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50 best K-pop songs of 2017: 50-26

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While the year may be closing in a very sad and unfortunate manner with the passing of a K-pop icon, artists consistently delivered memorable songs throughout 2017. This year saw a lot of great moments from some of Korea’s most popular new acts, while newer acts also proved their worth with addicting, sleekly-produced music. Trop was the king of this year’s K-pop trends, but far from the only genre of music that saw its moment in the limelight.

Check out the first half of KultScene’s 2017 best K-pop songs list below:

50. “Circle’s Dream” by Subin

Subin is trapped in an endlessly repeating contradictory cycle in her self-written and composed single “Circle’s Dream.” She is told that she is round and that’s good, but then that it’s not. She wants to be angular, to pierce her lover, to make him feel like how he made her feel. Yet she is also trapping herself within a recurring musical structure, as an acoustic guitar plucks an incisive riff throughout the song. It is the only angular part of Subin’s song yet has no variation. Her stark synths come in late but their slow rhythm only accentuates the repetitiveness. Each element is perfectly realised to tell her story. Her voice completes it. Its soft and sweet but particular pronunciations like denggeureureu are key. This word alone combines both the round and angular sides to her. It has repetitions but in order to say it properly she still has to roll her tongue. Subin has enwrapped her whole song with the confusing ideas in her head. No solo idol has ever produced something of such pointed precision.

—Joe

49. “Wee Woo” by Pristin

If “Wee Woo” had been released at the 2012-ish heyday of Hallyu, Pristin’s debut song would be considered legendary right now. It’s barrage of shifting sounds and onomatopoeic vocals are absolutely classic. The Pledis Entertainment regular songwriter Bumzu brings a bright and breezy feel to the whole production with disco electric guitars taking the brunt of the work. This allows the girls room to deliver the most hooks in a single song EVER. Each part is so complete on its own you could take them individually and create five more songs around them. The fact that they all come together for something that doesn’t feel so monumental is the greatness of “Wee Woo.” It’s arrogant in its effortlessness all the way down to making the primary hook out of the most simple term of jowahae nol jowahae (“I like (you) I like you”).

—Joe

48. “Beautiful” by Monsta X

Monsta X’s cultivated sound and signature unruly charms finally comes together for the consummate “Beautiful.” Perhaps because it is supposed to be representative of the group’s first studio album, the single feels particularly significant. For one, there’s really nothing quite like the opening out there. Scattered with a prominent distorted electronic beat that is quickly followed up by Jooheon’s explosive raps, the real hook is not in the chorus but here in the introduction, where the task for the listeners to not mimic the unique noises or the clever near-rhymes is near impossible. The vocalists dwindle down the excitement sometimes without sounding monotonous, almost acting like the Apollonian restraint to the Dionysian madness. The constant shower of peculiar oscillations, whirs, and horns all make up the perfectly organized chaos that Monsta X is known for, and though “Beautiful” did not grant the boys their first music show win like it should have, it will always remain a tour de force in our hearts.

—Shelley

47. “Where You At” by NU’EST W

With their revival in popularity following some of the members’ appearance in Produce 101 Season Two, this subunit of Nu’est (missing member Minhyun who debuted in Wanna One) released this flashy track which stayed true to their unique music style. Bursts of electronic instrumentals are mixed with a calm piano backing track and adds a lot of contrasts to the song. It also highlights the strengths of each member, with Baekho’s explosive high notes complementing Ren and Aron’s softer and sweeter voices. JR’s rapping is as stable as ever, and he definitely shines more back in his own group. It’s wonderful to see this talented group get more recognition for their talents, and I can’t wait to see the full group back together again soon.

—Anna

46. “You Were Beautiful” by DAY6

The February release of the band’s “Every DAY6 Project” can be said to be their most successful, especially domestically, and it’s not difficult to see why. The raw emotions brought out by the members coupled with the sincere lyrics create a sentimental rock ballad which truly tugs on the heartstrings of listeners. The end of the bridge in particular, where Young K and Wonpil’s voices are layered, is such a beautiful and emotional climax of the song. Even though it appears simple to sing along to (and is apparently a favourite among other JYP singers for karaoking), the song is actually very vocally challenging due to the large range required, and the effortless way the DAY6 members sing it shows just how skilled and well-trained they are.

—Anna

45. “Tomorrow, Today” by JJ Project

After debuting ahead of GOT7’s debut with the exuberant “Bounce,” JB and Jinyoung returned as a more matured rendition of JJ Project this year and it was absolutely glorious. The two vocalists released this sweeping, introspective song about the very-millennial topic of making decisions and fearing regrets. The track provides the perfect forum for the pair to show off how well their vocals work together, with the duo harmonizing over guitar riffs, tapping percussion, and mellow synths. “Tomorrow, Today” is reflective in its warm approach to soft rock, and hopefully we’ll see more of this from JJ Project in 2018. It was a complete turnaround from their first iteration, and definitely more suited for the pair’s artistic style and capabilities.

—Tamar

44. “Don’t Know You” by Heize

Heize’s “Don’t Know You” is a very groovy song full of percussions with a slight mixture of disco, hip-hop, and R&B, which features the soloist using deeper vocals than what we’ve been used to hear from her. The overall appeal of this songs starts at the beginning of the track with the repetitive beats and the introduction of the synth drums that follow different tonalities on the record that give great texture to “Don’t Know You.” Her famous ad-libs are also present on this song as she goes from high to low tones, which are achieved by the reverbs added on the vocal track, that create great contrast between her sexy sweet voice and her solid rap parts. The harmony is very steady throughout and creates a great chill up-tempo track perfect to dance and groove to. Heize continues to show great promise with her experimental sound.

—Alejandro

43. “Tequila (feat. Hoody)” by G.Soul

One can’t help but want to book an immediate flight to somewhere like Bali while listening to “Tequila,” especially with the brutal winter quickly approaching much of the States. Hoody’s bewitching voice alongside G.Soul’s multifaceted vocals make for the perfect combo in this dancehall track, ideal for both a cookout and the club. Lyrically wise, “Tequila” might not be appropriate for all age groups, as G.Soul sings about only wanting a one night stand. But if you’re someone who’s over the generic “let’s fall in love” type of style that is prevalent in K-pop the majority of the time, this song’s for you. The lyrics aren’t candy coated or sleazy, but come off rather… inviting. This wasn’t meant to be a flashy song, which is what made it even more enjoyable. Although G.Soul wasn’t hitting those high notes (that I love so much) like he usually does, it wasn’t a lack felt by this song.

