Page 29 – KultScene

How effective will China’s ban on K-dramas be?

August 17, 2016/in Entertainment, Television /by Joan Vos MacDonald

Early in July 2016, South Korea and the US agreed to deploy the US Army’s Terminal High Altitude Area Defense System (THAAD) to the Korean Peninsula as North Korea continues to test launch intermediate-range ballistic missiles. South Korea says it wants the system for protection against North Korean missiles, but China feels the system will be used to spy on strategic Chinese locations. To retaliate for South Korea’s defensive move, China has banned Korean entertainers from appearing in China and banned K-dramas altogether. Enforcing that ban and asking Chinese viewers to stop watching K-dramas may be a bit more complicated than that for a variety of reasons.

It’s hard to know how the Chinese people feel about this ban. China’s state news agency Xinhua said there’s support for the ban because the Chinese love their country more than they love K-drama, but Chinese viewers might find it hard to break up with this highly addictive form of entertainment. In some ways, the choice forced on viewers can be compared to that much loved K-drama trope: the love triangle. On one hand, there’s a government saying love of country comes first. On the other, there’s hyper-addictive entertainment with attractive stars that has won Chinese hearts. Who wins? China’s government may want to take note. In k-dramas the female lead usually chooses the more attractive and charismatic alternative.

The popularity of South Korean entertainment media in China has never pleased the Chinese government. Every new K-drama success prompted a warning from the government. When the recent drama Descendents of the Sun hit over 400 million views, the government issued a warning saying that “watching Korean dramas could be dangerous, and even lead to legal troubles.” While that particular statement did not explain what those “legal troubles” were, dramas reportedly caused a pregnant Chinese woman to almost miscarry after bingeing on the fried chicken consumed in the drama “My Love From The Star” and another young woman to develop glaucoma after binge-watching a drama.

Also on KultScene: 5 Things To Know About ‘Uncontrollably Fond’

The government has long decried the values K-dramas depict; values that are more in line with capitalist countries, such as the U.S., and cautioned citizens against their not-so-subtle influence. Following the recent political defense move by South Korea, the Chinese government decided to ban appearances by Korean drama and K-pop celebrities.

For starters, Chinese viewers have become used to Korean content. By 2006, Korean dramas already accounted for more of the programming on Chinese television than any other foreign programming and the demand continued to grow. This, in part, is why China’s political advisory body, the Chinese People’s Political Consultative Congress (CPPCC), held a meeting in 2014 to discuss the dangerous appeal. The focus? Why could the Chinese government not make comparable television dramas that appeal around the globe when China had long considered itself the standard bearer for Asian culture.

While the Chinese government and industry pondered the question a lot of money left China earmarked for Korean entertainment companies and the makers of the products promoted in them. As successive dramas aired, the price for episodes went up, funneling even more Chinese money to Korea. The YSL lipstick shade worn by Jun Ji Hyun, star of the 2014 drama You Who Came From The Stars, sold out almost immediately. Chinese imports of South Korean beauty products doubled in 2015. Moreover, increasing numbers of Chinese tourists traveled to Korea to visit drama sites, including “You Who Came From The Stars,” often outnumbering Korean tourists at the same sites.

Doing business in China was profitable for the Korean entertainment community, which increasingly catered to fandoms there. The variety show Running Man made more money from the sale of copyright for the Chinese version than it did domestically. The casting of stars in K-drama or variety shows was influenced by their popularity in China. For example, Park Hae Jin was a smart casting choice in Cheese in the Trap not only because he was right for the part, but also due to his huge following in China.

During the last decade more Hallyu actors appeared in Chinese dramas and Chinese actors became more common in Korean dramas. Dramas such as Descendants of the Sun, starring Song Hye Kyo and Song Joong Ki, and Saimdang: The Herstory, starring Lee Young Ae and Song Seung Heon, were filmed completely in advance, partly to make it easier for Chinese censors to screen out sensitive material that might offend Chinese audiences. Censorship is a must when dramas air in China. For example, Doctor Stranger had the North Korean segments removed before it could be shown in China, as the government supports the North Korean regime.

The Chinese government also wanted some of the K-drama revenue to stay in China, insisting that Chinese companies had to invest in or co-produce any dramas that could be shown there. As a result, Seoul and Beijing signed a Free Trade Agreement in June 2015, and Chinese investment in the entertainment industry surged to $86 million in 2016. That’s a considerable amount of Chinese money entangled in the future of K-dramas, especially considering that future may be uncertain.

After the Chinese government threatened to ban Korea’s pop stars and actors, China’s Morning Post newspaper quoted industry experts saying that they were told to postpone any plans for new programs that involve South Korean stars or copyright for South Korean shows. Additionally, appearances by Korean stars were immediately canceled, the first being events for Uncontrollably Fond stars Kim Woo Bin and Suzy Bae and Park Bo Gum of Reply 1988. Song Joong Ki, the star of Descendents of the Sun, has seen his ads removed from China’s smartphones. The smartphone company Vivo cited “unavoidable circumstances.”

So what does that mean for Korean-Chinese productions? According to the American entertainment publication Variety, Chinese-Korean co-productions and talent are to be restricted, but shows already being filmed and aired may be exempt. However, there are Korean stars appearing in Chinese productions. Ji Chang Wook and Yoo In Na are currently working in China. Actor Ji Chang Wook stars in the Chinese drama Whirlwind Girl 2. Rumors spread that it was taken off the air but on August 2, his agency Glorious Entertainment denied those rumors saying that the program still airs. Yoo In Na is currently filming a Chinese period fantasy drama titled Love Weaves Through A Millennium 2, a remake of her K-drama Queen In-Hyun’s Man. Production did stop briefly after the announcement, but Yoo In Na’s agency, YG Entertainment, cautioned jumping to a conclusion. There has been no announcement that the show will be cancelled.

Also on KultScene: ‘Cheese In The Trap’ & ‘Answer Me 1988’: tvN’s 2nd Male Lead Problem

As for films, The Korea Times reported that Lee Min Ho’s film The Bounty Hunter grossed $29 million since its Chinese release in July. Will Korean films face the same restrictions and will Chinese audiences be ready to skip the next drama of the megastar so many fans love? That remains to be seen.

One thing is sure, however. The ban will hurt the bottom line at Korea’s entertainment agencies. China is the biggest foreign buyer of Korean cultural content. No sooner was the ban announced than stock in Korean entertainment companies dropped, although since then some companies have recovered slightly.

South Korea is not likely to withdraw from THAAD, so China may find it difficult to rescind its ban. The government has drawn a line in the sand and it may be a line that some Chinese viewers are tempted to cross; a ban on the Hallyu could backfire by making K-dramas seem even more appealing. Will more Chinese drama lovers travel to Korea more often to see their favorite stars or possibly find new viewing sources to satisfy their drama fever? After all, K-dramas are a hard habit to break.

