Popular Korean guitarist Sungha Jung has always been active on Youtube but he recently made a comeback with the release of his sixth album ”L’Atelier”. Featuring a wide range of tracks and Sungha Jung’s amazing finger-style techniques, “L’Atelier” is an album that you do not want to miss out on. The good news is that he is going to have a world tour to promote his album and is heading to my homeland of Singapore on the 28th of May. To get familiarized with his past works, here are fiveexceptional guitar covers and medleys that Sungha Jung has done over the years.
1. (Chen X Punch) “Everytime”
Beginning with this widely popular song off the soundtrack of the hit drama “Descendants of the Sun” by EXO’s Chen and singer Punch, Sungha Jung captures the groovy beat of the song perfectly in his cover while also retaining the essence of the beautiful melody. The cheery mood of the song was brought out by his playing which was never too heavy-handed and consistently light.
2. (BIGBANG) “Loser” + “If You”
BIGBANG certainly had a successful run last year with their “MADE” album and their slew of monthly comebacks, but these two tracks were especially memorable because of their somber and sometimes heartbreaking tone. With his delicate playing style and excellent arrangement skills, Sungha Jung successfully transitioned from one song to the other while also changing the mood of his playing to suit the songs.
Together with fellow guitarist Ahn Jung Jae, this duet cover of one of 2014’s most popular K-pop songs is a genius creation that doesn’t just feature some fancy finger work- it is also extremely fresh thanks to the stylistic changes made to the original song. The chemistry between the guitarists is clearly evident as well, making this an extremely enjoyable watch.
4. (Taeyeon) “Rain”
This is probably the least well-known of the songs and covers featured on this list but Sungha Jung’s cover of Taeyeon’s recently released “Rain” is extremely impressive, because of how he controls the intensity of his playing to match the emotive vocals of Taeyeon in the song. The chords in this song are also more complicated than in other songs due to the chord progressions used but he manages all the notes and chord changes effortlessly.
The only non K-pop song on this list, this familiar (to Singaporeans at least) National Day Song from 1999 was covered by Sungha Jung last year, shortly before his previous concert stop in Singapore. His touching and soothing rendition of the song gained him many Singaporean fans and hopefully he will be performing this song again.
Are you already excited for his concert? You can purchase tickets for his show at Kallang Theatre through Sistic. The concert is also being organised by local entertainment company Sprout Entertainment and you can find out more about Sungha Jung’s visit to Singapore on their Facebook page.
Which covers or original songs do you want to see Sungha Jung perform live? Share your favourite cover of Sungha Jung’s in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
https://kultscene.com/wp-content/uploads/2016/05/IMG_2016-05-18-223258.jpg400400Anna Cheanghttp://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngAnna Cheang2016-05-18 07:43:582016-05-18 07:43:585 Tracks To Get You Ready for Sungha Jung’s L’Atelier Concert
As we’ve talked about previously, as foreign K-pop fans, sometimes we don’t get the lyrics right. We’ve gone through this on multiple installments of this list, but for the fifth, it seems we got a bit hostile. Either by [content warning] hearing bad words or completely interpreting a good message as a bad one. So here it goes again: here are the latest eight songs we misheard.
1. “Hello” by B.I.G
What we heard: “I’m a lady” What it says: “I’m a like it”
What K-pop songs are you singing wrong? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter,Instagram, and Tumblr to keep up with all of our posts.
https://kultscene.com/wp-content/uploads/2016/05/Untitled-design-2.png7681024Alexis Hodoyan-Gastelumhttp://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngAlexis Hodoyan-Gastelum2016-05-04 14:36:112016-05-04 14:36:118 Misheard K-Pop Lyrics Pt. 5
In this ever-evolving K-pop industry, music of various styles such as EDM and hip-hop are released every day by up and coming groups. While the industry is expanding and becoming more globalized, there is a genre of music that is getting left behind. Korean folk music, an integral part of Korea’s traditional culture and heritage, is rarely found among K-pop releases nowadays. There is a company however, that is fully dedicated to producing soothing Korean music, folk and ballads included. Meet Madeleine Music and its CEO Dongsoo Lee, a man passionate about spreading the gift of music to the weary souls in the society. While it may still be a small and relatively unheard of start-up, artists like YouTuber Soyoungyi and Ian Jo are currently signed to their roster. We caught up with Lee and talked about how he ended up in the music industry along with his plans for the future.
Thank you for agreeing to this interview. Can you please introduce yourself and your company to the readers who may be hearing of you for the first time?
Hello everyone. My name is Dongsoo Lee and I’m a composer, chief producer, and CEO of Madeleine Music. Madeleine Music is a record label based in South Korea and our company was established in August, 2013. We are dedicated to making a better world with softer and sweeter music for everyone based on our philosophy of lyricism. The name of ‘Madeleine Music’ is derived from the well known ‘Madeleine’ which is a soft and sweet French cookie. We are working hard to make our music to satisfy everyone’s tastes just like the ‘Madeleine.’
What inspired you to set up Madeleine Music?
This might sound very weird but, honestly, I’ve never studied music. I majored in accounting and business and minored in economics in New York. Since I studied in the U.S. for almost 7 years, I felt lonely and homesick occasionally. Whenever I was in that mood I tried to make songs and record them. I think it was just like keeping a diary to me.
After I came back to Korea, I worked for a few companies and mostly dealt with numbers all day long, sometimes even during the weekends. One day, I realized that the job I chose couldn’t make me happy for the rest of my life, and I also noticed that there are so many people who are worn out trying to maintain their jobs and lives.
I was reminded that music had helped me a lot when I was down so I just wanted to do music for the rest of my life, to comfort myself and people who were worn out. Finally, I quit my job and started Madeleine Music. I also found some great artists who can help me to achieve my goal.