—Tam

42. “Wake Me Up” by Taeyang

It is no news that Taeyang can hold a ballad like no other, and in 2017, he gave us two great ones. “Wake Me Up” doesn’t have the same degree of emotional complexity of “Darling,” the other single from the album, but it’s its apparent simplicity what makes this song amazing and addictive. Objectively speaking, it’s a very linear song with no surprise factors when it comes to its structure. It might even seem like Taeyang doesn’t have much to say in “Wake Me Up,” but it’s definitely not because he’s lacking emotions. In reality, what we see is that he just doesn’t know what to do with them. Everything in “Wake Me Up” sounds gorgeously inconclusive and mysterious — from the airy sounds and atmospheric, echoed beats, to the lyrics that offer more questions than answers. No wonder the most touching moment of the song is when he’s constantly repeating “Is it love?” while delivering breathtaking high notes. Overall, Taeyang’s vocal performance amidst the ethereal instrumental creates just the right vibe for a song that is about love, but mostly about confusion and doubt. After so many years, you can still count on Taeyang to get you in your feels.

—Ana

41. “Honeymoon” by B.A.P

Coming out during the fall when it should’ve been a summer jam, “Honeymoon” is a delightful EDM track from B.A.P’s seventh album Blue. The whistling at the beginning of the song left the remainder open for interpretation; this song could’ve been a sweet one, much like the title suggests, or a somber one. I’m glad it wasn’t the latter. “Honeymoon” puts listeners in a lighter mood, whereas previous songs were dark and heavy, all the while still executing a clear message. “With the overflowing stars from beneath the palm tree. A film on the shining freedom and bright youth,” they sing. Through this track, B.A.P wants to remind us to live life to its fullest, fulfill your heart’s desires to its grandest and emphasises that today’s youth will be the game changer in society going forward.

—Tam

Also on KultScene: DAY6 explores love & friendship through recent ‘Every DAY6’ releases

40. “Chase Me” by Dreamcatcher

Taking the bubbly girl group image and tossing it out the window, MINX re-debuted early this year under the name Dreamcatcher. Not only did the group have a new name, but they also gained two new members and an interesting concept and sound. Taking the term re-“vamp” quite literal, the group came out with a dark and creepy concept straight out of a horror movie. The video for “Chase Me” takes references from classic horror movies like The Shining but also has cuts to choreography to showcase the girls dance moves. The song begins with pianos and then picks up at the chorus. Adding31 to the darker image, the song melded hard rock elements with a dance pop track to create something very dynamic. There’s something about the mixing of heavy rock instrumentals and feminine voices that is very appealing. Although the song sounds like it’s straight out of an anime, it is also an interesting new sound that’s refreshing to the K-pop world.

—Katherine

39. “Never Ever” by GOT7

Ever since debut, GOT7 have switched up their sound with every release, experimenting with different styles and concepts, and their first comeback of the year was no different. “Never Ever” follows in the same angsty direction as “If You Do,” yet this track mixes electronic and trap sounds while giving it their signature bubblegum spin. Vocally, JB and Youngjae can always be counted on to deliver outstanding choruses and ad-libs. But reveal of the year was that “Never Ever” is probably the song where the rap line is collectively most stable and the flows, while different, work together. GOT7 is building up a name as a dance group whose choreographies are insane, and “Never Ever,” with its glitches and heavy bass, is the perfect performance track in their building discography.

—Alexis

38. “Love Story feat. IU” by Epik High

One of the two title tracks off of Epik High’s new album, “Love Story” is a beautiful song about love lost. The steady drum beats coupled with the sometimes frantic sounding piano and, later on, the smooth orchestra creates a complex yet easy sounding melody that balances well with IU’s sweet voice and the rap verses of Tablo and Mithra Jin. Along with the concept video of a girl reminiscing about her past relationship through videos and photos on her phone, it sets the perfect setting for a song about heartbreak and loss. As expected with most of Epik High’s collaborations, the group and the featuring artist blend perfectly to portray the story being told.

—Katherine

37. “Wake Me Up” by B.A.P

A lot of the times, K-pop consists of clichéd lyrics and similar concepts. There are times when a number of artists will put out a string of songs, music talking about love, relationships and breakups. Again, the repetitiveness. Just when you feel like you’ve had enough of that sappy stuff, B.A.P appears with an eye opener like “Wake Me Up,” a track that touches on societal issues and mental health to stimulate one’s ear buds. The song has a compelling beat, a sound so strong, it’ll act as the pillar that will hold you up when one is fighting off their inner demons and struggles in life. “This is an endless tunnel, in darkness with no light. Wake me up, wake me up. I need to find myself,” they sing. B.A.P wanted to push awareness and wake up a society that looks away and pretends that issues like racism, judgement, and depression aren’t real issues because these things are very much on going and continue to be real life problems.

—Tam

36. “Palette feat. G-Dragon” by IU

As one of Korea’s most prominent artists, IU on “Palette” seems to be comfortable with her fame and life, assuring both herself and her listeners that she’s changing in ways she embraces. Her lyricism uses cute examples, from changing color preferences to hair length, to demonstrate that she, “Knows a little bit about [herself] now.” The song’s instrumentals are a more alternative play on classic, theatrical IU releases. While the trademark ticking noises and sound effects are present, the song itself is slower and wispier, updated to match a more modern vibe that she seems to have grown into. The top female star of Korean music in the past decade, IU demonstrates that she remains focused on making hits, but now, on her own terms. With the help of a strongly performed and well-placed rap break from G-Dragon, IU on “Palette” lets us further into her excited, changing young adult world. Where she goes next from here, however, we’ll be watching.

—Kushal

35. “Dinosaur” by AKMU

AKMU is known for creating beautiful music, but with “Dinosaur,” the duo really surprised us: they finally added some EDM to their music while managing to make it their own. The electro beats and synths that appear through the track’s melody seem very stripped down and almost make it feel like an acoustic electronic song. The opening guitar in the beginning of the song especially feels like an homage to their earlier music. The synthetic kickdrums that blast before the beautiful notes from Suhyun during the chorus melody and are present through the whole track, giving it an unique mystery to the track. We also get more singing from Chanhyuk instead of his typical talk-like rap, which was surprisingly beautiful. Their voices blend and harmonize perfectly with the synthetic beats that made it an upbeat chill song for the summer. AKMU really had a lot of fun creating this track and used every tool that electronic instruments can give you as a producer. The song is simple but very detailed with a beautiful, heartwarmingly catchy harmony and a light beat that is very uplifting and instantly makes you feel good.

