The end of January was a bit sleepy in comparison to earlier in the month, but KultScene still had a lot of music to listen to. Some of of our writers fell for lovely, tender tracks and felt like we had to share Mugamak’s new single and EXO member Chen’s collaborative track with K-hip hop royalty Dynamic Duo.
”First Time in Love” by Mugamgak (Released Jan. 24)
Despite its happier sounding title, Mugamgak’s second single turned out to be even more heart-achingly beautiful than his first. He really showed that he was coming into his own as a ballad singer-songwriter with this release and his skills have obviously improved tremendously from a few months ago, with the expansion of his amazing vocal range. His voice is tender and flows nicely with his piano accompaniment to bring out the emotion of the song. I love Mugamak’s style of music so far and I hope he’ll come out with more wonderful singles soon.
Some ballads are just nice, and then there are some that are sentimentally momentous. “Nosedive,” the collaborative track by Dynamic Duo and EXO’s Chen is most certainly the latter. The simple melody is beautiful to listen to, with the pair’s raps to offset Chen’s dulcet voice. But it’s the lyrics of the song where “Nosedive” really stands out: The intro of Chen’s choral verse (When it hurts, just cry / Cry all you want, it’s okay) is filled with so much warmth, something much of K-pop is missing. “Nosedive” is known as a “healing song,” and there’s an obvious reason why.
–Tamar Which song was your favorite? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
Summer’s well underway and K-pop took a bit of a vacation over the past week. While we’ve recently received an onslaught of new releases, the middle of July lagged a tiny bit. Our writers highlighting songs by the likes of Hello Venus, Amoeba Culture artists, Stellar, and f(x) in our weekly column. Look at all those girl groups!
Take a listen and comment at the bottom of this page to let us know what song you like the most from the past week!
“Paradise” by Hello Venus (Released July 18)
To few people’s attention, the girls of Hello Venus released the song of the summer this week. Produced by team Devine Channel, “Paradise” is a tropical doo-wop track made for days on the beach. Its music is lowkey with sporadic guitar licks and bursts of brass. “Paradise” really beckons with its vocals however. There’s a great range and assurance of voice on display. New girls Yeoreum and Seoyoung open brilliantly with a cheeky rap and an enticing vocal respectively. The rest of the girls go on to show their own takes on similar styles all while adding a new hook of their own. Throughout the day I could get any part of this song stuck in my head and be more than happy. It’s a perfectly pitched summer track made for only a digital release.
“highfiVe” by Dynamic Duo, Primary, Boi B, Crush (Released July 21)
After a string of disappointing songs released this summer, Amoeba Culture artists came to the rescue. Dynamic Duo, Primary, Boi B, and Crush teamed up and put their amazing chemistry to good use to come out with “highfiVe”. It makes you want to grab a drink and dance the night away in an outdoor bar or club — and not only because it’s an ad for the Korean beer Cass. Seriously, how can you go wrong with Crush’s buttery vocals, Dynamic Duo and Boi B’s fiery verses, and Primary’s hyped up beats? It might not be anything groundbreaking, but it’s a fun track. And given the spot for summer anthem has yet to be grabbed, I’ll take it.
“All Mine” by f(x) (Released July 22)
f(x) is back! Well, kind of. This past week, f(x) unleashed this single as the next installment of SM Entertainment’s weekly STATION project. The EDM banger is produced by LDN NOISE, some of K-pop’s more well-known EDM producers. With a memorable melody, the song is matched with an equally cute music video, which shows the four members singing along to the song at various parts of an SMTOWN concert venue. And while they aren’t promoting it on music shows, the song is actually doing amazingly well on the charts (unlike most other SM STATION releases this year). It’s nice to see f(x) together releasing a song, especially considering that the group has been under a lot of speculation in regards to disbandment. Whether the members renew their contracts or not (and it’s likely that they will), it’s great to have this song to get us through the remainder of the summer.
