#CallMeBabyXWin: Korean Music Shows & the Songs That Win Awards

Here’s a question for you: Does popularity mean great? That depends.

I used to think that for a song to win numerous music shows and to top charts, it had to be a very good song, or at least of a better standard than the rest of its competitors. The more I am exposed to the kpop world however, the more I realise that I was under a misconception.

Ever since EXO came back on March 30th with its new album EXODUS and the title track, Call Me Baby, the particular hashtag #CallMeBabyXthWin (X representing the number of wins, i.e #CallMeBaby18thWin) has trended regularly on Twitter. For readers who are not familiar with this hashtag, it’s commonly used by fans to celebrate the music show wins of their favourite groups, and it normally starts trending right after the results of the music shows are announced. Said music shows include SBS Inkigayo, Mnet Mcountdown, to name a few. These shows run throughout the week on different days, and are the main channels in which idol groups can promote their new singles and albums. As of May 5, 2015, EXO’s Call Me Baby won 18 awards from six different weekly Korean music shows.

Call Me Baby Loser trends

Screenshot of trends in Twitter (2/5/15)

These music shows are also competitions, with battles for the #1 song every week. When I was first introduced to the world of K-pop, these music shows caught my eye, mostly because of the cool and flashy performances by various artists or because of the artists posting pictures or tweets after winning to thank their fans. Either way, I used to think that these shows were a big deal, and that the songs that won on music shows were definitely good. But not anymore. I believe now, that music shows do not determine which songs are better than others but instead represent popularity.


 Also on KultScene: EXO’s ‘Call Me Baby’ Song Review

Disclaimer: I don’t intend any offense or harm to any of the artists mentioned. In fact, I’m a big fan of most of these artists and their music!

Before we dive deeper into this question of whether winning on Korean music shows is a way to determine the quality of a song, let us examine how the results of these music shows are even tabulated. For the purpose of this article, I will be using the examples of 2 particular music shows, Mnet’s M Countdown and SBS’sInkigayo (The Music Trend.)

mcountdown

Inkigayo-chart
As seen above, anywhere between 30%-45% of these two music show scores are determined by active fan-voting, be it on social media sites or via live voting. The percentage weightage of Digital sales points as compared to those of physical album sales are also very high, ranging from 50%-60%, which is vital because digital sales opens the market to a larger and more global audience. Hence, it can be seen here that idols who have larger and more international fan bases definitely have an advantage over less well-known idols, and will therefore have a higher chance of winning these music shows.
Admittedly, it is not easy for idols to claim that trophy on music shows, let alone for several shows in a row, regardless of how many points a large fan base can acquire. Staying atop of the game for multiple weeks is something only a popular song could achieve.
This begs the question, what is a good song? A song that is catchy? Addictive? In my opinion, a good song would be one that showcases the individuality of the artist/group and still sounds coherent as a whole. It would be an added bonus if the artist/group was able to showcase a new side of themselves, or to show some growth and development in the music they release.

EXO miss A Red Velvet

EXO’s win against Miss A and Red Velvet on Inkigayo (12/4/15)
Bringing it back to the context of EXO’s recent comeback, there were other songs released at the same time as Call Me Baby, but failed to receive any recognition from music shows. Notable examples would include Miss A’s Only You, the title song from their newest album Colors, which was released on the same day as EXO’s album, on the 30th of March. Miss A achieved a triple “all-kill” on Korean music charts with their song appearing in first on all Korean music charts, but still failed to win a single number one on music shows as the girl group was constantly in second place behind EXO. That wasn’t because Miss A’s song wasn’t catchy, addictive, or original, or even popular. Rather, it was more likely because Miss A’s fanbase, Say A is a significantly smaller one as compared with EXO’s “EXO-L” fanbase. Although both groups are famous internationally and have members from both China and Korea, the popularity of EXO is astronomical and few other K-pop idol groups could compare, thus aiding my point that large fan bases are an integral part of music show wins and wins should not be a factor to determine the quality of a song.


 Also on KultScene: Playlist Sunday: BIGBANG

Another example displaying this point would be the respective comebacks of Big Bang and BTS. Big Bang came back on the First of May with two tracks, Loser and Bae Bae. Both music videos reached one million views on Youtube within 8 hours of the same day. On the other hand, BTS (Bangtan Boys) also came back with their latest mini-album on the 29th of April, and the contrast between the groups is extremely clear. One, Big Bang, is one of South Korea’s most popular musical acts and releasing its first music for the first time in three years. The other, BTS, is a popular K-pop idol group but had not previously released a song that won awards on Korean weekly music shows.

Big Bang Loser YouTube Count BTS I Need U YouTube Screenshot

Screenshots taken from Youtube (2/5/15)

The difference in MV views can be attributed to a few factors, most significantly the size of their fanbases. Big Bang has an extremely huge and global fanbase, as can be seen by the fact that Big Bang’s 2012 album, Alive, was the first k-Pop album to chart on the United States’ Billboard 200 Album Chart. Big Bang is also established and respected as artists, both as a group and as solo artists. In comparison, while BTS also has a sizeable (and still increasing) fanbase, it is definitely smaller than that of Big Bang, and BTS is also not as well-known globally. Being a relatively new group as compared to the veteran Big Bang, these statistics are understandable, however does this mean that BTS’s song is of a lower quality than that of Big Bang? MV views also contribute heavily toward music show rankings, so the same question can be posed. Do music show wins define the standard and quality of a song?