What’s your take on the Chinese ban? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Artist Spotlight: D.Holic

August 16, 2016/in Entertainment, MUSIC /by Joe Palmer

It may seem like a strange to be writing about D.Holic given they are coming to the end of their promotions for “Colour Me Rad.” It was so hard to pin down exactly how they were promoting that I wasn’t fully aware when it was actually happening. Now that they’ve gone through their full swing it feels natural to bring them back into the public eye, especially since they probably don’t have that long left to their career. Trying to pin down girl groups like D.Holic is usually hard anyway though, so I’m used to it by now. When I first stumbled upon the showcase performance for “Colour Me Rad,” I was at first shocked to see they had come back at all, and then spent a long time trying to find out everything about what they had in the works.

Working under an unknown label, experiencing member changes, and copying their successful peers are the hallmarks of most lesser known K-pop groups. D.Holic have done all of that and more. There is nothing obviously unique about D.Holic when compared to groups of a similar popularity as them, yet there is something about them that keeps drawing me back, wanting to know more. Let’s see if we can find out what that is.

D.Holic debuted in October of 2014 under H.Mate Entertainment. The name (one of the best ever) is still a mystery to me, but I bet the meaning behind is really stupid and fun. D.Holic started life as a five member group with an international slant thanks to Japanese member Rena and Chinese member Hami (Korean members Duri, Danbi, and Nine round them out). They debuted with single album “D.Holic Dark With Dignity” (amazing titles are a trend with these). Their single was called “I Don’t Know” and the public’s reaction to it was similarly ignorant.

Also on KultScene: 8 misheard K-pop lyrics pt. 6

That becomes even less of surprise once you hear the song. Produced by Quasimodo “I Don’t Know” is a weird track, a sort of loungy pop with its soft keyboards and sporadic horns. There’s a haunting echo to the girls’ voices that shifts the mood from simple slow jam into something a bit more sensual. There is some great work with vocal layers too, where you can actually hear different voices. This is all rounded out by that cheapness that accompanies many idol groups from less than mid-tier companies. The keys are flat and the horns don’t take enough of a front seat. This type of track needs quality production, without it we can’t get into the flow. It needs to strap us down with the bondage D.holic model in the video. The song doesn’t even try to hide Rena and Hami’s weak vocals, which show up painfully right before both the first choruses. Worst of alI it has a pointless feature from Chinese rapper and friend of Topp Dogg Andy.A47 and a useless ballad as a b-side.

After a weak start, D.Holic didn’t come back for another year. Creating your magnum opus takes time after all. Listening to their release from July of 2015, “Chewy” actually might make that statement true as they clearly played to their strengths more.

It also started their year long collaboration with producer team Urban Cla6ix. Park Junsu and Jung Yeonhun worked with D.Holic for this mini album and the preceding single album “Murphy and Sally.” On “Chewy” they seem to be taking cues from EXID, who were in the midst of their huge rise at the time of release. There is a case to be made that this might be their signature sound and it just happens to be similar to EXID. Although I couldn’t find anythig that predates “Chewy” or “Up and Down,” consider “Magical Show” a song the pair produced for Chinese star Li Yuchun.

“Chewy” is a volatile mix of whining synths and horn sections all over a booming hip-hop beat. Its synths bounce around during the verses, ready to take the song into territory bordering on messy. It’s held down by a more subdued chorus though and turns the song into something all their own. It includes a number of great flourishes too, the Indian style synth after the first chorus, the at-once enticing and terrifying refrain of “chewy chewy” and the fact that the song is about the girls’ hearts feeling chewy.

Best of all, they learned like EXID to distribute the vocal parts in a way that was best for the group. The previously anonymous Danbi now raps with a distinctive bite, Rena has a chorus part but her vocals are not pushed beyond their means. Curiously though in the video Hami raps the second verse but when performed live Danbi does it. It clearly sounds like Danbi so they must have just wanted Hami on screen for longer considering her good looks. Despite that it all comes together to make something that fits D.Holic in a way no one could have predicted. It’s one of the few cheap masterworks from an obscure girl group. It was also somewhat of a success for D.Holic, garnering 2 million views on Youtube compared to the 78,000 of “Murphy and Sally.” How those views translated into sales however, I do not know.

Urban Cla6ix’s work on this album’s ballad b-side “Miss You,” is worth noting for one thing as well. It sounds as if they took a stock ballad D.Holic had recorded and just added the synths from “Chewy.” It doesn’t make the song a weird classic like “Chewy” but it is something to behold.

In the four months it took D.Holic to return with “Murphy and Sally” lead vocalist Nine left and was replaced by Hwajung in a straight swap thanks to her own strong vocals. Their second collaboration with Urban Cla6ix is a peppier version of “Chewy.” It’s a song about one of those days where nothing seems to go your way but you keep pushing on anyway. Structurally it moves along with little concern for a listener to keep up as if the girls are ignoring their bad day. It opens with Hwajung’s simple verse which seems to set up a cheerleader type song with “oh oh oohs” when she finishes. It however, moves straight into a rap by Danbi which is powerful and surprisingly long and once that’s over into the chorus. Maybe it’s more a build up to the “never ever give up” chorus that was introduced at the start but it is comes unexpected again with its slower pace and bigger vocals.

This could have all worked towards a greater coherency if there was more time. Before the second chorus the songs moves as if it were one large thing rather than a series of parts. Omitting another rap in the second verse but it’s off track though. A sense of symmetry would have been really interesting. “Murphy and Sally” doesn’t come near the heights of “Chewy” yet retains D.Holic’s weird sense of structure. It’s a mess that should have been a b-side and allowed to shy away from pop standards.

Also on KultScene: Artist Spotlight: 4Ten

Speaking of messes, D.Holic’s latest single and their promotions for it have been all over the place. The day before their first showcase for “Colour Me Rad” it was announced that Danbi and Duri had left the group and had been replaced by EJ. They would continue as a four member group with EJ taking up rapping duties. That in itself would have been enough of a difficulty to start with. The showcase where they performed “Colour Me Rad” for the first time was not publicized at all, the video wasn’t released for 23 days after, and their first TV performance was only a week before that. All this after Hwajung said they would disband if they didn’t sell over 1,500 copies of their album. Maybe their company want them to disband so they wouldn’t have to spend what little money they already were spending on them.

Their demise seemed imminent. Going for a mainstream EDM track seemed like they were given at least a bit of a chance to succeed. “Colour Me Rad” was written and produced by Park Seulgi (Super Junior’s “This is Love,” Luna’s “I Wish” & “My Medicine”), Lee Jinkyung (possible former member of JQT ), Geum Songsik, and Jo Soyeon. It’s a pretty straightforward Big Room EDM track, a successor to T-ara’s “Sugar Free.” It’s the best produced of D.Holic’s songs but their least idiosyncratic despite the use of cowbells, an instrument much ignored by K-pop.