”Crying” by Stellar (Released July 18)
While I’ll let Joe and Kushal be called our resident girl group experts, I was intrigued by Stellar’s latest release for the sole reason that it was giving me major 2010 K-pop feels. While an extremely different song, producer Brave Brothers utilized similar synth chords and autotuning on both “Crying” and NS Yoon-G’s “Just Dance” of that year. Since I’m obsessed with NS Yoon-G and think she’s been robbed of her career, I played “Crying” and “Just Dance” alongside one another for about a half hour before I realized it was the mellow dance pop sound of both songs that really drew me in as a listener. This is clearly a 2016 take on what Brave Brothers has done best for much of his career, but I felt like it wasn’t a far enough step to give Stellar the leap they need to propel themselves to the height of popularity. Sweet and soft is fine, but please bring back Stellar’s biting unique sound and style for their next release!
Share your picks and thoughts in the comment section below and be sure to subscribe to the site and follow us onFacebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
https://secureservercdn.net/184.108.40.206/fmb.8e9.myftpupload.com/wp-content/uploads/2016/07/Untitled-design.jpg?time=16633810037681024KultScenehttps://secureservercdn.net/220.127.116.11/fmb.8e9.myftpupload.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngKultScene2016-07-24 20:42:022016-07-25 22:43:56Weekly K-Pop Faves: July 18-24
It hasn’t even been a year yet but it’s already that time when all things Hallyu are celebrated in one convenient location here in the States. After its first installment last August, KCON returned back again to the East Coast, bringing its M! Countdown concerts to the famous Prudential Center in the NY’s metropolitan area. This time, not only did the convention grow from being a one day event to a two day event, spanning from June 24 to June 25, but KCON 2016 also saw a lot of new faces and talents. KCON 2015 NY felt like a pilot episode in comparison.
On Day 1 of KCON 2016 NY alone, popular rookie group Seventeen met senior boy group BTOB at both their first KCON experience. Soloist Ailee drew both female and male Korean pop fans in throngs, while Amoeba Culture’s Crush and Dynamic Duo made their second KCON appearance andwelcomed Korean hip-hop philes to the 18,000+ seat venue. The roster this year was a significant upgrade from last year, which haphazardly seemed to throw together a bunch of repeated acts from previous cons. What’s more, the lineup for KCON 2016 offered more diversity, reflecting the careful planning that went into maximizing concert turnout (as of now, the attendance is still TBA).
But the music is just one aspect of Hallyu, with K-Drama as another. A new addition to KCON 2016 NY was the special guests, which included idol actor Yim Siwan (“Triangle,” “Misaeng”) and actress Park Bo Young (“A Werewolf Boy,” “Oh My Ghostess”). Together, the two stopped by the South Korean entertainment network tvN booth during the convention and acted as special MC’s for a segment of the night, giving the regular hosts a break.
Courtesy of CJ E&M
As per usual, the MC’s were selected from the pool of performers. Ailee, a native English speaker slated to perform during the first night, was an obvious pick. As the she ascended from the stage lift, however, the fans cheered doubly for not only her but also for co-host, Rap Monster from BTS, who made an early appearance ahead of his scheduled Day 2 performance (in hindsight, the two also served as MC’s for KCON Abu Dhabi back in March so perhaps it was my bad for not seeing it coming). While introducing the event in both Korean and English, the bilingual duo quickly became half the attraction with their charming chemistry. And with their rallying cry “Let’s KCON! Let’s M! Countdown,” the other half was shortly set in motion as well
Rookie King Seventeen Makes Their KCON Debut
Emerging out of 2015 as one of the hottest rookie groups, Seventeen didn’t fail to deliver a remarkable performance. Under the dim lights, a VCR of the members dancing to the intro song “Shining Diamond” segued into the real deal. A chorus of screams at the appearance of 12 (rapper Wonwoo is sitting out of promotional activities at the moment due to health problems) half clothed in black, the other in white, indicated that the show was finally underway. They wasted no time as they dove right into their latest hit “Pretty U,” blithely working a couch into their choreography in front of a color pop of city streets backdrop. They really set the standard for the following track, the EDM-trap mix “Chuck,” which varied stylistically from the musical-esque number from before, but still sustained the same austerity of in-sync choreography.