There are plenty of examples of this in the Kpop world, be it in the underrated but amazing releases from rookie/relatively unknown singers or the classic releases of singers who have, after a certain number of years, lost their popularity. All of them deserve recognition for their work, but there can only be one winner. Let us not allow these music shows to define the quality of a song for us, but let us formulate our own opinions and follow our hearts. After all, how good a song is is really dependent on everyone’s personal preferences, so there shouldn’t be a way to judge these songs, be it through music shows or through any other mediums.

What is your opinion about kpop music shows? What do you define as a good song? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

April’s Best K-Pop B-Sides

Lately, K-pop has not stopped delivering for a second. And, as long as it stays this good, I’m going to continue this brand new KultScene series as long as I can. Missing out on great album tracks like this would be a total shame so if I can do anything to help, I’m there. I’m opening up the list to boys now too, though, as they in particular dominated the past month. Songs featured in this month’s Best K-Pop B-Sides list touch on graceful electronica, soaring disco, dirty rap, Latin guitars, and melancholic hip-pop.

UNiQ – Listen To Me

I can’t remember how I came across this track as I have never listened or even wanted to listen to UNiQ in the past, but I sure am glad that I did. Listen to Me, from the Korean/Chinese boy groups latest album EOEO, is one of a few truly great songs to come from boy groups last month.

Listen to Me plays like the fidgety dubstep K-pop track we have come to expect from so many rookies recently. It’s filled with elaborate wubs and whizzes, and builds to an expected big drop. But right at that moment, the song turns itself on its head. Instead of descending, it soars to an ecstatic beautiful chorus of sparkling disco and dance pop.

This lavish chorus contrasts perfectly against the electro beats. The chorus raises the rest of the song to another level and shows a level of craft beyond the rookie UNiQ supposedly is. What could have been another entry into the endless wasteland of forgotten brostep becomes something new to latch onto.


 Also on KultScene: Best K-Pop Girl Group B-Sides Of 2015

BTS – Hold Me Tight

I’m dubbing April the month of “Boy Group Dubstep Tracks That Turned Out Better Than Expected.” You can use that catchy title yourself. BTS returned on the last day of the month with the brilliant I Need U, which came from an equally brilliant album, In The Mood For Love. Apart from I Need You the standout is probably the slightly more subdued Hold Me Tight.

At four and a half minutes long Hold Me Tight takes its time to fully reveal itself. When it does, we get is a melancholic piece of hip-pop showing off the qualities of BTS that we already know but in new ways. A twinkly piano melody slowly builds into soft beeping synths at the beginning, sounding more like a cute love song than what we actually get. To counter these tones, Rap Monster enters first with a more melodic rap than we are used to before powering in with his trademark angry sound. This rap sets out not only the musical range of the song but the lyrical too. One half is melancholic and lonely, the other is angry while still lonely; Rap Monster turns this into a beautiful yet bitter lament.

The album as a whole represents maturation for BTS. The group is stepping out the shadow of being the next B.A.P, another group with fierce hip-hop elements, and setting out its own style and sound.

Dal Shabet – Obsessed

Dal Shabet has had a hard time trying to crack the big time. The group has released several songs that have attempted to cause controversy along with songs that are simply amazing. None of them however, have done enough to gain the girl group much success. Dal Shabet better stay around though, so we can still get absolute gems like Obsessed.

Joker has been mostly overlooked for being trashy and uninteresting as a typical idol song, but if they had led with Obsessed Dal Shabet could have been elegant alt-dols. The song is a burst of electronica that belongs alongside the other 90s throwbacks that K-pop has given us recently.

The melty synths that pop in and out match exquisitely with the factory-like snares. The song has a polished purity to it that many K-pop songs may be missing. The vocals are also a pure delight. Subin’s wails at the chorus are a particular pleasure to the ears.

Bastarz – Sue Me

Like BTS, Block B have really been coming into their own lately. Her was one of the best songs of last year and subunit Bastarz’s new single Zero For Conduct is a smash.

That wasn’t the only good thing to come out of the new subunit though, as the album has some more interesting things within. For sheer weirdness Sue Me is the other highlight. Like Zero For Conduct, it’s a diss track at anyone who might get in the way of Block B (or Zico really). This one is dominated by P.O as he leads this track spinning vitriolic rhymes about how great he is. While this is a fairly standard hip-hop element, it’s what’s next that makes the song weird. The chorus with slow chants of “sue me” and auto-tuned vocals sound like a dub-reggae track. It is jarring yet makes more sense as the song goes on. This is a dirty track; its almost aware of the arrogance P.O and featured rapper Incredible are spitting. It also works as a song that understands hip-hop more than most idol songs do. Dub was a huge inspiration to the first rappers of the Bronx and putting in a song like this acknowledges hip-hop’s history as best you could. It gives weight to Zico (who helped write and produce) and P.O’s desire to be recognized as more than idols.


 Also on KultScene: Best Music Video Fashion: April 2015 Releases

EXID – Thrilling

EXID’s excellent follow up to Up And Down, Ah Yeah was a confirmation that the girl group could build on what it did before and also comment on it. There was an EXID before Up And Down however, and it was just as good. The group’s best song, in fact, Every Night is from 2012 and it is with this song where we pick up on them now.

