The second week of January brought K-pop the busiest week of 2017 (two down!) so far, with a variety of releases from well-known acts. Long-lived boy band Shinhwa released a new album, while VIXX member Ravi dropped some solo music. Rookie acts Akdong Musician (aka AKMU) and Day6 also returned with brand new music that turns away from K-pop’s typical dancepop sound.
“I Wait” by Day6 (Released Jan.6)
Day6 kicked off their year-long release cycle with the first single, “I Wait.” The song is the most boisterous single from Day6 so far, and it changes the group’s sound up quite a bit with a blend of electro and alternative rock. The song’s title in Korean, “Aw Why?” (“아 왜?”) makes the stilted rhythm all that much more anxiety-inducing, but the English one actually makes “I Wait” seem a bit more sentimental. It’s an altogether heavier sound from the band, but still maintains Day6’s typical lovelorn lyrics and paired with their typically cinematic music video. It’s the first of 12 singles Day6 plans to release in 2017, so prepare to be overrun with this band’s ever growing discography.
Shinhwa still manages to blow my mind with every comeback. As the members evolved over the last decade, so has their music, and “Touch” is no different. The song is heavily future bass influenced, which keeps the listeners in a trance from the beginning until the end. The group actually premiered “Touch” at the 2016 MBC Gayo Daejun, which was sort of a spoiler since viewers were able to see the choreographed version first instead of just the song itself but it was nonetheless a worthy performance. It’s even more applause-worthy to see these guys keep up with the ever changing music scene and the continuous efforts that they put into making it work, even after almost twenty years.
“Bomb” by Ravi feat. San E (Released Jan. 8)
If you’re already immune to the rampant cultural appropriation in K-hip-hop and can get past the mildly cringey intro, Ravi’s first solo endeavour “Bomb” quite exceeds expectations. It looks and sounds a bit dated, not to mention it’s very similar to Zico’s “Tough Cookie” aesthetically. It’s really not that interesting sound-wise; your standard hard K-rap beat. However, Ravi’s delivery was spot on — miles away from his second hand embarrassment inducing verses on VIXX’s early songs — and showed he’s still growing as a rapper. Not to mention the chorus is easily sung a long to and has earworm potential. Furthermore, I’ve never heard a song featuring San E that I’ve liked, but I don’t mind his presence that much here. Overall, it’s nice to see Ravi doing better and working on the betterment of his craft.
“Will Last Forever” by Akdong Musician (Released Jan. 2)
Korea’s beloved sibling duo made a return this week with their third album “Spring to Winter,” accompanied with a music video and a beautiful musical short film. While their title track “Last Goodbye” pulled at my heartstrings a lot (I’m going to miss you Chanhyuk), “Will Last Forever” went a step further in actually moving me. There’s just something tragic about two young kids singing about lost hopes and forgotten friendships. It hits you with a cold dose of reality and forces you to wake up from your youthful dreams.
”Fall Back” by A.Leean (Released Jan. 7)
“Fall Back” is different from Ailee’s previous songs for a reason. The single, produced by LA-based Westside Entertainment, was carefully engineered for a new audience; it sounds as if it was chosen specifically for its potential to climb the U.S. charts. Although an agency representative compared A.Leean’s vocal ability to that of Whitney Houston and Ariana Grande, Ailee’s new song “Fall Back” is more likely to evoke a Katy Perry feeling. From its urgent workout-worthy beat to the catchy refrain, it’s the kind of song you put on when you need to rev up your day. It’s memorably appealing but it was not designed to make the most of Ailee’s incredible vocal range. While the sections of “Fall Back” that give Ailee center stage may remind K-pop fans how lush her voice can be, the song’s production does not let her voice resonate as emotionally as it did in her recent hit “Home” featuring Yoon Mirae, or her OST contributions, “Goodbye My Lover” and “Day by Day.”
“Fall Back” is heavy on the percussion, which sometimes distracts from Ailee’s voice and other times successfully uses a tinsel effect to make the song sound celebratory, which is fitting for a debut. It may be just the formula to climb the U.S. charts, but “Fall Back” doesn’t really live up to K-pop’s standards. The lyrics are about wanting to revive lost love, trying to return to the moment when everything was good, and make things work out after all. The optimistic turn-back-the-clock lyrics may be just the kind of lyrics needed in 2017, and they’re easy to hum along to.
Which song was your favorite? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
After experiencing one of the best years of Korean releases in 2015, the expectations were high for 2016. This year, however, we were all bamboozled on every front imaginable, making 2016 a monumental year but not necessarily for the reasons we expected. Big names in K-pop disbanded, Korean R&B arose as hip-hop did in previous years, and a dominance of new girl groups became evident. It also marked the year the generational shift began, with older groups falling to the wayside to make room for newer acts. Even though we didn’t get to see strong comebacks by more established acts, the newer ones started, or continued, with a bang.
As every year, the KultScene staff determined what songs we thought were above the rest. And after fierce competition, we narrowed it down to the 50 best of 2016.
50. “The Closer” by VIXX
VIXX made a name for themselves with dark, weird concepts that they’ve developed throughout a few comebacks after their debut in 2012. However, ever since last year, the sextet has been experimenting with their sound. And after last year’s releases and another one earlier this year where they veered towards SHINee’s funky pop territory, VIXX went back to more somber, fantasy concepts with “The Closer.” This time, however, instead of relying on the pop-heavy vocals, they mixed it up with early 2000’s R&B for a smoother sound. This track showed just how much the group has grown artistry-wise and proved that what they do, they do it well. A group known for two power vocals in K-pop, the highlight goes to Ravi who, thank goodness, has been on a steady non-cringeworthy rap stride as of late. Now that the cutesy boy band trend is coming back, a concept group like VIXX is highly appreciated. Stay weird, kids.
49. “Secret” by Yuri and Seohyun of Girls’ Generation
There has never been a better commercial jingle than “Secret,” Yuri and Seohyun’s collaboration with Pantene. Yes, the shampoo. “Secret” is a full-blown EDM song that veers towards generic, but the execution by the pair is filled with energy and surprises. Seohyun’s well-recognized as a great vocalist, but Yuri comes into her own in “Secret,” and the song never falls flat, despite the song’s chaotic composition. Pounding beats come to near complete-halts before sonic builds to the whispery choruses. The song is a glorious show of the pair’s diversity as singers and leaves us wanting to see what this duo could do together as an actual Girls’ Generation subgroup. Hint, hint, SM Entertainment.
