50 best K-pop songs of 2017: 50-26

While the year may be closing in a very sad and unfortunate manner with the passing of a K-pop icon, artists consistently delivered memorable songs throughout 2017. This year saw a lot of great moments from some of Korea’s most popular new acts, while newer acts also proved their worth with addicting, sleekly-produced music. Trop was the king of this year’s K-pop trends, but far from the only genre of music that saw its moment in the limelight.

Check out the first half of KultScene’s 2017 best K-pop songs list below:

50. “Circle’s Dream” by Subin

Subin is trapped in an endlessly repeating contradictory cycle in her self-written and composed single “Circle’s Dream.” She is told that she is round and that’s good, but then that it’s not. She wants to be angular, to pierce her lover, to make him feel like how he made her feel. Yet she is also trapping herself within a recurring musical structure, as an acoustic guitar plucks an incisive riff throughout the song. It is the only angular part of Subin’s song yet has no variation. Her stark synths come in late but their slow rhythm only accentuates the repetitiveness. Each element is perfectly realised to tell her story. Her voice completes it. Its soft and sweet but particular pronunciations like denggeureureu are key. This word alone combines both the round and angular sides to her. It has repetitions but in order to say it properly she still has to roll her tongue. Subin has enwrapped her whole song with the confusing ideas in her head. No solo idol has ever produced something of such pointed precision.


49. “Wee Woo” by Pristin

If “Wee Woo” had been released at the 2012-ish heyday of Hallyu, Pristin’s debut song would be considered legendary right now. It’s barrage of shifting sounds and onomatopoeic vocals are absolutely classic. The Pledis Entertainment regular songwriter Bumzu brings a bright and breezy feel to the whole production with disco electric guitars taking the brunt of the work. This allows the girls room to deliver the most hooks in a single song EVER. Each part is so complete on its own you could take them individually and create five more songs around them. The fact that they all come together for something that doesn’t feel so monumental is the greatness of “Wee Woo.” It’s arrogant in its effortlessness all the way down to making the primary hook out of the most simple term of jowahae nol jowahae (“I like (you) I like you”).


48. “Beautiful” by Monsta X

Monsta X’s cultivated sound and signature unruly charms finally comes together for the consummate “Beautiful.” Perhaps because it is supposed to be representative of the group’s first studio album, the single feels particularly significant. For one, there’s really nothing quite like the opening out there. Scattered with a prominent distorted electronic beat that is quickly followed up by Jooheon’s explosive raps, the real hook is not in the chorus but here in the introduction, where the task for the listeners to not mimic the unique noises or the clever near-rhymes is near impossible. The vocalists dwindle down the excitement sometimes without sounding monotonous, almost acting like the Apollonian restraint to the Dionysian madness. The constant shower of peculiar oscillations, whirs, and horns all make up the perfectly organized chaos that Monsta X is known for, and though “Beautiful” did not grant the boys their first music show win like it should have, it will always remain a tour de force in our hearts.


47. “Where You At” by NU’EST W

With their revival in popularity following some of the members’ appearance in Produce 101 Season Two, this subunit of Nu’est (missing member Minhyun who debuted in Wanna One) released this flashy track which stayed true to their unique music style. Bursts of electronic instrumentals are mixed with a calm piano backing track and adds a lot of contrasts to the song. It also highlights the strengths of each member, with Baekho’s explosive high notes complementing Ren and Aron’s softer and sweeter voices. JR’s rapping is as stable as ever, and he definitely shines more back in his own group. It’s wonderful to see this talented group get more recognition for their talents, and I can’t wait to see the full group back together again soon.


46. “You Were Beautiful” by DAY6

The February release of the band’s “Every DAY6 Project” can be said to be their most successful, especially domestically, and it’s not difficult to see why. The raw emotions brought out by the members coupled with the sincere lyrics create a sentimental rock ballad which truly tugs on the heartstrings of listeners. The end of the bridge in particular, where Young K and Wonpil’s voices are layered, is such a beautiful and emotional climax of the song. Even though it appears simple to sing along to (and is apparently a favourite among other JYP singers for karaoking), the song is actually very vocally challenging due to the large range required, and the effortless way the DAY6 members sing it shows just how skilled and well-trained they are.


