K-Beauty review: Etude House Silk Scarf Damage Protein Ampoule Treatment

etude house silk scarf damage protein ampoule Treatment

I was in Seoul last summer and bought far too much K-beauty products so I’m still discovering random items in odd corners of my bedroom. I recently found a vial of Etude House Silk Scarf Damage Protein Ampoule Treatment. When I had seen it at an Etude House store sitting there in a hot pink box and looking like I should inject the product directly into my head, I was already sold. Now, months after a botched dye job had left my once virgin-dyed-hair insanely dry at the ends, it was time to test it.

So what is an ampoule anyway? When I bought it, I just liked the shape of the product and assumed they were trying to say, “This will be a fun way to make your hair feel nice.” So I bought one for me and one for my little sister. After a quick Google search, I discovered that Wikipedia defines an ampoule as “a small sealed vial which is used to contain and preserve a sample, usually a solid or liquid.” The Etude House one is a vial in the form of an injection needle, so the Ampoule Treatment is, in fact, technically an ampoule. According to Etude House’s website it “contains 9 kinds of protein other than keratin protein and 17 kinds of amino acids that fill up dry and damaged hair with both moisture and nutrition and coats hair for firm and volumized hair.” (Does it contain keratin plus nine other kinds of protein? I have no ideas based on the English blurb…)


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Pros

It smelled really nice! Since I sat with the ampoule on my hair for about 20 minutes, this really mattered to me more than the actually feel of the product, which itself was actually more dense than I expected. Because the ampoule is limited in size rather than in a tub or tube, I didn’t really feel it before putting it in my hair so I thought it may be a gel or liquid, but once I pressed on the pump it turned out that it was a really silky cream. The pearly white color of it gave the product a luxurious, girly feel that’s typical of Etude’s products. Sometimes I feel like the company spends too much time on packaging in a disservice to the product itself, but once I put it in my hair it felt like it was doing its job. I’ve used a few argan oils and conditioning treatments before, but this somehow combined both of those things into one: the Silk Scarf Ampoule Treatment was dense enough that I felt it had some weight (and I could act as if it was really filled with the vitamins it claims to have,) but it seemed to melt in my hair. Kind of reminded me of melting butter on a hot bagel, not going to lie, since it went from being pretty thick to oily slick really easily.

Etude House Silk Scarf Damage Protein Ampoule Treatment

Cons

Because of the vial packaging, I couldn’t actually see where I was squirting the ampoule. I didn’t want to first put it on my hand and then pat it on to my hair since there was a relatively small amount of product, but I ended up squirting far too much out on the top of my head and it was quite greasy the next morning. (It probably wouldn’t have the same result with someone who has thicker hair, but I naturally get greasy relatively easily. Not this quickly normally though.)


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Overall

The packaging and product itself was pretty and fun to use, which is always a win. I really did feel like the ampoule helped the bottom of my hair restore itself after the treatment- it’s been knotting considerably less, which was something several conditioners hadn’t been able to do. (I hadn’t tried any treatments prior to this and instead was just trying to drown my ends in conditioner…) A few days later, my hair still feels less dry than it did previously.

Post etude house silk scarf damage protein ampoule Treatment

Aside from my hair’s natural grease going into overdrive when I over-saturated the top of my head, this was a pretty great experience of something I bought on a whim because it looked bizarrely cute.

You can get the Etude House Silk Scarf Damage Protein Ampoule Treatment on Amazon or the company’s website. (Although the latter has some convoluted shipping fees since it’s coming from South Korea.)

Etude House Silk Scarf Damage Protein Ampoule Treatment
4

Have you tried out any of Etude House’s Silk Scarf line? What’s your favorite hair care product? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

This review was not sponsored by Etude House, but KultScene is always looking for affiliate and sponsors, particularly for product reviews. Email [email protected] for more details

From ‘Genie’ to ‘Wolf’: Dsign Music believes the future of music begins with K-pop [INTERVIEW]

Dsign Music Interview Robin Jenssen

Fans can wax poetical for hours about the positive aspects of the music coming out of South Korea nowadays, but more than just avid lovers are looking to K-pop for its innovative industry. Music producers, songwriters, and industry insiders from around the world are turning towards Korea to see how they can get involved. According to Robin Jenssen, the CEO of Dsign Music, K-pop is seen by western producers as the entry point into the larger Asian music market.