48. “Don’t Believe” by Berry Good
Perennial underachievers Berry Good rounded out the best year of their careers with this superb slice of tropical house. Jettisoning their trademark big vocals, they let producers Nassun and Big Tone weave “Don’t Believe” into something altogether more professional sounding than usual. The girls bring a restrained pain that rises with every part, starting out with some sort of hope but eventually concluding that “all of me is meaningless.” It makes the catharsis of the dance break more down to earth. Instead of the euphoric joy of “Angel,” Berry Good eke out a final goodbye to love through music and their bodies.
47. “Why So Lonely” by Wonder Girls
This song breathed life into the Wonder Girls brand, which had been fading even after the group’s return last year with “I Feel You.” A self-composition mixing K-pop’s trademark sultry female vocals with a unique retro reggae sound, “Why So Lonely” gave the group new relevance as the song blasted up the charts and into fans’ ears. In both band and dance form, the song is catchy and relaxing, and proves that an older group can, in fact, survive and thrive in the constantly changing world of K-pop. After “Why So Lonely” received so much success this year, fans are excited that at least some remnants of Second Generation girl groups will remain intact, but with their contracts expiring in January, we can only hope that Wonder Girls will continue to develop their self-composed sound in the future.
46. “I’m Good” by Se7en
Feels like a current K-pop trend is to go with the kind of instrumentals present on the song, but I’ll admit it’s a great trend. The song feels a bit more current and there’s just enough variation artists can spin on this type of instrumental to make it sound different from song to song. Where “I’m Good” excels isn’t on the instrumental however; it’s on Se7en’s emotional and silky vocals. I also like the use of repetition in the song, it fits in with the beat and adds a layer of depth to the lyrics of the song.
45. “Flower” by Bada feat. Kanto
To celebrate her 20th anniversary since debuting as a member of first generation girl group S.E.S, Bada released her Flower album, and the title track is one of the most invigorating electropop tracks we’ve seen this year. The composition is subtle, but intense thanks to gentle synths and the pounding beat. Bada’s soft vocals blend with the building electronic rhythm, reminding listeners why she was one of the most popular K-pop singers of the ‘90s, while rapper Kanto aids a snappy rap to the mix.
44. “Sting” by Stellar
Charismatic girl group Stellar continued their great run of singles and staked their claim to be one of K-pop’s greats with “Sting.” Produced by Monotree member GDLO, “Sting” utilizes tropical house to create a breezy inquisitive mood. A multitude of sounds combine to great effect, giving layers to the song that build with each listen. Synth wails, funky guitars, and simple bass grooves highlight Stellar’s incisive manner of questioning. Along with Digipedi’s best video of the year, Stellar confront male ineptitude with brazen confidence. Their sting, both satisfying and necessary, lingers in the skin.
Lee Hi’s debut will forever remain as one of K-pop’s best, and because she raised the bar so high for herself already, it was going to be understandably difficult for her to outdo herself. “Hold My Hand” comes close, though. The song is the latter of the two title tracks off of her Seoulite album, and is yet another stellar throwback to Western soul influences. Lee Hi’s husky voice suits the doo-wop vocals and bassline of the track well, not to mention that the harmonization of her backup singers lends it some musical authenticity. The diminution on “again” towards the end of the song resolves the overall ‘60s girl group vibe she was going for effortlessly, at the same time leaving listeners on a soaring high with the progression in the background vocals. “Hold My Hand” is one song we can all listen to again and again.
42.”All Mine” by f(x)
f(x) may not have formally promoted in 2016, but their clapping EDM SM Station song “All Mine” was one of the year’s best party songs. After 2015’s onslaught of EDM, K-pop took a step back from the genre, but f(x) has always been able to take tried and trued genres and put their own spin on them. “All Mine” is bright and uplifting in its electricity, with the foursome’s voices belting (plus Amber’s rap) above the pounding beats. Plus, f(x) released it with a self-made video featuring Krystal scaring Amber and their friendship is absolutely adorable.
41. “Love Paint” by NU’EST
As far as underrated male groups go, NU’EST, by far, takes the top spot. Truth is that since debuting, the group has consistently delivered complexly crafted pop perfection, and “Love Paint” is no different. This song starts out with orchestral elements before turning into a smooth yet futuristic R&B ethereal experience. The juxtaposition between the first part of the song and the chorus is one of the most layered and interesting transitions of the year. It’s a real K-pop tragedy that NU’EST is slept on popularity wise. One can only hope that they survive another year and drop more pop defying jams.
40. “Home” by Ailee
Unlike her usual K-pop sound, Ailee showcased the more sultry side of her with R&B release “Home.” Listeners are probably used to hearing uptempo and lively songs from her, but her best vocal performances are the ones like this. “Home” might not have an impactful punch or intense climaxes throughout the song, but it’s still enjoyable and still allows Ailee to apply her versatile vocals. For someone who’s been called Korea’s Beyonce on multiple occasions and still puts on outstanding performances, she’s still rather underrated. This song had so much potential, especially when you have a powerhouse vocalist like Ailee and the legendary Yoon Mirae on the same track. Unfortunately, the song was not as well promoted this time around as previous songs. It could’ve done better, especially with non K-pop listeners, if there was a little more promotion than what was done. It kind of makes one wonder if this song would be better recepted if there was an English version? Hey Ailee, how about that?
39. “Take Me Now” by FT ISLAND
With a definite lack of rock representation on Korean music charts, FTISLAND does their best to fill that gaping void. The band continues to move far far away from their Korean pop rock roots with their latest self-produced album Where The Truth. The title track “Take Me Now” is probably the hardest rock song they have put out to date, at least in Korea. Although it’s not a sound that most fans are used to, it definitely shows the direction the band has been driving towards these past few years. Throughout the song, Hongki’s voice alternates between haunting verses to a blaring chorus that showcases all of his vocal abilities to a T. The rest of the band does a great job keeping up with the intensity of the song through combined soft and hard vocal progressions to make the dynamic song complete. From the looks (and sound) of it, FTISLAND definitely shed their pop idol band label to make the music that they want. So throw your fists in the air and get ready to rock out!
38. “Crying” by Stellar
If you’re going to play it safe after two years of being the most divisive girl group in Korea, then Brave Brothers is your man. With “Crying,” Stellar have shown they can a rock a classic Brave Sound track just like the rest of them. The tempo is high, the synths aggressive, and the vocals diverse. Like all great Brave Brothers tracks, the details are what make the potentially generic songs not so generic. Especially the delay in Hyoeun’s vocal in the second verse and the layers of synths in the chorus. Even when playing it safe, Stellar are still one of the great K-pop girl groups. You can catch me crying at the club listening to this.