To finish off their half-hour set, the boys threw it back to the classics that shot them to where they are now (though would it be much of a throwback if it was only to last year?). Starting with “Mansae,” the audience transformed into a sea of arms swaying to the beat of the “mansae,” the point choreo that the members took time out to teach beforehand. It’s always a welcome sight to see the union of fans and artist, even if it’s just in such a simple gesture as waving an arm. Even in “Adore U,” which marked the end of their set, there’s that familiar point dance – a literal point dance – during the hook that’s easy enough for even the average caveman to follow. When they are on stage, Seventeen just exuberates overflowing youth and spryness. The only drawback to this, however, is because they are still maturing as a group, they are still stuck playing by the books, which means they couldn’t make full use of the stage that was given to them. A forgiving qualm, though, for the group with the insane vocals and an entertaining live show to boot.
Crush Gives New Meaning to One Man Show
Being a soloist on a stage of such a grand scale is always going to be nerve wracking. Projection becomes all the more important, and hyping the audience up requires extra effort. Fortunately for Crush, he’s got that covered, and all in just a-less-than-usual three songs too. No introductions were needed here for the R&B singer who went straight into his 2014 slow jam “Sometimes” as soon as the music cued him to the stage. From start to finish, he single-handedly turned the M! Countdown concert into a lounge party, belting out a string of long notes and ad libs to a round of cheers in the process. Besides his interesting Canadian Tuxedo x French beret collaboration that he donned – which must be a fashion faux pas in at least ten different cultures – the guy really did no wrong.
Courtesy of CJ E&M
“Sometimes” was only warm-up for what’s to come. The palm leaves that decorated the LCD displays behind him were very appropriate for the summer vibe-y single “Oasis.” Crush even revealed his knack for rap when covering for an absent Zico in his “It G-Ma”-styled verse, during which he doused crowds with bottled water while jumping around on the extended stage. By this time, the crowd was already so amped up that his request for the audience to put their hands up seemed superfluous. This revelry continued well into “Hug Me,” which featured help this time from Dynamic Duo’s Gaeko, and even more of a water show. Things were only now just getting heated.
Queen Ailee Makes Her Return Home
Ailee’s just one of those artists where even if you are not a fan, you are a fan. Her vocal prowess cannot be denied, and she was able to demonstrate it once again during an incident that happened while she was performing her routine to “Mind Your Own Business.” About halfway through the song, a technical malfunction caused the backing track to stop, leaving a visibly rattled Ailee to finish her verse acapella. Audiences applauded her diplomacy, even when she stepped backstage to resolve the issue (one concert go-er in my section made the snide remark that someone was getting fired that night) and when she came back for her second take.
Courtesy of CJ E&M
“This has never happened to me before,” the New Jersey native says before making light of the situation and viewing the glitch as a welcome home gift. One thing remains certain, and it’s that we can at least count on Ailee to provide fans with honest stages, which is something that cannot be said about all idols in the K-pop industry.
After going through both break-up power anthems “Don’t Touch Me” and “I Will Show You,” the diva also disclosed how nervous she was to perform that night (“I’ve never been nervous before, not even my debut performance, not even my first solo concert”) in front of all her friends and family for the first time, all the while holding back tears. The sincerity of her words compounded by the overall pathos of her homecoming were probably what compelled audiences to stand for her closing song “U & I.” Fans could not even be pressed that she did not perform “Q&A” with Seventeen like some thought she would. Cute as it may have been, this was all about her.
BTOB Did That!
Ever since their first music show win with “It’s Okay,” BTOB has swapped out their charismatic boy band image for something more softcore, which has still been working out in their favor. Presented by an enchanted forest visual display and a LCD light show that signaled the coming in of the members clad in rose quartz suits, they opened with the ballad “Remember That,” riding on the same success the aforementioned “It’s Okay” amassed for them. Rappers Minhyuk and Ilhoon still served with their subdued raps, while the vocalists never once faltered in their department.