Just as Ah Yeah was a follow up to Up and Down, Thrilling is a kind of follow up to Every Night. The Latin guitars are immediately recognizable, the opening riffs themselves sound like they were lifted straight from the earlier song. It also uses beeping electronics alongside these to create a nice contrast. Thrilling is not a mere rerun in the same way that Ah Yeah is not either. It doesn’t go for a much bigger sound but changes elements enough to make it its own. The chorus in particular is striking for its commitment to the Latin sounds. Solji’s passionate voice fits so perfectly with the guitars and the kind of notes she has to hit here. I can’t say enough how much I like Soji’s voice, I hope she can get her due attention soon. She lifts the stripped back production to extravagant heights.

What was your favorite B-side of April? Did we miss your favorite? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

MR.MR “Out” Music Video & Song Review

After11 months since their last single MR.MR, the chic idols of the industry, is back with its second mini album and title track, Out, along with the addition of two new members, Sanghyun and Jaemin. Aside from the departure from the group of youngest member, Ryu, back in March of this year, there has been little talk of what these guys have been up to. Read more

History Comes To Life In ‘The Admiral: Roaring Currents’ [Giveaway]

David meets Goliath in the Imjin War epic film, The Admiral: Roaring Currents.

The 2014 film, directed by Kim Han Min, revolves around a famous battle in the 16th century when Admiral Yi Sun Shin defeats a Japanese fleet of over 300 ships with only 12 Korean ships. Yi saved the country and Choi Min Sik brings the titular character to life in a groundbreaking, award winning role.

Choi Min Sik delivers once again in a stellar performance that follows roles in top Korean films like Old Boy and Shiri. The Admiral: Roaring Currents is the latest of the films that the actor stars in to win an abundance of awards. Choi’s Yi is disgraced and haunted by the dead after the Korean fleet is decimated in battle, and has nothing else to do but die trying to save the Joseon era-Korea from falling to the Emperor of Japan’s fleet. Despite the King of Joseon’s orders, and a as other members of the previously grand fleet protest Yi’s decisions to fight against the Japanese navy, Yi pushes forward to protect his homeland. He has few ships, and his men have no hope, but he perseveres.


Also on KultScene: South Korea’s Portrayal Of North Korea Isn’t A Comedy So Stop Laughing At ‘The Interview’

The turning point in the film comes when an officer, in despair, burns one of Yi’s last Turtle Ships, a type of ship used by the Korean navy under Yi that was more well protected than other Korean ships and less likely to be boarded by the Japanese. Choi’s Yi Sun Shin falls into despair, and even madness, as he sets out to make a final stand with even fewer, less stalwart ships.The Admiral KultScene review 1

There are many side characters in The Admiral: Roaring Currents, all of whom are interesting, but the focus is on Yi Sun Shin. However, the secondary characters add depth to the film, particularly the bloodthirsty Japanese leader Kurushima Michifusa (Ryu Seung Ryong,) sniper Haru (No Min Woo,) and the heartbreaking couple made Im Jin Yeong (Jin Goo) and his mute love, Lady Jeong (played by singer-turned-actress Lee Jung Hyun).

The Admiral is an emotional film, with Yi’s honor and the survival of the Joseon kingdom at stake, but at the heart of it is the Battle of Myeongnyang. The battle takes up the second half of the movie, and is filled with explosions and intense battle scenes. Great detail was put into the costuming, depicting the extravagant visuals of the Japanese officers and more modest trappings of the Korean military leader and peasants.

The Admiral KultScene 2

The scenery in The Admiral is stunning, particularly the water mentioned in the English title of the film. (The Korean title of the film is Myeongnyang, named after the battle depicted. The permeating darkness throughout the film, a haunting, daunting darkness, is oppressive to the degree that even the audience of The Admiral is likely to doubt the outcome.


Also on KultScene: ‘Gangnam Blues’ Delivers Beautifully Gory Cinematography & Stellar Lee Min Ho Performance

But the film’s spectacular battle is filled with surprise after surprise, and the film ends with a poignant note, with Yi’s son pondering his father’s lesson that a leader, military or otherwise, has to put faith in both nature and the people he/she rules.

The size of Yi’s victory over Japan is debated by Japan and Korea, but Yi Sun Shin is one of South Korea’s most iconic heroes and Choi’s depiction lives up to the stature of the man whose statue is placed in the center of Seoul at Gwangwhamun Square.

The Admiral: Roaring Currents was released on April 28, and you can get a brand new copy of it, thanks to KultScene and CJ Entertainment. Here’s how it works: Because we’re offering two different copies, you can enter for either the DVD or Blu Ray copy of The Admiral, or for both! It is mandatory for you to follow Facebook and Twitter if you want to enter. You can boost your chances by commenting on the website and tweeting at us! Good luck!

a Rafflecopter giveaway

Do you want to watch The Admiral: Roaring Currents? What’s your favorite Korean film? If you watch The Admiral, make sure to share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

You’re Missing Out If You’re Not Watching The Cohabiting K-Drama ‘The Lover’

k drama the lover takuya

Love meets modernity when it comes to an episode of Mnet’s The Lover, a drama based around four couples living together. The show is groundbreaking in South Korea, where most people live with their parents until marriage, and many Korean dramas revolve around people who date only to get married.

