MUSIC Archives - Page 10 of 18

Fiestar’s ‘A Delicate Sense’ Album Review

March 17, 2016/in Entertainment, MUSIC /by Joe Palmer

If any group was poised to be the next breakout superstars, it would be LOEN’s girls, Fiestar. Leader Jei and Chinese member Cao Lu have been gaining followers on variety shows by the day and we all know of the success that rapper Yezi has had following her breakout on the second season of “Unpretty Rapstar”. I would have thought that they would come back with as much fanfare as possillbe with little delicacy, but here they are with new mini album “A Delicate Sense”.

Ever since Cheska left, Fiestar have focused their style. Before, it was varied and somewhat of a mess for any budding fans. After the ménage à trois anthem “One More” and silky, acoustic “You’re Pitiful,” an air of melancholic sexiness has grown around them. New single “Mirror” and its music video do nothing to dispel this idea. This new mini album shows the eclectic range of 2016’s possible rising stars .

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Opener “A Sip of Your Lips” is an oddity that could only ever be an album cut. It fuses a number of sounds to create something at once chaotic but sensual. Latin beats, country electric guitars, and sweet vocals make up the bulk of the song. Each part comes together at once to a simple structure to keep it from going too far. Most interesting is the recurring autotuned vocal sound that sounds like a slide guitar. It’s the type of weird sound that makes a song like this infinitely listenable, not just because you’re trying to figure out what it is but because of its beauty.

If any of the members were being pushed for this promotion, the music tells us it is Yezi. Her cold, clinical raps seem to frame every song on the album. Even if she only gets the obligatory bridge of verse, she pulls the song around her. On “A Sip of Your Lips,” the music even stops for a moment, preparing itself for Yezi to inject a fiery pace to it.

She does this no more so than on the single “Mirror.” It’s a synth pop track familiar to K-pop fans as the sound of 2010-2011. Back then, this was the most common kind of sound produced and probably the most expensive they could sound. Hearing it now with even better technology shows its timelessness. Synth stabs cut right to the ear building Fiestar’s melancholic reflection. It’s a perfectly solid lead single but probably the least interesting song on the album.

Yezi is the other difference between the 2011 version of this song. Before, the rapper would have been a regular idol, the girl who couldn’t sing, so they make her talk sort of melodically so they fit into the song. Yezi, however, is a rapper. She bites into the song giving it an anger and frustration where there would only have been sadness.

Also on KultScene: Fiestar & Sex in K-Pop

“Mr. Black” also,in some way, brings Fiestar back to their roots by being an overt ode to sex. Their explicit sexuality is still refreshing if a bit on the nose. Lyrics mentioning an “unstoppable dirty dance” and a “tasty road” (which when pronounced by a korean sounds like tasty load yikes) are embarrassing, but at least we don’t understand Korean so it’s not distracting. The song plays up sensuality over euphoria. The girls coo and whisper throughout over bubbling electronics and a restrained beat. The chorus especially has some of the sexiest vocals K-pop has ever seen.

Fiestar slow things down even more for “Thirst,” a song about insatiable desire. “Thirst” twinkles into existence while carrying on the slightly retro sounds of 2011 with its fuzzy synths. They combine well with chimes forming an eerie dreamy sound. Yezi again fits in perfectly with an autotuned rap that feels like it is ripped straight from the music. I love raps in slower songs like these, they add a new weird perspective but manage to not be too jarring (see also Lim Kim’s “Alright”, Ladies’ Code’s “Hate You”). There’s a desperateness to it that works really well against Linzy’s angelic vocal.

“Back and Forth” is a chance for Fiestar to get angry at all these lovers they sing about. It threatens to be a fairly formulaic track with a bit of sax. The instrumentation is excellent however. The aforementioned sax blends wonderfully with guitars over a strong drum beat. The song begins to build after the first chorus with Yezi’s most outwardly aggressive rap of the album. After a beautiful bridge, the vocals become unhinged and Yezi snarls in between them building the song into a cacophony of angry voices. The repeating refrain of “wassda gassda” adding to the frustration of these young girls.

If Fiestar fail to light up the year like EXID, Sistar, and others before them as new starlets, we can still look back on this and see how impressive they have become as a group. Each song on “A Delicate Sense” has its own identity, adding something fresh to tired formulas. Delicacies in the music lift the tracks into territory worthy of repeat listens. Not only this but their continued use of sex in their lyrics is something to cherish forever. We’re going to look back at Fiestar as a group who dared to be explicit and were great precisely because of that.

What do you think about Fiestar’s new album? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter,Instagram, and Tumblrto keep up with all of our posts.

Intro to AOMG [+ Follow the Movement 2016 North American Tour Info]

March 9, 2016/in Entertainment, MUSIC /by Alexis Hodoyan-Gastelum

Korea’s hottest hip-hop label right now is undoubtedly AOMG with its awesome roster of rappers, R&B singers, and producers. But with so many artists signed to the label, hip-hop becoming more and more popular, and countless collaborations, it’s easy to lose track of who’s who. So in light of AOMG’s Follow the Movement 2016 North American Tour, there are a few things we should get straight.

Following their performances in Los Angeles, New York, and Washington D.C. in 2014, Jay Park is expanding his horizons to our delight and touring eight U.S. cities this upcoming April. And the “Mommae” singer isn’t planning on turning up alone. Oh no. He’s making it a family affair and bringing labelmates Simon Dominic, Gray, Loco, and DJ Pumkin for the Follow the Movement 2016 North American Tour.