What is the music production process like in Madeleine Music?
Actually, it is a very typical process similar to that of other labels work but each one of our artists has to make their own songs. They send me their demos and I discuss how to arrange the song, when to record, when to release it, etc. As a music producer, I spend my time and energy to communicate with our artists, instrument session players, sound engineers, and designers. And as a CEO, I spend my time and energy to communicate with other companies or people who can help us in the Korean music industry. This explains why these days I have no time left to work on my own music [laughs].
Korean Folk is a very interesting genre of music to be producing, especially in our current society. Is there a special reason why your company mainly releases these types of songs? What is your inspiration for your music?
I prefer acoustic instruments to digital instruments. Since the most important values of Madeleine Music are lyricism and simplicity, I think Korean Folk is a great genre for us to put these values in music. I love songs with beautiful lyrics and I am usually inspired by them. I always aspire to make songs that are like a poem or an impressive short novel. That is why I try to finish the lyrics of a song before composing its melody. I hope international fans of Korean Folk will try to understand and appreciate the meaning of the song lyrics along with the melody. The story of a song really matters to me, and once you understand it better it will totally change your musical impression of a song.
What are some challenges that you’ve faced while running this company?
Even though I started the company in 2013, Madeleine Music is still a newborn company. I spent almost two years learning and understanding how the music industry works because I’ve never been exposed to this area before. Since we are still a new player, we have the same problems and needs that any other start-ups can have. Everyone knows there are some independent record labels doing well in Korea, but I can’t deny that the expectancy of profitability of many other companies is not as decent since this industry has become more stream service based.
Madeleine Music recently became part of the Record Label Industry Association of Korea (LIAK). How has this impacted/helped your company so far?
There are hundreds of active record labels in Korea, but only 20+ companies are in LIAK. They are all industry leaders with great career and name value, so I’m proud to be a member alongside them. It makes me feel that we are accepted as a good partner of Korean music industry and that is very meaningful to me. There is also a lot of information and benefits to share between members too.
Could you tell us more about the plans that you have for your company in the future?
I don’t want Madeleine Music to be just a small record company in Korea. I want Madeleine Music to become a comprehensive culture company or a name. I wish this company could be a rest place for those who are worn out and that it could also be a playground for musicians who have great talent, inspiration, and an attractive personality.
What do you think of Dongsoo Lee, Madeleine Music, and the state of Korean folk music? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter,Instagram, and Tumblr to keep up with all of our posts.
https://kultscene.com/wp-content/uploads/2016/04/KakaoTalk_Photo_2015-03-30-22-36-57_70.jpg960762Anna Cheanghttp://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngAnna Cheang2016-04-26 05:52:232016-04-26 05:52:23Madeleine Music CEO Dongsoo Lee Shares About His Hopes & Motivations [INTERVIEW]
I’m probably alone in wanting the old kings and queens of K-pop to step side for new groups to rise. Big Bang, Girls’ Generation, Super Junior, and 2NE1 have had their time; I want new blood. 2015 was a great year for offering new groups who were not just talented enough to take the reins, but were charismatic and inventive too. The best boys of the bunch were clearly Seventeen.
Pledis Entertainment’s newest boy group have a slightly harder time at the big leagues than some of their contemporaries. Pledis have been around for a while but never really broke past the precedent set by After School in the early 2010s. Yet Seventeen are garnering a big fan base, especially internationally, thanks to their innovative choreography and exuberant faces. Seventeen with “Pretty U” have lived up to their predecessors in the best possible way, by being completely weird.
Style and sound wise, “Pretty U” is not a big departure for Seventeen. Like “Adore U” and “Mansae,” it’s a pop song in the classic sense. Sounds come primarily from guitars and a simple drum beat. Other instruments add inflections or are there to let us new parts have begun, the piano key changes, strings for the chorus. It really works well again, especially with this boy next door image of Seventeen; it’s unself-conscious pop fun at its best.
I can’t decide yet if the one thing they change dramatically makes me like “Pretty U” more or less than their earlier work. Structurally, it leaves behind the classic verse-chorus-verse-chorus-bridge with big hooks in favour of something almost improv-like. After an a capella and rap intro, the song moves into its standard verse, which even has two parts itself, helped to transition by the funkiest slap bass. It builds to what could have been a chorus or short pre-chorus but ultimately turns into an extra verse or a really long pre-chorus. Once you get used to it, it’s actually the highlight of the song. The key change with the pianos comes alongside the slap bass to move into a rap and then changes again into a vocal part. Vernon’s rap brings the song down a bit letting it be mellow before Seungkwan’s vocals tee us up for the chorus. Both of their vocals mesh perfectly with the music in that moment. Alongside this the chorus is disappointingly flat. .
The rest of the song is mixed in a way that puts the vocals and music at the same level. Not quite lo-fi but it makes the chorus that has no hook feel pretty flat. Hooks were what got me into Seventeen in the first place, so it’s difficult not having them. Seventeen’s youthful sound is especially conducive to big hooks. Hooks fuel their energy, giving us big cathartic moments. “Pretty U” is a different song though.
At first few listens I kept waiting for the hook to pop up and yet, by the end of every listen I find I like the song more and more. The distinctions between each part are clear yet not jarring. The vocals climb beautifully towards the end, bouncing off each other with gleeful falsetto and harsh raps. It feels like more of a collective experience rather than ever focusing on individuals. Slightly more subdued than usual, but “Pretty U” still feels like a group of friends having the time of their life.