37. “Rough” by GFRIEND
Rookie girl group GFRIEND is known to release catchy dance tunes and “Rough” is no exception. With the mix of synth and orchestral instruments, the song creates a more sentimental melody while still remaining upbeat and catchy. The lyrics and the vocals are crisp and bright and seem to have greatly improved from their last release giving a more matured feeling, leaving fans excited to see what else the girls can accomplish.
36. “Someone Like U” by Dal Shabet
2016 kicked off strong with Dal Shabet dropping “Someone Like U” early in January after losing a couple members. They made their comeback by going back to their 80’s synth-pop sound by way of a Brave Brother’s jam and delivering pop flawlessness. The dance track is a big fuck you to that ex who you didn’t even like that much in the first place and now is breaking up with you. And what’s more relatable than a spiteful song dedicated to your ex you can dance to? “Hey! Go meet someone stupid like you,” is truly what we all would like to tell our exes. Dal Shabet is one of those girl groups who sadly don’t get the recognition they deserve. However, “Someone Like U” goes down as one of the best songs in their discography ever.
35. “I Am You, You Are Me” by Zico
Zico has already established himself as a rapper of speed and power, but here he brings it back down to a crawl, preferring grooves over hard beats. Everything about Zico’s “I Am You, You Are Me” is hypnotic and infectious. Something about the chimes or the fingersnaps or the ooh’s of the backing track makes me feel like I entered a place that I should not have, and to say the least, it’s indulgent. The song confirms the Block B frontman’s versatility and artistry, and not for nothing his solo career is one of the best there is in K-pop currently.
34. “Me Like Yuh” by Jay Park
It seems like you just can’t go wrong when Jay Park sings over a Cha Cha Malone track. This time, Cha Cha and Jay tried their hand on one of 2016’s biggest trends, the Caribbean inspired, tropical dance song. After establishing himself as a rapper last year, Jay dropped his album Everything You Wanted and is, well, everything we wanted: an R&B album, which is what the performer does best. His clear standout of the year, “Me Like Yuh,” is somewhere between Justin Bieber’s “Sorry” and Drake’s “Hotline Bling” but with Jay’s signature high-pitched, honey R&B vocals that’s all about the groove and how the song feels. Jay may rap about asses and sex all the time, but there’s just something about when he gets a bit romantic and vulnerable that comes across genuinely. Jay and Cha Cha are a match made in heaven that we can only hope lasts for a very long time and results in many bomb releases.
33. “Very Very Very” by I.O.I
This song is the epitome of addictive. Bringing all eleven members of I.O.I back together, this song served not only to diversify I.O.I’s limited discography, but also reassert their dominance as the monster rookies of 2016. The song uses a fast beat, infectious repetition, and an occasional rap to bring out the members’ various charms — whether it’s Yeonjung’s vocals in the prechorus, Doyeon’s killer aegyo, Yoojung’s outgoing stage presence, or Somi’s powerful roundhouse kick, each member gets to shine in ways that prove I.O.I’s unique and lovable group character. While the group may not be around for much longer, “Very Very Very” is clearly unforgettable, whether you liked it or not.
32. “Toy” by Block B”
They may be better known for their fun, hip-hop songs, but Block B really exceeded expectations with “Toy.” The sedate, dreamy track showed a softer side to the boy band through jazzy piano notes and mellow, scattered synth beats. The song’s composition layers different rhythms and melodies with sentimental vocals, to create the overwhelming, lovelorn ambiance of “Toy.” It’s different than what we’ve seen from Block B in the past, but the Zico co-composed song shows maturity to the group’s sound and we hope to see more of this style from the septet in the future.
31. “Galaxy” Bolbbalgan4
From the first note, it’s clear that this isn’t K-pop as most people think of it. In fact, calling it “K-pop” would be a disservice to this sweet song, since K-pop typically describes songs sung by K-pop idols. But Bolbbalgan4 is an indie duo that appeared on Superstar K6 in 2014 and shot to fame with this single after its release in August. The song begins with an otherworldly, high pitch tone that sounds similar to what one would expect if they licked a finger and ran it around the edge of a glass filled with water. Ahn Ji Young’s sweet, breathy vocals are backed up guitarist Woo Ji Yoon, who also provides harmonies and a quirky rap, and ‘60s inspired instrumentals blended with a medley of soft electronica sounds. “Galaxy,” the fun and innocent sound of the indie rock track, ended up making it one of the most popular songs of 2016 in South Korea.
“Bermuda Triangle” is a great fusion of captivating sounds and diverse talents. The combination of these three artists is truly a match made in music heaven. The transitions between the sick beat along with Zico’s killer raps, Crush’s (sudden and shocking) badass verse and Dean’s velvet-like vocals were smoother than butter. All three artists consistently show up and always give a stellar performance in their own individual songs, so it was no surprise that “Bermuda Triangle” was done to pure perfection. If you didn’t love this song right away, then you need to get on it. One of Zico’s earlier lines is “What happened in 1992?,” well, basically, the birth of three phenomenal musicians happened, that’s what.
29. “Whistle” by Blackpink
While this song may not be everyone’s cup of tea, it gave the K-pop world a much-needed dose of attitude. With the rise of TWICE, GFriend, and I.O.I and the disbandment of acts like 4MINUTE and 2NE1, there’s been a tragic dearth of edgy, badass girl groups. With the exception of BLACKPINK, that is. With addictive melodies and fast-paced rap sections, this song brings back hip-hop dance themes so reminiscent of K-pop a few years ago, while also including some newer, unique musical elements. As the generational shift brings us back to cutesy, feminine girl groups on top, Blackpink and their songs like “Whistle” do the important work of carving greater musical and stylistic diversity into K-pop’s current era.
28. “Overcome” by NU’EST
The saddest part of NU’EST’s history is that people think their heyday was their debut with the phenomenal “Face.” 2016 was, without a doubt, filled with the group’s most avant-garde singles “Love Paint” (no. 41) and “Overcome.” This is electropop at its finest, and NU’EST’s members at their best; their vocals and adlibs are near flawless on this brassy synth track. Layers upon layers of overdubs flit throughout “Overcome,” as if it challenged the listener to pick out the individual elements. After beginning with punctuated beats, the song incorporates scattering synths, brassy percussion, falsetto, digitized piano notes, and much more to overwhelm the senses. Then, “Overcome” ends off on a gentle, sleepy melody in a way that seems to put the whole sonic experience to rest. NU’EST, we’d like to see more of this in 2017.
