When K-Pop Lineups Change – 9 Muses

Since their debut in 2010 Nine Muses have gone through eleven changes to their lineup. Only three original members remain to this day and yet they continue to promote. The group’s latest single Drama is actually their most successful to date. Changes to group lineups are not uncommon in K-pop and have had varying effects on each group that have had to deal with it. The effects of these changes do not only affect the group though, as fans see their favourite group being dismantled and rebuilt within a short time. This can change their perception as they feel a loss of essence in the group.

First and foremost, losing a group member is always hard. Whether it’s the most important or least important member, their loss will be felt immediately in the live performances. K-pop performances are built around perfectly synchronized choreography where each person has their part to play. When one of these people is taken out, the system must be broken down and built up again with other members taking over. Whether the group leaves a gap in their dance like 2PM post-Jay Park or reboots it like EXO after Luhan and Kris left, the difference is palpable.

Fans watch their favorites perform but notice new movements or gaps in the dance. What was once one of the most fluid things known to pop music becomes jarring. The K-pop dance changes.

Of course, the majority of groups move towards replacing their lost member before they even have to think about rejigging their choreography or line distribution. Most companies have floods of trainees desperate for their chance to shine in the company’s flagship group. Each of these trainees will be as talented, beautiful and charming as the members that were chosen to debut in this group. Despite their readiness, plugging the trainees into an already established group has difficulties that have nothing to do with talent.

Also on KultScene: Why You Should Give ‘Blood’ A Chance

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Why You Should Give ‘Blood’ A Chance

KBS 2TV’s newest drama Blood about a vampire doctor just premiered in Korea this week and received mixed reviews from local and foreign audiences. The criticism focused on the allegedly bad acting of the lead actors, Gu Hye Sun (Jan Di from Boys Over Flowers) and Anh Jae Hyun (Cheon Song Yi’s little brother in My Love From the Star), and the similarities to the Twilight saga.

And while there is some validity to these statements (like the resemblance to some details in Twilight), there are also many more as to why you should give Blood a chance. The drama is only at its second episode, so all it needs is the opportunity to let the plot develop a bit more, which is, at the minimum, intriguing.

[Spoiler Alert: Some details of the story will be revealed]

From the first two episodes, here’s what we know so far: Ji Sang (Anh Jae Hyun) is a vampire who works at a prestigious hospital as a surgeon, but is able to quench his thirst with the help of a pill. Yoo Ri Ta (Gu Hye Sun) is also a surgeon at the hospital (we still don’t know a lot about her). However, the story revolves around Ji Sang looking for the origin of his vampirism disease in order to develop a cure, and clues he has found have directed him to this oncological center.

The vampire-fantasy Korean drama is anything but a novelty (Vampire Prosecutor, You Are My Vampire), with many of these riding on Twilight’s immense popularity when they aired. However, while the Cullen’s hype has long died down, we’re left waiting for the next big vamp story. Because Twilight is not the first vampire story to be hugely popular; vampire stories (Dracula, Interview With a Vampire) have always had a certain appeal to them, and like any trend, they come and go. Blood just might ignite that interest this year.

Also on KultScene: 6 Sides To ‘Kill Me, Heal Me’

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Artist Spotlight: Fromm

Fromm has been on the Korean Indie scene since 2012 when she released a digital single album titled Wasn’t it Love. Since then, she has released a full-length album and two digital single albums. Fromm’s musical abilities and vocal strengths are present throughout her songs, showing different vocal tones on her songs. She sometimes even sounds similar to female Western singers, but aside from those brief instances, Fromm’s vocals are her own. She doesn’t sound like any one person.

Also on KultScene: Cosmetic Hallyu: Glow Recipe Helps Understand Korean Skin Care

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6 Sides To ‘Kill Me, Heal Me’

The MBC drama Kill Me, Heal Me, is, like most Korean dramas, about a man and a woman and the struggles that they go through in order to have their happy ending. Unlike many other dramas, Kill Me, Heal Me is about a man who struggles with multiple personalities, and the doctor who tries to help him find out the source of his mental disorder. Romance is a constant part of the plot, but there are multiple aspects to Kill Me, Heal Me that gives the show both depth and humor.