—Alejandro

34. “Dream In a Dream” by Ten

SM Entertainment’s Station project has produced a bit of a mixed bag this year, delivering some truly great pieces of music amid a majority of lackluster ones. But “Dream In a Dream” was one of its glorious high notes. The ambient, east-meets-west styling of the song serves to relay the performance-heavy music video, which highlights Ten’s immense dance skills. Providing a soundtrack to the highly-stylized, contemporary dance video, it’s a song filled with drama and passion. But even as a stand alone track, “Dream In a Dream” delivers something truly special through its symphonic instrumentals relaying Ten’s echoing declaration of love. Lush synths and pulsating beats guide the track as it layers traditional Asian strings and into the atypically-structured melody. So far, Ten has participated in both this and NCT U’s “The 7th Sense,” two hauntingly beautiful, choreography-focused singles, and if this is the direction SM continues pushing him in, it may be the thing that could breathe new life into this era of all-too-similar K-pop male acts.

—Tamar

33. “Shall We Dance” by Block B

Ever since Zico cemented his status as a hip-hop icon in Korea, Block B has pretty much taken a backseat on the ride. And after a couple of quirky, even cutesy releases, it seemed the group had gone awry of the sounds and concept they made a name with. That’s why when they dropped “Shall We Dance” it was way more impactful. More in tune with the “trendy” sounds Zico is known to produce for his solos, the track explores different urban Latino sounds, which particularly stood out this year when artists are still releasing trop-house songs. “Shall We Dance” is groovy, smooth, and just as the title suggests, dance provoking. Being an older male group with a diverse lineup of talented members, it’s important for Block B to color outside the lines and continue to push the envelope as they have always done. And with this song, they did just that.

—Alexis

32. “Girl Front” by ODD EYE CIRCLE

“Girl Front” felt like a particularly important moment for LOONA. When LOONA ⅓ debuted as a unit they were still fairly unknown, a weird project group going about their own thing. By the time of ODD EYE CIRCLE, they had significantly grown with more people both at home and internationally taking notice. The fact that they absolutely nailed it came as no surprise to me, but how they did it was so impressive. By combining the songs of three girls (Choerry, Jinsoul, and Kim Lip) producers Ollipop and Hayley Aitken created something unprecedented in K-pop. “Girl Front” has the peppiness of “Love Cherry Motion,” the dense, propulsive beat of “Singing in the Rain,” and the electronic sheen of “Eclipse.” It’s a miracle that it all comes together to form something coherent let alone this good. The girls give it the last edge of excitement with non-stop vocals as they bounce off one another with glee, building a climax of unstoppable motion and further push forward the most exciting story of the year.

—Joe

31. “I Wait” by Day6

“I Wait” was the first release of the group’s ambitious project, which set a high bar for their following monthly singles. The opening of the song draws the listener in with somber synthesized keyboard notes and dreamy vocals. The mellow beats gradually increase to the more aggressive instrumentals of the chorus, showcasing a much harder sound than what the band has been previously known for. The song continues to bounce back and forth between a softer sound and the heavy chorus, which creates and interesting medium. The video itself isn’t really anything special but somehow still complements the song with the changing graphics and effects. Overall, “I Wait” fulfilled its purpose of drawing in the audience with a new sound, showcasing the band’s versatility and ability to deliver quality songs throughout the year.

—Katherine

Also on KultScene: 7 K-pop music styles we’d love to hear more

30. “MIC Drop (Steve Aoki Remix feat. Desiigner)” by BTS

“MIC Drop” was already a good song before Steve Aoki’s remix, but with his production, the producer added the aggressiveness that the track needed to be fully solidified as an anti-haters anthem for BTS. He did this by converting the hip-hop track into a hip-hop, R&B, and EDM infused song that made us remember the old BTS from their debut era. The track is energetic and gets you pumped up as soon as you listen to it; V’s deep voice and RM’s raps are major highlights from this record. The lyrics take a very sarcastic tone that even if they seem cocky it makes us sympathize with them. With the new added English lyrics in the chorus, the song makes everyone want to stand up against haters and face them off. BTS creates yet another ode for outcasts and bullied kids all over the world by once again taking on topics that usually K-pop bands don’t talk about.

Also on KultScene: Astro ‘Dream Pt. 02’ Album Review

—Alejandro

29. “Darling” by Taeyang

This ballad stands out with its somewhat unconventional structure and chord progression, but it’s truly beautiful and addictive when listened to in its entirety. The way that Taeyang’s smooth voice connects the various parts of the song elevates it and showcases his impressive range and ability. His raw emotions are showcased front and center here too, especially with the way the song “progresses” in intensity from verse to verse. It’s soothing and intimate all at once, and allows Taeyang to present a more honest side of himself, as compared to being a charismatic star glorified by the limelight.

—Anna

28. “Hola Hola” by KARD

Over the course of three project singles, KARD was able to develop a musical formula that worked. The tropical house and dancehall that undergirded “Oh Nana,” “Don’t Recall,” and “Rumor” provided a strong foundation for when they finally did make their official debut with “Hola Hola,” a timely and bright synthy number perfect for the summertime. Being co-ed is more than just a gimmick for this group; the exchange between tender vocals and throaty raps is the contrast listeners need to keep engaged. The chorus, on the other hand, shifts its weight onto an island beat, and while it would be easy to dismiss this sudden move as overly simplistic, the hypnotic effect is undeniable. It sweeps the carpet from under our feet and displaces us in a chimerical paradise. It is a nice recess from Jiwoo’s spunky rap midway or from any other strained moments, providing us with a sensual and personable comfort. “Hola Hola” only marks the beginning, but already the internationally beloved group has been dealt a good hand, and are making all the right plays to keep momentum going.

—Shelley

27. “Cherry Bomb” by NCT 127

Without a doubt, “Cherry Bomb” definitely encapsulates the sound of NCT127. The different mixes of genres that create a very fresh and futuristic sound create a unique style for the band that has everyone falling in love. The track starts off with a heavy bass and the repetitive “Hurry, hurry, avoid it, right Cherry Bomb feel it yum,” then goes off to Mark’s and Taeyong’s rap, with the pair proving to be the real standouts for this track, while the bridge explodes with Taehyun’s, Doyoung’s and Taeil’s beautiful vocals that melt any listener’s hearts. The song is filled with background synth noises, singed hooks, and creepy sounds that create a very chaotic but interesting track that is reminiscent of the album cover and the title of the song. It’s a classic, sassy and rebellious track and shows great direction for the boy band.