27. “Navillera” by GFRIEND
Few do synthpop dance songs as well as GFRIEND, and “Navillera” was an ideal follow-up to the more sentimental “Rough” from earlier this year. The bright, rock-tinged “Navillera” wouldn’t seem out of place on an INFINITE album (and the opening drum beat callback to the opener of “Man in Love”), with its retro-tinged electronica sound. The song’s title is a reference to a Korean poem about a butterfly, and the high-pitched synths and underlying electric strings help create a quirky, fluttering sound. There’s a few verses, but the majority of the song is built around a soaring pre-choruses followed by the speedy chorus, which in actuality serves as an intro for the fast-paced dance break. The guitar solo at the end is so atypical for K-pop that it helps “Navillera” further hone in the idea that this song, and the group, is a long-awaited breath of fresh air.
26. “Bonnie & Clyde” by Dean
Where’s the sign up sheet to be Dean’s Bonnie? Because as long as Dean is Clyde, he’ll be winning over hearts. Every song he’s released has been absolute gold, and this one is no exclusion to the rule. “Bonnie & Clyde” leaves you feeling such a natural high, sitting on a cloud not wanting to get down. It’s just so damn easy to be engrossed in that sweet, bewitching voice of his.
What was your favorite Korean song this year? Share your picks and thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
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It’s been said before, but it seems like this is the time to be a North American fan of Korean music. The next few months in particular are introducing an influx of Korean acts performing in front of American, Canadian, and Mexican audience. This year, there will be not one or two but numerous K-pop conventions on the continent. KultScene’s team will be attending several of the cons, beginning with Toronto Kpop Con 2016, also known as TKC 2016 in May!
In case you’re not so familiar with this year’s event, here’s a few things you have to know about Toronto Kpop Con.
The Event Is Spread Over A Whole Weekend
Last year’s Toronto Kpop Con was only a one day event but the second year of the con will feature a full three day weekend, kicking off with VIXX’s concert on Friday night and ending with GOT7’s concert on Sunday night. The whole event will take place at the Metro Toronto Convention Centre and convention events will take place all day Saturday and Sunday.
G-Friend and Day6’s First Ever North American Performances
While VIXX and GOT7 have visited Canada before, this is both rookie groups first time meeting North American fans. The newer girl group and boy band made huge waves in South Korea over the past year and are diversifying additions to the TKC lineup, providing some different sounds than what GOT7 and VIXX have to offer- G-Friend is the only girl group to attend while Day6 performs as a band rather than a dance group. G-Friend will bring life to the middle of the con on Saturday with a midday performance while Day6 will meet fans Sunday afternoon.
Okay, this isn’t really a must know but it’s a fun fact that this writer finds interesting. According to the official website, Toronto Kpop Con is a registered trademark in Canada by the owner of TKC’s parent company Pop! Goes The World. The little disclaimer at the bottom of the website is intriguing especially in leu of the fact that not only is the event’s name trademarked, so are “Kpop Con” and “Kpop.”
GOT7 Will Meet Fans Twice
Yes, you read that right.
Toronto Kpop Con is a must for any diehard I GOT7, the group’s official fans. GOT7 will perform both Saturday and Sunday night, giving Toronto fans a lot of love before they head to the United States for their July tour. At the time of publishing this, JB is unfortunately sitting out with an injury but hopefully he recovers soon so that all seven members of GOT7 will be able to meet their fans.
Dance Squads & YouTubers Will Be Prominently Featured
Panels with media insiders will be a big deal at TKC 2016, but so will dance crews and Youtubers. The likes of K-pop Youtube vloggers like Terry He and StillNotDavid will be featured along with Yours Truly, Kapital K-Dance, and 2KSQUAD, all of whom are Canadian K-pop inspired dance teams.
I’ll Be There
Okay, it’s a bonus sixth thing. Definitely try to find me if you’re a big KultScene fan, we always love to meet our readers! I’ll be giving away some KultScene swag and running a panel. Keep an eye out on our social media for updates.
Tickets are currently on sale for TKC 2016 on the official website and if you use the code TKC16 you get 30% off your order!
Are you attending Toronto Kpop con 2016? If not, tell us about your dream con to attend! Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter,Instagram, and Tumblr to keep up with all of our posts.
https://i1.wp.com/kultscene.com/wp-content/uploads/2016/04/Untitled-design-2-1.jpg?fit=1024%2C7687681024Tamar Hermanhttp://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngTamar Herman2016-04-28 14:17:212016-04-28 14:51:405 Things To Know About Toronto Kpop Con 2016
Toronto K-Pop Con is a few months away, and organizer Pop Goes The World recently announced that VIXX and GOT7 will be headlining the three day event, along with two other currently undisclosed acts. While both K-pop boy bands will be performing in Toronto next May, VIXX will kick off the event on May 20, and GOT7 will perform on both May 21 and May 22.
While we definitely hope that every K-pop fan will attend both VIXX and GOT7’s shows, we know that people have biases towards one group over the other. It’s just how K-pop works. But do you know which group you really should like? This quiz will help you figure things out.
Tickets to see VIXX are already on sale, while tickets to see GOT7 go on sale Friday, January 15, 2016 at 8:30 PM EST on Toronto K-Pop Con’s official website. (Bonus: VIXX tickets come with free admission to all three days of the con.) Toronto K-Pop Con also just added Day6 to the line up so make sure not to miss out! Visit: www.torontokpopcon.com/Tickets
Are you more like GOT7 or VIXX? Are you excited for Toronto K-Pop Con? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
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Ladies and Gentlemen, the time of all things dark, spooky, and strange is upon us. With Halloween just around the corner, whether you want to party till the sun chases away the monsters or curl up in a dark corner watching a horror movie marathon, here are a few Korean music videos to help awaken your inner ghoul.
1.BTOB – “Thriller”
It can’t be Halloween without a few zombies. BTOB brings us a dark video that starts out in a creepy cemetery with their “zombie dance” opening. From the sharp and haunting dance moves to glowing eyes, “Thriller” perfectly expresses the dark theme while still remaining stylish and fresh. The song features powerful vocals from vocalists Hyunsik and Eunkwang mixed with fast and steady rap verses from Ilhoon and Minhyuk that accentuate the idea of invincibility and the fact that frightening things can be exciting, which is what Halloween is all about.sup
2.100% – “Beat”
This literal heart-wrenching video from 100% puts a dark spin on the classic Frankenstein story which features a girl harvesting parts from other members to bring the one she loves back to life. “Beat” prompts viewers to question how far would they go for love and dealing with the consequences. The smooth almost monotone feeling of the song explodes with the chorus, where the group’s lead and main vocals Rokhyun and Hyukjin do a great job in expressing the pain and dark side of love.