It does have some great moments though with EJ especially adding much needed character. Her raps lead up to the chorus and inject an angry energy that is distinct amongst all K-pop. She is a curiosity herself with her hot pink hair and ever present face mask. The mask does seem to be a gimmick as in every photo of her (even on her Instagram) she has her face covered and judging by some photos there doesn’t seem to be anything wrong with her face. It’s a weird gimmick for D.Holic to deploy since you need to be known for something like it to take off. Pre-Muzik Jiyoon won’t be worried regardless.

Apparently “Colour Me Rad” has sold enough copies so we have not seen the last of D.Holic. Boy am I glad. No group has carved out such a style for themselves and continued to work quite like D.Holic. For each year they have been active their music has taken a different tack. Each one showed a confidence and growing boisterousness that D.Holic have performed with glee despite a lack of success. It’s this drive, actually declaring they have to sell a certain amount of records or else they’ll be over, is something that really attracts me to them. There’s an honest and great desire apparent that sometimes gets lost amongst the flash of K-pop. These girls want to be up on stage. Colour me mad but here’s hoping to another three years of them doing exactly that.

What do you think of D.Holic? Do you hope to see more of them in the future? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

8 misheard K-pop lyrics pt. 6

August 15, 2016/in Entertainment /by Alexis Hodoyan-Gastelum

As long as K-pop artists put out music, the chances of foreign fans mishearing the lyrics are large. We’ve talked about it in previous installments: we think a certain line is in English, but it’s actually Korean, or it’s the other way around. Either way, in most cases, it makes for a funny experience. So let’s do this one more time and list the latest misheard lyrics.

1. “1llusion” by Dok2

What we heard: “Is it Ilsan? Is it really Ilsan? Let me know it’s Ilsan if it’s really ill”
What it says: “Is it ill son? Is it really ill son? Let me know it’s ill son if it’s really ill”

tara t-ara kpop gif confused misheard lyrics

via imlikesoblonde

2. “Knock Knock” by I.O.I

What we heard: “Knock knock knock knock”
What it says: “Tok tok tok tok”

via lotsofkpopgifs

Also on KultScene: Fave songs performed at Dok2 & The Quiett’s NO RE$T Los Angeles stop

3. “RE-BYE” by AKMU

What we heard: “It’s ok”
What it says: “Iksukhae”

wu yifan kris confused gif misheard kpop lyrics

via lotsofkpopgifs

4. “Symptoms” by SHINee

What we heard: “Chillin’… Chillin’”
What it says: “Gipsugi jjillin … jjillin”

confused kpop gif annoyed misheard kpop lyrics

via lotsofkpopgifs

5. “Bang Bang Bang” by BIGBANG

What we heard: “Come on donkey”
What it says: “Geomeun dokgiui”

confused gif misheard kpop lyrics crayon pop

via pandawhale

6. “She Is” by Jonghyun

What we heard: “I like this bitch”
What it says: “?????”

confused tiffany snsd girls generation gif miseard kpop lyrics

via aminoapps

Also on KultScene: The Big Three: K-Pop Record Label Mid-Year Review

7. “Artificial Love” by EXO

What we heard: “She don’t love me naked, artificial love”
What it says: “She don’t love me, naegen artificial love”

shocked siwon super junior gif misheard kpop lyrics

via Tumblr

8. “Pick Me” by I.O.I

What we heard: “Pin me pin me pin me up”
What it says: “Pick me pick me pick me up”

via lotsofkpopgifs

What are some of your misheard K-pop lyrics? Share them with us in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

[Renders: Michelledae, Charley1990B, hyukhee05, Leeeunki29]

Weekly K-Pop Faves: August 8-14

August 14, 2016/in Fans, Playlist Sunday /by KultScene

This past week was an important one in K-pop given a certain girl group from a certain big three company finally debuted. And while those releases took a big chunk of the spotlight, believe it or not, other artists also dropped their songs. Don’t get us wrong, we’re all whistling and boombayaing, but we were also feeling other songs this week.

“Puzzle” by BewhY and C Jamm (Released Aug 11)

After finishing first and second place on Mnet’s Show Me the Money 5, BewhY and C Jamm graced us plebeians by collaborating on “Puzzle.” The rappers have been good friends ever since high school, and with their newfound popularity thanks to the show and their innate talent, it made sense that they would work together to deliver a fiery track. Devoid of the overproduction of the tracks they released via SMTM5, “Puzzle” has a more real, underground though never amateur feel and mixes BewhY’s signature solemn almost cathedral-like sound with C Jamm’s more hard-hitting yet relaxed approach. It’s a weird combination of an anthemic track with a bit of tropical flavor. It sounds crazy, but it works. BewhY and C Jamm are definitely K-rap’s future.

— Alexis

Also on KultScene: Intro to BlackPink

“Think About You” by Jun.K (Released Aug 9)

If you want sexy idol solos, come to JYP. After Fei’s tantalizing “Fantasy,” 2pm vocalist Jun.K released his own masculine sexy track “Think About You.” I had little expectations given his image as more of a ballad singer but this is a huge song of genuine passion. LAced with hip-hop and R&B sounds, Jun.K croons about a lost lover. Considering the build-up of emotion that is so tangible in his voice it’s easy to see this as a song actually coming from the man himself. Jun.K did write and produce alongside Boytoy and it’s great to see him trying something out. It really takes off towards the end as it becomes an almost total trap breakdown with Keith Ape-like sqwaks. Jun.K really woke us up from the hazy dream Fei lulled us into.

— Joe

“Baby Ride (feat. Hyunsik)” by Luizy (Released Aug 14)

Cutie pie Seungyoun from UNIQ, who uses his stage name Luizy whenever promoting solo, teamed up with honey vocalist Hyunsik from BtoB to give us a sweet summer love song, “Baby Ride.” I can’t help but want to sit back on a lawn chair by a pool, a beach, or anywhere by a mass of water really, let the slight breeze hit my hair with a mojito in my hand and simply relax whilst jamming out to this song. Feeling a little tense? Stressful day at work/school? Take a breather, unwind and let “Baby Ride,” with it’s cheerful and delightful beat alleviate you of all your troubles.

Seungyoun has been a busy body the last month, having recently also released “Recipe” featuring Flowsik, an edgier rap, which showcases his dominating rhymes, but he easily transitions over and becomes an an angelic like rapper in “Baby Ride” with his sweet verses in this summer tune. It’s also such a treat to see Hyunsik feature his charming voice in this song, especially since he hasn’t been able to use it to it’s full potential with BtoB’s recent releases.

Can I ride into the sunset with these two too? And oh, did I mention how evident and adorable their bromance is?