“You have two-thirds of the world in Asia, why should you just stick to the millions of people in the US and Europe?” Jenssen asked during our phone call last week. “It’s a really small market. Everyone wants to be a part of that new [market]. When everything opens up [in Asia], it will be a huge thing for music.”

Korea and Asia as whole have already been a huge thing for Dsign Music, which has created hits for everyone from Girls’ Generation and TVXQ in Korea to EXILE and Namie Amuro in Japan to Jolin Tsai in Taiwan and, wait for it, Ricky Martin himself. K-pop fans owe a lot to Dsign, considering that the Norway-based production team created hits like Girls’ Generation’s “Genie” and “I Got A Boy,” EXO’s “Wolf,” f(x)’s “Rum Pum Pum Pum,” and Red Velvet’s debut single “Happiness.” Their latest Korean single, Baekhyun and Suzy’s “Dream” peaked at number one in South Korea and number three on the Billboard World Digital Songs chart. Dsign’s most recent Korean songs were featured on Apink and Red Velvet’s latest albums.


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But before “Genie (Tell Me Your Wish)” came out in 2009, Jenssen had no idea what was going on in South Korea, or the fact that Dsign would end up creating some of the most popular songs. “It was actually our publisher who called us one day and said ‘Hey, you know they still sell a ton of records in Japan and Korea?’ We were like, ‘we don’t even know what it is,’” Jenssen said with a laugh. “We knew where it is but we had no ideas about the music. We had no clue.”

After “Genie” topped charts around Asia, Jenssen and his team went to see Girls’ Generation perform at the Tokyo Dome. “We had four TV interviews while we were at the stadium and there were thousands and thousands of people walking around the stadium. Then we realized, ‘Okay, we want to do more here.’”

Jenssen also credited iTunes and Spotify for opening up Asian music to western listeners who had otherwise had little access to non US or European-based music industries.

Since then, Dsign has been integral to K-pop’s foundation. They work closely with SM Entertainment, which tends to work closely with many western producers, but have also produced music for non-SM acts like Lee Hyori (“Bad Girls”), Spica (“Tonight”), Rainbow (“Energy”), Boys Republic (“Video Game”), and 9 Muses (“Hurt Locker”). Jenssen runs the day to day business aspects of Dsign, but has plenty of a role in the creation of their songs; his voice can be heard for a split second at the very end of Girls’ Generation’s single “Beep Beep.”

When creating songs, Jenssen revealed that it’s not just music that international producers have to pitch to Korean companies, it’s the whole concept. “Music in Asia is all about the video, the dance routines, the marketing, and how you put the package together,” he explained. “A good example is [EXO’s] “Wolf.” You get all the kids in Seoul to go around with their hands up in the air making ears and howling ‘awoo!’ They sold a lot of merchandise based on that song because it’s a concept song. And you kind of understand everything when you see the video and see how everybody reacts to it. Other songs are also concept songs, so sometimes we’ll write down ideas for the video too to ensure that the concept sticks through to the end.”


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Jenssen emphasized that foreign producers are learning that K-pop is based around the synthesis of intense concepts with the rhythm of US music, like hip-hop and R&B, and the melodies of Europe, where electropop is still prominent. But it’s not just K-pop emulating western styles according to Jenssen, who highlighted Selena Gomez for pulling off the most K-pop-like sound in the English-language music market. “A lot of new stuff in the US now is sounding more like the K-pop we’ve been doing for like five years, with a bit more stuff happening with several more parts in the song. When we won the YouTube award for Girls’ Generation with ‘I Got A Boy’ it was described as the ‘Bohemian Rhapsody’ of 2013 because it had all these parts in it. That’s something that K-pop is well known for.”