They’ll be hitting Chicago at the House of Blues on Apr. 5, the 8^th in New York at the Playstation Theater, the 11^th in Houston at the Warehouse Live, in Dallas at the Bomb Factory on the 12^th, in Las Vegas at the House of Blues on the 13^th, at The Wiltern Theater in Los Angeles on the 14^th, in San Francisco at The Warfield Theater on the 16^th, and in Seattle at Showbox Sodo on the 17^th. Tickets have been on sale since Feb. 26, but as of Feb. 29, VVIP, VIP, and Superior tickets for Chicago, VIP for Dallas, and VVIP and VIP for Los Angeles, New York, and San Francisco are sold out. Ticket prices start at $75. Moreover, some of the dates have age restrictions, so be sure to check that before purchasing a ticket.

Last year, Jay Park appeared as a producer on “Show Me the Money 4” along with Loco and released banger after banger with his album “Worldwide;” it was truly a highlight year for him. But in case you’re not well-acquainted with him or the rest of the gang, here’s a short intro to the Above Ordinary Music Group gang.

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DJ Pumkin

After joining Jay on his last AOMG tour in the U.S., DJ Pumkin was soon signed to the label. And even if he’s not a rapper himself, similar to Gray and Cha Cha Malone, DJ Pumkin is behind some of AOMG’s hottest songs like Loco’s “Respect” and a few of Simon D’s former group Supreme Team’s.

Loco

Fresh out of his win on the first season of “Show Me the Money,” Loco joined AOMG in 2013. He went from being unknown to being featured on some of the hottest hip-hop tracks of the last couple of years and topping the charts. Whether on his own releases or featuring on song with other rappers and K-pop idols, Loco always delivers a fiery performance.

Gray

Together with Cha Cha Malone, Gray is AOMG’s other star producer. While he also sings and raps, he’s been more active producing hot tracks for his label mates, like Jay Park’s “Mommae,” and other artists, including K-pop legends SHINHWA and Infinite’s subunit Infinite H. Loved by the ladies for being hot and handsome, Gray is a stellar producer who has us vibing with his just as hot tracks. Since joining the label in 2013, he’s only dropped one album, but it has been enough to make a lasting impression.

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Simon Dominic

Together with Jay, Simon D is co-CEO of AOMG and a rapper. He has been in the game for a long time, being a former member of Supreme Team and Jiggy Fellaz, along with being signed to Amoeba Culture. However, Simon made his solo debut in 2011 and hasn’t stopped dropping hot track after hot track since, with the latest being “Won & Only.”

Jay Park

Long-time K-pop fans will always remember Jay as the former 2PM leader. However, since his removal from the group, Jay has made a name for himself by forming AOMG in 2013 and releasing music successfully post-scandal. He not only raps, but also sings, dances, choreographs, acts, models, produces… the list in endless; he’s truly a multi-dimensional artist. Since 2012, Jay has been at the top of the charts with his hot releases and 2015 was no different. After a slew of singles, he released his latest album “Worldwide” and was met with critical and fan acclaim. Among his latest jams we can anticipate a performance are “Solo,” “You Know,” and “My Last.”

Taemin ‘Press Your Number’ Music Video & Song Review

February 28, 2016/in Entertainment, MUSIC /by KultScene

By Sana Parvayz

K-pop is becoming a global phenomenon, and the bridge between Western Pop and K-pop is rapidly decreasing. 2016 has already kicked off as a year filled with Western collaborations, beginning with 4MINUTE and Skrillex on their latest album and now SHINee Taemin’s collaboration with Bruno Mars. There’s been hype for his newest album “Press It” since the teasers. And now that the music video for the title song “Press Your Number” dropped, we’re witnessing nothing less than perfection.

Song

Taemin’s “Press Your Number” is produced by Bruno Mars and team Stereotypes, who have worked with various famous western musicians in the past. The single is an urban pop dance song about a man expressing his broken heart while waiting for the loved one. The song starts off with sensual sighs and a guitar accompanied by synths. Further, the song falls into an electronic beat. The song is amazingly recorded and the sound quality is rich. The chorus is catchy and the vocals are pleasing to the ears.

Moreover, as the title says, Taemin keeps on calling his lover, hence the pressing of the numbers. However, he never gets an answer from the other side. The following lyrical lines expresses the situation really well, “… I started talking to myself often. even though I call you, you don’t answer often. where are you now? Please come back to me….”

Also on KultScene: Jo Kwon’s ‘Crosswalk’ & Seulong’s ‘On The Way To Love’ Are Reminiscent of 2AM

The song definitely has those Bruno Mars vibes we all know with a hint of SHINee flavour. “Press Your Number” shows a mature side of Taemin as an artist. Interestingly, this song has some similarity with Bruno Mars’ “Press It” demo. The demo has a laid back tone, where as Taemin’s “Press Your Number” is more upbeat and lively.

Music Video

The music video starts with Taemin robbing a convenience store. The idol played the part of the criminal and victim as well, from robbing the store to crashing his car. The video shows a lot of symbolism and artistic themes, such as the blue roses that followed him everywhere he went that referenced his past following his present. Eventually, his gang is caught by police, but Taemin escaped. Later on, Taemin started to hallucinate and reached a point where he could no longer bear himself. So, he sets himself and his car on fire. Although the video doesn’t show any direct relation between the girl and Taemin, it still signifies that there was something important between them. The girl casted in this video was also a part of SHINee’s “View.”