3.BOYFRIEND – “WITCH”
BOYFRIEND’s “WITCH” is a dance song with a catchy hook about liking a girl that they probably shouldn’t. The video features a hot gang of vampires and Little Red Riding Hood the vampire slayer. . . It’s K-Pop so why not? The eerie background sounds mixed with the upbeat dance track and vampire visuals do well together to create a dark atmosphere perfect for any spooky dance party.
At the climax of their dark/horror concepts, VIXX released the video for “VOODOO DOLL.” Unlike the typical bright bubbly mages K-Pop is known for, VIXX did a complete 180 with everything from blood to voodoo possession. If you’re not a fan of the all the blood and gore, then you can opt for the clean version and admire the dance moves and large pin prop that VIXX incorporates, going along with the whole voodoo theme. But since it is Halloween, why not embrace the stunning visuals that VIXX created in all of its gory awesomeness?
5.BEAST – “Shadow”
BEAST totally embraces the whole dark and brooding theme with “Shadow.” A song written by BEAST’s very own rapper and composer genius Young Jun Hyung about being in darkness (or shadows, if you will) after losing a loved one. The song features great vocals and rap verses, not to be outdone by the dark post-apocalyptic imagery of the video.
6.Sunmi – “Full Moon”
Vampires are definitely a popular thing this time of year. Instead of a heart-pumping adrenaline rushing vampire image, Sunmi takes a more sexy dark approach to the whole blood sucking thing. “Full Moon” is a slow jazzy song perfect for those cold dark nights.
7.Kim Jae Joong – “Mine”
Kim Jae Joong, 1/3 of the popular group JYJ, stepped out with a solo rock song. From snowy forests to random evil foreboding animals and Jae Joong as a bedazzled Doctor Doom/Vampire/Angel. The video is filled with everything your dark goth-y heart would desire.
8.F(x) – “Red Light”
Now “Red Light” isn’t your typical Halloween spooky song full of pumpkins and monsters, although the video does have a black cat in it. The song and video gives off a dark and mysterious vibes that are perfect for this season.
9.Block B – “Jackpot”
Many people find clowns delightful, but if they are not really your style then the opening of Block B’s “Jackpot” will probably freak you out. The whole strange freaky theme is carried throughout the video with the band tormenting a girl with their crazy antics (though I wouldn’t mind at all).
10.Sunny Hill – “Midnight Circus”
Another group that likes to hang out at creepy circuses is Sunny Hill. In “Midnight Circus” the girls take a more sexy approach in a strange vintage looking circus in the woods. With an eerie intro, “Midnight Circus” plays nicely into the Halloween theme.
The video begins as any other horror movie; guy is stranded and wanders into a creepy old house were mayhem pursues. The Techno Queen Lee Jung Hyun takes a more fun approach to the whole creepy obsession thing and puts a fun quirky spin on the traditional haunted house.
12.LADIES’CODE – “Hate You”
Whenever girl groups do a dark concept, it usually comes off as sexy. On the contrary, LADIES’CODE does the dark concept in a more artsy way. Their whole doll concept is both strange and beautiful at the same time proving that you don’t have to be crazy or gory to send chills down someone’s spine.
13. Super Junior – “Opera”
Super boy band Super Junior puts out a dark Phantom of the Opera-esque video with “Opera.” In the video the boys vanishing and appearing like very stylish ghosts. Yes, this is the Japanese version, but the video fits the whole Halloween theme than the Korean dance version.
What’s your favorite Halloween song? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
https://i0.wp.com/kultscene.com/wp-content/uploads/2015/10/Screen-Shot-2015-10-30-at-9.50.34-AM.png?fit=1280%2C7147141280Katherinehttp://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngKatherine2015-10-30 06:54:512015-10-30 06:54:5113 K-Pop Videos to Get You into the Halloween Spirit
It’s here, the week that many people around the world wait for all year. Halloween is just around the corner, and it’s time for all of the spooky tunes to get you in the mood for the day of dress up and candy. Which means that this week’s KultScene Playlist Sunday is filled with the creepiest K-pop songs that our writers could find.
VIXX has always been well known for their dark and unique concepts but to me, no other concept of theirs is as horrifying as the one for “Voodoo Doll.” In fact, the music video for this song was so scary and gory that another clean version had to be released. The entire video is eerily fascinating however, and showcases some wonderful acting from the VIXX members, along with a tight choreography and a catchy song. Be warned though, the music video is definitely not for the faint-hearted.
Big Bang’s leader G-Dragon caused a stir with this highly controversial music video from his 2009 album, “Heartbreaker.” In “She’s Gone,” GD assumes the role of a crazed psychopath from the Victorian era who kidnaps a former love interest, after she spurned him for another man. G-Dragon’s character keeps the girl tied to a chair, but somehow she manages to escape. Carrying a knife, he sets off in purposeful pursuit of her through a dimly lit labyrinth of corridors, then exacts his brutal revenge near the video’s conclusion. In his warped perception, this drastic course of action is the only means he has of keeping his ex girlfriend forever, or at least preventing anyone else from having her. Finally, the murderer is seen with his hands and clothes covered in blood and a sinister smirk on his face, implying that he has achieved his objective. An already disturbing character is made all the worse for being played by the baby-faced G-Dragon!
I’m probably one of the very few who people who don’t get excited for Halloween. Don’t get me wrong; growing up I absolutely enjoyed dressing up in scary costumes but it only seems as though what started out as a holiday of trickery and the occasional treat has become an opportunity for people to get dressed up in rather trashy outfits. Whatever happened to the monstrous themes, face makeup and extreme hairstyles? 100’s “Beat” takes after a Frankenstein theme, each member sporting heavy eye makeup, colored hair, and armored clothing (if any at all). Even though that movie always crept me out when I was younger, I wouldn’t mind it one bit if I saw a bunch of guys that looked like 100% walking around on Halloween; even with their hearts dangling out. Well, maybe not the heart part.