And Dsign Music believes that Korean music, and music industries throughout Asia, offers a new frontier in particular because of its immense export rates, which Jenssen said emulates the current model for English-language music. “Most of the income stream from the US artists comes from the rest of the world. Same with the UK. So the UK and the US have been always the winning part in the sales numbers because of the overseas sales just like Korea’s building its way to being the musical export market of Asia.”

As for Dsign’s future in Korea, Jenssen, unfortunately, said that they have more songs planned for later this year, but due to South Korea’s secretive approach to promotions he’s not allowed to give any details.

What do you think about Korea’s role in the future of music? Which is your favorite Dsign Music-written song? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook,Twitter,Instagram, and Tumblr to keep up with all of our posts.

Weekly K-pop faves: Sept. 19-25

weekly kpop playlist september songs released 2016

Summer’s officially done and that generally means the pace and concept for K-pop songs will change. This week marked the end of summer and the start of fall, so here are our faves from this transitional period.

“Thank You” by INFINITE (Released Sep. 19)

INFINITE made their long awaited comeback this week with sixth mini album Infinite Only and while their title track “The Eye” was a fantastic one, “Thank You” is my favourite track of the album, hands down. It sounded like a normal ballad on my first listen, but that was before I realised how vocally challenging the entire song was and how beautiful the lyrics of the song were. I was also hooked after watching Infinite perform it (flawlessly) on their first comeback performance on M! Countdown. It was probably the most relaxed yet sincere performance they had ever given and was full of bromance as well as fanservice. This group… is just perfection.

— Anna


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“Love Yourself” cover by Melon5 aka Super Junior-M’s Henry, B.I.G’s Benjy, N.Flying’s Jaehyun, Day6’s YoungK, and Astro’s Eunwoo (Aired Sep. 25)

The SBS live music show Inkigayo started doing this new Unplugged segment and this week’s episode featured the collaborative cover of Justin Bieber’s “Love Yourself” performed by Melon5. For a music show without a lot of live music performances, this sweet rendition was really quite nice to hear. (Plus I’m a sucker for collaborative stages). Aside from the fact that the five men are all talented singers, you could see and hear the fact that they enjoyed being able to play instruments on stage. The highlight of the cover was clearly when Henry and (I think, sorry!) Eunwoo were having fun with their violins, using a variety of different techniques to recreate the song’s original style on stage. The only criticism I have is that YoungK only really got a chance to sing at the end, because he clearly has the most distinctive voice from within the group of otherwise similarly-toned singers. Not that it was a bad thing to hear the four others, especially Henry who is overdue for some new music either as a soloist or with Super Junior-M, but it seemed that, aside from YoungK, Melon5 was trying to emulate Bieber’s voice rather than to put their own spin on things vocally. Hopefully, we’ll get to see this grouping being a bit more adventurous in the future.

— Tamar


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“What Season Are You? (feat. Giriboy)” by Fromm (Released Sep. 25)

As we transition from summer to autumn, the mood for the season gets cozier and calmer. The perfect dose of comfort comes in the form of Fromm’s “What Season Are You?” Her long awaited comeback, as always, did not disappoint giving us just the right amount of melancholy paired with her sweet vocals and the haunting guitar that leads the melody. Moreover, Giriboy’s input in the song is interesting, since he sings a few verses here and there rather than rapping (thank god!). And we can’t forget about the music video; it’s absolutely visually stunning. From the colors to the photography, it’s simply breathtaking.

— Alexis

What was your fave K-pop release this week? Share your picks and thoughts in the comment section below and be sure to subscribe to the site and follow us on FacebookTwitterInstagram, and Tumblr to keep up with all of our posts.

5 rising female acts at Zandari Festa ’16

Zandari Festa 2016 Female Musicians Spotlight

While South Korea is musically known for “Gangnam Style” and K-pop, the country has a burgeoning indie scene based in Seoul’s Hongdae neighborhood. Each year, Zandari Festa brings a bevy of Korean and overseas musicians to the area to perform around town at the Korean Peninsula’s closest thing to SXSW. This year, Zandari Festa will take place from Sept. 30-Oct. 3 and feature a lot of acts that we know and love, like Love X Stereo, Patients, The Barberettes and more.