Furthermore, the choreography is unique and exquisite. Taemin’s dance moves showed Michael Jackson’s influence. The back-up dancers synced really well with Taemin. The music video captured heavenly landscapes which made it aesthetically pleasing. The cinematography of this video was graceful and the locations were beautiful. Also, the colour correction is mind-blowing; it was like blending the Victorian era with the 21^st century. The castle, car, his suit and dial-up telephone gave a vintage feel to the video, blending with urbanization by showing cityscape and modern apparel. SM Entertainment really made sure to highlight Taemin as a promising artist. Taemin portrayed mature and intimidating image through his recent music video and album.

Also on KultScene: 8 Misheard K-Pop Lyrics Pt. 4

SM Entertainment also released two dance versions for Taemin’s “Press Your Number.” Both of the dance versions were shooted in different places and different costumes, following the theme of the music video. Have a look at the both dance versions which higlighted Taemin’s dancing skills.

Overall Thoughts

Excluding BoA and Kangta, Taemin is the first SM Entertainment artist to get a solo full-album. Without a doubt, “Press Your Number” is remarkable in every perspective; from song to video, both are aesthetically pleasing. I think Taemin has raised the bar for other SM artists and K-pop idols alike. It definitely showed artist growth since “Danger,” and I can proudly say that I am in love with this work.

Taemin 'Press Your Number'

Let us know what do you think about this video? Would you look forward to Taemin’s stage performances or not? Be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to stay updated.

Jo Kwon’s ‘Crosswalk’ & Seulong’s ‘On The Way To Love’ Are Reminiscent of 2AM

February 20, 2016/in Entertainment, MUSIC /by Anna Cheang

It’s been around six months since the members of 2AM unofficially split up with Seulong and Jinwoon leaving JYP Entertainment and joining other agencies. While there is no word yet whether 2AM will really be disbanded, the members have all been busy with their individual activities. In February alone, members Jo Kwon and Seulong both released new songs which were unique in their style and genre but still shared some characteristics that represent their identity as 2AM members.

Jo Kwon renewed his contract with JYP Entertainment last August, and with his latest solo release “Crosswalk,” this seems like a great decision on his part. Coupled with a gorgeous monochrome music video starring EXO’s Suho, “Crosswalk” is a beautiful ballad that manages to distinguish itself from other songs of the same genre. The music video has a melancholic feel and is reflective, especially as the male lead imagines what could have happened if he had gone back to find his lover instead of leaving her as he had originally done. The split screen isn’t something that is seen often in music videos but it works here in conjunction with the storyline and the lyrics of the song.

Jo Kwon’s skilful high notes are emotive and his voice really adds a layer of depth to the repetitive lyrics of the song. Jo Kwon has always been an outstanding singer as a soloist and in 2AM, but this simple song really allowed him to showcase his vocal prowess. The instrumentals of this song are pretty perfect as well, with a lovely piano introduction and the gradual addition of other string instruments as the song intensified and reached its emotional climax. In comparison to his previous solo efforts like “I’m Da One,” “Crosswalk” might seem a little dull and boring. However, this song also symbolizes a return to his roots as a ballad singer for Jo Kwon. “Crosswalk” is the perfect song to listen to if you want to have a good cry.

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Seulong, who switched agencies and entered Sidus HQ, the home of many other Korean celebrities such as Kim Woo Bin, also released a single earlier this month. Unlike Jo Kwon’s release however, his was a collaborative effort with singer-songwriter Yoon Hyun Sang. “On The Way To Love” is an R&B based duet which equally features the vocal and songwriting talents of Yoon Hyun Sang and Seulong, who both had a part in the creation of the song. The relaxed yet romantic feel of the song made it perfect for a Valentine’s Day release, and lyrics such as “Today, I feel like something will happen, I’m with you, You’re the star of today,” really enhanced the beauty of the release.

This collaboration was special because both singers were fans of each other, and this mutual appreciation can be felt through their respect for each other as artists in this release. Both ballad singers have similar high pitched and smooth voices, although Seulong has a higher register and Yoon Hyun Sang has a slightly more emotive voice. They matched and worked together well as can be seen by the melodious harmonies that were created in this song. While there is no official music video that accompanies this song, the two singers released a special band performance video which more than showcases their amazing live vocal ability.

Seulong isn’t new to R&B songs or experimentation, as evidenced by his previous solo releases “7377 ME B43Y” and “Mood Swing,” so it is good to see him further expanding his horizon and collaborating with more artists. This was something that he had been doing throughout his career in 2AM, whether it was working with female artists like IU or with other ballad singers like Shim Hyun Bo or even indie artists like Epitone Project. In this aspect, Seulong has had more experience than fellow 2AM member Jo Kwon, and now that he has left JYP, it seems that Seulong has more opportunities to collaborate with whoever he wants, to put it bluntly. Though it’s bad for 2AM as a group, it cannot be denied that Seulong grows as an artist a lot more when he is on his own as compared to when he is with the rest of the group. The same can be said for Jo Kwon, and for the other members of 2AM, in the various areas that they are expanding in.