45. “Tomorrow, Today” by JJ Project

After debuting ahead of GOT7’s debut with the exuberant “Bounce,” JB and Jinyoung returned as a more matured rendition of JJ Project this year and it was absolutely glorious. The two vocalists released this sweeping, introspective song about the very-millennial topic of making decisions and fearing regrets. The track provides the perfect forum for the pair to show off how well their vocals work together, with the duo harmonizing over guitar riffs, tapping percussion, and mellow synths. “Tomorrow, Today” is reflective in its warm approach to soft rock, and hopefully we’ll see more of this from JJ Project in 2018. It was a complete turnaround from their first iteration, and definitely more suited for the pair’s artistic style and capabilities.


44. “Don’t Know You” by Heize

Heize’s “Don’t Know You” is a very groovy song full of percussions with a slight mixture of disco, hip-hop, and R&B, which features the soloist using deeper vocals than what we’ve been used to hear from her. The overall appeal of this songs starts at the beginning of the track with the repetitive beats and the introduction of the synth drums that follow different tonalities on the record that give great texture to “Don’t Know You.” Her famous ad-libs are also present on this song as she goes from high to low tones, which are achieved by the reverbs added on the vocal track, that create great contrast between her sexy sweet voice and her solid rap parts. The harmony is very steady throughout and creates a great chill up-tempo track perfect to dance and groove to. Heize continues to show great promise with her experimental sound.


43. “Tequila (feat. Hoody)” by G.Soul

One can’t help but want to book an immediate flight to somewhere like Bali while listening to “Tequila,” especially with the brutal winter quickly approaching much of the States. Hoody’s bewitching voice alongside G.Soul’s multifaceted vocals make for the perfect combo in this dancehall track, ideal for both a cookout and the club. Lyrically wise, “Tequila” might not be appropriate for all age groups, as G.Soul sings about only wanting a one night stand. But if you’re someone who’s over the generic “let’s fall in love” type of style that is prevalent in K-pop the majority of the time, this song’s for you. The lyrics aren’t candy coated or sleazy, but come off rather… inviting. This wasn’t meant to be a flashy song, which is what made it even more enjoyable. Although G.Soul wasn’t hitting those high notes (that I love so much) like he usually does, it wasn’t a lack felt by this song.


42. “Wake Me Up” by Taeyang

It is no news that Taeyang can hold a ballad like no other, and in 2017, he gave us two great ones. “Wake Me Up” doesn’t have the same degree of emotional complexity of “Darling,” the other single from the album, but it’s its apparent simplicity what makes this song amazing and addictive. Objectively speaking, it’s a very linear song with no surprise factors when it comes to its structure. It might even seem like Taeyang doesn’t have much to say in “Wake Me Up,” but it’s definitely not because he’s lacking emotions. In reality, what we see is that he just doesn’t know what to do with them. Everything in “Wake Me Up” sounds gorgeously inconclusive and mysterious — from the airy sounds and atmospheric, echoed beats, to the lyrics that offer more questions than answers. No wonder the most touching moment of the song is when he’s constantly repeating “Is it love?” while delivering breathtaking high notes. Overall, Taeyang’s vocal performance amidst the ethereal instrumental creates just the right vibe for a song that is about love, but mostly about confusion and doubt. After so many years, you can still count on Taeyang to get you in your feels.


41. “Honeymoon” by B.A.P

Coming out during the fall when it should’ve been a summer jam, “Honeymoon” is a delightful EDM track from B.A.P’s seventh album Blue. The whistling at the beginning of the song left the remainder open for interpretation; this song could’ve been a sweet one, much like the title suggests, or a somber one. I’m glad it wasn’t the latter. “Honeymoon” puts listeners in a lighter mood, whereas previous songs were dark and heavy, all the while still executing a clear message. “With the overflowing stars from beneath the palm tree. A film on the shining freedom and bright youth,” they sing. Through this track, B.A.P wants to remind us to live life to its fullest, fulfill your heart’s desires to its grandest and emphasises that today’s youth will be the game changer in society going forward.


