10 K-Pop Songs That Teach Basic Korean Phrases + Chance To Win Korean Study Guides

B.A.P Where Are You What Are You DoingK-pop songs are filled with tons of catchy Korean phrases, and any longtime fan of K-pop has probably picked up a few words or phrases here and there. But many Korean songs have English choruses, leading to many K-pop fans just singing along with the English hook rather than taking in much Korean language skills. In this list, we’ve compiled some of the best Korean songs for learning a bit of Korean language, which will help you out if you ever find yourself in Korea, or if you just want to impress people with all of the cultural diffusion that K-pop promotes.

In case these songs aren’t enough for you, and you feel like you really want to get your Korean on, check out our giveaway at the bottom of this list for two books that will help you study Korean vocabulary and grammar.

1. “Hi” [Lovelyz “Hi~”]

Annyeong is a shorter version of annyeonghaseyo, or Korea’s formal word for “hello.” Lovelyz’ “Hi~” is the perfect example of a bright song to learn how to greet someone in Korean. (Fun fact: if you’ve seen the American TV show Arrested Development,” you’ll need to re-learn the pronunciation since the characters mispronounce annyang throughout the series.)

2. & 3. “Oppa” & “Noona” [Psy “Gangnam Style” & SHINee “Noona, You’re So Pretty”]

The most popular Korean word in 2012 was easily “Oppa” thanks to Psy’s famous song “Gangnam Style.” Many people may not actually realize that oppa is actually the Korean word that technically means a girl’s older brother, and is what female call old males who they have a close relationship with, whether it’s brothers, friends, boyfriends, or husbands.

The equivalent term for males to call an older female was made famous in SHINee’s iconic 2009 debut song “Noona, You’re So Pretty.” Noona similarly means a boy’s older sister and can be used for women a younger man has a relationship with.

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Best Of The K-Pop B Tracks Pt. 4

Are you ready for yet another installment of our Best of the K-Pop B Tracks series? It’s been almost a year since our last article, but no worries; we’re back with a fresh and manly list, consisting of some older and newer songs for the latest installment of our series!

Artist: GOT7
Album: “Just Right”
Song: “Nice”

It can easily be said that 80 percent of GOT7’s albums usually consist of dance tracks. They’re young guys bursting at the seams with explosive energy, so why not, right? Straight from the get-go, “Nice” had a hypnotic beat with semi sensual lyrics. Not only have the members of GOT7 grown physically, but their voices have also matured a great deal since debut, with member Youngjae being the most noticeable with his honey-like voice. With the release of each mini album, there always seems to be that one track — how should I put this? — that puts you in the mood, makes you feel some sort of way, and “Nice” just so happens to be that particular song.

“Nice” is filled with what has a sophisticated level of ecstasy and has a contagious chorus and yet I can’t seem to wipe off this smile from my face, unable to take them seriously because I’m already so used to them acting like silly kids. I wonder what it’s like having these guys in the recording studio; it’s hard trying to image their level of seriousness when they’re always acting so goofy. Am I the only one that feels this way about GOT7? Regardless of all that, take a listen and I promise you’ll be singing bam bam bam bi dam bi da bi dam bam for the remainder of the day. Read more

Playlist Sunday: K-Pop Point Dances

Playlist Sunday In order for a performance to be memorable, the choreography has to be strong. Luckily, K-pop is never short of strong dance moves, given that most groups dance and, at least most of the members, kill it. But with so many songs, groups, and performances getting released every week, it’s difficult for anything to stick. That’s why choreographers tend to place a few point dances within the performance that will make viewers take notice and even emulate them. So for this week’s playlist, we’re listing some of our favorite K-pop point dances.

This is the song that started it all for me, both because of its unique use of chairs and because of the sensual dance choreography that fitted perfectly with the song. Though not the best song in terms of musicality, it’s certainly one that I love to dance and sing along to. It’s 2PM’s “A.D.T.O.Y” (All Day I Think Of You), and my personal favorite performance of this song would be during 2013 SBS’s “Gayo Daejun”, when the boys used roller chairs for the dance instead of their ordinary stationary chairs. It was definitely more dangerous but it made it all the more interesting and enjoyable.