Since the festival began in 2012, it has been integral in showcasing some of Korea’s best lesser-known talent so we always love to take a look at the roster to see what musicians we should be listening to. Like many music festivals, and music industries, throughout the world, Zandari Festa is geared heavily towards male and co-ed music acts, so we decided to highlight some of our favorite female Korean indie acts who will absolutely slay the audiences at this year’s Festa.

Sweet Revenge

What happens when you combine the spunk and beauty of Girls’ Generation with the rock flair of CNBLUE and Day6, then actually let them create their own music? Sweet Revenge. The most idol-like of all-female acts at this year’s Zandari Festa, Sweet Revenge is pop-rock quartet. Even though they look like any other K-pop girl group out there, Sweet Revenge writes all of their songs and plays live. In heels! Their more recent songs, like last year’s “Fly High,” feel like a hybrid of J-pop, primarily thanks to the lead vocalists high-pitched vocals, and American alternative rock.

Sweet Revenge will perform at Evans Lounge at 5PM on Oct. 3.


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Shin Seol Hee

The folk-pop singer-songwriter Shin Seol Hee released her first album in 2013 and since then has released an album and several singles. Her sound primarily revolves around strumming guitars intertwined with other sounds, such as the lilting chimes and electronic elements like what was heard on last year’s “Circle.” She has a breathy voice with a surprisingly strong tone so hearing her sing is a sheer pleasure. Her latest single, “Another Season,” was released just this week (Sept. 19) so take a listen ahead of Zandari Festa.

Shin Seol Hee is performing at Veloso on Oct. 2 at 5PM.

Kirara

After changing her name from STQ Project, Kirara’s become a fan favorite and is rising as a Korean electronica darling. The electro-pop tunes that the producer has put together are sprinkled heavily with 8-bit blips and modern rock and dance sounds to create a style that’s very much of the moment while still sounding like it came out of an ‘80s arcade. Anybody who is a fan of Clazziquai Project will certainly fall in love with her sound. Definitely go listen to her.

Kirara is performing at Steel Face on Oct. 3 at 5PM.

Earip

If you’ve ever watched a Korean drama, there’s nearly always one song on the soundtrack (OST) that is a dreamy tune with comforting words sung softly over the melody. Earip’s moving ballads sound exactly like that and have ever since she released her first album in 2005. The folk singer released her fifth album, Exile, earlier this year with the music video for the single. Our personal favorite is the sweet-sounding “뒷일을 부탁해” from 2013.

Earip is performing at Steel Face Rooftop on Oct. 3 at 6PM.


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Aseul

Like Kirara, Aseul is a rising star in the Korean electropop scene but Aseul’s music is more ethereal than Kirara’s playful sound. Her latest single, June’s “Fisher,” is a trance-filled earworm that takes nearly two minutes before Aseul’s vocals join the fray. Previously known as Yukari, Aseul has produced a variety of music since 2014 and this will be her first time at Zandari Festa with the new moniker. If you’re in the area, definitely check her out. (And tag us in the videos so we can pretend we’re experiencing her sound too!)

Aseul is performing at Steel Face on Oct. 3 at 7PM.

What do you think of these acts playing at Zandari Festa? Whose set would you like to attend the most? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook,Twitter,Instagram, and Tumblr to keep up with all of our posts.

Song Jieun’s “Bobby Doll” Music Video & Song Review

Jieun
When it comes to female idols going solo from their groups, few can claim quality quite like Secret. Leader Hyosung has been not only been redefining what it means to be sexy but also innovating with her song choices. Lead vocalist Song Jieun, back on her own now with “Bobby Doll”, has had one of the strongest solo careers to date for a female group idol. Her work with the Latin genre, seen here again, and on “Pretty Age 25” (one of the best tracks of 2014) has been absolutely stellar.

Now back with much worn doll concept, Jieun is probably hoping to build a proper solo career for herself given Secret’s lack of promotion. Her skill as a vocalist is not in doubt but does she have the songs and taste to back it up?