The song is about young love similar to how Seventeen always do it. The lyrics hold a possible key to making sense of this whole song. There’s so much information there about just how much these boys love a girl. They are so excited that everything is coming out at once, almost too hard to keep up with. “You’re so ice ice baby, At the same time you melt me down” Vernon raps as he can’t quite get his head round how he feels. There’s more confusion “What to do, What to wear, I should have studied hard like this,” Seventeen, just like us listening to this song, are experiencing a multitude of emotions. The song is an honest representation of this, it’s not trying to be anything other than a release for these young boys’ pent up emotions.
The Music Video
Their video is also a slight move away from the familiar for Seventeen. Gone is the focus on choreography, replaced by a small story of the boys putting together a party. The camera doesn’t linger long enough at any stage for us to get a clear look at them. What seems at first like a frustrating mess, like the song, is another extension of the themes previously expressed. Everything is fast, not just the camera but the members too, who run around a city putting up posters and indulging in antics as they go. Slow motion is used at the height of their fun to give us at least a moment’s glance at them. They are always together, bouncing off each other, having the time of their lives. The video is essentially the culmination of everything that makes Seventeen the most fun group in pop music today.
Overall Thoughts
Coming out of 2015 as my new favourite boy group, Seventeen had a lot to live up to. “Pretty U” is exactly what I did not expect from them. I don’t expect it to lose much fans for them though, as the same tone and style remain even though the song does its own thing. Best of all it shows they don’t have to rely on big hooks and choreography to carry them. I’m already excited for what they do next.
The choreography, seen at their live showcase, is another marvel of talent and fun. It is their fastest to date, at times they look like blurs running across the stage. The childlike nature of the chorus movements and the use of a schoolbook as a prop are lots of fun. They also mix well with some of the lyrics and the confused nature of the song. Seventeen’s choreography completes them.
3.5
What do you think of Seventeen and “Pretty U”? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter,Instagram, and Tumblr to keep up with all of our posts.
https://kultscene.com/wp-content/uploads/2016/04/Untitled-design-3.png7681024Joe Palmerhttp://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngJoe Palmer2016-04-25 03:55:592016-04-25 03:55:59Seventeen’s “Pretty U” Music Video & Song Review
Eight years after filmmaker Kwak Jae Young completed his “Sassy Girl” trilogy with “She Cyborg,” (along with hit “My Sassy Girl” and 2004’s “Windstruck”), the Korean filmmaker returns with his most thought-provoking film to date. “Time Renegades” forgoes the outspoken heroines of Kwak’s most well known films to date and offers us mind-game filled treat.
Without giving away too much, “Time Renegades” is the story of two men, Detective Gun Woo (played by Lee Jin Wook from “Miss Granny” and “I Need Romance 2”) and Ji Hwan (played by Cho Jung Seok from “Oh My Ghost” and “You Are The Best, Lee Soo Shin!”), who live in different time periods working together to save and solve the murder of the women they love, So Eun and Yoon Jung (played by Lim Soo Jung from “All About My Wife”), respectively. Confused? Yeah… that’s the point.
And if you’re thinking you’re going to have to wait until some streaming service uploads the film for you to watch it, you’re wrong. Well, as long as you live near Los Angeles, Fullerton, Washington D.C., New Jersey, Dallas, Seattle, Chicago, Atlanta, Vancouver, or Toronto. “Time Renegades” opens at CGV Cinemas on April 15 in LA, followed by the rest of the cities on April 22. What’s cool about this release is that we’re getting the movie merely two days after the official Korean premiere.
But if you’re still pondering on whether to go watch the film, here’s a bit of encouragement by someone who already watched it and will vouch for it.
[Disclaimer: This article contains minor spoilers. Nothing that would give away the movie, though.]
For this film, Director Kwak stepped away from the rom-coms he has been recently putting out and tried his hand at a crime melodrama. The “thriller” part is kind of an overstatement though; it’s not that edgy compared to other Korean thrillers to date. I would say it’s more of a suspenseful mystery, since the viewers witness a few of the murders and we’re shown few details of the killer as they happen. The edge is always there, of course, with both detective Gun Woo and Ji Hwan chasing after the masked killer in their own time periods and trying to prevent accidents.
“Time Renegade” has a nice pace, although, at times, you’re kind of lost regarding when and how things happen. After a couple of meetings, detective Gun Woo and So Eun are totally into each other, plan out a date, and Gun Woo is distraught when So Eun goes missing. The link between Gun Woo and Ji Hwan — the whole point of the film — is introduced without much fanfare and they both completely accept that they can look into the minds of another man 30 years apart in time. No biggie.
As mentioned before, because of the mystery and the fast pace, the viewer is completely immersed in the film. Any little detail might help you solve the case; you need to keep an eye out. Blink and you’ll miss it.
No Time Traveling Cheesiness
While movie is being advertised as a “time traveling” thriller, it really isn’t. Even the director, according to Yonhap News, has refrained for such a description and opts for “time chasing” instead. This is evident the moment the film starts. Instead of time traveling in order to prevent an epic murder that affects both Detective Gun Woo and Ji Hwan, each protagonist lives in their own parallel universe. Gun Woo lives in 2015 while Ji Hwan lives in 1983, both co-existing in different points in time.
They are, however, connected through their dreams. It’s not the actual characters who travel through time, but the information. Gun Woo reads the 1983 result of a Korea vs. Uruguay game in 2015 in an old newspaper, which is then transmitted to Ji Hwan in 1983. This exchange is the plot’s driving force and how they both chase after a serial killer. I can think of movies with time traveling machines and hot tubs, where the characters go back to see their wives or whatever. But this is the first (that I can think of) that uses “time traveling” with information. Coming from tech savvy South Korea, the premise makes sense; the plot resembles the way the Internet can transport you anywhere; you’re not really there, it’s just data and information.