Also on Kultscene: Artist Spotlight: Yoon Hyun Sang

Honestly speaking, this is not even a new development. When the group was active the four members were always busy with their individual activities, whether it was producing their solo music or acting in dramas and hosting variety shows. This was the way they ensured their continual self-improvement and perhaps also the reason why their combined work has been of a consistently high quality. It would be a pity if 2AM really disbanded for good, but with the solo work that Jo Kwon and Seulong have put out so far, this will definitely not be the last the K-pop world will be hearing from these talented musicians and singers.

Have you listened to both these songs? What do you think of Jo Kwon and Seulong’s work as soloists? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Zico’s Singles Ranked Worst to Best

February 4, 2016/in Entertainment, MUSIC /by Alexis Hodoyan-Gastelum

Without a doubt, 2015 was Zico’s year. He featured on just about every other hip-hop and R&B release, he coached his own team on Mnet’s rap competition show “Show Me the Money 4,” and he released his positively-received album “Gallery.”. Indeed, the Block B member was everywhere — and deservingly so. In the last couple years, Zico has established himself as a rapper without the word “idol” being attached to the title. In addition, he’s also a pretty dope producer. Because even if he was very much involved in the creative process behind Block B, getting rid of the “idol” tag is hard when it comes to other career paths.

And after many trials and tribulations, we have now arrived to the era of Zico. In the short time since he launched his solo career, Zico has graced us with many instant classics and other less appreciated ones, to put it mildly. So now that the public has accepted him as an artist, let’s explore, what are Zico’s best and worst singles?

8. “Tough Cookie”

The tasteless use of the Confederate flag and derogatory term aside, “Tough Cookie” ain’t that good. I mean, we get it, Zico. You’re a legit rapper who got into an idol group to make it big. “Tough Cookie” is your first solo single as an established artist; this is your moment to show what you’ve got… Which apparently is a stereotypical parody of “what hip-hop is.” #ThugLife setting and attire? Check. Heavy bass? Check. Grillz and girls shaking their asses? Double Check. Hanging out with all the badass homies? You know it! However, there’s nothing less gangster than calling yourself a cookie, even if it’s tough.

The track itself is, at best, a basic hip-hop song. Certainly not the worst out there, but with all it’s negative aspects, it’s just better to overlook it altogether.

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7. “Boys and Girls”

Fortunately, “Tough Cookie” is Zico’s only bad song. “Boys and Girls,” however, is an enjoyable song with a colorful music video. It was number one for the longest times on the Korean music charts, after all. And yet, I can’t help and think this sounds like one of the multiple singles that Korean-American rapper Jay Park released last year, while Zico released “Boys and Girls” in November. I’m not saying Zico copied Jay’s style, but the similarities to songs produced by Jay Park’s label, AOMG, is uncanny. Maybe hanging out with said crew rubbed off on him? And, again, adorning yourself with lots of girls around, very hep-hap.

Despite this, “Boys and Girls,” as mentioned before, is a fun little song with an easy-to-follow and catchy hook. Would’ve been perfect as a summer release.

6. “Yes Or No”

Dude, I know you’re really hot in the hip-hop scene right now and deserve your kudos, but why are you attacking me for a “Yes or No” answer? Moreover, the jarring beat enhances the aggressive feel of the song, and yet, it’s perfect to jam to in a hip-hop mosh pit type of thing. Not to mention the animated music video, even though short, has cool visuals. The video revolves around the theme that “Yes or No” is a sarcastically narcissistic single just for kicks. Hopefully, now that Zico has established that he’s a dope rapper and producer he can stop reminding us with every single how great he is and that he started out in an idol group. And yes, Zico, the answer is “yes.”

5. “Pride and Prejudice”

Within his discography, “Pride and Prejudice” is a breath of fresh air. The music video is not all about Zico, the lyrics don’t boast about his career and self, and the music is pretty chill. His flow is more laid back and allow Zicoto present his views on romance more effectively. Moreover, Suran’s addition at the chorus gave it a nice touch of soul and delicateness that stands out when compared to the previous songs I’ve discussed.

4. “Well Done”

“Well Done” is another slowed and toned down song that lets the lyrics and Zico’s flow take center stage. It’s difficult to go wrong with a song were you bare it all for the audience and talk about your struggles. Good thing “Well Done” has that rawness and realness that make these types of tracks special and relevant. This is the perfect way of showing off what you accomplished — by putting it into context with the hardships you went through. Because of this, “Well Done” seems authentic and not self-absorbed.

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3. “Eureka”

2015 was a good year for Zico with all his collaborations and he even saved the best for last by releasing the album in December. And within “Gallery” was another very popular chart topper, “Eureka.” I mean, how can you go wrong with Zion.T at the chorus? But regardless of the popular artist’s involvement, “Eureka” is pretty solid. Zico delivers his hard hitting bars while also delivering a Jazzy and bouncy beat. Also, having a fun music video for a stellar track only make the finished product all that much better.

2. “I Am You, You Are Me”

Visually, “I Am You, You Are Me” is the prettiest music video we’ve seen from Korea so far in 2016. The soft colors, the awesome styling, the cute little story; it’s ethereal. However, it doesn’t seem and sound very Zico-like. It made me think of softer rappers like Crucial Star. And yet Zico completely owned it, especially when he sped up the tempo in key places. And if this is a new direction he’s willing to include to his repertoire, I’m all for it! It would honestly be number one if not for the fact that, as of right now, it’s too unique and not very Zico. From Zico’s creamy vocals to the twinkling sounds and subtle percussion, “I Am You, You Are Me” is as smooth as they come.