Also on KultScene: DAY6 explores love & friendship through recent ‘Every DAY6’ releases

40. “Chase Me” by Dreamcatcher

Taking the bubbly girl group image and tossing it out the window, MINX re-debuted early this year under the name Dreamcatcher. Not only did the group have a new name, but they also gained two new members and an interesting concept and sound. Taking the term re-“vamp” quite literal, the group came out with a dark and creepy concept straight out of a horror movie. The video for “Chase Me” takes references from classic horror movies like The Shining but also has cuts to choreography to showcase the girls dance moves. The song begins with pianos and then picks up at the chorus. Adding31 to the darker image, the song melded hard rock elements with a dance pop track to create something very dynamic. There’s something about the mixing of heavy rock instrumentals and feminine voices that is very appealing. Although the song sounds like it’s straight out of an anime, it is also an interesting new sound that’s refreshing to the K-pop world.


39. “Never Ever” by GOT7

Ever since debut, GOT7 have switched up their sound with every release, experimenting with different styles and concepts, and their first comeback of the year was no different. “Never Ever” follows in the same angsty direction as “If You Do,” yet this track mixes electronic and trap sounds while giving it their signature bubblegum spin. Vocally, JB and Youngjae can always be counted on to deliver outstanding choruses and ad-libs. But reveal of the year was that “Never Ever” is probably the song where the rap line is collectively most stable and the flows, while different, work together. GOT7 is building up a name as a dance group whose choreographies are insane, and “Never Ever,” with its glitches and heavy bass, is the perfect performance track in their building discography.


38. “Love Story feat. IU” by Epik High

One of the two title tracks off of Epik High’s new album, “Love Story” is a beautiful song about love lost. The steady drum beats coupled with the sometimes frantic sounding piano and, later on, the smooth orchestra creates a complex yet easy sounding melody that balances well with IU’s sweet voice and the rap verses of Tablo and Mithra Jin. Along with the concept video of a girl reminiscing about her past relationship through videos and photos on her phone, it sets the perfect setting for a song about heartbreak and loss. As expected with most of Epik High’s collaborations, the group and the featuring artist blend perfectly to portray the story being told.


37. “Wake Me Up” by B.A.P

A lot of the times, K-pop consists of clichéd lyrics and similar concepts. There are times when a number of artists will put out a string of songs, music talking about love, relationships and breakups. Again, the repetitiveness. Just when you feel like you’ve had enough of that sappy stuff, B.A.P appears with an eye opener like “Wake Me Up,” a track that touches on societal issues and mental health to stimulate one’s ear buds. The song has a compelling beat, a sound so strong, it’ll act as the pillar that will hold you up when one is fighting off their inner demons and struggles in life. “This is an endless tunnel, in darkness with no light. Wake me up, wake me up. I need to find myself,” they sing. B.A.P wanted to push awareness and wake up a society that looks away and pretends that issues like racism, judgement, and depression aren’t real issues because these things are very much on going and continue to be real life problems.


36. “Palette feat. G-Dragon” by IU

As one of Korea’s most prominent artists, IU on “Palette” seems to be comfortable with her fame and life, assuring both herself and her listeners that she’s changing in ways she embraces. Her lyricism uses cute examples, from changing color preferences to hair length, to demonstrate that she, “Knows a little bit about [herself] now.” The song’s instrumentals are a more alternative play on classic, theatrical IU releases. While the trademark ticking noises and sound effects are present, the song itself is slower and wispier, updated to match a more modern vibe that she seems to have grown into. The top female star of Korean music in the past decade, IU demonstrates that she remains focused on making hits, but now, on her own terms. With the help of a strongly performed and well-placed rap break from G-Dragon, IU on “Palette” lets us further into her excited, changing young adult world. Where she goes next from here, however, we’ll be watching.