—Alejandro

26. “O Sole Mio” by SF9

Is it possible for someone who lacks rhythm AND coordination to find themselves swaying ones hips and body with precision to the entrancing latin sounds of “O Sole Mio”? This track comes from SF9’s third mini album, Knights of the Sun, only one year after their debut. Rather then SF9’s usual upbeat dance tracks, “O Sole Mio” is captivating in it’s own mellow way. The transitions between the vocal and rap lines were smooth and well-versed, building up to a tender climax without it ever being over the top. The fusion of latin pop to K-pop is still new, but, let’s be real: we all could’ve used a break from some of the generic sounds we’ve heard this year, and the fresh sound of “O Sole Mio” delivered just that.

—Tam

Stay tuned for the second and final half of our Best K-pop Songs of 2017 list, which will contain the top 25.

What was your favorite release of the year? Let us know in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Weekly Kpop Faves Sept 25- Oct. 1

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Each week, KultScene’s team rounds up some of our favorite releases or performances out of South Korea from the week before. This week, writers were fans of new music from boy bands B1A4 and DAY6.

“Call Me” by B1A4 (Released Sept. 25)

It is not unusual for me to fall in love more with album B-sides and filler tracks than the actual singles, and I encourage all K-pop fans to explore the complete works of the artists, so you can delight yourself with hidden pearls like this one. I really like the whole Rollin’ EP but “Call Me” absolutely caught my attention. It’s hard to stand out in K-pop nowadays with a song that goes for the way of synthpop, EDM or tropical house (since these are becoming so cliché); but this song does all of this and still is amazing and somehow distinctive, maybe because it goes more to the direction of sexy and alternative R&B that reminds me of Canadian singer The Weeknd. This sensual vibe works very well with the sweet provocative lyrics and the melody that explores the great vocal range of the boys. We can see their talent through the songwriting too, since this song was composed and written by members CNU and Baro, along with songwriter Choi Myung Hwan. I’m very impressed.


—Ana Clara

”Why Am I Alone” by DAY6 (Released Sept. 29)

DAY6 released their two singles for “Every Day6 October” a little earlier this time, and while I was slightly underwhelmed with their title track “When You Love Someone,” this piece blew my mind. Also known as “I Need Somebody,” the emotional song opens with Jae singing in the lowest octave he’s ever sung in (seriously, I barely could recognise his voice). It initially sounds like a quiet ballad, albeit one that is a bit more jazzy than usual, but suddenly blows up in the chorus with Young K’s explosive “Why Am I Alone.” The instrumentals build up from this point, even reaching a surprising but well-placed whistle melody, and a full-on rock chorus toward the end. With heartbreaking lyrics and unpredictable musical twists, this song was awesome and really showed how multi-talented DAY6 were as singers and musicians, making it one of my favourites of this year’s series.

—Anna

What was your favorite release of the week? Let us know in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

DAY6 explores love & friendship through recent ‘Every DAY6’ releases

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The end of 2017 is fast approaching, and with it comes the near conclusion of DAY6’s ambitious monthly project. Titled Every DAY6, the first band from JYP Entertainment released two songs every month beginning in January, and released their first full-length album “Sunrise” at the midway point in June.They’ve kept busy, and also held monthly concerts in Korea as well as fan-meets all around the world, and will be embarking on a North America tour in October.

While the music videos for most of the songs released as part of Every DAY6 have separate storylines and concepts, with the exception of “You Were Beautiful” which was a sequel to 2015’s “Congratulations,” the band seemingly chanced upon a winning formula in August. Their school-based music video that practically featured a love rectangle received much attention online, especially as fans tried to figure out the complex relationships between the members. The quartet also started to display their acting chops and had a great chemistry with the main female lead, which fans appreciated. Pre-planned or not, this led to an entire trilogy based around this plot, spanning into the music videos for September and October as well, creating what felt entirely like a youth melodrama.

Every DAY6 August: “What Can I Do”


The story starts off in a powerful and lively manner, backed up by Young K’s striking bass riff, which characterises most of the song. This first music video introduces the characters of each DAY6 member: Young K is the badass who has zero regard for what others think of him; Jae is the nice guy who is best friends with the female lead; Dowoon is the popular but moody student who just wants to sleep; Sungjin and Wonpil are long-time best friends. The relationship between the last pair became contentious throughout the music video however, as Sungjin gradually falls in love with the female lead and Wonpil observes his friend from afar. His bystander stance and facial expressions are kept carefully ambiguous and unreadable throughout the video, leaving fans to come up with theories about whether Wonpil had a one-sided crush on Sungjin as well.

Of course, the love square gets even more complicated when the female lead starts to fall for Young K instead, with the song and music video ending off unresolved, both musically through imperfect cadence and in terms of the storyline, since three characters basically ended up with one-sided loves, thus setting the stage for the sequel to this drama.

Also on Kultscene: DAY6’s ‘I’m Serious’ Song & Music Video Review

Every DAY6 September: “I Loved You”


As if to signal the calmer nature of the plot, the song begins with bird chirping noises, which was actually live-recorded by the band. Whistle sounds also distinguish this track right off the bat, as do its verses, which are definitely the most musically interesting parts of the track since the members use unique singing styles for each verse. The story takes on a sweeter and more emotional tone in this video, beginning with Wonpil pondering over his relationship and feelings toward Sungjin. Young K and the female lead develop an adorable bickering dynamic, despite Young K still not being interested in her, while Jae gets a love interest of his own in the form of a lady working at a coffee shop. Young K and Dowoon develop the second shippable bromance of this series when Young K saves Dowoon from getting hit at an arcade and the two class loners bond together at a convenience store.

The nature of Wonpil’s affections towards Sungjin become clearer in this music video however, with the “couple” keychain that the two have being a symbol of their relationship. The forlorn expression on his face in the epilogue of the music video when he realises that Sungjin left their couple keychain on the bus in his haste to run to the female lead says it all. Sungjin on the other hand, oblivious to Wonpil’s feelings, takes a brave step towards confessing his love to the female lead. This significant decision was marked by the most beautiful and heartbreaking part of the song, Wonpil’s high pitched “Loved You” at the end of the bridge.