Courtesy of CJ E&M
The group also filled their slots with their lesser known singles, such as “All Wolves Except Me” and “Beep Beep,” the former a jazzy swing track bursting with all kinds of brassy sounds and the latter a similar funky saxophone-centric piece that seem more in line with their personalities. The youngest member Sungjae even worked in some aegyo (a cute display of affection), sneaking a quick “bbyu” before the lights lowered, causing fans to giggle.
Personally, the main highlight of their stage wasn’t even their live performances off of their own discography, but their impromptu rendition of One Direction’s “History.” As if he was not already savvy in the art of rap, main rapper Ilhoon wowed the audience with his overwhelming high notes. Sometimes it is actually stressful how underrated this group is, but hopefully KCON bringing them out for the first time will lead to future invites and more recognition.
If You Didn’t Stan Seventeen Already…
…Then you probably did after seeing their special stage. Part of the appeal of KCON’s “M! Countdown” concerts are their exclusive performances in which the acts cover the hits of others or collaborate together to produce something greater than the sum of their parts. This year, in a phenomenal medley Seventeen returned back to the stage with a cover of After School’s “Bang,” the bop that made being in a marching band cool again. They even looked the part in their ornamental navy military jackets topped with epaulettes, cheering “S-V-T” with Pledis pride. This transitioned smoothly into a modern, more synth-y (if that’s even possible) version of Super Junior’s “Sorry Sorry.” It may not be the first time the group has shown us their spin on the iconic dance (check out their “Weekly Idol” appearances), but it’s exciting nevertheless seeing it done on American soil. To wrap it all up, Seventeen paid homage to the reigning kings of K-pop TXVQ with their bubbly render of the 2006 song “Balloons,” which is, like, oh my god, the last time they did this was when they were still trainees shooting for their mini series “Seventeen TV.” Not tied down by any choreography, the twelve were finally able to make full use of the extended stage, merrily greeting their U.S. fans for the first time.
Debuting in 2003, Dynamic Duo made the most sense as headliners. But more than just seniority, they also possess the attitudes and the finesse of a headliner. Before they even stepped foot on stage, their digital selves were already initiating a call and response tactic, asking “Who Are We?” followed by concert attendees hollering out their names. When they did make their noble entrance, they came in full-force from the get-go with “BAAAM,” employing more call and response approaches. Jiving freely to the upbeat tempo that the DJ on stage was mixing, they had genuine fun on stage and the audiences reciprocated that.
Courtesy of CJ E&M
By the time they were performing the EDM infused hip-hop jam “Shoot – Goal In” the crowd were already on their feet, dancing in place. Again, who knows how many folks actually knew the song, never mind the lyrics, but the manner in which members Choiza and Gaeko were able to hype each other up (e.g. – rapping to each other as opposed to with each other, echoing each other’s words, etc.) was entertaining to watch and exhibited real artistry.
The rest were an honest blur. The duo picked up enough momentum and was not about to break it as they went straight into Gaeko’s own percussion based “Rhythm is Life.” When the time came to conclude the night already, they were bouncing around to their dance party anthem “Friday Night,” which could it be any more fitting? In the midst of the smoke and light sticks, the place was a full fledge rave, and everyone was high.
And with the customary shower of confetti, Day 1 of KCON 16 NY was over. A vast improvement from last year’s KCON NY, it really set the bar high for future ones. One day of KCON NY fun still remains, however, who knows what will happen then?
Did you attend KCON 16 NY? What’s your favorite KCON artist? Let us know in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
If you’re ready for something Dynamic, this Duo is what you’ve been waiting for. Puns aside, the iconic Korean hip hop act Dynamic Duo is making its way stateside this March. Beginning with a show in New York City on March 11, Choiza and Gaeko are heading to Chicago on March 13, Atlanta on March 16, and completing the series in Los Angeles on March 19.