Before the show began, I was worried that The Lover would try to tone down nontraditional aspects and just be an overall cute show. But if anything, The Lover flouts K-drama convention and does so with tender, humorous moments mixed with an amazing soundtrack.

The Lover is based on an apartment building, where four pairs of people live together without being married. One couple are hard workers who like not being married, one is an older woman with her young, broke boyfriend, the third is a man and a woman who started dating recently and live together to save money prior to getting married, and the fourth is a pair of roommates who has more sexual tension than most of the couples.

That First Scene Though

kdrama the lover

k drama the lover gif

shared by lovingdramasforever

Two Couples Provide The Heart of The Lovers

The show is about four couples, but there are two main ones. Oh Do Si (Oh Jung Se) and Ryu Doo Ri (Ryu Hyun Kyung) are a pair of thirty-somethings living together in what appears to be a love-hate relationship, with constant bickering and consistent teasing. However, when it comes down to it, the pair are really good for one another and support one another when they’re feeling down. Sometimes, one of them makes the wrong decision, but at the end of each episode, the two are happy with one another and their little tiffs are just signs of endearment. Along with working through their relationship, the Do-Doo couple turn out to have a lot of interesting fun together, especially in the bedroom.

k drama the lover gif

kdrama the lvoer gif

shared by shinagyuns

The next main couple is thirty-year-old Choi Jin Nyuh (Choi Yeo Jin) and Jung Yeong Joon (Jung Joon Young). They also have problems, particularly with their age differences, but Jung Yeon Joon’s spazztic personality (in and out of the show…) brings about a lot of laughters. The first episodes include one memorable scene with a glow in the dark condom and a lost earring. Do-Doo are endearing and relatable, but it’s the Choi-Jung couple that is laugh out loud funny.


Also on KultScene: MFBTY Talks To KultScene About ‘Wondaland,’ Watching Reaction Videos, K-Pop As Escapism, And More

Sul Eun & Hwan Jong Are Skillfully Awkward

Ha Sul Eun (Ha Eun Sul) and Park Hwan Jong (Park Jong Hwan) are a brand new couple that don’t really know what they’re doing with one another, and haven’t had a lot of time to develop. Sul Eun doesn’t want Hwan Jong to know what a woman does when men aren’t around (pooping, shaving armpits, etc.) and Hwan Jong doesn’t really know what he’s doing with her. With three episodes of the show done, hopefully this couple will get more development in future episodes, rather than just exhibit an example of cohabiting gone horribly wrong.

Takuya and Joon Jae Are Eye Candy While Pushing Boundaries

Speaking of horribly wrong, here is horribly right, at least for many fans of K-dramas. Will they, won’t they? There has been a push in recent years in dramas to highlight homosexual relationships, (i.e. ” Answer Me 1997″), but this is the first time it is so overtly done by the writers, likely to make fan girls swoon while watching Cross Gene’s Terada Takuya and actor Lee Jae Joon play the roles of, what else? Takuya and Lee Joon Jae. The two men get highlighted throughout the show for their looks and height (in comparison to the other male leads,) and act like typical roommates. Until they consider watching china residents fuck and all of a sudden they’re watching porn together in the bed that they share… Because Takuya is too tall to sleep on the couch.

kdrama the lover

kdrama the lover gif

shared by bokdongie

It is actually surprising that they were able to find a way to watch such things, as most porn sites have been blocked these days. Maybe they decided to do some research on sites like VPNCompass.com to see how they can unblock some of these sites so they can heighten their sexual pleasure. It definitely has a chance of working. Although it’s unclear whether the sexual tension will turn into anything, but whether it’s for humor or to gain media play, Takuya and Jae Joon are good for one another as roommates. Takuya’s outgoing personality meets Jae Joon’s gentler, cooler attributes, and their few minutes each episode leads to a lot of cultural, linguistic understandings and a lot of laughs.


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The Soundtrack Makes Everything Worth It

Many Korean television shows have a few very stellar songs that play repeatedly throughout the show. The Lover has a new song every few minutes, with the song’s name and artist to help anybody out if they want to find all of the information out. A lot of indie artists get airtime in a way that’s unusual for Korean dramas, including 10cm and Victim Mentality, and each song is played with meaning and timing.

If you’re looking for heartbreak and overdramatic-ness, The Lover isn’t for you. If you’re looking for a good time and a lot of modern relationships, then it’s worth a few hours of your time.

Have you seen the drama? How are you liking it so far? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Artist Spotlight: 10cm [NYC Concert Update]

Since 2010 the Korean acoustic indie band 10cm has been making waves in South Korea, offering the perfect coffee shop tunes to the most coffee-obsessed nation in Asia. It’s no surprise that the duo’s big break came from a song about coffee.

10cm, comprised of main vocalist and percussionist Kwon Jeong Yeol with secondary vocalist Yoon Cheol Jong on the guitar, tambourine, and anything else they decide to include in their folk-inspired songs. The two worked together in the early 2000’s while part of the rock band, Hyerung. The two left that path, and rejoined in 2010.

With simple jazz and folk-inspired sounds and soulful voices, the group is one of South Korea’s most promising, musically innovative musical acts. Many of 10cm songs are filled with bits of humor, sarcasm, and evocative lyrics, matching the nostalgic feel of their music.

Americano I like I like I like

The group’s most prominent hit, Americano is an upbeat, addicting song filled with 10cm’s tongue-in-cheek lyrics, which resulted in the song getting blocked from airplay in South Korea.


