.A.R.D. succumbing to this. Sticking to what they’ve shown so far would not only help them continue to stand out, but could also inaugurate an era of K-pop in which different styles can coexist.
We have a lot more to anticipate from K.A.R.D.: more singles, official performances, and there are still hidden members to be revealed. Therefore, it is too early to know if they will succeed as much as they deserve to. But regardless of what happens in the future, until now, K.A.R.D. is already one of the most refreshing things we’ve seen in K-pop in a long time and there is a lot of room for growth if Korea embraces them as much as the rest of the world is doing.
What do you think of K.A.R.D.? Do you think they have potential to go far? Share your thoughts in the comment section below! Be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
https://kultscene.com/wp-content/uploads/2017/02/Untitled-design-9.jpg7681024Ana Clara Ribeirohttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngAna Clara Ribeiro2017-02-23 09:53:122017-02-23 09:59:30Is K.A.R.D the future of K-pop?
With KCON’s rapid expansion all across the world, it’s no surprise that it would eventually reach one of Latin America’s largest countries and one with some of the most ardent K-pop fans, Mexico. Over the years, Mexico has been getting some more and more well-deserved K-pop attention, having hosted concerts that not even the U.S. have gotten (mainly Super Junior’s Super Show and SHINee’s SHINee World, although we’ll get the latter in March).
One of the biggest K-pop events of the year is finally heading down south, with top tier acts, no less. The official lineup includes KCON LA and NY past performers like Monsta X, BTS, and Red Velvet, and it also includes acts that even the U.S. KCONs haven’t gotten (yet!), NCT 127 and EXID. Other performers include Eric Nam, Astro, and INFINITE H. The event will be held at Arena Ciudad de Mexico on Mar. 17 and 18. Tickets went on sale on Feb. 7 and they range from 4,500 pesos (around $225) to 1,000 pesos (around $50).
And if KCON Mexico is your first K-pop show or you have never seen these specific acts, allow me to be of service. Having been blessed with trips to many K-pop events, including KCON LA and NY, over the years, I’ve seen mostly* every group and soloist on the lineup. This means I have a pretty good idea of what to expect and what will probably go down at both concerts. So let me break it down for you a bit…
[* With the exception of NCT 127 because they’ve never performed in the U.S.]
BTS
Let’s be real now: BTS is not only a popular group, it’s a freaking phenomenon. Until now, I’ve seen them perform four times (at their multiple KCON appearances and their Show & Prove mini-concert fromAmerican Hustle Life), so believe me when I say that you can expect two things: it’ll be lit and it’ll be absolute madness. ARMY do not play around; the amount of energy BTS leaves on stage is directly proportional (if not more!) to the fans’ excitement.
by Yasamine Entesari
We can always count on them to drop their hard-hitting bars and hit every move in their intricate choreographies. Last year, BTS went to both LA and NY, and while the song list differed a bit, they performed “Cypher Pt. 3: Killer” in each show, and both times it felt like it was their own concert; they absolutely dominated and set that place on fire. Moreover, the group recently dropped two singles, so we’ll witness those fresh out of the oven. One can only hope the same will happen in Mexico.
Red Velvet
SM Entertainment’s newest girl group performed at KCON LA in 2015 fresh off of “Ice Cream Cake.” Back then, they didn’t have enough “red” singles to fill out their set so they performed a cover. Now, however, with “Dumb, Dumb,” “Russian Roulette” and “Rookie,” they have the roster to put on the most uplifting and fun stage out of all of the artists. Expect lots of aegyo and a pit full of dancing fans.
When Monsta X performed at KCON LA 2015 just a couple of months (maybe weeks?!) after their debut, they blew everyone in attendance away with their potent performance which consisted of a couple of album cuts and one single. One! That’s all it took to convert more than a few fans into Monbebes (their fandom name). Then the next year, they followed it up again in Los Angeles with another outstanding performance full of even more confidence and swag, since their fans were visibly repping for them in the audience. Similar to BTS, with Monsta X, KCON goers are in for a treat with their set. Get ready to turn up to all their fierce singles and flaming choreographies.
by Alejandro Abarca
INFINITE H
If you can go to one K-pop concert, while the decision is massively difficult, a contender is without a doubt INFINITE. And while we’re not getting the whole group, the subunit INFINITE H comprised of members Hoya and Dongwoo is the next best thing. During their INFINITE Effect US tour last year, the duo performed a handful of their singles and album cuts and commanded the stage like it was their own show. Both performers are triple threats, being great dancers, rappers, and even singers. We’re all in for a treat with this duo who will surely makes us forget for awhile we are actually at KCON and not their solo concert.