Plot Focused Without Eye Candy Nonsense
Of course the actors are all handsome and pretty in their own right. No one’s saying they’re not or that you won’t enjoy looking at them for almost two hours. But contrary to other Korean films that cast the hottest Hallyu actors and include unnecessary shower scenes, “Time Renegades” doesn’t make use of that crutch.The viewer is meant to focus on the intricacies of the plot rather than the attractiveness of the stars. And with Detective Gun Woo and Ji Hwan altering history left and right, one distraction and you might miss the whole point.
Even if it’s not rare, it’s still refreshing to watch a Korean (or really any) movie where you can immerse yourself into the story just because it’s that good and not be distracted by pretty people on screen. Also, kudos for writing a script that is just that captivating!
I hinted at the beginning that there are some points in the story that don’t make all that much sense but come across as if you should just disregard them to move on with the storyline. Ok, Gun Woo and So Eun fall in love in like two seconds, that happens in every rom-com nowadays. Oh wow, So Eun and Yoon Jung look exactly the same for no apparent reason, that’s cool. But nooooooo! Just you wait until the last moment — literally the last scene — for it all to come together and have that “aha!” moment we needed.
Seriously, The Ending Was Precious
I won’t spoil the movie for you, but if you watched the 2012 K-drama “Arang and the Magistrate,” the movie’s ending is what you wanted for Arang and Eun Oh at the end. That’s all I’m saying!
Check out the trailer here:
Are you planning on watching “Time Renegades?” Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
https://kultscene.com/wp-content/uploads/2016/04/Untitled-design-2.png7681024Alexis Hodoyan-Gastelumhttp://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngAlexis Hodoyan-Gastelum2016-04-13 12:37:492016-04-13 12:37:49Why You Should Watch Korean Film ‘Time Renegades’
SM Entertainment have long had an image of a more sweet and safe counterpart to YG Entertainment’s edgy western influenced looks and sounds. SM, however, have built their foundation on truly innovative concepts all based in more palatable (for a Korean audience) pop music. Songs like TVXQ’s “Rising Sun” and Girls’ Generation’s “I Got A Boy” are unprecedented in their experimentation with the pop form. f(x) as a group were conceived as a way of bringing art pop into K-pop. For all their weirdness though, all of those groups and more always had quality songs to back it up which allowed the innovation to be accepted.
Lee Soo Man moves onto his next big project with NCT, short for Neo Cultural Technology. The plan for NCT is to be a fluid group consisting of an unknown amount members made up of SM rookies. Sub-units will be formed from them and release music in different parts around the world. Kind of like the original idea for EXO, who debuted as two subunits focusing on each the Korean and Chinese markets, but on a much larger scale. NCT U are the first unit to debut with “The 7th Sense” and “Without You”. NCT U are made up of South Koreans Doyoung, Taeyong, and Jaehyun, Canadian Mark, and Thai member Ten. I do want to discuss the overall concept, but first and most importantly is the music.
Jaehyun, Doyoung, Taeyong, Mark, and Ten: ”The 7th Sense”
“The 7th Sense” is a perfect start for a group like this. It’s a slow burn that manages to be unwieldy at the same time. Its sound is familiar to western audiences as a mix of R&B and trap that has become popular over the last five years or so. Along with the lyrics, NCT U bring a certain otherworldly nature to the song. There’s an uncertainty to everything about it. The lyrics are about these waking and sleeping dreams that haunt the members of their past and future, “Yesterday is today, Today is yesterday, I’m only filled with late self-guilt.” They want to take it slow, let the song itself open their eyes onto better futures.
“The clock laughs at me.” For better or worse, the song mirrors these ideas well structurally. The clock also laughs at the audience by not letting much happen between each part of the song. A rolling bass synth and trap beat are introduced early in the song and sustain it the entire time. Elements are only ever taken out and put back in, nothing is added to change it up. The music is a dream, it is sparse, but seemingly never ending, pulling the listener physically onto the level of the lyrics. The vocals instead are used to transition the song. As a showcase of a new group this is where “The 7th Sense” works best. Each of the raps are unique with Taeyong’s droll delivery being the highlight and the vocalists kill it with some EXO like harmonies. It also means that we only know the song has moved on after someone starts singing or rapping. Each change is considerably different though, so when it does happen, we immediately know. Just like a dream, we only realise the setting has changed long after we have been there.
The video and choreography top off these ideas by playing up the dreamlike state. The music video is almost always lit unconventionally. It uses lots of reds, oranges, and pinks for the group dance sequences. The solo parts range from some of those colours to prominent blues. It makes a mostly generic SM video into something a little more interesting.
The dance is similar in that it mixes more conventional styles with odd movements. Much of it is pretty quick hip hop with more stress placed on hand movements around the head. Like the song though, it never strays too far from slowing down to an almost complete stop. Taking it slow is clearly important. Also present, especially at the end of the video, are long arching moves. They seem martial arts inspired, offering a grace to the dance as it comes to an end.
Doyoung, Jaehyun, and Taeil: “Without You”
“Without You” is a move towards more mainstream pop. This is something that could be a huge hit if it were a proper release (maybe it is, NCT’s concept doesn’t specify how singles will be released). It’s a pop/rock track in the tradition of most K-pop rock groups like CNBLUE, FT Island, and now Day6. It’s a much more complete song than “The 7th Sense,” but is not half as interesting.
Again, as a showcase, it works well for their vocals. Each member is strong and pulls off the right emotions. However, “The 7th Sense” already did that and more, so really “Without You” feels like a way of just showing off that NCT U can do more than one genre. For a group with as weird a concept as NCT, this is disappointingly generic. I may be almost always against ballads, but they could have tried a little harder with something like EXO’s “What is Love” or Red Velvets recent “One of These Nights”.