1. “VENI VIDI VICI”

Now this is what we expect and love from Zico. “VENI VIDI VICI” is in fact the successful and cooler version of “Tough Cookie.” The revindication, if you will. They’re both hard hitting anthems where he disses the haters and promotes himself. I already went over why we should all forget about “Tough Cookie,” and “VENI VIDI VICI” helps with that. Where the former came off as aggressive and tacky, the latter features Zico rapping in a fast but nonchalant way, which reflects that he doesn’t have anything to prove anymore. It doesn’t rely on cheesy hip-hop concepts done millions of times to seem cool, it just is. Sure, this music video also features girls dancing around him, sure, but at least it exudes personality and, more importantly, originality. “VENI VIDI VICI” show show much Zico has grown in the last two years and how he’s learned from his mistakes (except for those braids… but that’s another story!).

He came, he saw, he conquered, indeed. This is Zico at his best.

What’s your best and worst Zico single? Share your picks and thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter,Instagram, and Tumblr to keep up with all of our posts.

4minute ‘Hate’ Music Video & Song Review

February 2, 2016/in Entertainment, MUSIC /by Joe Palmer

Looking like a schoolyard gang and Posh Spice cosplayers, 4minute return with yet another big track, “Hate”. Produced by Skrillex, it follows “Crazy” into chaotic banger territory but with a certain pristine quality. Again, unfounded comparisons between YG Entertainment artists are bouncing around due to the sound and look of the music video. As we will see, 4Minute and Skrillex bring a higher level of craft when it comes to run of the mill electro tracks.

Song

Calling this an electro song is a bit reductive. It is the centre of controlled chaos between genres vying for dominance. Where “Crazy” started at top speed, “Hate” allows consecutive parts to sound completely different. They lead to a huge chorus that does not let up once it comes out.

From Gayoon’s opening to Sohyun’s pre-chorus, each part of “Hate” that leads up to the chorus increases in tempo as they come. Gayoon’s beautiful intro threatens us with a ballad. The pain in her voice sets the song up though, as something that won’t take any prisoners. While not hateful there’s a defiance to her pain; she’s done with this man once and for all. The piano melody takes us slowly by the hand into “Hate,” not giving anything about the destination away. Right after, a beat is finally introduced with Hyuna rapping on top of it. Her usual snarl is restrained for the moment, she allows the build before going for the jugular. Jihyun continues with this beat but with added drum flairs, her voice perfectly balanced between singing and rapping to prime us for bigger moments without giving it away. This comes in the form of Sohyun’s electrifying pre-chorus. Skrillex introduces his well known dub over her shouts of “go, go, go.” The song and girls are fed up of playing nice, the hate is real. Like in “Crazy,” the increasing tempo of the beat and screams leads perfectly into a chorus that is at once predictable and surprising.

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The chorus is predictable, given the nature of the song and the name of the producer. Surprising because the song’s build up at first masked it, and because of just how big it is. The horns explode with glee as Hyuna snarls in her familiar nasally voice “I hate you.” At first listen, these horns jar, using music rather than vocals as the hook is still relatively rare in K-pop. Despite their inherent conflicting sound they are shaped into a force by 4minute. It’s a sound to be angry to, to take action to.

Once it ends, “Hate” does not stick to what it knows. Jiyoon replaces Hyuna for the rap verse, similarly sounding as if she’s holding back. She knows she’ll get her chance in the chorus. The big change is the pre-chorus, which Gayoon takes and molds it into her own. Her banshee wail, a call for the hate filled chorus. The song always takes the time to got to quieter moments between those choruses. Mercifully giving us a break but more importantly creating contrast to sit the chorus on a pedestal. A throne to hate.

Music Video

The video does little to prop up the theme of the song with a story, it does have the distinction of being 4minute’s most beautiful video to date. Like the verse chorus relationship different sections of the video contrast with each other. Gayoon’s opening of restrictive mesh clothing, veils, and small frames shows a woman trapped in her hate filled relationship. Right after, Hyuna walks open deserts. The frame stays full as she walks amongst the dust. The expanse is just as scary, too open to the point of loneliness.

Also on KultScene: 4Minute’s ‘Crazy’ Music Video & Song Review

They do something similar with the styling too. Gayoon’s vengeful bride aesthetic and Jiyoon’s dominatrix look are total opposites, but work to tell the same story. Gayoon’s innocence, similar to the song, creeps up on you. Something that doesn’t seem hateful at first can quickly change. Jiyoon is the chorus then, an image of controlled hate.

Overall

Over the years, 4minute have changed their style time and again to showcase everything a girl group can be. Mostly focused on a heavier sound based in hip-hop and electro, and every time they executed it perfectly. This era of trap and dubstep influenced work suits them just right once again. “Hate” is a slow burn that tortures the soul of weak men. It cracks with dubstep flourishes and bites with mean raps. No other song has fit these type of sounds so well before.

4minute

What do you think of “Hate”? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter,Instagram, and Tumblr to keep up with all of our posts.