EXID
Female representation on the KCON stage is always scarce, and this time it’s not different. However, a sexy girl group is just what we need to bring a bit of diversity in the acts. Having survived near disbandment prior to taking off with “Up and Down,” EXID have propelled themselves as the sexy, cool girl group K-pop largely lacks. Power vocals, a charismatic rapper, and easy to mimic dance moves to pretty much all their singles ensure a fun set. Having seen them two years ago at the Korea Times Music Festival, EXID commands the stage in a way that will have you glued to their every move. Not to mention Hani’s goofy side is sure to make an appearance.
Eric Nam has been a KCON regular for years as an MC or special guest. However, last year he finally got to perform at the convention, first in New York and then Los Angeles. Following his success in Korea with his recent releases, Eric put on a very contradicting performance, with his songs being super heartfelt and then shifting to his usual dorky self we grew to love on After School Club. And while he’s not the best dancer, he puts on a great show and always engages with the audience. Not to mention he actually speaks Spanish, which is rare if not unheard of in K-pop. Plus, this may be a stretch, but with Hoya also performing at KCON, who knows? Maybe we will finally get that performance of “Ooh Ooh” he promised fans in KCON NY.
by Yasamine Entesari
Astro
Astro is the one group KCON and DramaFever have pushed since their debut but have not gained as much traction as expected. Last year at KCON LA, my general concept of them was simple, Astro who? And yet, when they hit the stage, it was impossible not getting wrapped up in the incredibly cheesy and cutesy vibe they were transmitting. I may have not known their songs at the moment and I might not be stanning them now, but I can tell you that, in that moment, I was dancing and enjoying myself and now have a couple of their songs on my playlist. Astro is truly a happy virus that is bound to infect you. Accept and embrace it.
by Yasamine Entesari
NCT 127
Every year, there is one rookie boy group on the artist lineup that makes the fans girls go insane over, showcasing just how big the fandom abroad is. For this edition, that group will be NCT 127. And while I have not seen them live yet, one can still speculate. This specific unit of NCT has two albums under their belt, so it’s safe to say we can expect fiery performances of “Limitless” and “Fire Truck,” which will make the entire venue blow up. In addition, KCON always puts on special stages, and who better but NCT 127 and their slew of amazing dancers? Without a doubt, the first edition of KCON Mexico will host some of the most promising K-pop acts of the moments and we can’t wait to witness it!
Which KCON Mexico performer would you love seeing live? Share your picks and thoughts in the comment section below! Be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
https://kultscene.com/wp-content/uploads/2016/08/BTS-9.jpg17552629Alexis Hodoyan-Gastelumhttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngAlexis Hodoyan-Gastelum2017-02-21 18:31:132017-02-21 18:31:13What to expect at KCON Mexico’s concerts
February’s seen an uptick in K-pop releases, and this week the KultScene team had a wide array of new music to pick from. Between rockers, hip hop artists, and pop groups, we’ve highlighted some of our favorite songs of the week.
“Princess” by Jung Joon Young (Released Feb. 7)
After an unfortunate scandal late last year, talented rocker Jung Joon Young took a hiatus from both his music and variety career and remained in France for a while until his name was cleared. He then proceeded to make his return to the variety program he was on (2 Days 1 Night) and recently made a triumphant comeback to the music world with his first full album The First Person. The entire album is a masterpiece, filled with explosive instrumentals as well as Jung Joon Young’s gorgeous unique voice. As a ballad fan, this album was really perfection to me, but in particular, “Princess” stood out as one of the most beautiful K-pop songs I’ve ever heard. The way the background instrumentals intensified with every verse (the addition of the strings in the second verse for example) as well as when Jung Joon Young reached higher notes (he did so marvellously too!) made the entire song so cohesive and enabled non-Korean speaking listeners like myself to understand the emotions of the song. “Princess” proved once and for all that Jung Joon Young never does conventional ballads; he always manages to add a spin to his songs which make them instantly recognisable. I’m so happy that he’s back with such amazing music and I’ll definitely remain a fan for a long time.