Once again, the music video ended on a cliffhanger, with fans left wondering how the female lead would respond to Sungjin’s confession…

Also on Kultscene: NYC Goes ‘Wild’ Over K.A.R.D in Part 2 of Their First American Tour

Every DAY6 October: “When You Love Someone”


…and this is where “When You Love Someone” picks up. Released earlier than usual on the 29th of September due to South Korea being off for the Chuseok holiday, the music video begins with where “I Loved You” ended, but does not continue the scene immediately, rewinding instead to three days prior. The video returns to the other DAY6 members in their daily lives outside of school, starting with Dowoon. While his budding relationship with Young K was not explored further in this video, his life as a rich but extremely lonely man was fleshed out, adding to the more melancholic nature of this song. Jae continues his cute crush on the coffee shop lady, while Young K and the female lead finally make progress in this video when the female lead defends him when he gets into trouble working at a convenience store. He starts to see her in a different light from then on, possibly indicating that her love would soon be reciprocated (in future videos?) Sungjin and Wonpil enjoy some couple moments, wandering around music shops (of course this would be their favourite place) and even having a “Falling Slowly” moment.

Sungjin however, spots Young K and the female lead together, and realises that she would never like him back. Once again, this occurs at the bridge of the song, which is always used effectively in DAY6 music videos (at least in the ones with storylines) to signal a transformation or an attitude change in the characters.

The video skips back to the beginning of the video, as Sungjin musters up the courage to confess to the female lead. With the new knowledge he has about who she likes however, it’s not the hopeful confession fans were expecting in “I Loved You,” rather it is a painful confession on Sungjin’s part that he made knowing that he would get rejected anyway. The way he tries to smile before walking away sadly and the way the two best friends comfort each other in quiet companionship made for a bittersweet conclusion to the video, which ties in perfectly with the sad autumn release. Sungjin getting his keychain back which symbolizes their restored relationship reduced the sadness of the video. I personally really do hope that this music video series continues, maybe up till the end of the year.

Several musical elements stand out in this track, beginning with Wonpil’s keyboard melody in the intro and verses. In particular, the harmonies, which are more predominant than usual in DAY6 songs, add a clear contrast to the melody in the pre-choruses, perhaps illustrating how we sometimes have to hide our true feelings to avoid hurting the people around us (case in point: quietly suffering Wonpil). The syncopated rhythm also creates a laid back atmosphere, which forms the base of the tune as the members show off their individual singing styles, proving why Jae professed this as “a song with many killing parts.”

In all, DAY6 has showcased a variety of musical styles throughout the year. Regardless of the continuity that this music video series has provided over the past three months in terms of directing style and storyline development, the band has continued to diversify itself with their relentless experimentation through different rhythms and instruments. With two more releases to go for the year, I’m looking forward to what the band has to show and am waiting in anticipation to see if this complicated relationship-filled story continues.

Have you been keeping up with Every DAY6? What did you think of the releases so far? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Weekly K-pop faves: June 5-11

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The boy bands cometh! Seriously, though, this past week had the KultScene team falling in love with a lot of new music courtesy of some old, new, and TBD K-pop acts. We enjoyed songs from idol bands FTISLAND and DAY6, and solo songs from two of B.A.P’s members as well as some music from this season of Produce 101. Take a listen and comment below to let us know what song of the week was your fave.

“Open Up” by KNOCK of Produce 101 season 2 (Uploaded June 8)

I think I’ve made my obsession for Produce 101 season 2 pretty clear throughout these lists since the show began. Last week, I chose “Never,” a concept evaluation song from the show, as my fave because it was the one that resonated with me the most. The dance and overall sexy concept, however, definitely went to “Open Up,” but I chose to go with musicality over thirst. So when M! Countdown gave me the opportunity to cheat the system and go for another Broduce song, I took it. KNOCK, the name the team made up for this evaluation, ultimately won on the show and got to perform “Open Up” on M! Countdown. And while, other than hairstyles, they didn’t change mostly anything, it was still a sultry performance. We already know Dongho (aka Baekho of Nu’est) has the sexy thing down, with his velvety smooth vocals. The surprise, however, was Daniel, who hadn’t shined vocally. “Open Up,” to me, sounds like Nu’est’s last album. Dongho singing the chorus is a big part, but musically, it could blend right in. At a time when a lot of boy groups are going the cute route, it’s nice to see the darker concepts are still alive and well.

— Alexis

Also on KultScene: ‘Coming Out! FTISLAND’ Takes Cues From American Reality TV

“Shadow” by Daehyun of B.A.P & “Try My Luck” by Jongup (Released June 8)

After receiving much positive feedback of their solo performances from their ‘Party Baby!’ World Tour this past spring, B.A.P vocalists, Daehyun and Jongup released a collab album for their fans, titled “DaehyunxJongup Project Album – Party Baby”. This special album includes two self written tracks, Daehyun’s “Shadow” and Jongup’s “Try My Luck”.

Daehyun is B.A.P’s first member to release a solo single and to perform it live on music programs (including Show Champion, M Countdown, Music Bank and Inkigayo.) There was a sense of newness seeing him going with a more dance focused track, considering how fans are used to hearing Daehyun belt out his high notes and killer falsettos, which were not the main focus but he still tried incorporating them into this single. “Shadow” has an addictive beat with narrative lyrics. “If I try to touch you, just as a dream I had yesterday, you start to become faint”, a love that is fading, a love that more or less becomes a shadow. Not only did Daehyun steer away from the expectant ballad but by featuring youngest member and rapper, Zelo, he added a distinctive tone to the song.

With Jongup’s well known admiration for Chris Brown’s music and dancing style, it was no surprise to see him release an R&B track. “Try My Luck” has a beautiful mixture of both hard and soft melodies with a few unexpected transitions (like everytime he starts rapping!) The lyrics are direct and bold, “I know that feeling, I know what you want. Only the two of us can do it, you know how I’m feeling” and along with hiss passionately infused odic voice, it’ll make anyone get weak in the knees. Jongup went from having very few lines in B.A.P’s songs, to now writing his own music and very much slaying at it.

Both “Shadow” and “Try My Luck” allowed Daehyun and Jongup to truly show off their depth, range and versatility as singers, outside of B.A.P. Hopefully there’ll be another project album in the future, this time with more solo tracks and from the other members!