Which Generation of K-Pop Do You Belong In? [QUIZ]

January 30, 2016/in Entertainment, MUSIC /by Shelley Foo

We are only a month into 2016, yet so far a lot has already happened: Legendary boy group H.O.T is reportedly preparing for their 20^th anniversary reunion concert, SS501 sub-unit SS301 is making a comeback for the first time in seven years with their album “ETERNAL5,” and Teen Top recently returned with their seventh mini album “Red Point.” But never mind how busy 2016 is going to be; let’s focus on the extensiveness that is H.O.T, SS501, and Teen Top mentioned all in one sentence. It’s easy to forget sometimes that K-pop is in its third generation. Within twenty years, the Korean wave has crashed down on many countries worldwide, bringing us its beautiful culture and music that is constantly in flux.

Whether you just joined the K-pop fandom yesterday or been around since its early inception, be sure to celebrate its evolution by taking our latest quiz to figure out which era of K-pop best suits you!

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[qzzr quiz=”155482″ width=”100%” height=”auto” redirect=”true” offset=”0″]

What did you think of your result? Did you pick the era that you thought you would? Let us know what other quizzes you’d like to see from KultScene! Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Which Song from BTS’s ‘The Most Beautiful Moment in Life’ Albums Are You? [QUIZ]

January 27, 2016/in Entertainment, MUSIC /by KultScene

By Sana Parvayz

BTS, aka Bangtan Sonyeondan, has risen to fame within a short span of time, especially coming from a small entertainment company. The group debuted with “No More Dream,” on June 13, 2013, and since then, they have accomplished a lot. Last year, the group came back with their fourth mini album ‘The Most Beautiful Moment in Life Pt. 2,” a follow up to part one of the series released six months prior. Divided in two, both EPs emphasize youth. Part one portrays the difficulties, insecurities, and issues faced by youngsters. Whereas part two expresses the adventures and joys of being a young adult. “The Most Beautiful Moment in Life” portrays the intensity of emotions youth feel, either happiness or sadness, and how being a young-adult is the most pleasing moment in life.

These albums proved to touch upon the inner feelings of fans and overall youth, given that their fourth mini album stayed on the top of Billboard’s World Albums Chart for straight four weeks. And with two flawless albums, Bangtan Boys definitely deserved it. The songs on these albums range from euphoria to desolation, narrating through several emotions that an average adolescent and young adult goes through. And since they’re about youth, we can all pick one we can relate to. However, we’ve taken the liberty of finding that out for you. Take the quiz to see which one of the songs from both EPs best embody you.

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5 Vocally Impressive K-Pop Girl Groups

January 25, 2016/in Entertainment, MUSIC /by Tamar Herman

In a world where K-pop girl groups can have anywhere from two members to 100, it’s a given that not every single one of them is made up of award winning vocalists. Despite this, each K-pop idol brings something to the table and has crawled their way past other trainees to get where they are today. But from amongst the crowd of the beautiful and the talented, there are those surprising vocally impressive K-pop girl groups whose combined singings skills are outstanding.

SPICA

This female quintet stands out from amongst the K-pop crowd even before they debuted in 2012. Bohyung, who nearly was part of 2NE1’s final line-up, and Bora, a vocal trainer of many K-pop stars, alone would make SPICA outstanding as a group, but Sihyun, Jiwon, and Narae’s skills are also nothing to overlook. There’s no vocal hole within the girl group, where each of these singers would be phenomenal on their own as a soloist. Put them all together and you get one of the most overlooked K-pop acts of all time. 2014’s “You Don’t Love Me” is one of SPICA’s particularly outstanding songs, that gives each of the ladies her own moment to belt her vocal colors in the best way possible while showing off her retro-inspired assets.

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Mamamoo

If SPICA is all about the bombast, Mamamoo is all about the sweet, girly vocal power. This girl group has done everything, including cross dressing to singing about having a “Girl Crush,” all while making South Korea take notice of them from amongst all of the K-pop competition. Without a major agency, getting people to notice another girl group in South Korea would be nearly impossible without these talented vocalists. While Solar is all around perceived as the best singer in the group (and one of the best female idols in K-pop overall), Hwasa, Moonbyul, and Wheein have all stood their own over the years. Each member of the girl group has featured on countless songs by other artists. And that’s without even touching Mamamoo’s own songs, like the groundbreaking “Um Oh Ah Yeh” and “Mr. Ambiguous.”

EXID

EXID is that K-pop girl group that just has it all. It took them awhile, but this quartet shot to fame overnight thanks to a viral video of their dance from “Up & Down.” And then only afterwards were they recognized for their vocal talent. We already highlighted how all of KultScene’s staff was impressed by EXID’s vocal performance in “Thrilling,” but it’s not just a one off. The girl group’s range overall is insane, with even rapper LE’s vocals being entirely unique. Solji’s vocal range is the very backbone of EXID’s latest songs, but Hani, Hyerin, and Junghwa aren’t just there to look pretty. Instead, the three add their own powerful, melodious voices to the mix. Need proof that this girl group is more than just “Up & Down?” EXID’s impromptu acoustic, drunken rendition of their latest single “Hot Pink” is out of this world.

Brown Eyed Girls

If you’ve somehow missed out on how phenomenal Brown Eyed Girls is, just take a look at this 2009 ballad rendition of their hit song “Sign” featuring. K.Will. Brown Eyed Girls originally debuted in 2006 as a faceless R&B group, and kept their faces unknown by the public, even after their song “Hold The Line” became a hit. Ten years later, Brown Eyed Girls have remade themselves numerous times, and explored numerous genres of music, but they’re still very much the five women who just own their singing.