The lyrics are again surprisingly depressing. For two debut singles, this is an odd way to go. It’s about being utterly lonely without the one you love. It articulates it in interesting ways by referencing connections and living. In the context of NCT as a group, it speaks to the idea of their infinite members, connecting even if it is across the world is important. It’s a justification of the group itself.
In the music video I like the colours on display. SM have really taken to the washed out pastel trend ever since last year and it works here again. It seems that different colours are used to show different time period in the story of the video. They are contrasted well with the stark shadows of the wonderful opening images.
Overall Thoughts
One thing you obviously would have noticed is that different members performed both of the songs. The fluidity of NCT is strongly apparent with even their first unit being split up into smaller parts. This is something that interests me about this group. Collaborations have become a big trend in K-pop and this allows NCT to have an almost infinite number of different collaborations all without leaving the actual group for another partner. With large groups like this, they’re also prone to losing members, meaning that people can be swapped in and out with ease. Not only that, smaller sub units could be forgotten altogether as they may have served their purpose in the few weeks they promoted.
They are missing a trick however, by having only boys in the group. This could be expanded to include fluidity of gender, where a girl could swap in for a boy at times and vice versa. It could allow for more interesting takes on certain songs. I would also love to see some girls tackle material like “The 7th Sense,” which is so often deprived of them.
Musically, NCT at the moment have shown a variety of things that they could do. Both songs are marked by being little more than intros though. “The 7th Sense” is weird and interesting, but not quite there in terms of overall quality. It adds little to a fairly tired genre that could be invigorated by a young group like this. “Without You,” on the other hand, is even more generic. And yet, NCT don’t come close to being defined yet. Their very nature means there is so much more to come from performers all over the world. It’s an exciting prospect that brings the larger than life theatricality back to pop music K-pop adores. Watch the announcement video below to understand how Lee Soo Man sees NCT. They are kids from another planet here to take over the world, again like EXO on a bigger scale.
NCT U's 'The 7th Sense' & 'Without You'
'Without You'
'7th Sense'
2
What do you think of “The 7th Sense” and “Without You”? Also what are your impressions of NCT as a whole? Share your picks and thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
https://kultscene.com/wp-content/uploads/2016/04/NCT-U.png8001100Joe Palmerhttp://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngJoe Palmer2016-04-11 05:10:572016-04-11 11:45:10NCT U’s ‘The 7th Sense’ & ‘Without You’ Music Video & Song Review
JYP Entertainment’s band DAY6 returned recently with their second mini-album, “Daydream.” However, this comeback is especially significant for the group as it is their first since they became a quintet after Junhyeok’s departure from the band. While the album showed off various music styles and experimentations, title song “Letting Go” was a traditional rock ballad which felt fitting for DAY6.
Song
The song starts off with a beautiful harmony created by the voices of all five members, and this creates a somber mood that remains present throughout the rest of the song. The first third of the song is also surprisingly quiet, up till there’s a change in the mood of the track created by the introduction of the bass drum and an amazing guitar solo. The full glory of DAY6’s vocals and their instruments really come into play here as the song builds to a climax, which is further strengthened with resident rapper Young K’s emotional rap. Though the rap fits in with the general mood and progression of the song, it does however come across as a tad abrupt, especially since the chorus resumed again right after the rap.
As quickly as it had built up, the chorus fades away once again, and in its place is a quiet synthesizer solo. Though extremely simple, it provides a poignant ending to this emotional piece and brings about feelings of acceptance and resignation to the listener. The vocals of the members were also on point in this track, in particular leader Sungjin, whose voice was at times smooth and gentle but at times intense and raspy. He effectively portrayed and conveyed the sadness and hopelessness of the lyrics he was singing, thus also touching the heart of the listener. Members such as Jae and Wonpil also showed remarkable improvement in their vocalisation from their previous album, especially in their handling of long and high notes.
Lyrics
The lyrics of “Letting Go” on first glance appear to be pretty typical, perhaps even bordering on boring for the simple reason that there are many K-pop songs out there which speak of broken hearts and painful relationships as well. When placed into context however, the lyrics seem to be telling a different story. DAY6 debuted late last year with six members but ended up with five when Junhyeok (keyboardist) left the group around a month ago to the shock and sadness of many fans. Since then, the members of DAY6 have deleted their personal instagrams (a group one was created subsequently) and they have declined to comment on the departure of their member.
In this light, “Letting Go”, which was written by members Young K and Wonpil, might have been their answer to their fans, along with the true expressions of their feelings towards Junhyeok. Why else would they have chosen “Letting Go,” a traditional rock ballad, to be their title song when their album had other more unique songs such as “Hunt” or “First Time?”
Times we spent together, our memories Letting go, letting go, letting go So you can smile some day
With Junhyeok leaving just a month ago before the release of this new album, it’s highly possible that he was a part of its creation, which makes it even more likely for “Letting Go” to be about him. Despite the somewhat repetitive lyrics of the song, the bittersweet meaning is clear. It’s time for both DAY6 and Sundays (the group’s fans) to move on.