— Tam

“I Smile” by DAY6 (Released June 7)

After six months of non-stop single releases, DAY6 finally dropped their first full album, “Sunrise” comprising of the 12 new tracks they released this year and two remixes of their previous title songs, “Congratulations” and “Letting Go.” Needless to say, given the fact that the album is literally made up of ¾ title track worthy songs, it is such a musical delight to listen to. The title track of the album, “I Smile”, in particular, is such a bittersweet and heart wrenching song disguised beneath its cheery sounding title. I may be wrong about this but this song is one of the band’s more musically complex tracks, with chord shifts occurring so quickly and the song constantly moving in an unexpected direction (that instrumental section!!!) The members definitely killed it with the vocals this time, especially Sungjin, who set the tone for the song right off the bat. The accompanying music video is also beautiful, both aesthetically and in terms of its meaning, and I’m proud to say that the members have really picked up some subtle acting skills since their debut. Overall, this has got to be my favourite DAY6 release of the year and maybe of all time, and I hope with this album people will start waking up to their talents.

— Anna

Also on KultScene: Bang Yongguk Wants You To Know That Everything’s Going To Be All Right

“No Better Days” by FTISLAND (Released June 7)

Disclaimer: I’m a huge fan of FTISLAND. So when I heard “Wind” as their 10th anniversary track, paired with a remake of their debut single “Love Sick,” I was a bit disappointed. Then I listened to it in earnest and was excited by the amazing instrumentals at the end. But I don’t want to talk about the title of FTISLAND’s anniversary album. Nope, I’m all about the first track, “No Better Days.” The power of the track is no joke and it’s exactly what I wanted. Powerful drums, soaring vocals– not just from vocalist Hongki but also from Jaejin while the other members provide backup harmonies– this is one of the most dramatic songs on the album. And I love it.

— Tamar

What was your favorite K-pop release of the week? Tell us what you think in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Weekly K-pop Faves: Jan. 2-8

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The second week of January brought K-pop the busiest week of 2017 (two down!) so far, with a variety of releases from well-known acts. Long-lived boy band Shinhwa released a new album, while VIXX member Ravi dropped some solo music. Rookie acts Akdong Musician (aka AKMU) and Day6 also returned with brand new music that turns away from K-pop’s typical dancepop sound.

“I Wait” by Day6 (Released Jan.6)

Day6 kicked off their year-long release cycle with the first single, “I Wait.” The song is the most boisterous single from Day6 so far, and it changes the group’s sound up quite a bit with a blend of electro and alternative rock. The song’s title in Korean, “Aw Why?” (“아 왜?”) makes the stilted rhythm all that much more anxiety-inducing, but the English one actually makes “I Wait” seem a bit more sentimental. It’s an altogether heavier sound from the band, but still maintains Day6’s typical lovelorn lyrics and paired with their typically cinematic music video. It’s the first of 12 singles Day6 plans to release in 2017, so prepare to be overrun with this band’s ever growing discography.

— Tamar

Also on KultScene: WJSN, April, & MIXX: K-Pop girls trying to take 2017

“Touch” by Shinhwa (Released Jan. 5)

Shinhwa still manages to blow my mind with every comeback. As the members evolved over the last decade, so has their music, and “Touch” is no different. The song is heavily future bass influenced, which keeps the listeners in a trance from the beginning until the end. The group actually premiered “Touch” at the 2016 MBC Gayo Daejun, which was sort of a spoiler since viewers were able to see the choreographed version first instead of just the song itself but it was nonetheless a worthy performance. It’s even more applause-worthy to see these guys keep up with the ever changing music scene and the continuous efforts that they put into making it work, even after almost twenty years.

— Tam

“Bomb” by Ravi feat. San E (Released Jan. 8)

If you’re already immune to the rampant cultural appropriation in K-hip-hop and can get past the mildly cringey intro, Ravi’s first solo endeavour “Bomb” quite exceeds expectations. It looks and sounds a bit dated, not to mention it’s very similar to Zico’s “Tough Cookie” aesthetically. It’s really not that interesting sound-wise; your standard hard K-rap beat. However, Ravi’s delivery was spot on — miles away from his second hand embarrassment inducing verses on VIXX’s early songs — and showed he’s still growing as a rapper. Not to mention the chorus is easily sung a long to and has earworm potential. Furthermore, I’ve never heard a song featuring San E that I’ve liked, but I don’t mind his presence that much here. Overall, it’s nice to see Ravi doing better and working on the betterment of his craft.

— Alexis

Also on KultScene: What’s the deal with A.Leean?

“Will Last Forever” by Akdong Musician (Released Jan. 2)

Korea’s beloved sibling duo made a return this week with their third album “Spring to Winter,” accompanied with a music video and a beautiful musical short film. While their title track “Last Goodbye” pulled at my heartstrings a lot (I’m going to miss you Chanhyuk), “Will Last Forever” went a step further in actually moving me. There’s just something tragic about two young kids singing about lost hopes and forgotten friendships. It hits you with a cold dose of reality and forces you to wake up from your youthful dreams.

— Anna

”Fall Back” by A.Leean (Released Jan. 7)

“Fall Back” is different from Ailee’s previous songs for a reason. The single, produced by LA-based Westside Entertainment, was carefully engineered for a new audience; it sounds as if it was chosen specifically for its potential to climb the U.S. charts. Although an agency representative compared A.Leean’s vocal ability to that of Whitney Houston and Ariana Grande, Ailee’s new song “Fall Back” is more likely to evoke a Katy Perry feeling. From its urgent workout-worthy beat to the catchy refrain, it’s the kind of song you put on when you need to rev up your day. It’s memorably appealing but it was not designed to make the most of Ailee’s incredible vocal range. While the sections of “Fall Back” that give Ailee center stage may remind K-pop fans how lush her voice can be, the song’s production does not let her voice resonate as emotionally as it did in her recent hit “Home” featuring Yoon Mirae, or her OST contributions, “Goodbye My Lover” and “Day by Day.”

“Fall Back” is heavy on the percussion, which sometimes distracts from Ailee’s voice and other times successfully uses a tinsel effect to make the song sound celebratory, which is fitting for a debut. It may be just the formula to climb the U.S. charts, but “Fall Back” doesn’t really live up to K-pop’s standards. The lyrics are about wanting to revive lost love, trying to return to the moment when everything was good, and make things work out after all. The optimistic turn-back-the-clock lyrics may be just the kind of lyrics needed in 2017, and they’re easy to hum along to.