35. “Dinosaur” by AKMU

AKMU is known for creating beautiful music, but with “Dinosaur,” the duo really surprised us: they finally added some EDM to their music while managing to make it their own. The electro beats and synths that appear through the track’s melody seem very stripped down and almost make it feel like an acoustic electronic song. The opening guitar in the beginning of the song especially feels like an homage to their earlier music. The synthetic kickdrums that blast before the beautiful notes from Suhyun during the chorus melody and are present through the whole track, giving it an unique mystery to the track. We also get more singing from Chanhyuk instead of his typical talk-like rap, which was surprisingly beautiful. Their voices blend and harmonize perfectly with the synthetic beats that made it an upbeat chill song for the summer. AKMU really had a lot of fun creating this track and used every tool that electronic instruments can give you as a producer. The song is simple but very detailed with a beautiful, heartwarmingly catchy harmony and a light beat that is very uplifting and instantly makes you feel good.


34. “Dream In a Dream” by Ten

SM Entertainment’s Station project has produced a bit of a mixed bag this year, delivering some truly great pieces of music amid a majority of lackluster ones. But “Dream In a Dream” was one of its glorious high notes. The ambient, east-meets-west styling of the song serves to relay the performance-heavy music video, which highlights Ten’s immense dance skills. Providing a soundtrack to the highly-stylized, contemporary dance video, it’s a song filled with drama and passion. But even as a stand alone track, “Dream In a Dream” delivers something truly special through its symphonic instrumentals relaying Ten’s echoing declaration of love. Lush synths and pulsating beats guide the track as it layers traditional Asian strings and into the atypically-structured melody. So far, Ten has participated in both this and NCT U’s “The 7th Sense,” two hauntingly beautiful, choreography-focused singles, and if this is the direction SM continues pushing him in, it may be the thing that could breathe new life into this era of all-too-similar K-pop male acts.


33. “Shall We Dance” by Block B

Ever since Zico cemented his status as a hip-hop icon in Korea, Block B has pretty much taken a backseat on the ride. And after a couple of quirky, even cutesy releases, it seemed the group had gone awry of the sounds and concept they made a name with. That’s why when they dropped “Shall We Dance” it was way more impactful. More in tune with the “trendy” sounds Zico is known to produce for his solos, the track explores different urban Latino sounds, which particularly stood out this year when artists are still releasing trop-house songs. “Shall We Dance” is groovy, smooth, and just as the title suggests, dance provoking. Being an older male group with a diverse lineup of talented members, it’s important for Block B to color outside the lines and continue to push the envelope as they have always done. And with this song, they did just that.


32. “Girl Front” by ODD EYE CIRCLE

“Girl Front” felt like a particularly important moment for LOONA. When LOONA ⅓ debuted as a unit they were still fairly unknown, a weird project group going about their own thing. By the time of ODD EYE CIRCLE, they had significantly grown with more people both at home and internationally taking notice. The fact that they absolutely nailed it came as no surprise to me, but how they did it was so impressive. By combining the songs of three girls (Choerry, Jinsoul, and Kim Lip) producers Ollipop and Hayley Aitken created something unprecedented in K-pop. “Girl Front” has the peppiness of “Love Cherry Motion,” the dense, propulsive beat of “Singing in the Rain,” and the electronic sheen of “Eclipse.” It’s a miracle that it all comes together to form something coherent let alone this good. The girls give it the last edge of excitement with non-stop vocals as they bounce off one another with glee, building a climax of unstoppable motion and further push forward the most exciting story of the year.


31. “I Wait” by Day6

“I Wait” was the first release of the group’s ambitious project, which set a high bar for their following monthly singles. The opening of the song draws the listener in with somber synthesized keyboard notes and dreamy vocals. The mellow beats gradually increase to the more aggressive instrumentals of the chorus, showcasing a much harder sound than what the band has been previously known for. The song continues to bounce back and forth between a softer sound and the heavy chorus, which creates and interesting medium. The video itself isn’t really anything special but somehow still complements the song with the changing graphics and effects. Overall, “I Wait” fulfilled its purpose of drawing in the audience with a new sound, showcasing the band’s versatility and ability to deliver quality songs throughout the year.