In a a political take on Disney’s “The Nightmare Before Christmas,” Seo Taiji’s “Christmalo.Win” takes us all to a town filled with ghouls, witches, and pumpkins. The iconic Korean singer enters the town to begin singing as a little girl finds that her mother and friends are missing. The music video and the pop-rock song are sinister companions to one another, with dramatic flare to spare (check out his band!) Seo Taiji is a consummate performer and artist, but it’s the content that puts the viewer into the Halloween mood. Watch the whole video to take a look of the eerie tale of a Halloweentown girl looking for her mother in a Christmas town. Not all is as black and white as it appears, and the differences between the poor and rich, the weak and the power, is very clear, even within the holiday packaging of a war between the holidays.
What’s your favorite Korean Halloween song? Share your picks in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
This year’s KCON might have been the best one to date for American K-pop fans as they learned that not only would the annual event in Los Angeles be expanding into a three day experience and moving into the legendary Staples Center, but that it would also become bi-coastal. For the first time in its four year history, East Coast K-pop fans could finally rejoice over the fact that they would not have to fly out over to California just to see their favorite acts since the con would be bringing their M! Countdown concerts to the just-as-legendary Prudential Center in NY’s metropolitan area. This didn’t change the fact that some die-hard fans still attended both events, though.
Being the forerunner to anything carries a lot of weight and responsibility to set the standard for the following years, which is why KCON NY saw less acts than its LA counterpart on August 8th. It took four years for KCON LA to grow to where it is, so the hope is that the East Coast con will also continually grow. Planning for KCON NY could have been better as attendees saw repeats in acts from the previous years as well, though none of that really mattered once the crowd of 17,000 KCON-goers started trickling in through the metaphorical gates. With this particular event, KCON proved that groups like Teen Top still got it, while confirming the popularity of relatively newer groups such as VIXX. And like the fanboy turnout at KCON LA, KCON NY too observed a very noticeable testosterone-heavy presence for the alluring and sexy Girls’ Generation and AOA.
But before we get to the main attraction, we have to give a warm mention to the other performers of the night. Prior to the concert’s official commencement, attendees were treated to a performance from the winners of the K-Pop World Festival in New York, The Class. Based in NY’s own Washington Heights, the group danced to VIXX’s “Hyde,” giving the original pioneers a run for their money later that evening. Popular Youtuber Jun Sung Ahn, who is better known by his social media handle JuNCurryAhn and who also attended KCON LA the week before, followed up with a morose cover of BIGBANG’s “Loser” on his trademark violin. It’s not really a song to dance to, yet that did not stop some from getting up from their seats to groove along to the tune.
Courtesy of CJ E&M America
Courtesy of CJ E&M America
After much teasing and prolonging on the host’s part, Girls’ Generation’s Tiffany finally made her grand entrance via stage lift to introduce KCON. Considering how she was the only native English speaker out of the four groups due to perform, it was really no surprise the organizers would select her to act as MC. Regardless, her appearance and the positive reception it elicited from the crowd indicated that the show was finally on the road.
VIXX – The Kickoff or the Grand Finale?
Going in order of seniority and following a boy-girl-boy-girl pattern, VIXX was the obvious choice as the opening act. Based on the way they put on a performance, however, they might as well have been the closer. The night started off with the boys lined up in a row, standing chicly until the spotlight shone on each individual member. With all eyes on them, they took turns to break out in powerful dance as the screens overheard flashed their names. This transitioned fabulously into their song, “Error,” which requires the same sobriety that was seen in their introduction. “Error” really got the crowd riled up, and this enthusiasm was equally seen throughout their next two performances for “On and On” and “Eternity.”
Courtesy of CJ E&M America
With their darker songs out of the way, this left room for some of their more lighthearted songs, so what else but the loveable “G.R.8.U” and their latest release “Love Equation?” Member Leo lived up to his title as main vocalist in the former song time and time again as he belted those high notes, filling up the whole of the indoor venue, and the group took no breaks as they delved right into the latter song. Though the single was released earlier this year and went by largely unnoticed, the group was able to change that with their aegyo (cute display of affection) that made all the fangirls in the building swoon. The high-spirited nature of the song allowed the members to wing their performance, which inevitably meant running around on stage (like the goofballs that they are) and getting closer to the audiences. At the climax of the song, the center was nothing but a rainstorm of streamers and screams, which just goes to show that this is one song that is better live. Whoever decided on ending their set list with “Love Equation” definitely deserves a golden medal.
Courtesy of CJ E&M America
AOA as The Chaser
Immediately after VIXX had exited the stage, the members of AOA strutted confidently to own the stage for the next half hour. The anthem of the summer, “Heart Attack,” heralded in the group’s first performance in the States (okay, so technically the first performance was at KCON 2015 LA but close enough…), where the girls delivered harmless girly fun. And just like their stage at KCON LA, they also revealed their provocative side in hits like “Like a Cat” and “Confused.” As expected, the fan boys chose these moments to declare their undying love for the members and were very on point with the fan chants.
Courtesy of CJ E&M America
They continued their sensual concepts with other favorites, such as the booty-shaking “Short Hair” and the sultry “Miniskirt.” While AOA debuted the same year as VIXX, the girls stood out more as the supporting act due to a lack of variety in their songs. No fancy celebratory streamers here. Nevertheless, the girls earns props for making sensual look so natural, especially with their closing song “Miniskirt,” in which sub-vocalist Hyejeong got down low – and I mean real low – on the stage floor. With the flawless execution of each song that left audiences in an uproar that night, AOA is certainly the next hot girl group to watch out for. Girls’ Generation, y’all better watch yo backs.
Courtesy of CJ E&M America
Teen Top is the Dark Horse of Live K-Pop
When you are getting goose bumps all over your body during a concert, you know it’s good. And when it’s during a slow song, you know that’s even better. The “M! Countdown” concert in NY has been an exciting and hot-blooded one thus far, but Teen Top was able to extinguish those flames with the mellow performance for “5 Seasons,” straight off of their most recent album. With such as easy-going song, the members kicked it back on the stage’s steps and swayed their bodies in time to the guitar strums of the instrumentals. It would only make sense that the subsequent performance would be for another track fresh off of their latest album, which is exactly what they did with “Ah-ah.”
Courtesy of CJ E&M America
After their member introduction, where lead rapper L.Joe showed off his limited English from his five years living in the States, the group threw it back to their Brave Brothers collaboration days with “To You” and “Miss Right.” Other than the upbeat melodies, the beauty behind Teen Top’s songs that always make for a captivating live performance lies in their intricate choreography. Despite the fancy footwork that the group is known for, the moves for the upper half of the body are rather straightforward, which is why many fans in the audience were able to follow along easily in their seats. Indeed, “Miss Right” had the fans shaking their hands in the air, engaging hundreds of attendees with the idols in this one simple gesture.