— Tam

Also on KultScene: Suran, Nine Muses A, & Up10tion: Single Roundup Review

“Whatta Man (Good Man)” by I.O.I (Released Aug 9)

I love a good fierce/hardcore/almost-sexy concept, and in this release, I.O.I’s subunit delivers in every aspect of fierce, hardcore and almost-sexy. With a great beat, strong vocals, and killer choreography, I.O.I has completely flipped its image for their second comeback, and I’m all for the versatility. Not only in concept, but also in the members themselves. Surprisingly, the vocal caliber of I.O.I skyrocketed after its two main vocalists, Sejeong and Yeonjung, withdrew from this release. The visuals have now become vocals, dancers have become centers, and some girls serve as main dancers and lead vocals (most notably Chungha, who choreographed the entire performance in all its glory). While many doubted I.O.I’s skills at the time of their debut (including myself), we were all proven wrong with this release, and I couldn’t be happier about it.

— Kushal

“Starry Night” by Onew & Lee Jin Ah (Released Aug 11)

Ever since the fourth season of K-Pop Star, I’ve adored the sound of Lee Jin Ah’s childlike voice. Bringing her tone together with SHINee member Onew’s mellow style is a bit of a surprise, but the sprightly ballad that the two put together is exactly the sort of thing you want to listen to when staring up at the “Starry Night” and thinking about the one you love. This is very much a typical coffeehouse style track that I don’t think will do very well outside of Korea (although it’s doing nicely at the moment on many Korean charts) since it is such a low key jazz song, but I’m going to enjoy listening to this song often in the foreseeable future. I was also completely won over by the cute animation of the music video, so even if you’re not a fan of either artist you need to check this out.

— Tamar

What was your favorite song released this week? Share your picks and thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Intro to BlackPink

August 12, 2016/in Entertainment /by Kushal Dev

It’s been years in the making, but YG Entertainment’s newest girl group is finally here! And only days into their debut, BlackPink is already proving to be a formidable force in the world of Korean girl groups. As fans swarm to YouTube and other media to watch the videos and listen to the music, let’s go into the basics of BlackPink’s history, formation, and members. If you didn’t know much about the girls before the release of their songs “Whistle” and “Boombayah” a few days ago, you’re in the right place to learn more.

The announcement of a new group from YG dates as back as far as 2011, when the label announced that a girl group reminiscent of Girls’ Generation would debut in the following year. In 2012, YG Entertainment began teasing the possibility of not one, but multiple girl groups debuting under the agency, becoming sister groups to the explosively successful 2NE1 and BIGBANG. It came down to two groups, the first being SuPearls, which was composed of four strong singers aiming to release vocal-oriented music instead of the typical K-pop sound and singing skills. This group was supposed to have current YG soloist Lee Hi as a member, among three other vocalists from “K-pop Star 2.” Without much more detail, YG revealed plans to debut another girl group before 2012’s end alongside SuPearls. The stage was set for these girls about four years ago, but as we can see, they didn’t take the stage until much later.

Also on KultScene: Fave songs performed at Dok2 & The Quiett’s NO RE$T Los Angeles stop

Clearly, YG faltered on its 2012 plans — SuPearls was disbanded before debut, leaving Lee Hi to take the stage on her own, and the other new girl group was nowhere else to be seen. That is, until CEO Yang Hyun Suk reopened the possibility of the girl group debuting in 2013, but failed to happen as well. 2014 saw another such announcement, and more discussion of the girl group resembling SNSD, only to let fans down once again as both 2014 and 2015 passed with no formal debut.

But as the years went on, we weren’t entirely clueless about the girl group. If there was one person a YG fan could have guessed would be a BlackPink member, it’s Jennie Kim. Her name was all over YG releases between late 2012 and early 2013, when she featured on G-Dragon’s “Black,” Seungri’s “GG Be,” and Lee Hi’s “Special.” Whether it was rapping or singing, it was pretty clear that Jennie Kim was being prepared for debut, no matter how long it would take. Member Rosé underwent similar preparations, even though she wasn’t directly named in her feature on G-Dragon’s “Without You,” (instead, she was called “? of YG New Girl Group” for the better part of four years). As this was happening, members were being repeatedly added to the girl group and cut. It seems that, considering the intended connection to Girls’ Generation, that YG desired to debut a girl group much larger than 2NE1, probably closer to GG’s nine members than 2NE1’s four.

As time went on, however, Yang Hyun Suk and the rest of YG management must have changed their minds, because BlackPink in its final form consists of only four members. Only two months ago, YG reported that a fifth member would be revealed, only to later take back that announcement and go forward with a four-member girl group. What prompted the last-minute switch? We don’t know for sure, but recent trends in girl group debuts might have played a role in the decision. Given that TWICE, Gugudan, DIA, and I.O.I, among other girl group debuts these past two years, contain in excess of seven members, going with only four members gives the girl group an immediate edge — they stand out simply because they’re different in size. And, of course, it gives YG room to plan another girl group in the near future.

And finally, we have BlackPink. It took five years since the initial announcement, but YG’s next girl group is finally here. To go on further, let’s discuss the four members.

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Jisoo is 21 years old, and is the only member of BlackPink to have been both born and raised in South Korea. After training for over five years, she takes her place as the main visual and a vocalist in the group. Before BlackPink, she appeared in multiple CFs in addition to Epik High’s music videos for “Spoiler” and “Happen Ending.” With a pretty face, she serves as the group’s face, a role very important to the popularity of some K-pop groups (see: Yoona of Girls’ Generation, Nayeon and Tzuyu of TWICE, Suzy of Miss A, etc.).

At 20 years old, Jennie Kim is the member we all expected to see among BlackPink’s final lineup. She serves as the group’s main rapper, while also covering vocal and dance sections as well. As previously stated, she has demonstrated her talents in previous YG releases leading up to her debut. She boasts experience with English and foreign cultures, as she is from the Netherlands and has studied abroad in New Zealand.

Rosé is the group’s main vocal, another English-speaker who comes from Australia. At 19 years old, she shows strength in both her dance and singing, which is not surprising given her four years (at least) of training at YG. As previously stated, her feature in G-Dragon’s “Without You” served as the main precursor to her group activities.

Last but certainly not least is maknae Lisa, who comes from Thailand. At 19 years old, she is the group’s main dancer, second rapper, and vocal. Her Thai ethnicity makes her the first YG idol to be entirely non-Korean, and her exposure to different cultures has clearly benefitted her understanding of language, as she can speak English, Korean, and Japanese in addition to her mother tongue. Prior to her five year training period in YG, she was part of the Thai dance crew “We Zaa Cool” alongside GOT7’s BamBam. She made appearances with YG’s NONA9GON brand in the years before her debut.

What do you think of BlackPink? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Fave songs performed at Dok2 & The Quiett’s NO RE$T Los Angeles stop

August 11, 2016/in Events /by Alexis Hodoyan-Gastelum

dok2 the quiett no rest no re$t tour us 2016 los angeles la

by Jean Libert

For the second time this year, Illionaire Records CEOs and rappers Dok2 and The Quiett got Los Angeles lit with their NO RE$T tour on July 29. Set at Koreatown’s staple The Wiltern, the rappers performed almost 30 of their most popular and recent hits after being introduced by their friend, the jeweler Ben Baller.