Videography
DAY6 was never really interested in the flashy videos featured in other K-pop music videos, and this can be seen in “Letting Go.” The symbolism in the video though, is another story altogether. From the start, it shows the five members in a circle as they harmonize together, which expresses how DAY6 remains united despite whatever has happened. It was just a split second frame, but the keyboard (without a keyboardist) was also part of that circle.
via sama-gifs
via sama-gifs
The symbolism doesn’t stop there, rather it continues in a somewhat overwhelming fashion with the numerous appearances of the keyboard (again without a keyboardist) throughout the video.
via sama-gifs
via @edinorogoman
The whole video also used a lot of multiplication, possibly to complement the repetitive song, which was creative but ended up giving the video a cluttered feel. There were literally instruments everywhere.
via sama-gifs
via @deisigseu
Overall Thoughts
This comeback from DAY6 was a highly anticipated one and the group did not disappoint. While it is still a heartbreaking time for the members and fans alike, this album is also a clear sign that DAY6 will continue to grow and develop as musicians, no matter what obstacles may come their way.
DAY6 'Letting Go'
5
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https://kultscene.com/wp-content/uploads/2016/03/Day6-Letting-Go-Daydream-KultScene.png767998Anna Cheanghttp://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngAnna Cheang2016-03-30 17:08:112016-04-03 04:53:33DAY6 ‘Letting Go’ Music Video & Song Review
Jeon Hyo Sung and Oh My Girl returned with new singles this week touching on similar subjects. That classic idea of first love is something that is easy to fawn at, to claim you’ve heard it all before. That’s the thing about a topic as universal as this is that will always warrant new expressions from new experiences. These two very different female artists approaching the same idea means we almost certainly see something fresh. If not maybe the music will make you fall in love with the girls anyway (it definitely will).
Despite Secret being around for so long now, Hyo Sungs’s solo career is still young and often wildly overlooked. Her lullaby trap anthem “Goodnight Kiss” and silky smooth “Into You” are masterful works in overt but not desperate sexiness. She pulls off songs and concepts without being too talented at any given skill needed for a popstar. With her new single “Find Me” Hyo Sung continues her challenge to be the new and improved Son Dambi.
Oh My Girl on the other hand are a very young group with 2016 being only their second year in K-pop. They, however, are rising fast and are in their own battle with Twice to be the next Girls’ Generation. While they don’t have the same big company backing them like their opponents, they do have a quirky identity that is all their own. They also have two of the best songs of last year under their belt already so with new single “Liar Liar”, Oh My Girl look to stake a permanent place in the minds of K-pop fans.
Hyo Sung is clearly taking advantage of Eurovision fever (the songs in the contest are currently being announced) with this Euro pop romp. “Find Me” mixes three major musical elements to tell a story of true love. A house beat and hand claps sustain the whole song while piano arrangements and synths deliver the big moments. That beat allows those sounds to pick up tempo and sound a little brighter. Usually a combo of piano and synths is used for more melancholic or subdued sounds but here it can flourish. It also contains my favourite detail from any song so far this year, the flute whisper in the chorus.
“Find Me” moves away from Hyo Sung’s last single “Into You” in an interesting way thematically. Love is such a common theme in pop music but is everlasting because of its diverse nature. Everyone reacts to it differently and Hyo Sung is showing that even first love can be varied for the same person. Where “Into You” had a more inquisitive sensual feeling of the latent sexual possibilities found in a new love, “Find Me” traces a more euphoric emotion, one filled with romance and comfort. The music reflects this brilliantly. “Find Me” bursts into life with a crash of piano, synth, and vocal. It rises from there into a chorus of unrestrained joy led by Hyo Sung’s beautifully emotive voice.
Oh My Girl “Liar Liar”
Oh My Girl also tackle new love but in a decidedly more adolescent way on “Liar Liar.” The girls are starting to think they “kinda like” a boy but are too afraid to confess to him. For young girls like Oh My Girl, this is as dramatic it gets. And as Seunghee sings, it’s an “emotional roller coaster.” To convey these feelings with music, Oh My Girl go back to their debut “Cupid.” From the cheerleader group vocals and drumlines, it’s easy to see this as “Cupid” 2.0 but with added bubblegum. This sound is perfect for those feelings though. The chaotic energy of it feels totally adolescent while not being too childish. Also, “Cupid” was maybe my favourite song of last year so I’ll take a retread of it anytime.
That being said, there are a few improvements that make “Liar Liar” even more worthwhile. The vocals notable are much better. The trinity of Hyo Jung, Seunghee, and YooA are as good as ever, but first time I noticed some of the others playing an actually worthwhile part in the song. Notably, Arin and JinE make a contribution by not being amazing singers but sounding very much like the teenage girls that they are.
The music video is an absolute delight as well. The single coloured crayola sets are fantastic and weird. The fight between all the girls to deem each other liars is so much much fun. Especially the staring contest between Seunghee and Hyo Jung as they hold pictures of the same boy (who I think is labelmate Gongchan from B1A4) that they like. The camera swings around both of them cutting between opposite sides of the table bringing energy to their stillness.
Hyo Sung and Oh My Girl tackle similar themes with completely different outcomes here. What makes them work for both parties is that they both stick to what works for them as artists. Hyo Sung is a woman clearly not afraid of her sexuality. She flaunts her body to express this physically and her voice to express it emotionally. This is one woman’s idea of fresh love.
Oh My Girl are essentially children so their expression of a first love is purely innocent. It’s about teasing out confusing feelings that are pointless in the long run but oh so important in the moment. They call themselves liars because they don’t actually know what it is they feel.
What do you think of Hyo Sung and Oh My Girl’s new songs? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook,Twitter,Instagram, and Tumblr to keep up with all of our posts.
https://kultscene.com/wp-content/uploads/2016/03/Untitled-design-3-1.png7681024Joe Palmerhttp://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngJoe Palmer2016-03-29 04:17:222016-03-29 04:17:22Female First Loves: Hyo Sung & Oh My Girl Review
Popular Korean MC-singer Eric Nam recently came back with his mini-album “Interview”and is maintaining a high spot on local music charts despite strong competition posed by other returns by idol groups such as GOT7. It’s great news for a largely underrated singer like Eric Nam, especially because “Interview” is a marvellous album that’s proved its worth in the chart rankings.