As a long time fan of Sunny Hill, I honestly thought that last year’s “On The Way Home” was their final song, both because of its message and because Sunny Hill seemingly disappeared afterwards. But there was never any real closure or certainty regarding what was going on with the group and “Crossroads” seems to be an outward reflection of that. A jazzy soft rock song, the single appears to tell the story of the narrator, or Sunny Hill, deciding to move in a certain direction after not knowing where or what to do. Considering that Sunny Hill explored variety of different musical styles and visual concepts and saw little acclaim since they started off in 2007 (even though their song’s meanings and videos typically presented artistry rarely seen in K-pop) the new single comes across as the group’s explanation for leaving things up in the air: they simply don’t know where to go. It’s not really what I, or what I imagine any other Hillers, really want but it’s good to know that this introspective, insightful group isn’t just falling by without any rhyme or reason. Sunny Hill’s at a crossroads after a decade-spanning career, and, honestly, it’s great to see them admitting it. More Korean acts need to be as frank about their career, and societal issues, as Sunny Hill has been. If it’s the end, it’ll be sad, but honestly I’m just hoping this means we’ll see something even better than ever from this group in the near future. (Also, along with its importance for Sunny Hill, the song really, really hit home for me, since I’m amidst an in-between stage of my life.)
Earlier this week, former Show Me the Money 5 contestant Superbee dropped a new song accompanied with K-hip-hop’s best and other up-and-coming rappers: queen Yoon Mirae, her husband Tiger JK, Double K, Junoflo, and myunDo. The beat on “Pattern” sounds like a lighter, less bombastic version of “YGGR,” with the bells and overall somberness of it, although it lacks the power. However, the mix of all the rappers’ different flows and pitches create an interesting; every artists brings something to the table. From Yoon Mirae’s confident hook, to Superbee’s squeaky verse and signature laugh, to Junoflo’s bouncy, spit-fire bars. “Pattern,” more than anything, brought a bunch of awesome rappers for an awesome track and I’m here for it.
— Alexis
What was your favorite song of the week? Share your thoughts in the comment section below and be sure to subscribe to the site. Follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
Who better to kickstart a relatively slow year opening than SM Entertainment’s’s resident pocket rockets Red Velvet? Most expected that they’d come back with one of their velvet concept tracks but new single “Rookie” is red through and through. A velvet track would have been comforting and suited the cold months but “Rookie” goes past that to be an infectious energy boost to anyway who come in its way. Red Velvet are well past rookies now, and their edge is proving to be the most distinctive of all the newer girl groups.
Song
That being said though “Rookie” is not an easy song to get into. Looking at the laundry list of producer’s names we can see a probable reason for this. The song introduces itself as being by The Colleagues, who are an American production team more used to hip hop and R&B than bubblegum pop. They’ve worked with artists like Lil’ Wayne and Gucci Mane, people who don’t shout Red Velvet. SM regulars Tay Jasper, Sara Forsberg, and more were on head to presumable help the transition though. So many different hands were on this song and I think it is thanks to this not despite it that “Rookie” could come through as a quality track.
The Colleagues’ hip hop has been filtered out in favour of funk to counter the chaos of a Red Velvet song. The drum beat is introduced as the driving force. It perfectly combines both worlds into something clear but potentially erratic. A rolling bassline comes in behind along with horns and guitars eventually which add the more grounding elements. We’re used to synth heavy tracks from Red Velvet so it’s great to hear something with the same energy but not synthetic. The horns especially create this unique vibe thanks to being so fun and spontaneous.
The large number of producers may help cultivate the turbulent sound of Red Velvet, it would be nothing without their delivery. “Rookie” is their clear vocal highlight. It challenges the girls to swing wildly between their patented talk-singing and regular singing. The song’s structure is built around it. The verses are split into two distinct parts: Irene and Joy open up with cheeky introductions, getting us ready for the onslaught of ‘lookie lookies.’ Irene, Joy, and Yeri were made for this type of vocal play and “Rookie” really lets them shine. In the second part, Seulgi and Wendy start the actual singing and bring the details. They describe the rookie boy they are after and the effect he has on them. In a sense the almost nonsensical chorus is that effect in action. The childish repetition illustrates as Wendy sings “…Even the way I talk turns into ice when I’m front of you.”
The rapid transitions between vocals take less of a potential toll thanks to the song itself taking its time. It takes about a minute to reach the chorus from the beginning of the song. Usually this would be quite long but here it feels organic. Each new part is so filled with imaginative sounds so it never feels like you’re waiting for the chorus.