But before the show, Dok2 and The Quiett gave a quaint press conference and gave their curt yet solid input. On the state of K-hip-hop’s globalizations, The Quiett, in English, said they felt good about it. Dok2 resonated the sentiment, “We feel good, we feel thankful, it will get better and better. I don’t know, we don’t think that deep. We’re just enjoying it,” he said with a laugh. The Quiett shared he’s working on his new LP, which will come out later this year. When asked to describe their music, “I don’t know, it’s up to [the listener],” Dok2 answered a bit dismissively. However, The Quiett jumped in and called it “positive hip-hop.” At this, Dok2 added, “we don’t do negative shit, we only do positive shit.”

Dok2 said he wasn’t working on collabs with anyone while in LA, “only food [and] shopping.” Moreover, he shared he didn’t have anyone in mind from Korea he wanted to collaborate with or plan on bringing anyone new into Illionaire. However, when asked about the possibility of releasing a collab album with AOMG Records, Dok2 said: “… Jay, we grew up together. Since 2010, we’ve been doing a lot of shit together. So AOMG and Illionaire is like a family. We’re not like business partners or nothing, we just [collab together]. But an album — when it comes to an album, it’s a business, so, we don’t know.” He said he’d be down to work with anyone in the US though, but shared he doesn’t know yet if he’d try to break the market here. “It’s hard to discuss it, when we’re talking about marketing, it’s just different,” explained The Quiett. Dok2 stated they weren’t going to rush.

dok2 the quiett no rest no re$t los angeles 2016 la

by Jean Libert

Another topic of interest was the fact that they were playing at an iconic Los Angeles venue. Dok2, true to brand, commented on their performance: “We don’t do nothing special. Just, you know, feel some LA vibes. Connect with each other.” A terse response, but a true one nonetheless. Without any gimmicks or even long talks with the audience, Dok2 and The Quiett put out a fun yet casual show, in the sense that it felt as if you were turnin’ up at a club with your favorite songs. And as previously mentioned, the rappers performed well over 25 songs, so here’s a recap of our faves.

Also on KultScene: Inside KCON 16 LA [PHOTOS]

“Beverly 1lls”

Kicking off things quite appropriately given the locale, the rappers started out their show with the newly dropped “Beverly 1lls.” Echoing from a darkened stage, Dok2’s omnipresent voice boomed from the speakers before diving into the chorus and before he came out on stage with The Quiett. Even if the audience didn’t know the verse (though doubtful since it was filled with fans), the repetitiveness made it easy to sing along to — just like everyone seemed to be doing, which prompted Dok2 to point his microphone at the audience. This tracked also marked the first dab of the night by The Quiett.

dok2 the quiett illionaire no rest tour los angeles 2016

by Jean Libert

“2 Chainz & Rollies”

This classic Illionaire song got even Dok2 dancing early on in their set. Not The Quiett though. He was more into stuntin’ and spitting his verses. As for the crowd, however, hands and glow sticks went up in the air as soon as the first beat dropped.

the quiett illionaire no rest tour 2016 los angeles

by Jean Libert

“Profile”

Even without frontman Beenzino, the Illionaire CEOs delivered a lit performance of “Profile.” And given the fervor with which the crowd sang the chorus, it’s no surprise that they keep this track in their set list.

dok2 the quiett no rest tour 2016 illionaire

by Jean Libert

“1 Life 2 Live”

“Put your motherfucking hands in the air,” commanded The Quiett before delving into “1 Life 2 Live.” After mostly delivering Dok2’s punch lines or choruses, this song marked the moment when The Quiett became fiercer than in the previous songs.

the quiett no re$t tour los angeles 2016 no rest

by Jean Libert

“Future Flame”

For the first few bars on “Future Flame,” Dok2 spit acapella before the beat kicked in and further proved why the snapback that read “Rapstar” was well suited for him. The Quiett, of course, sat this one out and uttered an “aye” and “yeah” here and there and repeated punch lines and hooks.

dok2 no rest tour 2016 los angeles illionaire

by Jean Libert

“Rocking with the Best”

Like many of the songs that feature all three Illionaire Records artists, the performance of “Rocking with the Best” was cut short given Beenzino wasn’t around for his part. And even if his presence would’ve been nice (hint, hint future production companies), Dok2 and The Quiett, with their signature blase demeanors, carried the track on their own.

dok2 the quiett illionaire no rest tour 2016 los angeles

by Jean Libert

“YGGR”

One of the –if not the most — most hyped songs of the night was another Illionaire classic and fan fave, “YGGR.” Typically, English hooks and choruses are what get the most response from the audience. Not this track though. From the pit all the way to the second story terrace, everyone was singing the famous hook and jumping around as it gained momentum. The crowd was so loud that Dok2 and The Quiett largely let them sing the hook and they just went about the stage doing their own thing.

the quiett illionaire no ret tour 2016 los angeles

by Jean Libert

Also on KultScene: KCON 2016 LA’s M! Countdown Day 2 Concert Recap

“1LLUSION”

As one of Dok2’s most recent releases, the crowd received it with hands in the hair and intense vibing. At the hook, when the rapper asks “Is it ill?” fans replied with a roaring “Yeah,” showing just how intense the connection was between them and the performers.

dok2 no rest tour los angeles 2016 illionaire

by Jean Libert

“L4L”

Another song missing its main attraction (cough, Zino, cough) that was a surprising addition to the setlist but much appreciated was “L4L.” You know, that one song that helped Bobby win Show Me the Money 3 under Dok2 and The Quiett’s wings. Just like with “Profile,” “L4L” takes on a new form performed just by these two rappers becoming more hard hitting and, well, even more swagged out.

dok2 illionaire no rest tour 2016 los angeles

by Jean Libert

“I’m 1LL”

Announcing it was the last song of the night, Dok2 gave shout outs to openers Junoflo and KillaGramz, before they came on stage to join them for “I’m Ill.” For this performance, the pit turned out to be the soak zone, since many water bottles were thrown throughout the whole song, especially during the hook. At one point, rapper Dumbfounded also made his way onto the stage to dance and vibe around with the rest. And after making the crowd sing out the lyric, motherfucker I’m illlllllllllllll, as everyone was wilding out, Dok2 and The Quiett, with Illionaire hands, bowed out the stage (after taking the mandatory selfie with the audience, of course).

the quiett killagramz junoflo dumbfounded no re$t no rest 2016 los angeles

by Jean Libert

Just as “Beverly 1lls” had been the perfect opener, “I’m 1ll” was the most appropriate closing track because a) it resumed what the rappers and the performances were like and b) it left everyone with an adrenaline rush.