Also on KultScene: 7 K-pop music styles we’d love to hear more

30. “MIC Drop (Steve Aoki Remix feat. Desiigner)” by BTS

“MIC Drop” was already a good song before Steve Aoki’s remix, but with his production, the producer added the aggressiveness that the track needed to be fully solidified as an anti-haters anthem for BTS. He did this by converting the hip-hop track into a hip-hop, R&B, and EDM infused song that made us remember the old BTS from their debut era. The track is energetic and gets you pumped up as soon as you listen to it; V’s deep voice and RM’s raps are major highlights from this record. The lyrics take a very sarcastic tone that even if they seem cocky it makes us sympathize with them. With the new added English lyrics in the chorus, the song makes everyone want to stand up against haters and face them off. BTS creates yet another ode for outcasts and bullied kids all over the world by once again taking on topics that usually K-pop bands don’t talk about.

Also on KultScene: Astro ‘Dream Pt. 02’ Album Review


29. “Darling” by Taeyang

This ballad stands out with its somewhat unconventional structure and chord progression, but it’s truly beautiful and addictive when listened to in its entirety. The way that Taeyang’s smooth voice connects the various parts of the song elevates it and showcases his impressive range and ability. His raw emotions are showcased front and center here too, especially with the way the song “progresses” in intensity from verse to verse. It’s soothing and intimate all at once, and allows Taeyang to present a more honest side of himself, as compared to being a charismatic star glorified by the limelight.


28. “Hola Hola” by KARD

Over the course of three project singles, KARD was able to develop a musical formula that worked. The tropical house and dancehall that undergirded “Oh Nana,” “Don’t Recall,” and “Rumor” provided a strong foundation for when they finally did make their official debut with “Hola Hola,” a timely and bright synthy number perfect for the summertime. Being co-ed is more than just a gimmick for this group; the exchange between tender vocals and throaty raps is the contrast listeners need to keep engaged. The chorus, on the other hand, shifts its weight onto an island beat, and while it would be easy to dismiss this sudden move as overly simplistic, the hypnotic effect is undeniable. It sweeps the carpet from under our feet and displaces us in a chimerical paradise. It is a nice recess from Jiwoo’s spunky rap midway or from any other strained moments, providing us with a sensual and personable comfort. “Hola Hola” only marks the beginning, but already the internationally beloved group has been dealt a good hand, and are making all the right plays to keep momentum going.


27. “Cherry Bomb” by NCT 127

Without a doubt, “Cherry Bomb” definitely encapsulates the sound of NCT127. The different mixes of genres that create a very fresh and futuristic sound create a unique style for the band that has everyone falling in love. The track starts off with a heavy bass and the repetitive “Hurry, hurry, avoid it, right Cherry Bomb feel it yum,” then goes off to Mark’s and Taeyong’s rap, with the pair proving to be the real standouts for this track, while the bridge explodes with Taehyun’s, Doyoung’s and Taeil’s beautiful vocals that melt any listener’s hearts. The song is filled with background synth noises, singed hooks, and creepy sounds that create a very chaotic but interesting track that is reminiscent of the album cover and the title of the song. It’s a classic, sassy and rebellious track and shows great direction for the boy band.


26. “O Sole Mio” by SF9

Is it possible for someone who lacks rhythm AND coordination to find themselves swaying ones hips and body with precision to the entrancing latin sounds of “O Sole Mio”? This track comes from SF9’s third mini album, Knights of the Sun, only one year after their debut. Rather then SF9’s usual upbeat dance tracks, “O Sole Mio” is captivating in it’s own mellow way. The transitions between the vocal and rap lines were smooth and well-versed, building up to a tender climax without it ever being over the top. The fusion of latin pop to K-pop is still new, but, let’s be real: we all could’ve used a break from some of the generic sounds we’ve heard this year, and the fresh sound of “O Sole Mio” delivered just that.