Also on KultScene: MFBTY Talks To KultScene About ‘Wondaland,’ Watching Reaction Videos, K-Pop As Escapism, And More

When getting some air after fighting with your girlfriend
When getting a smoke after kissing another girl

Despite being banned about a year after being released (due to the slow process to ban many songs in South Korea,) Americano became one of the most popular songs of 2010 and 2011. It, and the group’s other hit song Tonight I’m Afraid of the Dark, helped 10cm win multiple awards, including “Best Pop Song” at the 2011 Korean Music Awards.

10cm has a generally upbeat yet melodramatic, style of music, and songs like I’m Fine Thank You and You became hits in South Korea. The simple acoustic strumming of the guitar matched with and the beats of the jembe, a barehanded-played drum favored by Kwon, are reminiscent of the type of songs that made Jason Mraz and Ed Sheeren famous.

10cm occasionally introduces some new elements to its songs, and a few more rock-esque sounding are certainly in the duo’s retinue, but creating beauty out of simple chords and lyrics is what 10cm thrives at. For coffee addicts who were drawn in by the coffeehouse style (and focused) tunes, 10cm’s harmonica-utilizing Love in the Milky Way Café is an example of 10cm’s songs that offer midway point between the upbeat, faster-paced Americano and the band’s more emotional songs like Tonight I’m Afraid of the Dark.


Also on KultScene: Artist Spotlight: Fromme

10cm’s latest release was 2014’s 3.0, the follow up to the pair’s previous albums 1.0 and 2.0. The title song, Missing You, is a softer song with a more melancholic, mature message while other songs on the album offer a range of sounds, including creating a unique 10cm style of acoustic-rock music on Cigarette Smoking King, which includes elements typically associated with screamo songs. The album goes together as an ode to 10cm’s experiences, but nothing is filled with as much self-mockery as the first track,3rd Album Burdens.


10cm has collaborated with a variety of artists (Leessang, Yoonmirae(Tasha/T) of MFBTY, Haha, Orange Caramel, Verbal Jint) over the years, and has teamed up with the female duo Okdal for a concert series. The two bands will be performing in New York City on June 5, thanks to Urbansiders. You can find out all of the information on the concert’s website page.

What song of 10cm’s resonates with you? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

If Korea Remade ‘Game Of Thrones,’ This Is What The Cast Would Look Like

With Game Of Thrones returning with its newest season this past Sunday, we couldn’t help but wonder who would be cast if Korea ever remade the series with Korean actors. The series is one of the most popular ever in the history of television and is loved all around the world. The story is so strong and the characters are very solid, that’s why they’re beloved by many fans around the world.

We wish we could re-cast every single character in the series but won’t because that would be a huge list. However, we gathered the main characters for you and selected who could be the best to play the part. If you think this will be difficult to imagine, don’t sweat it, we even photoshopped some images so you can get the whole picture. So here are our picks:

Siwon as Jon Snow

The obvious choice to play Jon Snow is Super Junior’s Siwon. Yes, everybody wants to cast him on everything, but the man is perfection. Jon Snow is a very strong character that needs an actor that has masculine features and, of course, that trademark Jon Snow beard. Siwon is one of the only K-pop artists that we know can grow a good beard and look good, highlighting his manly features. We’ve seen Siwon already play period roles, so we know he looks good in an armor.

Siwon as Jon Snow KultScene

Nana as Daenerys Targaryen

Nana is the perfect cast for Daenerys Targaryen, the mother of dragons. The character calls for someone whose beauty will shine through with or without makeup. Nana can show a sexy but innocent side that is required for the character. Daenerys is a strong leading character who is compassionate and beloved by the people who follow her. We have already seen this duality in Nana; her sexy and powerful side with After School and her innocent and softer side with Orange Caramel. However, the description of the character says she is short, and even if Nana is not of short stature, that doesn’t matter since that can be tricked during filming.

Nana as Daenerys Targeryen KultScene


Also on KultScene: MFBTY Talks To KultScene About ‘Wondaland,’ Watching Reaction Videos, K-Pop As Escapism, And More

 

Lee Min Ho as Rob Stark

All the Starks are powerful, handsome, and honest men. We are already used to seeing Lee Min Ho as a leading man, and as Rob Stark, he could play more with his powerful side like we saw in City Hunter or Gangnam Blues and combine it with his caring side that we have seen in other dramas like Boys Over Flowers and The Heirs. The only thing that Lee Min Ho will need to be fully characterized as Rob Stark would be to build up some muscle. The character requires a lean but stocky build, so if he lifts up some weights, he will be ready to go.

Lee Minho As Rob Stark KultScene

Jun Ji Hyun as Cersei Lannister

We’ve seen Jun Ji Hyun play serious characters multiple times, and she has the acting skills to play Cersei Lannister; a very complicated character who also happens to be one of the villains. Cersei is sinister and crazy and deals with a lot of struggles. And as all fans of the series know, she has an incestual relationship with her twin brother Jamie Lannister. Jun Ji Hyun would be the perfect villain that we would all love to hate. Plus, her beauty is an important part for Cersei’s character.