The group concluded with “Rocking,” which could not have been a wiser choice, seeing as how this was the song that started their dance image and is the closest thing they have to a club banger. The free step may look impressive done behind the computer screen, but done live? That’s next level. The mix of hard synths, adrenaline, and their go for broke attitude had everyone singing along to the addictive “jangnan anieyo” (”it’s not a joke”) hook and hollering for more. It also helped that L.Joe is an insane mood-maker, what with his repeated ad-libs. Teen Top may not belong to any big name entertainment company or have the largest fanbase, but they sure know what it means to have a good time. Maybe it’s time to book them again for KCON 2016 for the fourth consecutive year.
While Girls’ Generation were preparing for their performances, and in order to hype up the girls who were headlining the concert, the special stages that have always been critical to the “M! Countdown” concerts were scheduled right after Teen Top. Unfortunately, SONEs (Girls’ Generation’s official fandom) would have to wait just a little bit longer before they get to see their eight angels. Because the annual event was also held in New York this year (to be precise, it took place in New Jersey but how many songs about the Garden State can you list off of the top of your head?), AOA’s Yuna, Hyejeong, and ChoA did the East Coast proud by bringing a strong yet abbreviated rendition of Beyonce’s and Jay Z’s “Empire State of Mind” to the table.
Courtesy of CJ E&M America
Teen Top’s Niel and Chunji collaborated on a duet as well, but since English is not exactly their forte, they opted for the safe, slow-tempo “When I First Kissed You” by Extreme. The emotional song left audiences in as much of a hush it was ever going to be that evening.
Courtesy of CJ E&M America
Girls’ Generation Shuts Down the Show
They’re the poster child of girl groups, at least in our generation. And in a sea of pink that illuminated the arena here and there, it’s clear who many were here for. With eight years of experience under their belt, it’s really no wonder that Girls’ Generation was saved for last. When the group finally emerged in their (American) patriotic sequined colors, the crowd went wild, and when they opened with “Catch Me If You Can,” the song that marked their comeback as eight members, the crowd went berserk. In a similar vein of recent songs, they followed up with “Check,” the smooth RnB number that demonstrated a more mature side of the girls. They’ve come a long way since their flight attendants and jegi-kicking (shuttlecock-kicking) days, but if their next song, “Genie,” is any indication of anything, it’s that they also have not forgotten their roots. And of course, what is Girls’ Generation without “Gee,” the hit that practically created them? It’s a requisite in every Girls’ Generation set list and if it were not for the fact that the girls had recently comeback with a new single, it would’ve been the cincher like it was in the previous year to an amazing KCON.
Courtesy of CJ E&M America
But they did comeback with “Party” last month, so naturally it was the closer of the night. They were all smiles as they had the honor of concluding the first ever KCON NY on a lively note. Concert-goers expected the burst of yellow streamers that permeated through the air, yet we were still caught off guard when it happened after leader Taeyeon hit the intense notes during bridge. And we all still cheered like mad.
Courtesy of CJ E&M America
Just like that, KCON 15 NY came to an end. As the first installment on the East Coast, there were some things this “M! Countdown” concert did right that should continue in the ones to come, such as the proportionate distribution of set times in spite of seniority and the high security. But then there are other things the concert could have improved upon, including more opportunities for a solo/sub-unit stage and more line-ups. With room to grow, fans can only anticipate for an even bigger and better KCON 16 NY.
Check out more pictures from the night:
What’s your favorite KCON artist? Let us know in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
https://i2.wp.com/kultscene.com/wp-content/uploads/2015/07/vixx_kpop2014d_650-430.png?fit=650%2C430430650Tam Huynhhttp://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngTam Huynh2015-07-14 10:45:272015-07-14 10:45:27Fantasy Vs. Reality Performances To See At KCON NY 2015
Just about every K-pop fan living in the United States has been waiting anxiously to find out who will be heading to KCON 2015, held this year for the first time on both sides of the continental U.S. Now that we know a few more acts, here’s KultScene’s second annual fantasy versus reality playlist for KCON. The convention heads to Los Angeles’ Staples Center on July 31-August 2 and Newark’s Prudential Stadium on August 8. KCON Los Angeles will feature Super Junior, Shinhwa, SISTAR, Got7, Roy Kim, Block B, and AOA, while KCON NY, held in New Jersey, is in its inaugural year and will star Girls’ Generation and VIXX.
1. Super Junior Fantasy: “Can You Feel It?” is a song by Super Junior D & E (Donghae and Eunhyuk,) which is technically just a subunit of the group, but it’s honestly one of the most fun songs from 2015 and it wouldn’t be difficult for the group to sing together. A lot of fans may not know the dance, but if Super Junior wants to get the place moving, a quick lesson will get everyone at the Staples Center standing up and flailing their hands all over the place. We wouldn’t be adverse to oldies like “Miracle” either.
Reality: “Mamacita” is super Junior’s latest title song, so unless the group throws a curve ball and announces a comeback before they come stateside, it’s a safe bet to say that everybody at KCON LA will be shouting “HEY! Mamacita” by the end of the night. Also Expect: “Sorry Sorry” and “This Is Love”
2. Shinhwa Fantasy: “Eusha! Eusha!” is old fashioned, but any old school fan of Shinhwa will want the group to play some of their iconic songs. We’d also kill for “Wild Eyes,” or a newer song that we at KultScene personally love, “On The Road.”
Reality: “Sniper” is Shinhwa’s most recent song and is absolutely amazing, so we won’t mind that they’ll perform it. They may perform “T.O.P,” one of Shinhwa’s most popular songs ever, but due to the age of many of the fans, the group may pick to some of the newer, arguably safer, sexy songs. Also Expect: “Venus” and “This Love”
3. Roy Kim Fantasy: A new English song. Yes, it may be asking too much, but Roy Kim is talented and spends part of the year in the United States at Georgetown. So it wouldn’t be such a stretch for him to debut a brand new song at KCON, like the ones that helped Roy Kim achieve success as a singer.
Reality: “Home,” there’s no question about it. Roy Kim will definitely sing this beautiful song about the feelings of being home. Hopefully he’ll bring the dog from the music video. Also Expect: “Love Love Love” and “Spring Spring Spring”
4. SISTAR Fantasy: While it was popular in 2014, it’s unlikely that SISTAR will perform “I Swear,” since “Touch My Body” was a much more popular song. If they do, it will be a nice chance to hear them focusing on their vocals more than some of their more sultry dance tracks.