Stay tuned for the second and final half of our Best K-pop Songs of 2017 list, which will contain the top 25.

What was your favorite release of the year? Let us know in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

5 Underrated K-Pop Solo Debuts of 2015

5 Underrated Solo Debuts of 2015

2015 was a year chock full of K-pop goodness, both for groups and for solo artists. In particular, there were many idols who made their solo debuts this year. While some of them were well-received in Korea and on international charts, there were also some others who didn’t garner so much attention. As with most K-pop related things, album sales largely have nothing to do with the quality of the music produced, so here are five underrated solo debuts that deserve more love.

1. G. Soul

At the start of the year this soloist made headlines when he finally made his debut after 15 years as a JYP Entertainment trainee. With his album “Coming Home,” G. Soul thoroughly showcased his vocal abilities and charmed listeners with his silky emotive voice. His lead single “You” was also a strong track complete with wonderful composition and a catchy chorus. He even released an acoustic version of the song subsequently, which further highlighted his amazing voice, and it was this version that made me a fan of his.

Unfortunately, despite releasing three EPs and singles over this year (most recently in September), he is still relatively unknown in the K-pop industry. With almost zero promotions on music programs and variety shows, it’s not very surprising that he’s unable to compete in popularity with other idols who are very active in the entertainment scene. However, one of his newest songs, “Beautiful Goodbye,” has been gaining attention recently because of EXO’s Kai, who performed a cover of the song during their concert.

Hopefully this trend will continue in the future and he will become more well-known. With the quality of music that he’s been creating and his voice, he certainly deserves all the respect and more that he’s getting now. In fact, he recently made Kultscene’s Top 50 Songs List for the year with his latest release “Crazy For You.” 

2. Mckay Kim

I’ve watched this soloist since his early days on “K-pop Star Season 2.” Mckay Kim‘s voice was so charismatic that I fell in love with it (and him) almost instantly. From his wonderful partnership with Brian Shin and Kim Min Suk (Raccoon Boys) on the competition to his solo debut earlier this year, his music has always been amazing. He debuted with a collaboration with Jeff Bernat, a Filipino-American singer songwriter who is quite well-known in Korea, and their voices blended together perfectly through the song “Angel 2 Me.” Kim, in particular, has a soothing and smooth voice that is so comforting to listen to. Whenever I listen to this song, I feel relaxed even if I’m on a crowded public bus or doing math problems in my room. The harmonies and chill beat of this song are therapeutic but still alluring and charming.

Mckay also came back with another track in June, appropriately titled “Month of June,” but this release gained even less attention than his previous one. It’s a sweet song filled with the light-heartedness of summer and being in love. On his own this time, Mckay was able to show off even more of his vocal skills and musical ability, which is why it’s even sadder that this song wasn’t as well-received. Both in terms of natural talent and music quality, Mckay has the potential to become a mega star in this K-pop industry, he just needs a chance to break out now, and the sooner the better. I can’t wait for his future releases (he really needs an album) and I’m confident that he’ll continue releasing great music.

Also on Kultscene: 5 Underrated K-Pop Rookie Songs

3. Park Jimin (15&)

A member of K-pop girl duo 15&, Park Jimin made her solo debut in March this year with her title track “Hopeless Love.” Despite having amazing vocal talent and good songs, she has been an underrated singer ever since her debut in 15& and as a solo artist. Another alumni of “K-pop Star,” she won the first season of the show in 2012 but has been relatively low-profile since then. With “Hopeless Love” however, she brought something new to the table with this ballad that isn’t really a ballad. With her strong high notes and charismatic voice, Park Jimin brought out the various emotions that are presented through the lyrics of the song. In particular, one line that sums up the pain of having an one-sided love: “Even though it hurts I just can’t turn away.” It’s a great release and solo effort so it’s such a pity that she didn’t get more attention for it. As of August this year, she formed a project group called M.O.L.A with Seungyoun of UNIQ and another rapper Nathan with whom she released tracks showcasing her rapping skills as well. For a singer as talented as Jimin, she deserves so much more success in her career so I’m hoping that this won’t be the end of her solo efforts!