“Interview”
This opening track kicks off the album brilliantly with a “feel-good” vibe that is complemented by Eric’s smooth voice and muted instrumentals. The lyrics wittily describe the first meeting of a guy and a girl by framing it as an interview, which is clever in itself because Eric has conducted numerous interviews throughout his own career. It’s adorable yet romantic to listen to, much like the creative lyrical video that accompanied the song.
”Good For You”
The cheerfulness is dissipated by the time we reach the single of the album but it is no less well done than the first track. With a soft and jazzy piano introduction Eric carries the song in a relaxed manner, fully expressing the simple lyrics of the song. The song is quiet for the most part, but at the emotional climax of the track Eric displays his trademark high notes. The music video for this track is shot beautifully with a very romantic and vintage lighting. The main story of the video centers around three particular characters; a tired ballerina, a worn out barista and a hopeless office woman. As Eric croons his song over the radio and the three characters listen to it they are encouraged and energized. While not fully relevant to the song itself, it makes for a sweet plot and a great watch.
“Stop The Rain” is a marked difference from Eric’s usual laid back style but it’s a difference that is much welcome in this album. It starts out softly but the tempo is upbeat from the start and intensifies as the song goes along. The chorus is structured in an unique way but is catchy and addictive. With meaningful lyrics that speak of failure and hope along with Eric’s powerful vocals, this is easily the best and most memorable song of the album.
”No Comment”
Rounding out the album we have a song that returns to how this album started but in a more depressing and somber fashion after the excitement of meeting someone for the first time fizzles out betrayal and heartbreak start to creep in. This is exactly what Eric tackles in his last track. The skilful use of the phrase “No Comment” draws back to the initial idea of “Interview” this heartbreaking track pulls out all the stops in the form of emotional high notes, string instrumentals and a quiet closure.
Eric Nam has effectively outdone himself with this short album that managed to stay cohesive and keep a high quality throughout. I’m looking forward to his future releases (and am desperately hoping that he will gain more attention with this album) and his continued growth as a musician.
What did you think of his album? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
https://kultscene.com/wp-content/uploads/2016/03/eric-nam.jpg12801280Anna Cheanghttp://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngAnna Cheang2016-03-28 04:44:232016-03-28 04:44:23Eric Nam’s ‘Interview’ Album Review
With all the Got7s, Red Velvets, and Lee His taking over the charts these days, I figured it was a good time to look at some of the lesser known groups who have had recent releases. Then I figured what better way to celebrate them then with a bloody fight to the death? Who needs Zack Snyder’s “Batman V Superman” when we’ve got Lip Service and A.cian?
The Groups
Naturally enough because of their status as less popular K-pop acts, it’s not easy to find a lot of concrete information on these groups. Lip Service debuted as a two member hip-hop group with rapper Bipa and vocalist Cora with “Yum Yum Yum” in 2014. Their company is hard to pin down; “Yum Yum Yum” was first released by NOW Entertainment but the Youtube channel from that company was never used again. The rest of their videos were released by Sony Music Korea, although they don’t seem to be under that label. Their newest release from last week is on a completely new channel and, again, seems to be with a new company. Many comments on Lip Service’s videos on YouTube are in Russian, alluding to a sizeable fan base in Russia. For their second release “Too Fancy,” Lip Service added a third member, Anna, and now, following the departure of Cora, they’ve added a new vocalist CinD. It’s a bit hard to keep up with, I know, but that’s the life of a less successful rookie group. Wait until you see A.cian…
As far as I can tell, A.cian have gone through a complete change of lineup since their debut in 2012. They debuted with six members, all of whom have left, and even one member who was added later left, leaving only four remaining A.Cian members standing. Like Lip Service, A.cian’s company is a bit of a quandary. I think they debuted with ISS Entertainment and moved onto to Mono Music Korea. Right now, their videos are being released on 1theK, so they could be with anyone. Interestingly enough, they must have a Thai connection as they released a Thai version of one of their songs. When I say interestingly, I mean I finally found something unique about them.
Judging by their debut, Lip Service seemed like a group going for that Crayon Pop/Pungdeng-E route of almost full-on comedy pop. “Yum Yum Yum” is an EDM hip-hop track about a girl who wants to lose weight but can’t because food is too delicious. It’s actually a quite funny takedown of the overly body conscious K-pop world. The line “My day’s going to be over just counting my calories” makes fun of the idol who spends more time worrying about their body than their music. That music is weird and energetic enough to match the childish lyrics. The electronics are supercharged and raps blisteringly fast. It has no regular break or bridge, which gives it the impression of being almost never ending. This means its structure is almost literally just the chorus/verse repeated. “Yum Yum Yum” comes off a little hard to listen to more than once but you’ll have fun that one time.
A.cian’s debut is the exact opposite of “Yum Yum Yum.” “Stuck” is a lo-fi dance pop track about wanting someone to be stuck deep inside. Could this be a gay K-pop anthem? The subdued opening is great, the music track takes a step back to highlight A.cian’s vocals well. It’s also an original choice given the time it was released. Some of the vocals are a bit weird,which I like, and the verse after the first chorus is a kind of talk rap that goes up and down in pitch wildly within each sentence. That chanting chorus sucks the life out of the song, unfortunately. It seems to be trying to do the exact opposite, but losing the lo-fi quality with completely undynamic vocals loses the song its original edge.
Result: Lip Service by a smidgen. “Yum Yum Yum” is too bizarre and fun to let something as dull as “Stuck” beat it.
