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Weekly K-pop faves: November 14-20

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Each week, KultScene’s writers highlight a few recently released songs from Korea that we’re big fans of. The middle of November has surprised us a bit and we picked some music featuring acts like KNK, Super Junior, Buzz, and upcoming girl group LOOΠΔ.

“U” by KNK (Released Nov. 18)

I’m about to make a bold statement, but it’s one I’ll stand by until the end: KNK is the only worthwhile 2016 male debut group. With their newest release, “U,” the quintet further establish what’s been clear from the get go: they’re really not doing anything new in K-pop, but what they do, they do it well. Angsty and powerful performances, tight choreographies, and killer visuals; what’s not to like? We all joined the K-pop fandom for some variety of these reasons. “U” is a dance track reminiscent of, like everything else they do (no shade!), TVXQ. It’s a solid piece, and like KNK, it’s not breaking any molds or offering anything new, but it’s good nonetheless.

— Alexis


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”Sweet Dreams” by Kim Heechul & Min Kyung Hoon (Released Nov. 19)

Super Junior is known for their dance hits and main vocals, but I’m probably one of the few people in this world who think that most K-pop fans out there are sleeping on how good Kim Heechul is as a vocalist. Over the years, he’s released several collaborative tracks with popular rock vocalists and “Sweet Dreams” with Buzz’s Min Kyung Hoon is another solid rock ballad that emphasizes just how good Kim Heechul is as a vocalist. Plus it’s a really emotionally-wrought rock ballad that deserve multiple listens. The music video, featuring the pair, Twice’s Momo, and the cast of Knowing Brothers is comical and heartbreaking, and the perfect vehicle for this song. The video also was preceded by a teaser image that spurred many rumors of SM Entertainment featuring a same sex couple in the video, so watch closely for the quiet love triangle.

— Tamar

”I’ll Be There” by Hyunjin & Heejin of LOOΠΔ (released Nov. 16)

Exciting new girl group LOOΠΔ continues to tease their debut. While a group with 12 members, only two have so far been revealed and they already have three songs and music videos out. Their latest track “I’ll Be There,” a duet between the two known members Hyunjin and Heejin adds another element to what they have shown already. It’s a synth-infused disco bop that showcases a more fun, energetic side to them. No info is out yet but it also sounds like it continues their collaboration with producers Monotree. Whether Digipedi did the video or not is harder to tell. Given these three releases I am getting seriously hyped for LOOΠΔ despite the time it seems to be taking to debut them all.

— Joe


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Have you listened to these? Which song of the past few days did you like? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Intro to KNK

KNK

Five was once the magic number of K-pop boy bands, but it’s been quite some time since quintets were a thing in K-pop. Bigbang, B1A4, FTISLAND, and, after the departure Hyunseung, BEAST are some of the few popular active acts to have only five members nowadays. And now we have KNK, a new boy band from YNB Entertainment that is garnering a lot of attention.

KNK, or “Keunakeun” the word for great or might in Korean, come from a relatively small agency with a lot of exceptional talent. (If you haven’t heard Noel, Almeng, or Bestie, go listen to some of their songs right now.) After debuting in February as the first male idol group under YNB, KNK caught the attention of several KultScene staff members with their debut single “Knock,” which features a deceivingly ballad-like intro before quickly morphing into an aggressive, pounding dance-track. The b-side track of their first single album, “Angel Heart,” in contrast, is a ballad that has a J-pop soft vibe. Multifaceted musically and able to captivate with their dances, KNK is a must watch rookie of 2016.


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But maybe more so than their own songs, KNK caught my eye when I heard their version of TVXQ’s “Love in the Ice.” (The below video is their performance from their debut showcase. KNK has performed the song on multiple occasions.)

To understand why this was so exciting to discover that a rookie boy band could hold their own while performing “Love in the Ice” live, it must be understood that the song is legendary. KNK performing it, and managing to do it justice, shows that not only are these five rookies extremely skilled they’re also determined.

There’s no sticking to simple when it comes to KNK; they could have picked a much less strenuous song to perform at their debut showcase but instead they performed a song that every audience member, perhaps every person in South Korea, would recognize and would know if they missed up. That takes guts for rookies, but KNK managed to pull it off. Primary vocalists Yujin and Inseong carry the majority of the song, but that in itself is impressive considering the song was meant for five of K-pop’s most iconic vocalists.

KNK has also gained quite a following thanks to their frequent videos uploaded to YouTube or Naver’s V App. They’re about to release their first EP “Awake,” so here’s a perfect time to get introduced to KNK.


 

Jihun

Kim Jihun’s only 21 years old and the second youngest of the group, but he’s actually the leader of KNK. He’s the group’s main dancer and, like everyone but Heejun, Jihun performed as a backup dancer for Bestie prior to debuting. Before going to YNB Entertainment, Jihun was a trainee under Nega Network. (And he’s kind of a dork.)


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Youjin

KNK’s lead vocalist and oldest member (he’s 23), Kim Youjin has some of the most powerful vocals around. Before joining his current agency, Youjin trained with B.A.P’s members at TS Entertainment.