4. Minah (Girls’ Day)

Unlike 15&, Girls’ Day can’t be said to be unknown or underrated, not by a long shot. So what is Minah, the popular main vocalist of the girl group doing in this list? She has made her name as a soloist a long time ago with the various drama OSTs she has released and has already acted in several dramas herself but her solo debut earlier this year largely went under the radar of most K-pop fans. While she did debut at a time filled with several other hot comebacks like EXO and Miss A, I fail to understand how she received so little praise and attention from the public.. With “I Am A Woman Too” Minah showed off her impressive vocal talents and her ability to sing strongly and yet gently at the same time. However, her release received criticism in regards to the choreography, which netizens complained looked awkward. In terms of song quality however, this song was produced well and is catchy. While Minah does shine even within the rest of her group, her solo effort was a chance for her to showcase different sides to herself and in my opinion she managed that. I hope that this debut’s lack of commercial success would not affect her chances for a comeback in the future because I’m eagerly waiting for it!

Also on Kultscene: 8 Korean Shows To Cuddle Up With This Holiday Season

5. Lee Junho (2PM)

I’m not saying this just because I’m a Hottest but Junho’s solo debut was one of the best and yet most underrated debut I have ever seen. As the lead vocal of 2PM, Junho’s charming voice has been showcased ever since their group debut but he’s been continually improving his vocal skills over the years, something which is evident in their later releases. Apart from just working on his singing, he’s also been composing and writing songs for the group, the most recent of which is “Nobody Else” from their latest Korean album “No. 5.” As a solo artist, he debuted in Japan two years ago and has produced three Japanese albums since then. He only made his solo debut in Korea this year however, with his album “One,” which he promoted for a short period of music shows. This album, with title track “Fire,” displayed not just his amazing singing but also his compositions because he wrote almost all the songs on the album.

With an addictive chorus “Fire” isn’t just a good song it also thoroughly shows how self-aware Junho is as an artist. He knows his voice and abilities very well and is able to present the best side of himself through his songs. In this album he also tried more rapping to very satisfying results, as evidenced by tracks like “Pressure” (the rap starts around 3:12).

Thankfully for Junho it seems like JYP recognises his potential as a soloist so here’s to more amazing albums in the future!

What do you think of these underrated soloists? Who else do you think should have made the list? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

G.Soul Wants You to Stop Running From Love

G.Soul Love Me Again EP Beautiful Goodbye Stop Running From Love

Kim Jihyun better known as G.Soul is a man of little words but he’ll charm his way to your heart with his confidence and melodic voice. Since debuting in January of this year, after training under JYP Entertainment for 15 years, with his first EP “Coming Home”, promotional wise, G.Soul’s been very quiet.

With the recent release of his second EP “Love Me Again” on June 29th, G.Soul’s growing fan base, including this KultScene writer, is hoping to see one or two potential music videos and a great deal of live performances. Because he doesn’t promote his music on television and radio shows, there’s little that we as listeners, know. Why is G.Soul so mysterious? Let’s take a listen to G.Soul’s velvety voice as he sings about romance, heartache and the beauty of love and goodbyes, with a featuring of his first English track and my analysis on it all.

1. “Love Me Again”

They say you don’t know what you’ve got till it’s gone and that can be applied in many different situations and scenarios. For a number of people, it hits home when that phrase is applied towards a relationship. There can be a lot of deciding factors that comes into play with one’s relationship; whether it ends up being an everlasting love or ends up with either one or both of you heart broken.

I didn’t know love back then
Baby love me again.

There’s usually always a reason as to why a relationship goes sour and/or abruptly ends. In rare cases, the break up can be a mutual decision or maybe you two were too young and tried condensing five years worth of experience and love all into a matter of months or a year. Granted, depending on how long you’ve been with your significant other and how young or old you were during the time period of that relationship, may or may not decide on how much havoc it’ll cause when it ends.