Jeon Ji Hyun as Cersei Lannister

Kim Woo Bin as Jamie Lannister

Jamie Lannister is a very complicated character. He is one of those villains that have good intentions but are betrayed by their previous malicious decisions. Kim Woo Bin has a very powerful stare that demands everyone’s attention. As Jamie Lannister, he would be the perfect seductive villain. He is described as being extremely handsome and with great stature, which Kim Woo Bin is no stranger to. He would only need to dye his hair blonde and get green colored contacts to fully portray the role.

Kim Woo Bin As Jamie Lannister KultScene

Amber as Arya Stark

Arya Stark is a badass character that would be perfect for f(x)’s Amber. Even if the character is younger that Amber’s actual age, she is the perfect fit to play Arya. She is a strong character with an amazing personality and a tomboy nature and plays an important part in the series. Amber would have so much fun with this character, learning how to sword fight, fencing, and she would spend most of the time running around set and having a blast. Amber’s personality is perfect for Arya and she would surely bring an excellent quality to this fun character from Game Of Thrones.

Amber Liu As Arya Stark KultScene

Joy as Sansa Stark

Sansa Stark is a character that evolves throughout the series. She starts with an innocent image, and as events happen in her life and after being tortured and humiliated by the Lannisters in King’s Landing, she starts becoming a strong and powerful woman. Red Velvet’sJoy’s image is very similar to what Sansa is portrayed to be: innocent but also strong and sexy. Joy has showed exactly that in her group, which plays with the concept of duality very well. We are not yet sure if Joy is a good actress, but she has shown great performances within the group.

Joy As Sansa Stark KultScene


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 D.O. as Tyrion Lannister

Ok, before anyone kills me this is just for laughs. But given D.O’s short stature, he could play the dwarf Tyrion Lannister. However, he would have to go through major special effects and makeup to portray the role. But all jokes aside, Tyrion Lannister is one of the best characters in the series. We don’t know his real intentions since the beginning, but he ends up surprising us with how the character evolves and has all the viewers and readers falling in love with him. D.O. is loved my many and he has shown his excellent acting skills in It’s Okay That’s Love, where he portrayed a very troubled teenager. He would be great for the part of such a complex character.

DO as Tyrion Lannister KultScene

Do you have any more ideas of who could be casted if Korea remade Game Of Thrones? Or any other characters that are not on the list? We wouls love to hear your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

MFBTY Talks To KultScene About ‘Wondaland,’ Watching Reaction Videos, K-Pop as Escapism, and More

MFBTY talks to KultSceneWhen Korean music royalty releases an album, it’s worth taking note of it and MFBTY’s latest album, Wondaland is one of the most, if not the most, outstanding albums to come out of Korea in recent years. As a creation from the minds of Korean hip hop royalty Tiger JK, Yoonmirae, and Bizzy, Wondaland offers elements of hip hop, rap, electronica, reggae, and more to create an eclectic, otherworldly experience for listeners. With an ample amount of English, the message of Wondaland is highly accessible to music lovers around the world.

MFBTY, an acronym meaning “My Fans [are] Better Than Yours,” is comprised of married couple Tiger JK and Yoonmirae, also known as Tasha, and producer-songwriter Bizzy. The three have worked together throughout the years, collaborating on solo projects, Korean hip hop groups like Drunken Tiger and Movement, and started performing under the MFBTY name in 2013.

KultScene had a chance to talk with MFBTY regarding their album and the Korean music industry.

How does it feel to make a comeback two years after the release of The Cure?

Yoonmirae: It’s exciting and nerve–racking! It’s the worst and best feeling.

Tiger JK: I was in a deep funk for a while and I wanted to quit music. In a way, this project helped me get out of that funk and I realized that I need to thank those who have love for me.

Bizzy: This time has been more challenging for me because it’s MFBTY’s first full-length album and has 16 tracks.

The three of you have worked together for several years. How has your music changed over time?

Yoonmirae: I don’t think we’re ever fully aware of the changes we’re making or have made at the time. Personally, I would say that I’ve started to focus on myself more in terms of what makes me happy musically and a lot less on what’s going to sell.


Also on KultScene: Artist Spotlight: Yoon Mirae

Tiger JK: I’m a product of my environment when it comes to writing. I think I’m going through a terrible stage as an 8-year-old right now. Actually my son is a bit more mature than me. I dig what my son digs at the moment, but I think I will soon grow out of this stage.

Bizzy: Music is my best friend and is always there for me. So are my group members. I’m still willing to change for ghood and express my feelings with Feel Ghood Music.

Your group has members of different ages and experiences, and two of the members are married. What’s the most challenging part in working together?

Yoonmirae: Musically we always come together so I don’t feel there’s ever really a problem. The problem with us – and I’m sure the others will agree with me – is we suck at TV and interviews! There’s something about being in front of the camera that rattles us. You’d think that after all this time we’d be used to it but it just get worse for us! Poor JK has no choice but to try and answer everything because Bizzy and I just freeze. And let’s not even get started on our stage fright!

Tiger JK: Tasha is a meanie and she doesn’t understand my struggles.

Bizzy: From time to time I feel left out because I’m not married. Maybe I should get out and look for a wife right now!

Other than Bang Diggy Bang Bang and Buckubucku, which MFBTY released music videos for, if you had to pick one song from Wondaland for people to listen to, what would it be and why?

Yoonmirae: I’d rather people go through the whole album. I believe there’s a song on this album for everybody.

Tiger JK: I recommend Half Time, Rebel Music, Angel, and everything else on the album. But if you’re into “real” hip-hop or are expecting to hear that, maybe this album isn’t for you.