Music Video
As we’ve come to be accustomed to, with each new Red Velvet release the music video is decidedly psychedelic. “Rookie” expels the tighter, plot-like focus of “Russian Roulette” for something a bit more messy but just as weird. It takes aesthetic cues from Alice in Wonderland uses wardrobes and doors from The Lion, The Witch, The Wardrobe to transition between different sets. Like the song the girls can go through any door at any time, into a new exciting world. There’s a strange man made of flowers, Joy as a drug dealer, and a pull back to reveal the meta ending. Best of all is the long shot of Seulgi coming through the first door with a confused look, only to immediately find herself back in formation dancing to the chorus.
The best thing about Red Velvet is the commitment to their concepts since debut without becoming stale. They have continually produced magnificent tracks with youthful vigour. “Rookie” especially, finds something exciting. It’s many parts are equally diverse and wonderful. To the fans who think it’s too childish, do you even know Red Velvet? This is Red Velvet at their most fervent red. It’s supposed to be wacky and hard to grasp. That’s why we love them.
Red Velvet's "Rookie"
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What do you think of “Rookie”? Share your thoughts in the comment section below and be sure to subscribe to the site. Follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
https://kultscene.com/wp-content/uploads/2017/02/red-velvet-joy1.png6591200Joe Palmerhttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngJoe Palmer2017-02-04 07:06:592017-02-04 07:06:59Red Velvet’s “Rookie” Music Video & Song Review
When JYP Entertainment debuted idol boy group GOT7 three years ago, never did it cross my mind that I’d be seeing them perform in North America on a yearly basis, let alone 5 times in a span of eight days. Wait, what? Yup, you read that right. This writer recently attended all five stops of GOT7’s Flight Log: Turbulence in USA 2017fan meeting tour. The tour started in Miami on Jan. 21st, followed by Washington D.C. on Jan. 22nd, Chicago on Jan. 25th, Houston on Jan. 27th, and ended in Los Angeles on the 29th. And after attending the same show five times, you pick up a few things. In my case, this is what I learnedwhile on tour with GOT7.
[Disclaimer: I paid for my own flights, living accommodations, and show tickets. Press access was only provided for Miami.]
Idols Are Human Beings Too, You Know
We’re dealt with various cards during our lifetime, some good and some bad. What you and I experience throughout our lives might not be anywhere close to the kind of extreme and rigorous practice idols take on and live through mentally, emotionally, and physically on a daily basis. But no matter the situation(s) and how different their life may (seem to) be, at the end of the day, idols are still human beings, just like me and you. Miami, the first stop, was a clear reminder of that.
As soon as the lights hit the stage and the seven members appeared, you could instantly tell from their facial expressions that they were all running extremely low on energy. Who can blame them, though? Considering the countless back-to-back schedules they had for weeks on end prior to that nights show. Even though they all looked like they could use some sleep, well, month’s worth of sleep actually, the guys still powered through and tried their best to to put on a lively and interactive fan meet. Fans wanted leader JB to sing “Holic,” his recently released unofficial Soundcloud solo, but he wasn’t in the best condition and had a sore throat and said he’d sing it at a later time (four cities later and I’m still waiting for a live version!). Despite their fatigued start, they quickly gained momentum by their next stop.
Dab Dab & Sexy Dance
These are words that I can guarantee you will always hear at a GOT7 U.S. show, whether it be five months or three years from now. Within the last 12 months, member Bambam has gained himself the title of Dab King and undeniably lives up to that name every day. And of course, without a single drop of hesitation, introduced himself as “Dabdab” instead of Bambam at the group’s Miami stop. There’s been countless occasions where the crowd has chanted for him to dab and he’s replied with a “dabbing is so old now,” but that never stops him. Oh, but what’s better than a dabbing Bambam? The hyung-line (older members/brothers), especially Jackson, insisting on maknae and dance machine Yugyeom to do his sexy dance, is what. Even though the members are always egging him on, they still manage look away and cringe in embarrassment as soon as he starts to pop his chest. You can almost always expect a sexy dance solo from Yugyeom almost immediately after a Bambam dab-off. While Bambam and Yugyeom are continuous victims of the hyung-line, dabbing and doing sexy dances, don’t seem to bother this maknae duo whatsoever!