The two have been together for more than a decade and are at the forefront of Korean as the founders of the hip hop label Amoeba Culture. With so much experience, there’s a large repertoire of songs that Dynamic Duo will perform during the tour and there’s so little time to listen to it all. Our list features a few songs that will familiarize even the most casual fan of K-hip hop with the pair’s sound.
Dynamic Duo’s “Jam” (“Honey Jam” in Korean) is the group’s latest popular single and was released last November. The innuendo-filled song and music video fit right in with the current groovy trend invading Korea’s hip hop scene. The pounding, sexy “Jam” is all about being together and getting it on like bees do. “Honey jam, tonight’s super fun,” the pair sings as they compare themselves to hard working bees trying to get honey from the ladies. With a cameo from Honey Lee and a parody of BIGBANG, the music video is a lot of fun and different from many other videos Dynamic Duo released last year.
2. “Ring My Bell”
The song, featuring vocalist Naeul, was released in 2004 and is a remake of Anita Ward’s “Ring My Bell” from the ‘70’s. The Dynamic Duo song a more old-school hip hop style than some of Dynamic Duo’s more recent, R&B focused songs. They definitely have a fond spot in their hearts for their debut song, and they’ve performed it over the years so even though “Ring My Bell” has a bit of a dated style, the song is a surefire banger that will get everyone moving.
Dynamic Duo was caught by the exciting woman that makes them exclaim “BAAAM” back in 2013, but we’re still singing this funky song a few years later. The beat-heavy song pulls out all of the guns with a variety of different genres explored throughout the track. The pair raps about the heartfelt feelings of a man who admires and loves a woman who is driving him crazy with her carefree lifestyle in this smooth, synth heavy song. With a variety of beats and vocal styles, including a really cool vocoder performance from UV’s Muzie, “BAAAM” was ahead of its time and seems more like a song that came out last month than one that came out three years ago.
4. “J.O.T.S” feat. nafla
While “Jam” was the more popular single from “The Grand Carnival,” but the pair also released the dramatic single “J.O.T.S” last November. “J.O.T.S” stands for “jump over the slump” and, fittingly, the song is all about hardships. The lyrics are raw as Choiza and Gaeko rap about their personal struggles; Gaeko raps about difficulties he’s faced as a musician, comparing writing lyrics to solving difficult math equations as Choiza raps about struggling to live while finding happiness. nafla joins the pair in the aggressive, take no shit chorus of the song that declares “my future’s so bright.” The music video is a gritty, old-school style video that is a must see for any Dynamic Duo fan.
“Dodoripyo” doesn’t appear on the setlist that MyMusicTaste shared from the upcoming tour, but it’s still a personal favorite so a must for this list. The title, which means “repeat sign” in English, demands to be listened to in a car on a night when you have a lot to think about. While the album is called “The Grand Carnival,” songs like “J.O.T.S” and “Dodoripyo” suggests that there are some dark clouds surrounding the fun times. The stripped down rap and laid-back instrumentals make it easy to imagine that the Duo earnestly put pen to paper and wrote the song in a matter of minutes while talking casually about their everyday headaches. Gaeko raps about the struggles of managing Amoeba Culture and the need for money to pay bills, alluding to his marriage and child, while Choiza mourns to go back to the past when life was easier and less hectic. The chorus is all about the desperate, repetitive life that they find themselves living in. It’s dark, but “Dodoripyo” is Dynamic Duo at their most earnest and a song that everyone can relate to.
Want to attend? Tickets for the the Los Angeles show at Nokia Theater and the New York show at Playstation Theater are already being sold through AXS, while tickets for the Chicago show at Vic’s Theater can be bought through ETIX. Fans who want to see Dynamic Duo at Atlanta’s Loft theater can buy their tickets through Ticket Alternative.