Bizzy: There are so many different styles of music in this wondaland so the choice is yours.


What would be your ideal reaction from someone who hears Wondaland?

Yoonmirae: Hearing that someone appreciates your music is always wonderful! Whether it helped them in some way to get over whatever struggles they are dealing with, or they like it just because it’s something they can dance to, it’s always a blessing! And may I add we are all addicted to watching the reaction videos of our videos and it has been the best gift ever! Watching those videos alone made me feel like we did a good job and reminded me of all the reasons I love music so much. So thank you to everyone who makes those.

Tiger JK: A big priceless smile … a very genuine smile preferably while they are blushing. Then some stank face, like you are taking a big ol’ shit after being constipated for days!


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There were a lot of artists you worked with on the album, including Tiger JK and Yoonmirae’s son Jordan. What was that experience like?

Yoonmirae: Everyone was so nice and so humble. It’s always cool to see how other people work and everyone definitely put in work! With people’s hectic schedules, a lot of times artists just record their vocals separately and send the files in, but everyone drove an hour out of Seoul, stayed till I don’t even know what time, recorded what they needed to do, and just hung out. It was ghood times!

Tiger JK: Interacting with others is always a healthy experience for me.

Bizzy: Everyone who took part in this album, I really thank them from the bottom of my heart. This journey is just beginning, so get ready.

[KultScene note: Rock band Deulgukhwa, BTS member Rap Monster, Beast member Yong Jun Hyung, Dok2, EE, Son Seungyeon (Sonnet Son), Kim Banjang, Yoo Heyeol, Dino-J, and Jordan were all featured on Wondaland.]

You worked with K-pop idols BTS’ Rap Monster and BEAST’s Yong Jun Hyung and I saw an interview where you described Wondaland as a K-pop album. K-pop is often trivialized for being too manufactured. Do you think that’s changing?

Yoonmirae: I don’t trust myself enough to answer this question in the “politically correct” way I should!

Tiger JK: It is manufactured. Some trivialize it and others idolize it. There are side effects to all things manufactured. But as long as y’all know the right dosages, it’s fine. Healthy escapism is what I call it. Just be able to snap out of it when needed perhaps.

How did you decide to go K-pop with this album, and how do you feel like it’s different from your past music?

Yoonmirae: As MFBTY we’re making pop music. And I guess since we are from Korea, it’s K-pop. We’re not trying to emulate anything, we’re just trying to have fun with this album.

K-pop has been popular throughout the world for several years, but recently we’ve seen growing interest in Korean hip hop. Shows like Show Me The Money and Unpretty Rapstar are extraordinarily popular. How do you feel about the current state of Korean hip hop? Can you see your influence on it?

Yoonmirae: I’m going to stick with the answer I gave before – I don’t trust myself enough to answer this question in the “politically correct” way I should!

What does Yoonmirae think about being an inspiration to young female rappers and being practically the only established female rapper?

Yoonmirae: I’d be lying if I said it didn’t feel good. But it’s also a lot of pressure, which I try to take as a good thing because it keeps me on my toes.

Wondaland contains a lot of English. Do you think MFBTY would ever release an English language album?

Yoonmirae:I would love to do that.

Tiger JK: Yes. Hopefully we can do it very soon.

Bizzy: It’s going to be a new challenge for me.

And the last question, which many people are interesting in hearing the answer to… Why ARE your fans better than mine?

Yoonmirae: Because they are mine!

Bizzy: Because they know me. To me, that’s the best.

If you haven’t taken a listen to Wondaland, now’s your chance to do so. Purchase the album on iTunes or at your local Korean music retailer. MFBTY announced that all proceeds will be donated to charity, so there is absolutely no reason not to buy Wondaland right now!

What do you think of Wondaland and MFBTY? What’s your favorite song by the trio? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

‘Twenty’ Is The Korean Coming of Age Film That Will Make You Laugh Until It Hurts

Twenty, directed by Lee Byung-Heon, premiered in New York City on April 14th  and quickly filled the theater with laughter and praise for the coming-of-age film. Twenty, starring Kim Woo Bin, Kang Ha Neul, and Lee Junho of K-pop idol group 2PM, is a story of three extremely different friends who struggle with first loves, family issues, sexual urges, and career paths.

Kim stars as playboy slacker Chi Ho who is obsessed with sex and has no goal other than to breathe. Kang plays type A college student Kyeong Jae who falls in love for the first time with someone already in a relationship, and Lee rounds out the crew as cartoonist Dong Woo who works part-time to support his mother and brothers after his father goes to jail on corruption, leaving the formerly wealthy family penniless.


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Essentially, the movie is about three men who have no idea what to do with their youth and who are nowhere ready to be adults, leading to many humorous situations.

The movie is a comedy with many poignant moments, highlighting the struggles and strengths of being twenty years old: Old enough to have responsibility, but young enough to make mistakes and learn from them. The three friends antics were full of humor but dealing with tough situations (bank account balances at zero, enlisting in the Korean army, heartbreak) kept Twenty grounded in reality.

Even while the situations are sometimes ridiculous, such as Chi Hoo deciding to hit a woman with his car in order to get her sleep with him and a memorable scene where he pitches a movie idea to a director, Twenty portrays these things as normal craziness from twenty-year-old men in Seoul who don’t really know what they’re doing with their lives.