Derp Kings & Self Shippers
Time and time again, GOT7 has proven themselves to be the kings of making derpy faces. Whether it’s a penalty for losing a game or because they simply feel like it, just like clock work, these guys will surprise you with their infinite amount of derpy facial expressions. It was in the middle of a game during their Houston stop, Bambam aligned himself with the cameraman in the pit and started making one of many of his notorious faces to which led JB to come over and also start doing the same.
And just when you thought you had these guys all figured out, just when you thought you’re over being surprised with the things that come out of their mouths, GOT7 goes ahead and self proclaims their “ship” names for one another! What?! That’s so wild right? When have you ever met a group who openly talks about these kinds of things? As soon as the members mentioned it, l you could hear the fans break out into massive shrieks and then almost simultaneously hear immediate laughter on stage from the members in acknowledgement of the names “MarkBam,” “MarkJin,” and my new favorite “Parkson” (Park Jinyoung, Mark, and Jackson).
AmeriThaiKong & Jinyoung?
GOT7 is known as an international group; eldest member Mark Tuan is Chinese-American, Jackson Wang is a Hong Kong native, and Bambam hails from Thailand. Usually, if English needs to be spoken, you can count on these three to deliver and be the group’s very own translators. But wait a minute, it looks like they’ve gained themselves a fourth English speaker, Park Jinyoung. I may not know him on a personal level but Jinyoung’s always come off a studious fella; he’s mentioned his love for reading, enjoyment of studying, and wandering curiosity. That all showed as he made a conscious effort to speak in English during each of his closing statements for every leg of the tour. Jinyoung surprised the crowds with his almost fluent and strong pronunciation every time he spoke. It’ll only be a matter of time before he can hold an entire conversation [in English] with Mark, Jackson, Bambam, and even fans.
Comeback and KCON 2017
At the end of each stop, the members hinted that although they’re leaving us [tonight], we shouldn’t be too sad since they’ll be “coming back” soon. Interpret that however you will, but it has been four months since the group released and finished promoting Flight Log: Turbulence, so it’s only Korean music scene norm that they’re in the process of making another comeback. As much as we all want them to get some much needed TLC and vacation time, we’re all just as psyched about their new music (especially with all the teasing JB and Youngjae have been doing with their Soundcloud accounts). To top off it off, Mark mentioned during his speech in LA that they might even be coming back for KCON, which lead the crowd to erupt in ecstatic cheers. If all of this is indeed true, you all better start saving, like yesterday.
“If You Do” Is Iconic
In a previous review, I mentioned that “If You Do,” was GOT7’s best song to date, and 16 months later, I still strongly stand by that statement. I’ve seen them perform this song live eight times since it came out and have absolutely loved every single second of it, all the eight times. It’s no doubt that this song was an extremely pivotal moment for a lot of fans. “If You Do” transformed these seven delicate and goofy guys (which in reality they still are) into one hell of a charismatic bunch. If you weren’t a part of the fandom before this song came out, then you were definitely in when it was released. As if this song wasn’t already the creme de la creme in my life, I enjoyed it a hundred times more when Team JMJ (JB, Mark, and Jinyoung) danced to the slo-mo version of “If You Do” as part of their “random play dance” segment in Houston. Just when I thought it couldn’t have gotten any better, it did.
L.A. Knows How To Turn Up
The crowds in Miami, Washington D.C., Chicago, and Houston were loud, but L.A. easily took the cake home for the most “turnt up” crowd. Could it be that it was the last stop on their tour? Or maybe because it’s Mark’s hometown? Or even perhaps it was the fact that Elliott Yamin (placed third on American Idol, Season 5) was there and we all got to hear Youngjae sing “Wait For You” sort of as a dedication song? Regardless of the reasonings, the Pasadena Convention Center was on fire from beginning until end.
Although the L.A. show was shorter than the four cities prior to it, GOT7 made sure to never let there be a dull moment, whether that meant Bambam and Yugyeom dancing to “Juju On That Beat,” when Mark was sprawled out on the stage in defeat from not being able to name the correct song, or every time the members rushed over to Danny Lim, the MC for the tour, during a game, corner and surround him, causing him to burst out into laughter every time. But what really determines L.A. as the winning city? Probably when Mark got a bit choked up during his closing statement, thanking everyone for coming out, because every audience member knew how much it meant to him to be back on his home turf and being able to perform in front of his family once again.