Seungjun

The group’s rapper and visual (that means they think he’s the best looking but the below video argues that), Park Seungjun trained with BTS and Got7 before moving to YNB. The tallest of the group, Seungjun was also voted the least stylish of the group and has a goofy side.

Inseong

The middle member when it comes to age, Jeong Inseong is one of the group’s main vocalists. He formerly trained at Big Hit Entertainment with the trainees who would end up being BTS and also trained at FNC Entertainment.

Heejun

The youngest member, or maknae, Oh Heejun was formerly an FNC Entertainment trainee who appeared on the company’s reality show “Cheongdam-dong 111” with Inseong. He was featured as a vocalist and guitarist in FNC’s Kokoma Band but now is one of KNK’s rappers.

What do you think of KNK? Are you excited to see where they take their career? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Weekly K-pop Faves: March 1(3)-March 19

KultScene-Sunday

After nearly two years of our KultScene Playlist Sunday, our staff put their heads together and decided it’s time for something now. So this week we are debuting KultScene’s brand new Weekly K-Pop Faves column. Don’t mind us though, because we’re cheating just a tiny bit this week, since we haven’t covered many of the March releases. So, without further adieu, please enjoy our inaugural edition of KultScene’s Weekly K-Pop Faves.

1. Ian Jo’s “The Little Prince Of The Rose” (released March 8)

The release of this ballad is a special one because it does not just mark a singer’s debut, it is also a discovery of a beautiful gem, at least for this K-pop industry. Ian Jo, a new singer-songwriter from a relatively obscure company, Madeleine Music, charmed with his voice, which was certainly not the typical ballad sound. Rather than using techniques like vibrato or showing off his high notes, Ian Jo’s voice was simple and even stark at some points, but it still carried the right amount of emotion and strength. The song is masterfully crafted and the various instruments blended well together to complement the overall feel of the song. It’s a pity that this singer and his company are not more well-recognized; it’s shocking that a song of this quality has only 251 views on Youtube. I’m certainly looking forward to the day that Ian Jo becomes an accomplished musician but until then, “The Little Prince Of The Rose” will sustain me.

— Anna


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2. Hyomin’s “Sketch” (released March 16)

“Because I’ll be awakened by the tip of your brush.”

Before Secret’s Hyosung comes back, Hyomin of T-ara has staked a claim for the sexiest girl group solo release of the year. That being said, I don’t think it matters what else comes out because everything about “Sketch” is sexy. The silky smooth R&B that bobs up and down with incredible ease and Hyomin’s high pitched vocals are almost dripping with sensual sweat. Piano twinkles in and out to offer a sweeter touch. The dance break is a bit too heavy around the rest of the song; I can see what they trying to do but it doesn’t really work, especially when the choreography that came before consisted of slow, simple but beautiful movements. It touches on the verge of overly explicit but is reigned in just right.

— Joe

3. KNK’s “Knock” (released March 2)

If there’s a song and group debut that took a few of the KultScene writers by storm is KNK with “Knock.” Seemingly out of nowhere, the guy group debuted with a hard-hitting mid-tempo angsty ballad about not wanting to renounce the girl they like then turns into a sort of intro at the chorus. Inconsistent? Maybe, but it’s simplistic instrumentals emphasizing the percussion at the chorus and the variety of vocals tie it together to be one of the best debut song by a rookie this year. And of course, the fact that they all seem like fashion models just adds fuel to the “omg i can’t stan another group” fire. This writer only hopes KNK survives long enough to give us more stunning releases.

— Alexis


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4. Red Velvet’s “One Of these Nights” (Released March 19)

Red Velvet’s done a complete 360 from the upbeat dance concepts of “Ice Cream Cake” and “Dumb Dumb” that made them big last year and come back with their velvety side on “One Of These Nights.” The song is a building mid tempo tune that incorporates a variety of orchestral elements and a tapping bass to transform into a melodic, sultry ballad that highlights Red Velvet’s vocals. The song is a bit funky, in that it’s too all over the place with its ambient sound and transitions to be a true ballad but not upbeat enough to be any sort of dance track. “One Of These Nights” caught many Red Velvet fans off guard after the group’s brighter sounds and even their sexier concepts (“Automatic,” “Be Natural”) but that’s definitely not a bad thing. Red Velvet’s wowed on “One Of These Nights” in a way that was perhaps necessary for their longevity. Previously, Red Velvet’s songs were particularly gimmicky (and this one is too, to some degree thanks to hidden meaning related to the Korean title and a traditional folktale,) but “One Of These Nights” first and foremost puts Red Velvet’s belting and melodies ahead of the ear catching beats that their other songs have thrived on. “One Of These Nights” shows Red Velvet’s cohesiveness as singers as well as a, somewhat necessary, reminder that Red Velvet has come a long way since the juvenile sound of their debut song, 2014’s “Happiness.”

—Tamar

What was your favorite song from this month so far? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter,Instagram, and Tumblrto keep up with all of our posts.