Song

The doll concept is an interesting choice for an artist like Jieun. I would have thought that older idols would be inclined to avoid the misogynistic connotations unless a commentary was involved. With “Bobby Doll” it’s hard to see where she falls in the argument.

Written and produced by Park Suseok and Park Eunwoo (regulars of TS Entertainment and the OST world) “Bobby Doll” is a Latin-inspired track that showcases Jieun’s impressive vocal range. The main guitar riff is evocative all by itself, creating a sensual but precise atmosphere. It’s carried by a strong jazz beat and eventually reinforced with similar electric guitar riffs and small chime details. The production is a great example of less is more as the song is still busy and exciting without being overcrowded.


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It’s Jieun’s voice that moves the song around in the absence of any big musical transitions. This makes the first listen a slight disappointment as the chorus takes its time to properly reveal itself. The first chorus seems underwhelming as Jieun doesn’t belt out the big vocals, preferring more rhythmic repetitions of “I’m your Bobby Doll.” However when it moves back into the verse the song slows down revealing Jieun’s many talents;this transition is also helped by a great drum beat that mimics the sound of a wind up doll. First is her usual beautiful voice, then a sort of rap/singing that hits precise marks with her higher pitches. She also goes down to a whisper as if adding a whole different person to the mix. Here the tension is created that makes the second chorus so much more effective. From there the song holds the sensuous but dark feeling, with Jieun’s “la la las” adding a creepy element to the doll concept.

Lyrically this concept is approached in a disappointingly generic fashion. It positions Jieun as the doll, begging to be looked at. She brags about her looks, long straight legs, my skin looks like honey.” Throughout the whole song she is only ever an object desiring a man. The title also seems to be a way of just avoiding copyright issues from Barbie. It even references Aqua’s “Barbie Girl” which I think is a great touch and could be seen as the self-aware moment that unlocks this song.

Music Video

The music video presents an opposite reading of the doll theme though. Directed by Zany Bros (makers of many K-pop videos including from this year 4minute’s “Hate” and Gfriend’s “Rough”) it again shows Jieun as a doll yet works to criticise the one who looks at her.


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It doubles down on the objectification by having the main creepy male character looking at Jieun through a series of cameras. She sings and dances to his great pleasure on screen. A clear metaphor for how female idols are used and looked at it in the K-pop industry. What’s most interesting is the ending and how it seems aware of how using this concept is almost impossible to be really critical. After seeing herself in the mirror Jieun can finally escape from her voyeuristic prison.

The mirror is an important image. It could mean that finally being allowed to see herself in this position she understands how to stop it so she can finally leave. Yet not long after she steps out into the open she is pulled back in with little difficulty. Even when aware of being controlled by male eyes, and the male-dominated entertainment industry, there is little one can do to stop it. In the end when she looks in the mirror she isn’t seeing herself with her own eyes but merely self-objectifying through the male gaze that designed her. It’s easy to criticize the industry but much harder to actually step outside of it.

Overall

“Bobby Doll” turns out to be a mishmash of ideas both good and bad. Musically she is on as good a form as ever. “Bobby Doll” is a beautifully balanced track with new intricacies to find every listen. Jieun’s sound is one of the most mature in K-pop and I hope her and Hyosung can go back to Secret stronger than ever.

“Bobby Doll” is also however a weird culmination of ideas about female objectification. The video and lyrics are a complete mismatch with the lyrics being a reductive view. The video, although indulgent in the things it takes issue with, has moments of clarity that highlight an interesting if frustrating idea of this theme.

Song Jieun's "Bobby Doll"
3.5

What do you think of Jieun and “Bobby Doll”? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook,Twitter,Instagram, and Tumblr to keep up with all of our posts.

Weekly K-pop faves: September 12-18

kpop playlist september 2016 songs k-pop korean

2016’s been quite a year for K-pop, and each week our KultScene team aims to share some of our favorite releases of the past seven days. Over the past week, we discovered songs by the queen of hip hopYoonmirae, rapper Beenzino, and the boy band 2PM. Take a listen and let us know what your favorite song of the week was!