— Joan

Which song was your favorite? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

5 Things To Know About Toronto Kpop Con 2016

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It’s been said before, but it seems like this is the time to be a North American fan of Korean music. The next few months in particular are introducing an influx of Korean acts performing in front of American, Canadian, and Mexican audience. This year, there will be not one or two but numerous K-pop conventions on the continent. KultScene’s team will be attending several of the cons, beginning with Toronto Kpop Con 2016, also known as TKC 2016 in May!

In case you’re not so familiar with this year’s event, here’s a few things you have to know about Toronto Kpop Con.

The Event Is Spread Over A Whole Weekend

Last year’s Toronto Kpop Con was only a one day event but the second year of the con will feature a full three day weekend, kicking off with VIXX’s concert on Friday night and ending with GOT7’s concert on Sunday night. The whole event will take place at the Metro Toronto Convention Centre and convention events will take place all day Saturday and Sunday.

G-Friend and Day6’s First Ever North American Performances

While VIXX and GOT7 have visited Canada before, this is both rookie groups first time meeting North American fans. The newer girl group and boy band made huge waves in South Korea over the past year and are diversifying additions to the TKC lineup, providing some different sounds than what GOT7 and VIXX have to offer- G-Friend is the only girl group to attend while Day6 performs as a band rather than a dance group. G-Friend will bring life to the middle of the con on Saturday with a midday performance while Day6 will meet fans Sunday afternoon.

 

Also on KultScene: Spiritual K-Pop: Lovelyz & Berry Good Find Their Destinies

It’s Trademarked

Okay, this isn’t really a must know but it’s a fun fact that this writer finds interesting. According to the official website, Toronto Kpop Con is a registered trademark in Canada by the owner of TKC’s parent company Pop! Goes The World. The little disclaimer at the bottom of the website is intriguing especially in leu of the fact that not only is the event’s name trademarked, so are “Kpop Con” and “Kpop.”

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GOT7 Will Meet Fans Twice

Yes, you read that right.

Toronto Kpop Con is a must for any diehard I GOT7, the group’s official fans. GOT7 will perform both Saturday and Sunday night, giving Toronto fans a lot of love before they head to the United States for their July tour. At the time of publishing this, JB is unfortunately sitting out with an injury but hopefully he recovers soon so that all seven members of GOT7 will be able to meet their fans.

Also on KultScene: Breaking Down KCON ’15 LA’s Red Carpet Looks

Dance Squads & YouTubers Will Be Prominently Featured

Panels with media insiders will be a big deal at TKC 2016, but so will dance crews and Youtubers. The likes of K-pop Youtube vloggers like Terry He and StillNotDavid will be featured along with Yours Truly, Kapital K-Dance, and 2KSQUAD, all of whom are Canadian K-pop inspired dance teams.

I’ll Be There

Okay, it’s a bonus sixth thing. Definitely try to find me if you’re a big KultScene fan, we always love to meet our readers! I’ll be giving away some KultScene swag and running a panel. Keep an eye out on our social media for updates.

Tickets are currently on sale for TKC 2016 on the official website and if you use the code TKC16 you get 30% off your order!

Are you attending Toronto Kpop con 2016? If not, tell us about your dream con to attend! Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter,Instagram, and Tumblr to keep up with all of our posts.

Weekly K-Pop Faves March 27-April 2: Boys Repbulic, Dok2, DAY6, N-Sonic, 10cm

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Every week, our writers pick their favorite songs and share them. This week, four songs by male Korean acts caught our eyes.

“Get Down” by Boys Republic (March 29)

The title track of Boys Republic’s third mini album, “BR: evolution,” combines a pulsating tribal drum beat and edgy hip hop with unconventional jazz elements. The guys display incredible vocal harmonies alongside fierce and hardcore rapping. It comes as no surprise that “Get Down” was co-produced by renowned songwriter Ryan S. Jhun, who has previously worked with the likes of numerous popular K-pop acts, ranging from EXO to U-KISS. The music video presents a very dark concept, with the band members cast as a rebellious faction in a post-apocalyptic scenario; they are sullen, brooding characters living on a knife edge and the intense choreography highlights their harsh environment perfectly. (It is important to note here that the video has a 19 + rating, as it features bloody decapitation). This new facet to the band could prove disturbing to some fans unused to seeing Boys Republic as anything other than wholesome and appealing but it is a testament to the members’ talent that they are so convincing in their roles. It’s a brilliant comeback by the group, who have upped the ante in every way possible!

— Eve

“Bad Vibes Lonely (feat. DEAN)” by Dok2 (March 27)

As far as Korean rappers are concerned, Dok2 isn’t among my favorites. His music style and lyrics, for me, come off as a little try-hard and he seems more like a caricature than an actual rapper. With that said, “Bad Vibes Lonely” is a whole other thing. For this release, Dok2 slowed it down and penned more humble lyrics about him wanting to be happy and not forget his roots. Not to mention Dean’s input at the chorus makes the song sound that more compelling. Because even without knowing what the lyrics say, that Dean verse finds it way to your feels. Overall, it’s nice to see Dok2 step away temporarily (because, c’mon, we know that’s not his actual style) from the #YOLO, swaggy, #turnup vibe.

— Alexis

Also on KultScene: Reading The Political Signs of ‘Descendants of the Sun’

“First Time” by DAY6 (March 30)

This track is vastly different from DAY6’s title track “Letting Go” in terms of its tone and lyrical content but similar in the high production quality of the song. While DAY6 members have always had a hand in the creation of their albums, this is the first song in which all five members collaborated and wrote the lyrics together, making it extra meaningful. The instruments are also layered very nicely, creating an overall uplifting and full sound in which all the varied vocals of the members are able to shine. It’s an addictive track and stands out amongst the various different styles displayed in this album.

— Anna

“Excalibur” by N-SONIC (March 29)

N-SONIC’s “Excalibur” is exactly the type of song I would have ignored if it wasn’t for this feature. An unknown boy group with a title linked to mythology. I’ve had enough of that with VIXX alone. “Excalibur” however, is not something to be missed. It contains the most satisfying rolling drums that at first sound like they could come from a 1950s dancehall but are used to drive the electro hip-pop. Sustaining these drums allows the song to transition easily between parts and vocal styles. The choreography also reflects this by having a natural quality to its movements and transitions too (despite silly things like the air drumming). A solid release that is, along with Boys Republic, by far the strongest boy group song of the week, easily beating weak offerings from more popular counterparts.