What Dynamic Duo song do you want to see performed live? Share your favorite Dynamic Duo in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
https://secureservercdn.net/18.104.22.168/fmb.8e9.myftpupload.com/wp-content/uploads/2016/03/Dynamic-Duo-e1456984154279.jpg?time=16633810037801100Tamar Hermanhttps://secureservercdn.net/22.214.171.124/fmb.8e9.myftpupload.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngTamar Herman2016-03-03 04:24:222016-03-03 14:16:595 Songs to Prep You for Dynamic Duo’s ‘The Grand Carnival 2016’ U.S. Tour
It’s been just over two years since Dynamic Duo‘s last solo offering and they are back with a brand new song and music video, entitled “Jam,” released on November 16th. Amoeba Culture’s Gaeko and Choiza, two of the coolest rappers on the Korean hip-hop scene, have dispensed completely with their sharply dressed and mean and moody image for the video and the results are nothing short of hilarious.
“Jam” is a smooth and sophisticated blend of strings, synthesiser, and funky bass, mixed with understated rapping and a surprising amount of vocal harmonies from the guys. A soulful guitar solo, which wouldn’t be out of place in an Isley Brothers composition, features towards the end of the song, as well as some clever puns based on the names of Big Bang members. Sung in Korean, the English translation of two such examples are as follows: “We’re feeling like we’re on top,” and “my heart breathes fire like a dragon dragon.” “Jam” is such an addictive song, I challenge anyone to listen to it just once.
The video opens with a father (Choiza) and son (Gaeko) sitting at a breakfast table, with the latter asking questions about the honey he is spreading on his slice of bread. Intrigued by his father’s response, a conversation ensues which is clearly a euphemism for the “birds and the bees.” As the song begins it cuts short an explanation of how bees make honey and zooms into Choiza’s face on a jar of the spread. We then see an adult Gaeko, resplendent in absurd bee costume, working on a “Honey Jam” production line while daydreaming about cavorting with the girl of his dreams.
The company boss, also a bee and played by Choiza, reprimands him for slacking off and the dejected Gaeko consoles himself with a trip to a nightclub after work. There he finds and flirts with his dream girl (the aptly named Honey Lee), only for her to be stolen away by the ostentatiously wealthy Choiza. During this scene a well observed and affectionate parody of Big Bang’s “Bae Bae” takes place, featuring Gaeko, Choiza, and Crush as the members. The video returns to the setting of the first scene, with the father telling the son to stop fooling around with his food and finish eating it. The boy then cheekily says: “YOU eat it.”
The video features highly saturated colours, giving it a bold, bright, and cartoonish quality which is Disney-esque in places. The insect costumes are similarly garish, but it is still possible to tell the social standing of each wearer by the individual styling touches. Choiza, for example, is seen as a bee wearing various items of clothing usually associated with the wealthy, such as a bow tie, a tuxedo and a brocade smoking jacket. Gaeko’s bee outfit is utilitarian by comparison, but he attempts a cooler image by donning a pair of red and white rimmed shades to go clubbing in. The Big Bang lookalikes are also presented as bees, but instantly recognisable by their trademark hair and clothing!
This is Dynamic Duo like we’ve never seen them before and full marks to the guys for giving us the most inventive video of the year so far. Gaeko, Choiza, and their assorted pals clearly had a ball making “Jam,” but not half as much as I had watching it! The music video will stand up to endless repeat viewings, so miss it at your peril.
Dynamic Duo "Jam" Music Video
How did you like “Jam?” Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
https://secureservercdn.net/126.96.36.199/fmb.8e9.myftpupload.com/wp-content/uploads/2015/11/Untitled-design-6.png?time=16633810037681024Eve Backhousehttps://secureservercdn.net/188.8.131.52/fmb.8e9.myftpupload.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngEve Backhouse2015-11-19 17:20:562015-11-22 15:16:01Dynamic Duo’s ‘Jam’ Music Video & Song Review
During the last week of February and the first week of March, Amoeba Culture released the choreographed versions to some of their artists’ hit songs. Dynamic Duo’s AEAO and Crush’s Whatever You Do were the two songs chosen. Both videos use the original recording of the song but with choreography performed by professional dancers. Both videos add a new element to the songs and show the appreciation for the art of dance.