Honorable Mention

This one’s neither a Dok2 nor The Quiett song. The bonus song on this list goes to Junoflo, who opened the show with a few of his tracks. Despite him premiering a couple of songs at NO RE$T, his performance of “Flo” was a highlight. He commanded that stage like if he were part of the Illionaire crew — plus the crowd received him with arms open. It was a cool contrast to see Junoflo all smiles and thankful for the opportunity to play The Wiltern while Dok2 and The Quiett were their nonchalant selves. Junoflo’s positive energy was infectious and set everyone in high spirits for the main show.

junoflo no re$t los angeles no rest tour illionaire

by Jean Libert

What are your favorite songs by Dok2 and The QUiett? Share your picks and thoughts with us in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Inside KCON 16 LA [PHOTOS]

August 9, 2016/in Events /by KultScene

Courtesy of CJ E&M

With each installment, KCON outdoes itself, and this year was no different. Held for the second year in a row (fifth in total) at the Los Angeles Convention Center, KCON 16 LA Presented by Toyota received 76,000 fans throughout July 29, 30, and 31 and pre-registration for the convention doubled from 2015. This year, the event expanded from the typical K-music and K-drama related booths and activities emphasis and hosted more diverse booths and panels including beauty, food, and gaming booths, which allowed con-goers to entertain themselves with far more options than previous years.

Expo

Courtesy of CJ E&M

Walking into the convention hall, the first thing you saw was the Toyota stage featuring dancers (and occasionally idols like GFRIEND who showed up on the second day) and the Soompi booth where you could spin a wheel and walk away with “K-pop Trash” swag. And then you were accosted by every possible product remotely related to South Korea on display at the booths filling up the room.

flower boy cafe coffee shop kcon 2016 los angeles la 16

by Yasamine Entesari

You wanted snacks? You could pick up chocolate ab lollies at the Dramafever booth or stop by the SnackFever booth for some trendy snacks like Pepero cookie sticks or Crunky chocolate bars. And, if you were lucky enough to book a time slot, you could get some food at the Flower Boy Cafe. Yes, a cafe where handsome looking men would go out of their way to make the customers happy.

But maybe you wanted clothing? If you went to the Celeb Shop to pay a few dollars, picked a random number, and got a bag filled with some snazzy clothing. And the bag? It had Monsta X’s logo on the side so it looked like a whole lot of Monbebes (Yup, that’s what Monsta X’s fans are officially) were walking around KCON this year. And of course, we can’t forget the little sprout and flower hairpieces Bibigo was giving out as KCON jumped on the trend.

Also on KultScene: KCON 2016 LA’s M! Countdown Day 1 Concert Recap

And, of course, we can’t forget about the K-beauty. Don’t worry. There was a whole “beauty block” especially for beauty booths with a different makeup or skin care product in every direction you looked. K-beauty fave brands like The Face Shop and Etude House were readily available, while stores like Glow Recipe, Soko Glam, and Meme Box were also selling goods. And if you stopped by NYX’s booth, you could get a free application of lipstick or eyeshadow and walk away with a full-size sample or two (or even three).

by Yasamine Entesari

This year, the convention stage was a bit more active than last year, hosting live bands, aegyo battles, and live beauty tutorials. On Friday, KOCCA (Korea Creative Content Agency) hosted K-Pop Night Out featuring indie bands Dead Buttons, Love x Stereo, and Sultan of the Disco. Despite a few hiccups with the sound and an initial low turnout, by the end of the show, the indie bands had drawn a very specific crowd (mainly older than your average K-pop fan and corporate Koreans) and made everyone there dance and sway.

love x stereo k indie korean kpop kcon 2016 16 la

by Yasamine Entesari

Another new thing this year was the debut of KCON.TV, a video platform and online community that live streamed KCON throughout the whole weekend. In addition to stream the concerts, KCON.TV also aired interviews with celebrities conducted by popular YouTubers like BapMokja and Haeppy. Their booth at the convention also hosted mini meet and greets with YouTubers and even Justin Kim, an ex-contestant on America’s Next Top Model.

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by Yasamine Entesari

Panels & Workshops

The panels at KCON LA were more diverse than ever this year, with directors of dramas in one room chatting about their inspiration as K-beauty gurus gave people tips in another and YouTubers performed dance covers in another. Want to learn Korean? There’s a workshop or two for that. Want to hear what it’s like producing for idols? Yup, you guessed it. Any and every sort of topic relating to Korean pop culture (films, music, television, etc.) were covered at the second half of the con.

The only downside of this year’s panels were that they were a far walk and additional security check away from the main convention hall, meaning that people had to make quite the effort to go and access them.

Red Carpet

by Alexis Hodoyan-Gastelum

The second day of KCON’s convention came to conclusion with the red carpet ahead of that night’s concert, hosted by first generation idol Danny Im. And boy did the stars come out to talk to. Beginning with the handsome Lee Minho himself, the crowd was full of cheers for one of Korea’s top actors as he expressed his delight at meeting LA fans and his desire to go surfing, just like his character did in 2013’s “The Heirs.”

by Alexis Hodoyan-Gastelum

Next up was another solo male, but this time it was the relative newcomer DEAN, who had just finished his fanmeet a few moments before. The endearing singer-songwriter also had a warm welcome from the crowd as he posed like a rockstar (sticking out his tongue and all), especially as he broke into a quick rendition of his song “21.”

by Alexis Hodoyan-Gastelum

Following the men were a gaggle of girls, namely I.O.I (11 members) and GFRIEND (6 members). The two girls groups clearly won over the hearts of the audience. I.O.I’s Somi, who is half Dutch-Canadian and half Korean, did most of the talking for the group and expressed the team’s happiness at being at KCON so shortly after their debut. GFRIEND, decked out in light pink gowns, expressed similar feelings. (They would both excite the audience later that night with their dance-pop songs).

i.o.i ioi produce 101 kcon 2016 los angeles la 16

by Alexis Hodoyan-Gastelum

by Alexis Hodoyan-Gastelum

After the ladies left the stage, Danny, who was part of 1TYM, reunited with once-rivals (well, at least they both were angling for top place in the late ‘90s) Turbo. Turbo’s Kim Jong Kook (yes, Running Man Kim Jong Kook) and Mikey did most of the talking, but the older act definitely surprised with their playful personalities.

by Alexis Hodoyan-Gastelum

Ending off the first night’s red carpet were two SM Entertainment acts. f(x)’s Amber, who was performing at KCON solo for the first time, received a huge warm welcome, which may or may not have had to do with the fact that a) she’s a fan favorite b) she’s from LA. SHINee, that night’s headliners, then came on to end the red carpet with their winning smiles and every glance they took had a fangirl fainting in the audience. (Not really, but the screams were insanity).

by Alexis Hodoyan-Gastelum

Suran, Nine Muses A, & Up10tion: Single Roundup Review

August 8, 2016/in Entertainment, MUSIC /by Joe Palmer

The month of August got off to a blistering start for the K-pop world. Heavyweights like Hyuna, Taemin, and Girls’ Generation have comeback in some form alongside burgeoning rookie groups Oh My Girl and Monsta X. However, there have already been much more to see and we want to highlight some of the quality music that new and old groups are putting out. Tracks range from the hot tropical sound of the moment to exciting new sub units to tough boys trying (and taking ownership of) cutesy concepts.