— Joe

Also on KultScene: DAY6 ‘Letting Go’ Music Video & Song Review

“What The Spring??” By 10cm (April 1)

One of the most bittersweet spring-themed songs out there, “What The Spring??” is a comical attack on people who are in love during. The duo’s typical acoustic sound turns into a query of why some people expect perfect springtime relationships, why some people are alone, and why springtime is perceived as the time of love. “Do you think cherry blossoms are pretty, you stupid?” sings 10cm’s vocalist Kwon Jeong Yeol. The song did well on Korean music charts despite the bleak lyrics because the song’s style and the amusing, realistic take a single person’s attitude towards the happiness of couples (“Actually, your boyfriend loves games more than you” is one of the bitterest but bemusing lines of the song.”) The music video, featuring “Little Prince”-inspired graphics, is an added bonus. The anti-romance song, both for its sound and unique opposite to many of the love songs popular in Korea, is one of this year’s most popular springtime Korean songs.

— Tamar

What was your favorite song from the past week? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter,Instagram, and Tumblrto keep up with all of our posts.

DAY6 ‘Letting Go’ Music Video & Song Review

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JYP Entertainment’s band DAY6 returned recently with their second mini-album, “Daydream.” However, this comeback is especially significant for the group as it is their first since they became a quintet after Junhyeok’s departure from the band. While the album showed off various music styles and experimentations, title song “Letting Go” was a traditional rock ballad which felt fitting for DAY6.

Song

The song starts off with a beautiful harmony created by the voices of all five members, and this creates a somber mood that remains present throughout the rest of the song. The first third of the song is also surprisingly quiet, up till there’s a change in the mood of the track created by the introduction of the bass drum and an amazing guitar solo. The full glory of DAY6’s vocals and their instruments really come into play here as the song builds to a climax, which is further strengthened with resident rapper Young K’s emotional rap. Though the rap fits in with the general mood and progression of the song, it does however come across as a tad abrupt, especially since the chorus resumed again right after the rap.

As quickly as it had built up, the chorus fades away once again, and in its place is a quiet synthesizer solo. Though extremely simple, it provides a poignant ending to this emotional piece and brings about feelings of acceptance and resignation to the listener. The vocals of the members were also on point in this track, in particular leader Sungjin, whose voice was at times smooth and gentle but at times intense and raspy. He effectively portrayed and conveyed the sadness and hopelessness of the lyrics he was singing, thus also touching the heart of the listener. Members such as Jae and Wonpil also showed remarkable improvement in their vocalisation from their previous album, especially in their handling of long and high notes.

Lyrics

The lyrics of “Letting Go” on first glance appear to be pretty typical, perhaps even bordering on boring for the simple reason that there are many K-pop songs out there which speak of broken hearts and painful relationships as well. When placed into context however, the lyrics seem to be telling a different story. DAY6 debuted late last year with six members but ended up with five when Junhyeok (keyboardist) left the group around a month ago to the shock and sadness of many fans. Since then, the members of DAY6 have deleted their personal instagrams (a group one was created subsequently) and they have declined to comment on the departure of their member.

In this light, “Letting Go”, which was written by members Young K and Wonpil, might have been their answer to their fans, along with the true expressions of their feelings towards Junhyeok. Why else would they have chosen “Letting Go,” a traditional rock ballad, to be their title song when their album had other more unique songs such as “Hunt” or “First Time?”

Times we spent together, our memories
Letting go, letting go, letting go
So you can smile some day

With Junhyeok leaving just a month ago before the release of this new album, it’s highly possible that he was a part of its creation, which makes it even more likely for “Letting Go” to be about him. Despite the somewhat repetitive lyrics of the song, the bittersweet meaning is clear. It’s time for both DAY6 and Sundays (the group’s fans) to move on.

Videography

DAY6 was never really interested in the flashy videos featured in other K-pop music videos, and this can be seen in “Letting Go.” The symbolism in the video though, is another story altogether. From the start, it shows the five members in a circle as they harmonize together, which expresses how DAY6 remains united despite whatever has happened. It was just a split second frame, but the keyboard (without a keyboardist) was also part of that circle.

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The symbolism doesn’t stop there, rather it continues in a somewhat overwhelming fashion with the numerous appearances of the keyboard (again without a keyboardist) throughout the video.

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The whole video also used a lot of multiplication, possibly to complement the repetitive song, which was creative but ended up giving the video a cluttered feel. There were literally instruments everywhere.

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via @deisigseu

 Overall Thoughts

This comeback from DAY6 was a highly anticipated one and the group did not disappoint. While it is still a heartbreaking time for the members and fans alike, this album is also a clear sign that DAY6 will continue to grow and develop as musicians, no matter what obstacles may come their way.

DAY6 'Letting Go'
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How did you find this release by DAY6? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

VIXX or GOT7? Which Toronto K-Pop Con Headliner Are You? [QUIZ]

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Toronto K-Pop Con is a few months away, and organizer Pop Goes The World recently announced that VIXX and GOT7 will be headlining the three day event, along with two other currently undisclosed acts. While both K-pop boy bands will be performing in Toronto next May, VIXX will kick off the event on May 20, and GOT7 will perform on both May 21 and May 22.

While we definitely hope that every K-pop fan will attend both VIXX and GOT7’s shows, we know that people have biases towards one group over the other. It’s just how K-pop works. But do you know which group you really should like? This quiz will help you figure things out.

Tickets to see VIXX are already on sale, while tickets to see GOT7 go on sale Friday, January 15, 2016 at 8:30 PM EST on Toronto K-Pop Con’s official website. (Bonus: VIXX tickets come with free admission to all three days of the con.) Toronto K-Pop Con also just added Day6 to the line up so make sure not to miss out!
Visit: www.torontokpopcon.com/Tickets

Are you more like GOT7 or VIXX? Are you excited for Toronto K-Pop Con? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Video of the Top 25 Korean Songs of 2015

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So far 2016 has been a slow year, aside from Dal Shabet nothing of any interest has been released. This has led us to looking back at how great of a year 2015 really was. To celebrate it, one of our writers cut together a video of the top 25 songs of the year as voted for by the KultScene writers. As you may have seen our top 50 list, this video takes the top 25 and edits them together in inventive ways. This is something to celebrate the year in music with, but mostly we hope you have fun watching it.

What was your favorite Korean song this year? Share your picks and thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.