— Anna

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A fast-tempo, synth-heavy track, SHINee’s “Lucifer” is one song which never fails to make me dance. The impressive sharp, almost robotic, choreography is very fitting for the processed song, and what I love most about the dance is how seemingly complex it is. It may not feature flips like a 2PM routine or fancy footwork like a Teen Top production, but the series of rather basic hand tutting of “Lucifer” might as well put this performance on par was them. After watching “Lucifer” performed live, SHINee definitely moved up in my books for best dance group.

— Shelley

I’m not that huge of a girl group fan, but one song that got me into Girl’s Day (or at least got me paying attention) was “Expectation.” Not only is the track really cool and infectious, but their choreography is all around on point as well. Never had I dug sexy girl group dances before this one. Because even if I found the suspenders tacky, I loved the point dance with them and without them. And that wasn’t the only one, the whole chorus and bridge are filled with a few key moves that make the performance memorable. Every time this song comes up, I dance along attempting to emulate them. “Expectation” is definitely my favorite song by this group, and the choreography is one of the reasons why.

— Alexis

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Out of the many dance focused music videos Korean artists are known for, I personally feel like B.A.P‘s “One Shot” has one of the most aggressive and catchy point choreographies. From their floor work, which includes some intense push up moves, to their floor air body thrusts, to their “float like a butterfly, sting like a bee” fancy arm and leg work and mid air jump, B.A.P makes this all look effortless, but as a viewer it’s almost exhausting to watch. Hopefully we’ll be able to see B.A.P perform more impactful music videos in the future!


When it comes to point dances, there are a lot of really memorable K-pop dances, but I don’t think there is anything more iconic for a single K-pop group than INFINITE’s so-called scorpion dance from “Before The Dawn (BTD).” Most popular Korean songs have a dance move that is iconic, and performed during the chorus, such as Psy’s “Gangnam Style” horse-riding dance. INFINITE’s “BTD” has its own dance during the chorus, but it’s the dance move that comes at the end of the song that shot INFINITE to fame for being a group that tries incredibly complex dance moves. The scorpion dance brings all seven of INFINITE’s members to the ground for a second before kicking up and rising in perfect unison. The complexity of the dance, and INFINITE’s ability to perform the difficult move, makes this point dance from “Before The Dawn” one of my favorite K-pop dances.


What’s your favorite Korean song with a point dance? Let us know your picks in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Bang Yongguk Wants You To Know That Everything’s Going To Be All Right

Bang Yongguk of B.A.P teased fans with a 15 second clip on Instagram on March 26th, 2015 of what was to eventually become a music video titled AM 4:44, which was later released on April 3rd. This sudden announcement had a lot of fans in a sudden state of shock and excitement.

For those who may not be aware, B.A.P filed a lawsuit back in November of 2014 against their label TS Entertainment to nullify their contract due to unfair conditions and profit distribution. It’s been an on going battle between the two parties; TS Entertainment refuting the claims made, stating that “there have been neither such maltreatments to the artists nor unfair clauses in the contract,” basically brushing off any claims of them creating slave contracts for the members.

BYG AM 4:44

via krnmusick @ tumblr

There have always been talks behind closed doors of Korean companies creating “slave contracts” for their trainees, a contract which basically locks them into long exclusive deals, with no wiggle room or control of musical creativity, and little financial reward. It was only in 2014 that a number of members from various K-pop groups, Kris and Luhan from EXO-M and Moon Junyoung of ZE:A started to come forward to attest these claims. B.A.P shortly followed.

There were rumors and a lot of speculation going around weeks before B.A.P filed their lawsuit that something was terribly wrong; fans were convinced that it wasn’t a problem within the group and that whatever it was that was going on was hugely based on the fact that TS was strenuously overworking the members. In the weeks prior to TS cancelling B.A.P’s South American leg of their Live on Earth Tour, there were photos of the members looking weary and clearly worn out from their nonstop schedules. There were reports of members fainting and being rushed to the hospital, but only to be pulled back out by TS staff, so that they could go on to perform. Their health was quickly declining and there were multiple visits to the clinics with documentation to prove of their deteriorating health, and some of the member’s parents even made their way to TS Entertainment’s office to try and resolve these recurring issues.