”Paradise Go” by Suran

Indie soloist, Suran is probably best known for her work with Primary and Beenzino up to now. She has been carving out a career for herself though with some excellent and distinct work (check out the abstract R&B in “I Feel”). This time she’s going for something a little more summer friendly with tropical track “Paradise Go”.

Producer ca$hville captures the essence of the trending tropical house/chillwave sound, which the description in the Youtube video of “Paradise Go” shoves down our throats. Its bobbing synths, electronic drums, and Suran’s laidback vocals create the relaxed atmosphere perfect for summer. The song takes its time moving from moment to moment, hard to be sure if we have entered the chorus or if it just happened already. While I like how this fits with the mood of the song it does nothing to the genre. It feels like just another entry in the already full trop-house when someone like Suran could have done something interesting to reinvigorate it. There are snippets of new ideas, like the auto-tune before the chorus, which threatens for a moment to upend what we know about songs like this but in the end all we get is a well produced but uninspired song.

Also on KultScene: Weekly K-Pop Faves: August 1-7

”Lip 2 Lip” by Nine Muses A

Star Empire have probably been feeling Nine Muses’ popularity slip for a long time. Now that they lost another two members it really seems like they’re on the way out. So it makes sense for them to try something a little different with sub-unit Nine Muses A. Their single “Lip 2 Lip” doesn’t go for any new concepts opposing the original Nine Muses. But what we do get is some classic pop.

“Lip 2 Lip” isn’t particularly catching at first listen. It’s a relatively safe song choice with little surprises. It is well produced by Star Empire regular Jeong Changuk, with bursts of synths and backing band. The sounds work best on the song when either of these are taken leaving only one, especially for Sojin’s rap which just has the guitar, bass, and drums. It lets her bring her whisper up to a confident breathy tone. Transitioning directly into Kyungri and Keumjo’s duel verse also works really well. Both their voices combine for the most satisfying part of “Lip 2 Lip.” I also like how it escalates before slowing down for the bridge. Postponing the valley for a moment makes it work all the better as it winds down for a great conclusion.

Lyrically it’s fun too with the girls professing their love for a boy that’s not exactly typical. This is best articulated with Keumjo’s simile, “You’re like a rugby ball” (as she holds an American football in the video). Sojin’s mentions of black and white holes also conjure interesting images.

Also on KultScene: When K-Pop Lineups Change – 9 Muses

”Tonight” by Up10tion

Of all the rookie boy groups out there in the past two years, Up10tion are one of the few that have caught my eye. Their debut “So Dangerous” was okay and their follow up “Attention” was great but both times they showed invention in their choreography. With their latest track, “Tonight,” they have gone the cutesy boy route, similar to fellow rookies Astro and A.Cian. This concept is one that I can rarely get into. I can’t seem to ever put my gender bias to the side with tracks like this as they always feel awkward and a bit sad to be honest. There are times when a group can get past thatthrough sheer energy and fun. This is one of those times.

“Tonight” is an attack of bright brass and strings. It shines at every moment from the extended intro to the raps, which even with the deeper voices don’t sound out of place. It’s cheesy and energetic, exactly what a song like this should be like. It’s a testament to their talent that they can deliver a song like this so well despite their tough guy origins and not fall into embarrassing territory. It’s something few others have transitioned to as well. While not at the level of Seventeen yet, Up10tion are one of the only lesser known groups threatening more popular acts with quality rather than just a rabid fanbase.

Which of these songs do you like best, “Paradise Go” by Suran, “Lip 2 Lip” by Nine Muses A, or “Tonight” by Up10tion? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Weekly K-Pop Faves: August 1-7

August 7, 2016/in Fans, Playlist Sunday /by KultScene

As summer comes to a close, K-pop releases are beginning to slow down. However, we still racked up a short list of our weekly faves, which have proven to be a bit biased, but oh well! Gotta work with what we’re given.

“Shh” by Nine Muses A (Released August 4)

Considering their seemingly imminent demise, it’s a great relief to hear anything from Nine Muses, even if it is a sub-unit. Nine Muses A consist of Kyungri, Hyemi, Sojin, and Keumjo and are debuting without the usual tag of a cute or badass or whatever version of their parent group. Their album “Muses Diary” is a superbly tight work of sexy and sweet pop. The standout is “Shh,” a blistering mix of euro pop and orchestral music. It has an anime theme song feeling to it with its pulsing bass drum and swirling strings that build momentum. Each moment brings back different memories of pop for me. The aforementioned anime influences, the rapping in pop which K-pop has revolutionised, and best of all the Max Martin-esque chorus with its little delay before the beat kicks in again.

— Joe

Also on KultScene: KCON 2016 LA’s M! Countdown Day 1 Concert Recap

“That’s My Jam” by B.A.P (Released August 7)

Throughout the years, B.A.P has experimented with music a lot. Their discography has a diverse range; from fighting everyday injustices, innocent first loves, to just down right having fun. The group’s latest EDM infused release “That’s My Jam” is unlike anything they’ve ever delivered before. Prior to it’s release today, fans had already gotten a taste of the group’s strong interest in EDM and rock during their recent Live On Earth 2016 World Tour.

This energetic song and it’s consistent overflowing addictive beat will without a doubt get you on your feet! Even without watching the music video, you can easily sense the members high enthusiasm and “fighting” spirits. Their delightful (and Yongguk’s heavily attractive) voices will quickly absorb and hypnotize one into a deep trance. Oh but if we had to talk about the music video, all I have to say is “VISUALS.”

“That’s My Jam” showcases a brand new side of B.A.P, which can only make us anticipate for what’s to come in the future. As the members matured and grown, so has their styles. It’s great seeing them getting away from their darker concepts and actually enjoying themselves, even with fake beers in hand. If you were in search of summer anthem, then this is your jam!

— Tam

“Stuck” by Monsta X (Released August 7)

Monsta X was clearly busy while in Los Angeles earlier this week. Between opening up the second night of KCON 16 LA and flying between the US and Korea, they had the time to film the music video for “Stuck.” They pulsating track brings Monsta X’s style of aggressive dance music that they’ve been promoting over the past few months, but their vocals really shine and the distribution between the seven members may be the group’s best yet. (There’s no “Trespass”-style dominance by rapper Jooheon and vocalist Kihyun). “Stuck” is a gift to fans but even people who haven’t heard their other songs will be grooving to this track. (Plus, the music video has an insane dance break with Shownu flaunting his abs so if that’s your thing make sure to watch).