Also on Kultscene: 10 Baby- Making K-Pop Songs

Lovelyz

While they’re still rookies, Lovelyz garnered international attention after a video featuring the eight members singing an a capella version of Michael Jackson’s “Beat It.” So far, Lovelyz’ songs have been cutesy and sweet, and have yet to grasp the attention of South Korea overall, but the member’s vocal talent just can’t be denied. 2015 brought us a lot of great female K-pop rookie acts, but Lovelyz just has that vocal talent that we have our eyes on.

Honorable Mentions

When we make lists like this, it doesn’t mean that there are no other talented K-pop girl groups. Stellar, Sunny Hill, Bestie, Wonder Girls, Ladies’ Code, and many more are also some of our favorite groups with truly talented members.

Which of these groups are your favorite? Did we miss anyone? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

10 Baby Making K-Pop Songs

January 21, 2016/in Entertainment, MUSIC /by Alexis Hodoyan-Gastelum

Undoubtedly, there is no shortage of sexy K-pop songs out there. Whether we’re talking about sultry choreography and imagery in music videos or racy lyrics that would make even Westerners blush and would be perfect to play for NC strippers while they dance. The reality is that sex is everywhere in K-pop, no matter how much you cling to your cutesy and pure groups. Because even those are pretty hebephilic, to be honest, but that’s another story…

However, no matter how little clothing a group wears, how lascivious their moves are, how lustful the lyrics are, or just how much sex the idol drips, if the song is a banger — see Stellar’s “Vibrato” or Junsu’s “Intoxication” — it will only be sensual to the sight and not really the rest of your senses. And true sensuality is something you feel everywhere. So, even if we have yet to watch a K-pop music video with the actual act (U-Kiss, I see you though!), it doesn’t mean that K-pop artists aren’t releasing songs perfect for some baby making.

So without further ado, here are 10 of the best K-pop songs to do the nasty to. Or, you know, just imagine it. Or incorporate some X rated movies from sites such as Nu Bay and more in with your K-pop steaminess.

t.o.p. top big bang my body is ready gif

via Tumblr

1. “Sexy Beat” by MBLAQ

Spitfire question time. Name one of the sexiest Korean male groups ever…… If you didn’t automatically think of MBLAQ, or are at least now considering it a good second choice, I feel sad for you. Sad that you’ve been depraved of the smoothest male groups in years. I mean, just with Lee Joon’s dancing we could write an entire smut novel — but that’s beside the point. MBLAQ does (or did, *ugly cries*) sensuous unlike others. Maybe it’s because they are older and better seasoned than most or, most likely, because they were trained by K-pop’s prince of sex himself, Rain. MBLAQ consistently put out sexy concepts and songs — Seriously, go listen to their B-sides. But if we’re to pick one of the stand out baby making songs, it is definitely the intro to their album by the same name. “Sexy Beat” has a dark and mysterious hotness to it. The pairing of the percussion and the falsettos and harmonies perfectly set the pace for a sensual experience whether with your partner or even using one of these pocket pussies while letting your imagination run wild. Too bad it’s only a little over a minute long, which only leaves us craving more.

by adinaaa04 @ Tumblr

2. “Sorry Sorry Answer” by Super Junior

While Super Junior is not a group devoid of sexy members, that is not their overall concept. Consequently, they also don’t have blatantly sexy songs but veer for upbeat (occasionally cheese) dance tracks or ballads. However, Super Junior’s sexiness comes from the suits they wear and the sophistication with which they carry themselves. So take that image, let subgroup K.R.Y. lead in vocals, add a mystery soulful vocalist (SM Entertainment producer Yoo Young Jin), and we have the group’s sultriest song to date: “Sorry Sorry Answer.” “Sorry Sorry,” the original version, with all its electro components, catapulted Super Junior to stardom, so why they stripped the song of its catchy chorus and intricate hand moves and opted for an R&B version (especially when they don’t have the vocalists to carry a song like that) is a mystery, but a blessing nevertheless. “Sorry Sorry Answer” has that let’s-have-a-drink-after-this-black-tie-party-in-my-penthouse-which-will-then-lead-to-sex feel to it. You know, classy af. Moreover, thanks to Yoo Young Jin, the song is so soulful that the listener can actually feel the intensity portrayed and the now classic takes on a new meaning.

sooyoung snsd girls generation gif sexual sexy blow job

via mrkpop

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3. “You Know (feat. Okasian)” by Jay Park

Coming from another one of the most prominent sexy K-pop male groups of our day, Jay Park stuck with the same vibe that he had while with 2PM and took it even farther with his solo career. Taking on a Chris Brown type of persona, Jay Park raps and sings on his tracks and, it seems, his favorite theme to touch on is sexuality and everything it entails. And while we could list every other of his tracks on here, we’re going with “You Know” because it’s the most genuine and doesn’t rely on ass shaking and its derivatives. Unlike, for example, “Sex Trip,” where Jay’s high pitched hook ruins the mood, “You Know” creates a suave environment and has a nice bump to it. It’s also more organic and lets the harmony and beat do the talking, whereas “Sex Trip” actually tells you what you’re in for and how you’ll be doing it.