Reality: We’ll likely see a performance of SISTAR’s yet-to-be-released summer track. The girl group is making a comeback in June. Also Expect: “Alone” and “Touch My Body”
5. AOA Fantasy: It would be absolutely fantastic if AOA performed “Get Out.” The girl group used to perform as a band, and have done so occasionally, but it’s unlikely that we’ll see a band performance from them. We’d also love to see “Confused” performed.
Reality: Since hitting success, AOA has a lot of successful songs (and a new song coming out so we’ll see that,) but nothing is as defining for the group as “Like A Cat,” their sexy, dark song. Jimin may also perform a solo song. Also Expect: “Short Hair” and “Miniskirt”
6. VIXX Fantasy: Let’s see VIXX perform “Love Equation.” It’s a remake of R.ef’s song from the 1990’s, but this 2015 release went under the radar and is too cute to be ignored. “G.R.8.U” would also be a nice way to lighten up the stage from some of VIXX’s darker songs.
Reality:Whatever VIXX performs will be good and be filled with an interesting concept.The group will definitely perform “Error,” one of their most dynamic songs to date. Also Expect: “Eternity” and “Voodoo Doll”
7. Block B Fantasy: “Conduct For Zero” is another song by a subgroup that we love. Block B’s Bastarz subgroup is just three members, but we’d be fine if Block B’s other members left the stage to see the trio perform this dynamic song. And if they refuse to perform a song by a subgroup, Block B should attempt to silence the Staples Center by performing their vocally impressive song, “Be The Light.”
And can Zico please perform at least one solo song?
Reality: “Her” is a slightly psychotic, fun to dance to song and the audience at KCON LA had better join in on clapping along with Block B’s song. Also Expect: “Jackpot” and “Very Good.”
8. Got7 Fantasy: Got7 is still a new group and a lot of their lesser known songs deserve some love. If the seven member group performs “I Like You” or “Gimme,” the audience at KCON may be surprised, but we’ll be pleased.
Reality: There’s no doubt that Got7 will perform “Stop Stop It.” The group is widely popular among American fans, so expect many people to be singing along. Also Expect: “Girls Girls Girls” and “A”
9. Girls’ Generation Fantasy: “I Got A Boy,” because they didn’t perform it at KCON LA last year and we still can’t get over that.
Reality: Their brand new song that we’re eagerly waiting for, and perhaps a few new songs off of their new album. And “Gee.” Because they wouldn’t be Girls’ Generation if not for “Gee” Also Expect: “Catch Me If You Can” and “Mr. Mr.”
What songs do you want to see performed at either KCON this summer? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts. Read more
https://i2.wp.com/kultscene.com/wp-content/uploads/2014/08/소녀시대-7.jpg?fit=2400%2C160016002400Tamar Hermanhttp://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngTamar Herman2015-06-11 22:08:492015-06-11 22:08:49Fantasy Vs. Reality Performances To See At KCON 2015
Singers usually promote one or two songs from their mini or full-length album. And in many cases some of the songs are left without a music video or the love they deserve. Every artist has at least one song that fans think should have a music video. People’s choices will most definitely differ, but here are a few we think would make great music videos if not just for the extra promotion of the song, as long as the videos don’t look like they could feature on fulltube.xxx because music isn’t just about being sexualized, we have to grow out of that still after years.
Jay Park I Love You
Jay Park music videos can be extremely sexy and steamy, cute and sweet, or fun and having a good time. I Love You could be one of his sexy ones, or a video that goes the really sexy route, or one that plays with the chance of romance and steaminess. Jay actually did do a video that shows off a killer dance routine for the R&B-inspired song. And based on the dance, the whole music video can just focus on the dance in different settings with different outfits; keep it crisp and simple. The beat and music make I Love You the perfect song to showcase a sensual yet hard hitting dance routine. Sometimes all we need is a great dance music video to give us life.
Any f(x) song would have an equally awesome music video. They somehow manage to make most, if not all, of their songs stick with fans. Spit It Out is a fun, upbeat song that offers many different directions for a music video. An avant garde concept might work best based on the beat, use of ‘80s synths, and the video game sounds that are prevalent throughout. The heavily processed sounds would match a quirky styled music video and the ladies of f(x) can pull off any concept. Out-of-the-box hairstyles, clothing, accessories, and almost cartoon-like settings would create an unrealistic world that corresponds to the lyrics and the reaction of the narrator of the song.
SHINee One Minute Back
In all honesty, SHINee could make a video for any of their songs and it would be well received (in most cases). But One Minute Back has a different sound and musical pattern compared to their other singles. The guys’ vocals sound wonderful together and the chorus is inviting and somehow manages to make everyone sound like a great singer when they sing along. A One Minute Back music video would benefit with close-ups of each member as they’re singing and looking into the camera. A dance routine that utilizes a prop, possibly a chair, would have to be a stop-and-go type dance to match the music and the beat, but the perfect prop can create a memorable dance (similar to Dream Girl with the mic stands) and showcase different performers than what we may be used to.
VIXX have intense concepts for their songs. They’re mainly dark, futuristic, and creepy in an artsy way. But B.O.D.Y is an upbeat song that’s not too cutesy or sugary. The video would definitely have a lighter theme than some of their most recent ones, but it would showcase the boys’ fun sides without being over-the-top bubble gum pop. For B.O.D.Y, a dance that has one or two moves as basically the whole dance might work best. The song itself isn’t groundbreaking in any way and an intricate dance wouldn’t fit the tone and neither would a super cute one. The guys don’t even have to dance in the video, just having a fun and upbeat VIXX song with a video would be a nice addition to their other singles.
Seungri did end up performing Let’s Talk About Love, but he never released a music video. In this music video, a concept that uses black, white, and red as the main colors for wardrobe and setting would create a classy atmosphere. Some silhouettes when Seungri sings the chorus and when G-Dragon and Taeyang appear in the song would create a sense of mystery and take the focus away from their facial features. Also close ups of GD and Taeyang as they’re singing/rapping with minimal lighting would emphasize their facial features and play with the shadows and angles on their faces; a sexy yet classy concept for Let’s Talk About Love.
What songs would you love to see have their own music video? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
https://i0.wp.com/kultscene.com/wp-content/uploads/2015/03/seungri.png?fit=1024%2C7687681024Tarahttp://kultscene.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngTara2015-03-20 19:25:112015-12-07 15:44:15K-Pop Songs That Should Have Music Videos