6. Storytelling At Its Best

Kill Me, Heal Me keeps the viewer on the edge of their seat, not just because of the twist and turns in the plot, but because of the way that the story is depicted. The writer behind Kill Me, Heal Me is Jin Soo Wan, who won an award for the screenplay of the 2012 drama, The Moon Embracing The Sun. Just as in that drama, Kill Me, Heal Me is told in a way that draws the viewers in, mixing seriousness with humor to create the perfect tone. Each episode has a memorable moment, where the viewer is expected to just pause for a moment and recognize that a seemingly simple line is actually a key point in the plot. Not all is as it seems in this drama, but the twist and turns seem natural, thanks to the scriptwriting.


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MYNAME’s ‘Too Very So Much’ Music Video & Song Review

Since debuting in October of 2011, MYNAME has spent a majority of their time promoting in Japan. And after 19 months, they’ve finally released their 2th Korean mini album with the title track Too Very So Much.

Setting/Theme

MYNAME’s ‘Too Very So Much’ Music Video & Song Review

via Tumblr

The entirety of the music video was filmed inside, on numerous sets. The first set depicted a street scene featuring a very empty street, in which one of the rappers JUNQ is seen walking along until he passes by a beautiful lady, who is played by super model Kim Jin Kyung. Due to passing out from her beauty, the following sets that were used in the music video featured the other members working in different departments of JUNQ’s brain to wake him up from his unconsciousness.

Also on KultScene: Zion. T & Crush’s ‘Just’ Music Video & Song Review

Meaning

Love and peace, I need you
Fashion and style, you’re perfect to me
I may seem like a crazy person but trust me
My head hurts because of you
Who are you to reject me? I’m a pretty good guy
Now stop shaking me up, my head, head, head

MYNAME sings about love at first sight and being head-over-heels in love with their utmost ideal type. At certain parts in the song, it almost feels obsessive and sounds like a stereotypical love song. But because the members throw in some humor, Too Very So Much strayed in a different direction.

Videography

MYNAME’s ‘Too Very So Much’ Music Video & Song Review

by rocking-girl

Not only is the song funky and fun, but the video itself is very entertaining. There isn’t a dull moment throughout the entire music video. Starting from the moment when JUNQ laid eyes on Kim Jin Kyung, to when the rest of MYNAME jumped out of that whacky ambulance and tried to resuscitate JUNQ (remind me to never try and seek medical attention from these guys in real life), right down to their groovy choreography, Too Very So Much entertains.

Styling

From their amusing hairstyles to the member’s silly make up (JUNQ’s freckles) and their boisterous outfits, everything went hand in hand with their already loud and enjoyable concept.

Also on KultScene: Is CL Collaborating With Grimes For Her American Debut Album?

Overall Thoughts

MYNAME’s past music videos have been very sad, heartbreaking, and, on some occasions, violent, so I was very impressed at how upbeat Too Very So Much is, and how hip hop was such a big influence in this production. It’s been a long awaited 16 months for all the MYgirls out there who have been waiting for the group’s Korean comeback, and I’m sure that this song was a pleasant surprise for all the fans. From beginning to end, you can witness the joy and pure happiness from these boys, even more so in their live performances. They definitely delivered with this comeback and I can’t wait to see what 2015 will bring them!

MYNAME's 'Too Very So Much'
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How did you like the music video and song? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Playlist Sunday: ‘90s Jams

The ‘90s were a monumental period for K-pop. Idol groups were just beginning and hitting it big with the teenagers and younger generation of the time. Aside from the popularity of the singers, the music, clothing, and music videos perfectly depict the trends of the ‘90s in South Korea, which was similar in different parts of the world too. Many of us at KultScene grew up in the ‘90s and still remember the sounds and styles that will always create a nostalgic feeling. Get ready to be transported back the decade of the ‘90s.