GOT7 adores IGOT7’s
This isn’t breaking news because if you’re an ahgase (their fanclub name), then you should already know that you’re the apple of these guys’ eyes (no matter how crazy some of you may be). Fans have heard time and time again from GOT7 about how grateful they are for this fandom and for all the love and support they’ve been shown, but most of us have only ever heard these things online, as we’re watching an awards/music show or celebrating an anniversary. In reality, it’s a completely different feeling when you’re hearing and seeing something over the internet versus when you get to witness and experiencing it in the flesh. Just like anything else in life, really, you can’t get the full effect and truly tell how someone or something may be until you’re actually given that opportunity to see it upfront. There might be people out there who consider some members to be cold and standoffish, but in fact — and I’ve been lucky on numerous occasions to witness this — all seven members are well beyond affectionate and remarkably lovely people.
Sometimes when you go to any kind of show, at the end, the artist usually thanks the crowd and in some instances, they feel like empty words. But whenever GOT7 says it, especially when Jackson comments and asks things like, “Did you guys make sure you ate before coming here?”; address situations on how you need to take care of your own health and not worry about them (GOT7) because they can take care of themselves; make sure that you work on your own happiness first and then you can worry about others , shows you how mindful he is of the fans, and it’s something that sticks with you and will forever be ingrained in your head.
2017 WILL Be GOT7’s Year
Every fan wants their faves to be able to say “this is our year” and actually accomplish it. Sometimes it works out, other times it doesn’t. However, considering the firm rate that GOT7’s been peddling at, with the year only just beginning and having just finished a five city US tour, leaving us all in anticipation for a new album and future concert(s), my biased heart truly believes that 2017 will indeed be GOT7’s year. The group is headed at a solid pace to truly making it theirs.
I crunched a few numbers together and found myself running on tens hours of sleep in a span of nine days days and had flown for a total of 8,274 miles. With all of that mileage, I could’ve made my way over to South Korea, WITH a layover! But that trip can wait a bit longer. Flight Log: Turbulence in USA 2017 not only allowed me to see the extraordinary performers that GOT7 are again, but this tour also gave me the opportunity to visit cities I usually wouldn’t think of visiting otherwise. In addition to traveling to new cities and experiencing new things, this tour also gave me the chance to do one of my favorite things, and that’s to meet up and spend time with friends, both new and old! Don’t you love how music can bring people together?
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Were you at any, if not all, of the stops? Share your experiences in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
https://kultscene.com/wp-content/uploads/2017/02/got7KULTSCENE_2.jpg40006000Tam Huynhhttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngTam Huynh2017-02-02 07:30:042017-02-02 10:29:569 Things I Learned While On Tour With GOT7
As 2016 was drawing to a close, Korean music fans were already aware that the first half of 2017 would be hectic in terms of concerts. And as 2017 dawned, it showed no signs of slowing down. US fans will probably get more than their fair dose of K-pop shows — but what about K-hip-hop? Worry not, for Paloalto’s got your back. Hi-Lite’s founder is bringing his Unite tour to North America
While it may be called a “North American Tour,” it only has four stops. And while more would be appreciated, we’ll take what we can get. The first is on Feb. 3 at San Francisco’s Origin, then it’s LA’s Club Bound on Feb. 4. A week later, the shows continue on Feb. 10 in New York at Space Ibiza, and finally in Vancouver, Canada on Feb. 11 at Privé Nightclub. Tickets range from $20 for GA to $60 for VVIP with a meet and greet to +$300 for bottle service. Each date varies in prices, so keep in mind the change. All shows are 21+, however, the meet-and-greet is 18+ — so keep that in mind if you’re planning to go! For more information, check out the event page on Facebook.
And just in case you needed a warm up for what will undoubtedly be a lit night, here are eight Paloalto songs to hype you up for the shows:
1. “Moneyflow” by Paloalto, Zico, and Song Mino
The rap competition program Show Me the Money is always a great avenue for rappers, known and unknown, to collaborate and release fire tracks. So when Paloalto and Zico teamed up on Season Four, it was pretty obvious that their songs would be awesome. “Moneyflow” features both rappers plus contestant Song Mino. Paloalto always finds interesting ways of switching it up when it comes to beats, and going the rock route with “Moneyflow” fit Zico and Mino like a glove since their flows can go mosh pit hard without seeming fake.
2. “Turtleship” by Paloalto, G2, B-Free, Okasian, and Zico
For “Turtleship,” Paloalto released a version with his Show Me the Money team, but for the remix, the Hi-Lite CEO called on his label makes G2, B-Free and Okasian, plus Zico, for an even more lit rendition. Let’s get one thing out of the way: the original didn’t need to be upgraded, but with such a sick beat, why not expand the roster to see what even more rappers can spit on it? Even if it’s only under two years old, “Turtleship” is an instant classic.