“JamCome On Baby” by Yoonmirae (Released Sep. 12)

Aside from the fact that Yoonmirae is a true queen of Korean music due to her immense versibility and fierce nature, I really love this song because I love puns. While the song’s title is “JamCome On Baby” in English it’s“잠깐만 Baby” or “Wait A Minute Baby” but the Korean word jjamkkamnon sounds similar to “JamCome On.” So let’s also give Yoonmirae the title of “queen of the punsters.” As for the song itself, I really love the fact that it melds electronic music, Yoonmirae’s sweet ballad tone, and her hip-hop flair into one four-minute song. The song is a sleepy banger with a pounding beat and inspiring lyrics and made to be listened to again and again.

— Tamar


Also on Kultscene: Which “Moon Lovers: Scarlet Heart Ryeo” prince are you? [Quiz]

“Time Travel” by Beenzino (Released Sep. 12)

I have to come clean about something. I was largely underwhelmed by Beenzino’s newest album “12,” especially since “Up All Night” was glorious. So when his newest music video for “Time Travel,” I had to go double check if the song was in said album, cause I was definitely digging it now. This, of course, is mostly due to the aesthetically pleasing music video. The rapper takes us into an Alice in Wonderland-like trippy, artsy world. The video is colorful, neon, weird, and just overall signature Tiger Cave studio. As for the song, what I initially thought was a forgettable release, together with the music video becomes this dreamy experience that’s really soothing.

— Alexis

”Promise (I’ll be) by 2PM (Released Sep. 13)

The (not-so) beastly idols made their long anticipated comeback this week after more than a year with their album “Gentleman’s Game.” The songs on their album, in particular title track “Promise”, definitely reflect how much 2PM has grown as artists. Penned by resident rapper Taecyeon, this song plays to the strengths of each member and has an extremely addictive chorus, along with one of the best raps I’ve ever heard in a 2PM song. The experimentation that 2PM has been carrying out in their songs continues successfully here with the song’s interesting mix of beats and sounds. The accompanying music video, while classy and appropriate for the song, also thoroughly drives home the point for fans that the boys are all fully grown men. This release was a great way to end off on a high note (at least till they return from the military) and while it hasn’t done exceptionally well on the charts so far, here’s hoping that the boys will get some recognition for it.

— Anna

What’s your favorite K-pop release of the past week? Let us know in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Which “Moon Lovers: Scarlet Heart Ryeo” prince are you? [Quiz]

 

scarlet heart

It’s been a few weeks since “Moon Lovers: Scarlet Heart Ryeo” premiered, but the K-drama is still making waves internationally with each new episode that is released. The hype is understandable, of course, since the show is a remake of an extremely popular Chinese drama series, but the strength of this adaptation definitely lies in its gorgeous cast. Full of familiar K-drama hotties such as Lee Jun Ki, Kang Haneul and EXO’s Baekhyun, the Goryeo princes never fail to charm viewers with their various antics, which mostly alternate between downright swoony and laugh out loud dorky. If you’ve ever wanted to find out which prince you would have been had you been born in fantasy Goryeo, you can find out right now through our quiz!


Also on Kultscene: K-Beauty review: Caolion Premium Hot & Cool Pore Pack Duo

[qzzr quiz=”267246″ width=”100%” height=”auto” redirect=”true” offset=”0″]

Which prince did you get? Are you enjoying this drama? Share your results in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

K-Beauty review: Caolion Premium Hot & Cool Pore Pack Duo

Caolion Premium Hot & Cool Pore Pack Duo

There I was, strolling around Sephora while picking up my long-awaited birthday present (the Marc Jacobs eyeliner is a game changer!) when I happened to notice the Caolion Premium Hot & Cool Pore Pack Duo. With pretty large pores on my nose, which was once dubbed a “strawberry nose” by a blunt facialist, I’m always looking for new, size-reducing items. I usually doubt their efficiency but I can’t help but be drawn in by their promises of blackhead-clearing perfection. I chose to try this one out since it gave me a two-in-one chance to try products I’ve heard good things about, and it was only $30.