via kpop amino

4. “Odd Eye” by SHINee

SM Entertainment generally steers clear of the overtly sexy territory when it comes to their groups and singles. However, the B-sides and solo concerts are a whole other story. In SHINee‘s case, leave it to the thirst trap (a.k.a. Jonghyun) to write the group’s most sexual song to date. “Odd Eye” is SHINee’s testament that they’re no longer the innocent dongsaengs after their cute noona. For this song, SHINee goes R&B, and — unlike Super Junior — pulls it off flawlessly with it’s own members: Onew’s falsettos, Jonghyun’s lustful howls, and Minho’s smooth talk rap. It’s incredibly smooth to the point that their vocals caress the listener’s senses delicately. “Odd Eye” also showed that the guys, all in their mid 20’s, are just like the rest of us young and sexual beings.

via Tumblr

5. “First Love” by After School

Sexy K-pop girl groups are a dime a dozen; it’s sad, but true. Groups often compete with each other to see who can go the farthest without being banned or purposely crossing “the line” and then adjusting choreography for promotions on TV. And with so many sexy girl groups, it’s difficult to be innovative. After School, however, proved they’re queens and blew everyone’s minds with their impeccable pole performance for “First Love.” Racy? Of course, but also hella powerful, for pole dancing is no easy feat but they made it look like it was in the classiest way possible. And not only did these girls perfectly spun on poles like true pros while looking hot as hell, but the song is full of sultry yearning. It comes off as an 80’s stripper song a bit, but without the cheap cheesiness. On the contrary, “First Love” is danced by the empowered stripper Victoria Wolfe, the girl putting herself through medical school who is smart enough to work with what she has while being ahead of the game. Moreover, the breathy vocals and overall R&B sound set the perfect ambiance to get hot and heavy.

via onehallyu

6. “I Love It (feat. Dok2)” by Dean

At this point in the list, let’s just acknowledge that when it comes to baby making music, it has to be R&B. And while a lot of K-pop artists explore the territory sometimes, none can replicate the soul behind an exclusive R&B singer. With that being said, last year, out of seemingly nowhere, came this singer called Dean who slayed us all with the handful of lustful singles he released. One of them was “I Love It,” a delicate and smooth slow jam about — you guessed it — sex! But, as mentioned before, just because you describe the act, it doesn’t mean it’s sensual by default. However, with “I Love It,” everything from the beat to Dean’s toasty vocals to even featured artist Dok2’s colorful verses makes the whole experience thing beautiful. If Jay Park represents unattached sex, Dean is a committed relationship with a freaky edge.

via asiantown

7. “Honey Funny Bunny” by U-Know Yunho of TVXQ

TVXQ‘s Yunho is a sex god. That’s an undisputed truth. However, we could hold a debate on which TVXQ song is the sexiest, or which performance impregnates you just by watching. But given that I have the platform, I’m just going to go ahead and declare Yunho’s solo “Honey Funny Bunny” the victor. The mid-tempo R&B ballad has that cute yet sexy edge we’ve all come to love about K-pop idols: Naughtiness veiled behind a sparkling mask of innocence. But make no mistake. Yunho’s high pitched vocals are the perfect serenade to lead us all towards a happy ending.

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8. “Paradise Lost” by Gain

In the K-pop monarchy, the sexy and sexual crown is a coveted one. However, the reigning queen is Gain, and she has her solo releases to show for. Among her many sex odes, “Paradise Lost,” like “You Know,” properly conveys the feeling of sensuality and eroticism rather than explicitly giving it to you — although Gain does indeed put it all up in your face as well. Gain pulled a Madonna in the sense that she plays with biblical themes and tropes and makes them sexual. And while controversial, we can’t deny the sensuality behind, in front, and all around it. Gain’s yearning vocals paired with the macabre organ creates an interesting, even freaky, experience that highlights pleasure above all and will surely lead you to find said paradise. And this is ideal for getting it on, some of those songs just get us in the mood and turns us into fucking machines!

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9. “I Fancy You” by Crush

Getting back to the R&B singers, you didn’t think we’d actually leave Crush out, right? As one of the most prominent and soulful figures in his genre, it’s a given that Crush has a sensual jam under his belt, and that is none other than “I Fancy You.” In order to properly make babies, a deep longing is a must and a sizeable amount of lust helps, and that’s exactly what “I Fancy You” brings to the table. Nothing like telling your partner just how attracted you are to them to get them in the mood. Moreover, Crush’s sweet yet naughty falsettos make it feel as if he’s staring right into your eyes. Yeah, apparently, that feeling can be recreated with music, and Crush achieved it.

via Tumblr

10. “Bond (feat. Beenzino)” by HA:TFELT

For her solo work, HA:TFELT encapsulated sensuality in one song, and that was “Bond.” Drawing from the film franchise that made guns and spies sexy, “Bond” further conveys the allure of liking it rough. For this track, Wonder Girls member Yeeun turns into a Bond girl, haunting over the on loop theme song with her sultry vocals full of desire for that homme fatale who’s no good. But who can resist a bad boy, amirite? “Bond” represents a mischievous and lustful affair, and oozes sex appeal. And to pull off a sensuous concept, one has to commit, and on this track, HA:TFELT is completely unapologetic for her craving. One could argue that she moans the song rather than sings it, since “Bond” sounds like what true pleasure is.

jessica snsd girls generation orgasm climax gif

via onehallyu

What’s your favorite sexual K-pop song? Share your picks and thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

[Renders: HikariKida, KseniaKang, fleursdecerisier, thisisdahlia]