Also on KultScene: BTS ‘Dope’ Music Video & Song Review

What if the relationship did indeed blow up in flames? What if the last things you were able to say to one another were distasteful phrases like “I hate you” or “don’t ever talk to me again”? But what if that’s not what you really meant? What if you bump into this person again, years down the line, and realize you never settled and put your feelings away? Would you try to re-pursue, even if they were already in a new relationship? Are you willing to set your pride aside and ask them to love you again? Read more

5 English Covers by Korean Male Singers Pt. 2

Top 5 Picks of English Covers by Korean Male Singers
How did you discover your favorite artist? Was it through a TV show, or by word of mouth? Surprisingly enough, a lot of my favorite artists, whether they’re solo artists or in a group, I discovered on YouTube. Usually while rummaging through random song covers. It starts off with a cover that they’re singing from another Korean artist and eventually I’ll find them singing a cover of an English song and immediately fall in love. And while YouTube is filled with them and we’ve already talked about five other covers we love, here are the latest picks of English covers by Korean male singers.
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Intro to G.Soul

JYP Entertainment’s newest artist, G.Soul, is about to show Korean music lovers what he’s made of. He has been a trainee at JYP for fifteen years and he will finally debut on January 19th with his first mini album Coming Home. G.Soul is JYPE’s first R&B solo artist, which is very exciting not only for JYP, but for K-pop fans in general. It’s nice to see artists who specialize in other genres than pop have a chance to promote their music at the larger entertainment companies.

G.Soul was sent to NYC for training when he was a young boy after JYP discovered him and was impressed with his talents. He was supposed to debut in America as part of JYPE USA until things fell through and it closed down. While he was training in NYC all of these years, G.Soul did perform at gigs and in competitions where some of his fellow JYPE labelmates supported him, such as the Wonder Girls, Min, Jo Kwon, J-Liim, and others. Past Christmas videos on Min’s and Jo Kwon’s Instagram accounts show off G.Soul’s soulful vocals and the closeness of the JYP artists.

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He was based in Brooklyn while in the States and will undoubtedly pull from his experiences and training while there. The first teaser for his first single Coming Home shows G.Soul in multiple settings in black and white and with only the beat and music of the song. The final few seconds listeners hear his unexpected vocals. His teaser for You is very similar in style with the black and white, the music and quick shots of a certain scene. Then at the end, we hear G.Soul’s voice.

Although there is only a small snippet of G.Soul’s vocals in both teasers, it’s enough to entice listeners to pay attention to his debut. His vocal quality has similar elements to Zion.T and to Bumkey, but then there is something within in that makes it his own. From the snippets it seems that he has a great voice and that his long awaited debut will not be in vain.

In the first teaser for Coming Home there is a shot of a record cover from an R.Kelly record, which is a good indication that he is a musical inspiration to G.Soul. G.Soul’s vocals do share similar qualities to R.Kelly’s vocals and it will be interesting to hear to a full length song to really be able pinpoint his sound. After listening to G.Soul’s covers on his Soundcloud, it’s clear he is heavily inspired by R&B vocalists and soulful artists, from Rihanna, Bruno Mars, Stevie Wonder, Beyonce, Pharrell, and more.

G.Soul wrote and co-wrote every song on his mini album, which shows that he is more than a musician, he is an artist who takes pride in creating to share with fans. Whenever an artist has a significant hand in creating their musical work it gives them a bit more credibility because it shows they feel a deeper connection to the music and the lyrics and they are proud to deliver their creations to the fans.

From his teasers, G.Soul will have a decent debut. G.Soul’s fluency in Korean and English will only aid him as he embarks on his debut. His songs will utilize both languages and could possibly attract more followers and fans because of it. Since he is not an idol and not strictly pop music, G.Soul will present a fresh sound with his cultivated vocals and Western-influenced style.

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