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The three leads dominate the film, but out of the primary four female characters in the movie, Lee Yoo Bi’s character So Hee is the most captivating. So Hee, the younger sister of Kyeong Jae, brings youthful innocence to the film, a counter to the other women who tend to be a bit more bitter about their lives. She makes fun of her brother and his friends for things twenty-year-old men find natural, like masturbating and drinking, while still showing wisdom despite being a high school student. She puts the whole film into perspective in one line: “The three of you remind me of dumb and dumber, and dumb again.”

Director Lee Byung Heon, who was a screenwriter for Sunny and the director of indie Cheer Up, Mr. Lee, used familiar elements from his previous works including fight scenes and characters working on the set of films to help portray the confusion and exuberance of the three men in the beginning of their roaring twenties. The film utilizes a bright palate of colors, but some of the more serious scenes hint to Lee’s indie elements. The choice of songs for the soundtrack, particularly during a memorable fight scene towards the end of the film, adds some depth and additional humor to the comedy.

Twenty takes itself seriously enough to have a point as Dong Woo, Kyeong Jae, and Chi Hoo figure things out, but doesn’t do so in a way that makes it anything other than a feel good, laugh-until-you-cry film. CJ Entertainment and MOI’M worked to bring the film to the US, and there will be several showings throughout North America on April 17.

What do you think of Twenty? What other Korean films would you like to see in theater? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

‘Gangnam Blues’ Delivers Beautifully Gory Cinematography & Stellar Lee Min Ho Performance

gangnam blues gangnam 1970 review lee minho

[Disclaimer: This post contains some spoilers]

Before Gangnam was synonymous with opulence for PSY to satirize it, Seoul’s most affluent district was mostly dirt poor farms in the ‘70s. And in Lee Min Ho’s first starring role in the film Gangnam Blues (also known as Gangnam 1970) we get to see exactly what the skyscrapers and luxury residential areas were built on: blood and corruption.

The plot follows Kim Jong Dae (Lee Min Ho) and Baek Yong Ki (Kim Rae Won), two guys bound together after growing up in an orphanage, in their journey from rags to gangsters to, ultimately, their demise. Shot in noir, the cinematography and the plot work together to show the violence and the decadence of the city and its characters. Similar to director and writer Yoo Ha’s predecessor films Spirit of Jeet Keun Do and A Dirty Carnival, Gangnam Blues deals with the good old themes of violence and conspiracy by the powerful. As well as ambition and survival within an urban setting in a developing country.

And because it deals with violence, the film is obviously gory and explicit. Because just as Kim’s boss Kang Gil Soo (Jung Jin Young, Love Rain, Miracle in Cell No. 7) forewarns and foreshadows before war between gangs erupts, gangsters are for using and throwing away, and that’s the most prominent theme in all of Gangnam Blues. Gangsters die left and right all throughout the film to show just how expendable people were at the hands of those in power or in the pursuit thereof.


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Yoo Ha emulated the classic Scorsese gangster story by glamorizing the hustler’s lives to a point, but not depicting them as good people. The characters are not one dimensional — either innately good or pervasively evil — they have depth and stories and purposes. While Kim Jong Dae genuinely cared about Kang and Seon Hye (Kim Seolhyun) and looked after “his boys” and Baek protected Kim, they were both cold blooded killers who didn’t second guess committing the most gruesome murders.

But even if murder is a terrible sight, it was — I can’t believe I’m saying this — beautifully shot. Actually, the entire cinematography in Gangnam Blues was stunning. Pause any moment in the film and you can get an amazing picture. The close up and medium shots throughout the film were used exquisitely to show detail and give insight. The cinematography favored clarity over gimmicks and it worked perfectly. But getting back to the topic of murders, they were shot in a very vivid manner, breaking the noir to show bright reds in either the blood or neon lights in the scenes where Kim and Baek committed crimes together, making the violence more garish, over the top, and significant.

Moreover, with Gangnam Blues being Lee Min Ho’s breakout movie role as a lead actor, a lot of expectation was placed upon him. And while it may be a little hard for K-drama fans to divorce from the chaebol, flower boy image normally associated with him, there was no trace of it in this film (other than his good looks, of course, which, c’mon, he can’t escape that). At the beginning, he gave us a major Faith throwback with his long hair, but once cut his hair and became a gangster, all of Lee Min Ho’s previous characters went out the window. He showed pretty much every emotion in the book without looking fake or too theatrical. Even his fight and murder scenes suited him; you completely believe this guy’s trouble. In Gangnam Blues , Lee Min Ho proved that he’s ready to move into the movie industry.

gangnam blues gangnam 1970 review lee minho

Curtesy of DramaFever.

Taking everything into account, it’s perfectly understandable why Gangnam Blues topped the box office on its opening day in South Korea last year. The movie is beautifully shot, the characters excel with their performances, and the plot properly addresses and conveys all of its messages. The only negative aspects are the abundance of secondary characters, given that it was hard to keep up with who was in what gang and who died and who didn’t. Also, the ending was a bit disappointing. If it had ended with the voice over as the camera zoomed out of the tunnel, it would’ve ended in full circle. The shot of modern day Gangnam was a bit unnecessary since audiences know what the district looks like today. The tunnel shot was a hundred times more compelling. But other than that, Gangnam Blues is a clear winner, offering an original take on the gangster movies.


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Check out the movie’s trailer here:

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