I decided to try it out later that night. Upon first glance, I was a bit disappointed that that the step one pack (aka Blackhead Steam Pore Pack to clarify pores and refine complexion) seemed to be a grainy exfoliating mask, which was supposed to be rubbed around first and then left to sit. Since I like to keep my beauty steps separate (I tend to find two-in-one items usually don’t do either of the things the promise…), I was a bit wary but the overall feel of it wasn’t as weird as I thought. The second, considerably thinner, pack (aka Pore Original Pack with calming and cooling effects) was more like a typical clay mask but once I put it on it seemed to disappear from my face after about 15 minutes, as if my skin was absorbing its moisture.

 


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Pros

I really did feel that my pores looked visibly smaller immediately after, plus my face actually looked cleaner, likely because I had just scoured off a layer or three of my skin.

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Cons

BEWARE. The burning sensation was a bit much and I got pretty red immediately after using it. I made the error of thinking that if it says “pack,” it’s a mask for my whole face. Apparently that was silly on my part, since the Hot Pack seemed to literally set my face on fire. According to our resident makeup crazed lady, Tammie, that’s precisely how it was supposed to feel but even so… I had actual tears running down my face since it was so intense. It felt like I had just rubbed hot peppers all over my skin. That said, the product overall seemed to work as promised and the cooling sensation of the second step, after burning also a bit, did make my skin feel and look great. So… Yea. Be wary, but the results are worth it.

Also, step two smelled a lot like my niece’s playdoh.


Also on KultScene: Cosmetic Hallyu: Glow Recipe Helps Understand Korean Skin Care

Overall

I definitely am still going to look for a new clay mask with a focus on tightening my overall face, since that was what I was kind of hoping this would be, but I’m definitely going to add the Caolion Pack Duo into my regular skincare routine, particular for my problem eras. My skin looked nearly flawless the next day! I spent a lot of time outside in the heat and humidity of New York City the next day so my pores appear to have gotten a bit larger, but I’m intrigued to see how this product does in the winter. While it did it’s job, the fiery sensation was off-putting. Here’s to finding something that does the job without making me cry!

Caolion Premium Hot & Cool Pore Pack Duo
3

Have you tried the Caolion Pore Pack Duo? What other K-beauty products would you like us to review? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

This review was not sponsored by Caolion or Sephora but KultScene is always looking for affiliate and sponsors, particularly for product reviews. Email [email protected] for more details 

DIA’s “Mr. Potter” Music Video & Song Review

DIA_MR_POTTER
Lesser known girl groups losing their unpredictability after becoming overnight successes is something that plagues my mind all too often. This was a distinct possibility with DIA, a group who were capable of profoundly weird and exciting music before their increase in awareness. Their first song since Produce 101’s and particularly Chaeyeon’s rise in popularity,“On The Road” was a safe but sweet track that didn’t bode well for DIA’s advancement. Luckily now with the help of a certain British wizarding superstar DIA are back with an eclectic mix of sugary and volatile sounds on “Mr. Potter.”

Song

“Mr. Potter” immediately brings to mind DIA’s “My Friend’s Boyfriend” in that it’s hard to know if you’re supposed to be scared or enticed. That’s the best thing about DIA, they take the cuteness we are so used to in K-pop and bring to the absolute max, making us almost uncomfortable. With “My Friend’s Boyfriend” that felt entirely deliberate but on “Mr. Potter” it’s harder to tell.

Written and produced by ATM and STAINBOYS (who remixed Suran’s Ddang, Ddang, Ddang”) “Mr. Potter” has almost no regard for the cute and goes straight for the heavy sounds. It opens with some great xylophone and moves swiftly onto crushing hip-hop beats and sporadic synths. These work to contrast with the girls’ voices, which are sweet but manic thanks to the layers and quick delivery. They’re almost shrill in a way that will be off putting to many listeners, but for those who aren’t turned off the chorus is a strange heaven.