The New Release
Jump ahead four years and A.cian come back with a new lineup and sound. That sound unfortunately is little more than an amalgamation of all the popular sounds of the day. Namely the boy next door revival of B1A4 and Got7 with added rapping on “Touch”. It takes a certain amount of skill to pull off this sound and look for boys, as it can very easily become embarrassing. While they don’t do too badly overall, it doesn’t work. The song is led nicely by electric guitars and has appropriately silly choreography. It has this 8-bit electronic sound which sounds awful and was probably there to make it a bit weird or modern. The rapping as well doesn’t work. I recently mentioned how Yezi’s rap in “Mirror” gave it a modern edge thanks to the tone of her voice; A.cian do something similar but it misses out simply because they can’t rap as well as Yezi. They put on slightly heavier rap voices that don’t work in this context.
A.cian’s latest song may not have been a huge improvement in terms of quality, but they at least got a bump in production costs not just for their music but video too. Lip Service seem to have gone backward in this regard since 2014. Their recent new single “Hello” continues their love of EDM and hip-hop but with a more serious tone. The sound is sub-par for this day and age, each element is rough and poorly mixed, and the video is something even Blady would be ashamed of. It’s frustrating because this could have been at least a great track with a higher production value and added polish. It utilizes the vocals and music together in different parts to contrast against each other. Sweet vocals go over pianos while fierce raps introduce the electro elements. Also, judging by the video, the song is about drinking too much at parties which is an interesting subject for idols to approach. The subtitle of the song “Only Eating Dew” is evocative as well. Without translated lyrics, it’s hard to understand what it really evokes though. The confrontational rap post chorus and the reintroduction of the piano right after suggest a sincerity to the song. Over images of drinks being poured and smashed disco balls, it’s a beautiful sobering moment amongst the mess.
Result: Lip Service. Again, the eccentricity of Lip Service wins out. Flawed beauty is exactly what I like from groups like this.
Unfortunately the best of what’s left for Lip Service is between a track off their new album which sounds like Bipa’s audition for Mnet’s “Unpretty Rapstar” and a rap/vocal coffee shop R&B duet (yes, both of those are inherently bad). I’ve gone for “What If Spring Comes” (the coffee shop song if you couldn’t tell by that title) mostly because it has the best rapping of their songs. Like “Yum Yum Yum,” it has little structure apart from Bipa’s raps and Anna and guest vocalist J-Lin’s choruses. It feels like it goes round in circles but the vocals are all quite good so it isn’t too bad. I also love the cheapness of the video. The low quality works well this time because it fits the whole aesthetic of the song being a quick turnaround to show Lip Service were still a thing after Cora left. Judging by shadows and the grainy footage, it was shot on a smartphone as well. The video has shots of the most random things cut against the members singing in their own awkward frames. Everything about it screams this was done quickly and cheaply and there was no effort to hide that. I like that frankness.
A.cian’s highlight is actually really similar to “Touch” but much better in every aspect. “Driving” is a bubblegum pop song that uses driving as a metaphor for falling in love. The vocals all play up the sweetness of the track with the falsetto chorus being a highlight. The rap this time fits in better with the whole track and don’t outstay their welcome. Everything about is classic pop from the stupid metaphor to the gloriously fun dancing. It’s generic but there’s little to fault with something as delightful as this.
Result: A.cian. “Driving” is the most classically good song of what both can offer.
The Worst of the Rest
A.cian’s “OUCH” is everything bad about modern boy groups rolled into one. Ever since B.A.P made it big, boy groups have been clambering to get that tough guy rap sound down. While some are succeeding, most are being left behind. And judging by this, that’s a good thing. “OUCH” is a mess of electronics and guitars complete with subpar B.A.P Daehyun-esque vocals and too many raps. A.cian once again chant in the chorus but to little effect whereas B.A.P’s Bang Yong Guk can growl a chorus into something really aggressive; A.cian sound like young boys in comparison to the power of B.A.P. They also try to imitate BTS with the choreography, essentially stealing some moves from the choreography of “Boy in Luv.” They don’t have the skill to pull it off though, lacking fluidity in strong moves and resulting in A.cian looking like robots.
Groups that are trying to make a point or are maybe doing something in service of a joke can sometimes get away with imagery that could be considered inappropriate. Lip Service try that with “Too Fancy” but fail miserably. The follow up to “Yum Yum Yum” is similar in sound and structure but not as fun. The song itself is making fun of the consumerist culture in Korea by depicting a girl who wants everything but it’s all too expensive. The images used to portray this in the video however, are ridiculous. Bipa wears braids, lost of gold chains, and dances with a black man while making it rain with a bundle of cash. The girls also attempt to twerk with close ups of their butts. It’s more embarrassing for them than it is offensive, but still, it was stupid to use these images for a song like this. It also steals the sax from Ariana Grande’s “Problem,” which is the most banal thing you can do nowadays.
Result: Tie. “Too Fancy” is overall offensive and “OUCH” is offensive to eyes and ears of the world over, so you can’t separate them.
Lip Service have come out on top with their strangeness being the deciding factor while A.cian have had generic sounds following them throughout their career. Despite some well executed tracks and bad production nearly making them interesting, it isn’t enough to beat a flop girl group. These parody girl groups tend to be some of them most interesting things that K-pop produces. The potent mix of sincerity and desperation creates sounds and looks that transcend what we know as pop music today.
Who do you think is better A.cian or Lip Service? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
https://kultscene.com/wp-content/uploads/2016/03/Untitled-design-3.png7681024Joe Palmerhttp://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngJoe Palmer2016-03-25 15:04:562016-03-25 17:49:24Battle of the Underappreciated K-pop Groups: A.cian vs. Lip Service