Dynamic Duo released their digital single A Giant Step with DJ Premier in 2014 with the singles Animal and AEAO. Both tracks produced their own music videos, but it wasn’t until February 2015 that Dynamic Duo released a new music video that featured freestyle dance by Monster Woo Fam (Bucky, Youngster, Monster Woo, and Boram) and J-Black.
This music video is a beautiful way to showcase the expressive art of freestyle dance. The backlighting and minimal flashing lights help provide a bit of anonymity for the dancers so only their moves are the main attraction. For a song like AEAO, you don’t necessarily have to use facial expressions to help convey emotions. Instead, the mid-tempo beat, scratching, and contrast between the pace of the music and of the rapping create a freestyle landscape full of possibilities for the dancers.
All of these dancers express how the song makes them feel through their powerful and sometimes elegant movements. It adds an extra element to the song and music and creates a story of its own that could be interpreted differently by every person who watches it. For instance the rough, abrupt, and aggressive moves may show anger, frustration or even dominance. Whereas the more elegant, fluid, and subtle motions show confidence while not flaunting all one has.
Whatever You Do
One of the songs off of Crush’s first full-length album, Crush On You, features Gray, and now has a dance-focused music video. The song is choreographed by Bucky, a member of the Monster Woo Fam. Bucky starts the song off solo in a barren warehouse parking lot. He is then joined by Trix as the two completely crush the synchronized moves throughout the first part of the song.
Unlike the first part of the song where Bucky begins solo, Monika takes the solo reigns for the second part of the dance inside one of the warehouse buildings. She is then joined by fellow dancer Youngster. Like Bucky and Trix, Monika and Youngster are always in sync. Bucky and Trix appear again, inside the warehouse, and soon join Monika and Youngster (after their second duet) as the four dance together through the end of the song.
Their movements and interactions with each other create a storyline that is compatible with the lyrics of the song. Their light movements correlate to the strings in the song and the happy, warm vibe they give throughout the song. The use of a male-female partnership for Whatever You Do emphasizes Crush’s lyrics about pulling the girl into his arms, and being next to each other. The lyrics that are clearly portrayed throughout the choreography is
Whatever you do Whatever you feel Whatever you see Just stay like that Whatever you do Whatever you feel Whatever you see Just stay by my side
The partners are always by each other’s sides (aside from the brief solos). They move with each other, breathe with each other, and feel with each other. They relay Crush’s words into movement.
It’s nice to have these types of videos for a few reasons. One, it allows the choreography and dancers to have the spotlight as opposed to being in the background. Dance is a beautiful art form and where some idols do dance their choreographed dances very well, there’s always that extra something special when the choreographer and trained dancers perform it.
These videos shed light on the masterminds behind the scenes and help express a different art form other than singing and rapping. The dancing and choreography videos help connect listeners and audiences in different ways than if only the music video was available. Focusing on only the dancing performed by the choreographer allows them to put their story to the song and express it for fans.
Dynamic Duo and Crush, along with Zion.T, will perform in NYC and Atlanta at the end of March as part of the Amoeba Culture Tour 2015 hosted by Music Enkor. Our previous article has more details.
Do you like the idea of these types of music videos where the choreographer and professional dancers are the only ones dancing? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.
https://secureservercdn.net/184.108.40.206/fmb.8e9.myftpupload.com/wp-content/uploads/2015/03/Amoeba-Culture.png?time=16633810037681024Tarahttps://secureservercdn.net/220.127.116.11/fmb.8e9.myftpupload.com/wp-content/uploads/2018/02/KULTSCENE-LOGO-2018-TRANSPARENT-RED.pngTara2015-03-06 17:10:362015-03-12 01:59:52Amoeba Culture’s Ode to Dancers [Updated]