— Tamar

Also on KultScene: KCON 2016 LA’s M! Countdown Day 2 Concert Recap

“Do Better” by Y Teen (Released August 5)

I promise we don’t have an agenda to push Monsta X down your throats. But since last week’s KCON 16 LA, I have to admit I’ve been paying more attention since coming face to face with Shownu’s arms. Alas, I digress. The point is that now that I’m paying attention I found this collaboration with a few members of fellow Starship Entertainment’s girl group Cosmic Girls called Y Teen. Their collab song, “Do Better,” is a CF for… something requiring them as models… and sounds like your regular Monsta X song with the EDM-y, clap ridden jam. However, I could’ve done without the cutesy element Cosmic Girls brought into the mix. And while it may not offer anything new necessarily, it’s still a fun song where the rappers dominate and excel — especially Exy from Cosmic Girls who hasn’t been allowed to showcase her full potential. Monsta X kill it though, but what else is new?

— Alexis

What’s your favorite song of the week? Share your pick in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

KCON 2016 LA’s M! Countdown Day 2 Concert Recap

August 6, 2016/in Events /by Alexis Hodoyan-Gastelum

bts kcon la los angeles 2016 16 m countdown

Courtesy of CJ E&M

If KCON’s first concert night was amazing, there was little to prepare attendees for the pandemonium that was day two. For the second and final night on July 31, fans were treated to a first-rate show filled with the hottest names in K-pop at the moment: BTS, TWICE, Girls’ Generation TTS, Monsta X, Eric Nam, Davichi, and Astro. In total, the fifth edition of KCON drew 76,000 fans and sold out both M! Countdown shows at the iconic Staples Center. KCON LA 2016 Presented by Toyota’s second concert night proved that K-pop is no longer reigned by the second generation groups. It is a new era in K-pop and fans in the U.S. are ready for it.

For the pre-show, indie act Echae en Route graced the stage with their delicate performance. But the unexpected yet incredibly entertaining performance was presented by Xplore Taekwondo Team, who flew and soared on stage with their fierce moves, kicking boards ten feet on the air. The crowd cheered and clapped so loudly for them, it was as if they were the stars of the show. And in that moment, they were. BTS, who?

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Courtesy of CJ E&M

With the crowd’s energy hyped up, Monsta X opened the main show with a solo performance of rapper Jooheon’s “Yessir.” Spitting fire, the rest of the members later joined him and delved into energetic and — dare I say– sexy performances of “All In,” “Hero,” and “Tresspass.” Monsta X may have opened KCON’s M! Countdown for a second year in a row, but unlike last year when they were a couple of months into their debut, their devoted fans were present and bopping to all of their tracks. Monsta X is, indeed, a group to watch out for…

astro kcon 2016 los angeles la 16 m countdown

Courtesy of CJ E&M

Also on KultScene: KCON 2016 LA’s M! Countdown Day 1 Concert Recap

Giving the show a stark 180 degree turn, Astro came out dancing cutely and all smiles and aegyo with “Breathless,” “Cat’s Eye,” and “Hide & Seek.” While the lesser known group of the entire lineup, the group managed to captivate the crowd with their infectious cheery vibe. The high spirits were carried on when girl group TWICE followed them, decked out in varsity jackets and short shorts. It was their first performance at KCON, let alone the U.S., but when the whole Staples Centered chanted out “Sha Sha Sha” during “Cheer Up,” it was clear. TWICE had made it as Hallyu stars in less than a year since debut. The positive reception of “I’m Gonna Be a Star,” “Like Ooh-Aah,” and their intros by male and female fans alike only further solidified the notion that TWICE is a top-tier group now.

twice kcon la los angeles 2016 16 m countdown

Courtesy of CJ E&M

Next up was another K-pop fave for the U.S. audience, Eric Nam. While the ex-ASC emcee had been a regular at KCON — hosting Red Carpet and holding fan engagements, — he hadn’t had the chance to actually perform. That changed this year with KCON NY and later LA when he was added to the lineup last minute. His performance, however, was on point and in no way less prepared or stellar than the rest of the acts. Fans sang along to “Good For You” and even did the point dance in “Can’t Help Myself.” Moreover, Eric had two collaboration stages, singing “Into You” with singer KOLAJ and “I Just Wanna” with BFF Amber, much to the delight of everyone in attendance. Eric also took a moment during his set to talk about being an ambassador for CJ UNESCO Girls’ Education campaign and drawing attention to its importance. Which draws the question: is Eric Nam a feminist? We hope so.

eric nam kcon 2016 los angeles la 16 m countdown

Courtesy of CJ E&M

After Eric’s lively set and overall persona, things turned heart-wrenching thanks to balladist Davichi. The got everyone in the feels with their renditions of “This Love” and “Don’t Say Goodbye.” But not all was gloom and doom for they also performed “8282,” which is a trot/disco track that had all the ahjussis and youngsters alike dancing. And to continue with the disco-ey vibe, TWICE followed up with a special stage, singing to “Uptown Funk” and Monsta X with “Moves Like Jagger.”

davichi kcon 2016 los angeles la 16 m countdown

Courtesy of CJ E&M

Sparkling onto the stage, Girls’ Generation TTS charmed everyone with “Twinkle,” “Holler,” and “Only You.” Taeyeon, Seohyun, and Tiffany received a warm welcome from the crowd, especially the latter, considering it was her birthday, they were performing in her hometown, and they were on the eve of SNSD’s ninth anniversary since debut. So after asking the crowd what time it was and announcing it was “party time,” the trio performed a surprising yet much appreciated version of “Party.”

girls generation tts taetiseo snsd kcon 2016 los angeles la 16 m countdown tiffany seohyun taeyeon

Courtesy of CJ E&M

Also on KultScene: An Ode to SHINee on the Eve of KCON LA 2016

Girls’ Generation are legends in K-pop and no one can take that away from them. But as mentioned before, times are changing, and nothing embodied this notion than the overall madness that erupted once BTS showed up on screen. They opened up with the ethereal “Forever Young” as fans were in full frenzy. But then the first beat for “Fire” dropped and the entire Staples Center, well, got lit. Their sharp moves and chants of “Fire” resonated through the whole arena, which made it feel like if it were their solo show — and the guys knew it. The demeanor with which they carried themselves through “Save Me” and “Cypher Part 3” showed they know they’re popular and that the venue was filled with their fans. Just like SHINee before them, only the headliners could pull off performing a b side track and having the crowd react to it positive. And while they were rapping to “Cypher Part 3,” hands were in the air, dancing took place, and it was overall dope… Just like their closing song. Marking it the end of the concert and KCON 2016 altogether, there couldn’t be a better suited song than “Dope,” which made everyone jam out to the fullest. And when they were done, it was set in stone. KCON was BTS’.

bts kcon 2016 los angeles la 16 m coutdown

Courtesy of CJ E&M

With that, another year of KCON came and went. It’s crazy to think that there’s still a next year to top. And while it’s hard to fathom someone topping both SHINee and BTS, we can’t wait for what 2017 will hold.

amber eric nam kcon 2016 los angeles la 16 f(x) m countdown

Courtesy of CJ E&M

What do you think of the KCON 2016 performances? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.