3. “Good Times feat. Babylon”
As Korean rap becomes more popular, many rappers have begun to sound alike. However, Paloalto has his very own, difficult to replicate — or follow — flow, and this is perfectly exemplified in “Good Times.” It’s uplifting yet chill vibe makes the track a must for just about any day playlist.
4. “Fancy feat. Dean and Sway D”
What happens when you mix one a great rapper with one of the smoothest R&B vocalists? Gold, that’s what. Pure. Gold. Paloalto teamed up with Dean (oh yeah, and Sway D) for “Fancy,” aka, one of the chillest bops of 2016. Although it’s unlikely that Paloalto can pull off this song live in its perfect entirety without Dean, you need it in your life. You’re welcome.
5. “Would You Be My feat. Beenzino”
Throwing it a bit back, “Would You Be My” is an interesting indie rock and boom bap hybrid that we don’t get to hear in hip-hop a lot. But considering that Beenzino is the featuring rapper, of course it had to get experimental. It’s a stripped performance that allows their verses to take center stage, and it works perfectly.
6. “Au Revoir feat. CokeJazz”
Another laid-back, striped track playlist-worth is “Au Revoir” with CokeJazz. Before becoming a rapper, Palo aimed to be a songwriter, and fans constantly see glimmers of this when he focuses on the lyrics rather than the fanfare of the beat — like some other rappers, *cough* *cough*. “Au Revoir” is breezy and overall a feel-good jam.
2015 gave us plenty of Zico and Paloalto collaborations. And while they’re all great in their own right, “Dark Panda” takes the cake for being one of the most interesting. They signed up Sistar’s Hyorin to put some R&B soul on the track and she took it right into bliss. Musically, it’s complex and, well, dark; and the contrast between Hyorin’s moans, Zico’s fast verses, and Paloalto’s wavy flow make “Dark Panda” and experience in its own right.
8. “Victories”
Paloalto’s most recent track mixes perfectly his signature sound of contrasting chill yet bumpy beats and flow shift. It starts out mid-tempo and then it slows down the pace a bit before going up again at the hook, and this just goes on and on for a four minute musical rollercoaster. Like everything he does, “Victories” is a chill experience sprinkled with mild turn up moments to go crazy in when performed live.
However, if you must know the actual set list for the tour, Paloalto recently announced it on Instagram:
A photo posted by Paloalto 팔로알토 (@paloaltongue) on
What’s your favorite Paloalto song? Share your picks in the comment section below and be sure to subscribe to the site. Follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
https://kultscene.com/wp-content/uploads/2017/01/Untitled-design-4.png7681024Alexis Hodoyan-Gastelumhttps://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngAlexis Hodoyan-Gastelum2017-01-31 08:55:322017-01-31 10:00:208 songs to hype you up for Paloalto’s ‘Unite’ North American tour
The end of January was a bit sleepy in comparison to earlier in the month, but KultScene still had a lot of music to listen to. Some of of our writers fell for lovely, tender tracks and felt like we had to share Mugamak’s new single and EXO member Chen’s collaborative track with K-hip hop royalty Dynamic Duo.
”First Time in Love” by Mugamgak (Released Jan. 24)
Despite its happier sounding title, Mugamgak’s second single turned out to be even more heart-achingly beautiful than his first. He really showed that he was coming into his own as a ballad singer-songwriter with this release and his skills have obviously improved tremendously from a few months ago, with the expansion of his amazing vocal range. His voice is tender and flows nicely with his piano accompaniment to bring out the emotion of the song. I love Mugamak’s style of music so far and I hope he’ll come out with more wonderful singles soon.
Some ballads are just nice, and then there are some that are sentimentally momentous. “Nosedive,” the collaborative track by Dynamic Duo and EXO’s Chen is most certainly the latter. The simple melody is beautiful to listen to, with the pair’s raps to offset Chen’s dulcet voice. But it’s the lyrics of the song where “Nosedive” really stands out: The intro of Chen’s choral verse (When it hurts, just cry / Cry all you want, it’s okay) is filled with so much warmth, something much of K-pop is missing. “Nosedive” is known as a “healing song,” and there’s an obvious reason why.
–Tamar
Which song was your favorite? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