Even with all that at hand, TS was not going to let health issues be an excuse as to why they’d have to lose out on money just because their income earners weren’t feeling well. Clearly, as entertainers, you’re not allowed to be sick and feel unwell, because once you sign that contract, you’re no longer considered a human being. With tickets sold, venues set, and thousands of fans awaiting B.A.P’s stops in Latin and South America, you can only imagine how the disappointment when they found out the bad news. TS tried to explain that the cancellation of the tour was all due to their concern over B.A.P’s health, and how the artist condition is the top priority. Did TS already sense that something was brewing and was about to erupt from B.A.P? Were they trying to walk away from the situation as heroes because they cancelled the tour before B.A.P’s health worsened?

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You’d question where and how one would store all these feelings, fury, rage and resentment; but after the lawsuit, this was probably the best opportunity for Yongguk to put it all into a song and present it to world.

As the fearless yet soft spoken leader of B.A.P, Yongguk is notorious for his deep and insightful way of thinking. AM 4:44 is a prime example of him trying to convey an unspoken message. The music video starts off by showing a hand watch. A watch can symbolize many things; a clear and simple meaning would be time doesn’t stop; no matter what you’re going through, you’ve got to keep fighting your way through those obstacles to make it out onto the other side. In Yongguk’s case, he’s fighting with his inner thoughts and emotions along with all the negativity that’s been building up inside him.

Nobody would know how scary the mask I wear is.

BYG AM 4:44

via mybutterflyfact @ tumblr

To be in this kind of industry, it’s like the three wise monkeys: you see no evil, hear no evil, and speak no evil. No matter how many crazy things you see and encounter, as an artist under an agency, you just have to bite your tongue and act like nothing ever happened. It’s a never-ending cycle, at least not until you’re completely free from the company. And even then, there’ll still be things that come around that’ll try and haunt you. No one’s going to protect you; you have to fend for yourself. To continue with the theme, Yongguk’s face is never fully shown in the music video, rather we were just given his silhouette and quick glimpses of his profile. It’s almost as if he’s shielding himself with whatever it is that he has left to protect himself with.

BYG AM 4:44

via its-happycherry @ tumblr

He goes back and forth a lot throughout the song and he questions a few things here and there; how could it be that something that started off as a passion all of a sudden turn into a spiraling dark hole? for what am I insisting on trying so hard for to keep on running? Rather than this being considered a rap, it’s more like story telling. Yongguk is laying it all out there in the open for the world to hear and as for the audience; you can interpret it however you want.

The a**holes who ruined this are living with their bellies full
Just as they don’t pay attention to the victim mentality they have left behind.

To say that this is just true is a complete understatement. Not only does this apply to the industry in Korea, but it also happens in the music industry across the board in any given country and any franchise, big or small. There’ll always be the big guys who will forever step all over the little guys, until they get to not just the top but the very tip top of the chain. It doesn’t matter how they do it or how long it takes them to do so because it’ll just be a matter of time before they’re able to push their way up to where they think they belong, to live a lavish life and what not, while you’re stuck doing the dirty work. Yongguk didn’t hold back in AM 4:44 and I’m more than positive that he could’ve said so much more but that’ll probably be for another track.

When you’re feeling the loneliest and having a hard time from this world,
I will pat your shoulder you can lean into me then.

One of the worst feelings one can experience in life is loneliness; the feeling of emptiness and abandonment. There are those who can be in a room filled with people, whether it’s friends or family, but rather yet, feel like they’re surrounded by strangers, and feel like they’re the only ones who exist, or there are those who literally have no one, those with absolutely no shoulder to turn to and cry on. Even though Yongguk is filled with anger, his arms are still wide open. He’s thinking about those around him; those people who have stuck around, whether it’s his B.A.P members, his family, the fans, or just people who care enough, in general. Yongguk wants to break this cycle; he’s dealt with a few bad apples in his life and if possible he’d like to help someone else who’s been dealt a bad deck of cards if he can.

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I for one am a BABY and I’ve followed B.A.P since the beginning. And as BABY and as appreciative as I am of all their constant comebacks, World Tour’s, and all the hard work, time and labor that these guys put it, much like many other groups out there, I’d be lying if I said that I didn’t expect for all of this to happen one day. It’s unfortunate that it happened, but I’m glad the members decided to file the lawsuit as a group. I guess you can say that AM 4:44 was a sudden treat to the BABYZ, but it’s also a song that is jammed back with extremely powerful messages.

I am just doing my thing, everything is going to be alright.

What are your thoughts on Bang Yongguk’s AM 4:44? Do you think everything’s going to be all right? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.