Also on KultScene: Weekly K-pop faves: Sept 5-11

The chorus keeps the same style of sound but changes the tone to make it slower and more melancholic, usually the opposite of what a chorus should do. DIA’s rare qualities shine in it thanks to the absolute business of it. Sci-fi synths scream as the beat gets bigger and the girls finally let go of their feelings. Their vocals take on a rhythmic chant with high pitched peaks. It’s a vocal style unprecedented in a chorus. It moves the song from a possible rehash of “My Friend’s Boyfriend” without the tongue in cheek aspect to something unique.

“Mr. Potter” moves along with assurance as well, mellowing out a bit to highlight the xylophone again and give room for Cathy to rap without too much interference. Her second part is also interesting; towards the end the song sounds like it’s about to reach its climax but transitions without a hitch into more rapping and xylophone. At every turn “Mr. Potter” is enriched with an unpredictability only DIA could muster up.

Music Video

Despite the strangeness of the song, “Mr. Potter’s” music video will probably be the most contentious thing about it. Even for those who weren’t fans of DIA the video seemed exciting as it could have been an interesting dip into the Harry Potter universe. Unfortunately without knowing the name of the song you wouldn’t automatically guess this was a song about Harry Potter. The video uses iconography from a large number of fairytales along with JK Rowling’s series. It seems a total waste of time regardless of how it turned out. They also copied Girls Day’s “Expectation” choreography (although they have the same choreographer Bae Yoon Jung).


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That being said there are a few things I like about it. Maybe it’s just me but DIA seem like a better group of actresses than most other groups. Their expressions are always fun and really in sync with the tone of the song and video. Especially when they’re sitting eating popcorn with glasses on, it’s sort of confrontational as if they’re aware that many fans will be confused by the song and video. The pastel colours are well worn out by K-pop by now but are great here, encompassing the whole video. It genuinely feels like a different world. I also love the bad CGI, it again suggests an awareness on their part that the audience is being tricked.

Overall

I’m so relieved that DIA continue to be a divisive group. “Mr. Potter” hits on a lot of weird levels making it a difficult proposition. Considering this and “My Friend’s Boyfriend” though, it’s clear that this is what they do best. They’re at home parodying the overtly cute girl groups who only pine away for men. DIA bring that to logical levels of mania with an aggressive assurance that sets them apart. Despite the apparent cuteness and subject matter, “Mr. Potter” is a hard track to find cute. It has a pace and electricity that doesn’t allow much thought on first listen. It squeezes you into a bewildered daze, confronted by DIA’s singular charm.

(who else would perform a six minute rock version of their single at a showcase)

DIA's "Mr. Potter"
3.5

What do you think of DIA’s “Mr. Potter”? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Weekly K-pop faves: Sept 5-11

kpop playlist songs september 2016

While school’s getting under way for many of our readers, K-pop’s also starting off again. Although there were some more high profile releases, a few of our writer’s fell in love with new music by Clazziquai and K-Tigers. Take a listen and let us know what other songs we missed from the past week!

“#curious” by Clazziquai (Released Sep. 5)

After being absent for two years, Clazziquai and their smooth vibes are back with “Curious.” The track is the first single off their upcoming full-length album “Travelers” and keeps it simple by focusing on the feel-good melody. The trio is famous for their synth-y, groovy songs and this is no different, nor does it disappoint. It’s a nice little preview of what’s to come from the album, and I can’t hardly wait.

— Alexis

“Arirang” by K-Tigers feat. Eun Ga Eun & Microdot (Released Sep. 5)

Korea’s popular Taekwondo performance team K-Tigers began releasing original songs earlier this year, but “Arirang” is the first one to capture my attention. Based on the Korean folktale of the same name, the electronica hip-hop offering is the best K-Tigers have released so far and I’d love to see more like it. The powerful song gives the athletes a space to perform their choreographed moves (and a few members a chance to sing along with the lilting melody) but it’s featured artist Eun Ga Eun who steals the show. Her vocals act as the emotional backbone of the song and brings the power vocals that the team itself has yet to develop, although some of the members do show potential. (And if they were to just pull the vocalists and Eun into a group, I’d be alright with that too…)

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— Tamar
What’s your favorite song from last week? Did it make our playlist? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.