I began listening to K-pop well into the 2010’s, so my ‘90s Korean music knowledge is limited to singers who used to be part of groups or obscured images that sometimes come on variety shows. So for this week’s playlist, I had to do some digging and decided I would start with some lady I had seen in a recent Roommate episode. As it turned out, that woman was S.E.S’ Shoo, and Sunny and Youngji made a big deal out of dancing to her song, I’m Your Girl. When I looked it up, the song sounded and the music video looked like all the Mexican and European girl groups I loved back in the ‘90s — the hip hop and pop hybrid beats paired with soft vocals, the cutesy, funky choreography. I just knew that if I had known of S.E.S back then, I would’ve liked them too. Even if you don’t know I’m Your Girl, like me a day ago, everything about it evokes nostalgia and sounds familiar to all us ‘90s kids.

— Alexis

Also on KultScene: YA E-Sports Novel ‘In Real Life’ Shows The Dark Side Of Korean Trainee Life

g.o.d’s debut song To Mother is what made them a group known for its heart wrenching lyrics. Every child has felt this way at one point, when they’re thinking back about the times when they acted bratty towards their mother. g.o.d sings about being a son of a single mother who cannot afford a lot of food and who works hard and belittles herself because of problems that he causes. But before he can ever say “I love you,” she dies from exhaustion. A song that everyone can relate to, g.o.d’s To Mother is one of the most poignant K-pop songs from the 90’s.

–Tamar

Nothing brings me back to my childhood better than the sounds of the ‘90s. And H.O.T’s Candy is no exception. The music, the clothes, the synchronized dancing embody all that makes a boy band from the ‘90s amazing. Not to mention that H.O.T is credited as one of the first idol groups in K-pop. The song itself boasts catchy beats and lyrics that many still enjoy listening to today. From the video, it’s easy to tell that during the time of ‘90s Western boy bands, such as NSYNC and the Backstreet Boys, Korean boy bands (like H.O.T) had similar clothing and music styles. Even if you weren’t familiar with this group during their time together, Candy will bring you back to their heyday and help transport you back to the ‘90s.

— Tara

Park Jin Young’s Honey became a sensation in 1998. It was part of JYP’s fourth album, and the music video went to become iconic. The song has an R&B and soul feeling that makes the song to sound still modern and still influential. SM Entertainment even tried to recreate this mixture of sounds with TVXQ!’s Something. JYP’s lyrics are always very catchy; he surely knows how to make a hit song. The ‘90s were all about experimenting with music, especially in pop music. Each band was trying to create their own unique sound, and JYP managed to create his own staple sound which always evolved, but also always had that R&B influence that he loves so much.

–Alejandro

Each of the big groups from the ‘90s were responsible from some sort of style or genre permeating throughout the rest of K-pop to this day. While the cute image was popular with many groups at the time, it was Fin.K.L’s sound on Forever Love which has had a lasting effect on girl groups to come. The twinkling piano melody coupled with an orchestra or electro synth riff has become the go-to sound for cute songs ever since. It was even referenced in the very similar sounding Wonder Boy by one time After School sub-group After School Blue. Also I love the unprocessed vocals; they sound terrible, but it’s cute. It’s what all groups would sound like today if they didn’t rely on producers and MRs.

–Joe

Also on KultScene: Cosmetic Hallyu: Glow Recipe Helps Understand Korean Skin Care

SHINHWA made their debut in 1998, and Eusha! Eusha! (으싸! 으싸! ) (which was a remake of Manfred Mann’s song Doo Wa Diddy) was their second single off of their debut album. This is probably their cutest concept to date; a fun and upbeat song that gives off a bouncy feel, which will make you want to get up on your feet, wave your hands in the air and dance around continuously. As a proud Changjo, Eusha Eusha introduced me to the K-pop world, and my life has forever changed.

To portray the uplifting music, they filmed most of the music video outside on a beach. And for someone who lives in the Northeast, like myself, where there’s currently 70+ inches of snow outside, it’s fantastic because I can listen to this song anytime of the year and feel completely warm. Nowadays, it’s rare to see music videos being filmed outside, as a box concept and fancy CGI have become the norm. This video, however, gives off a more ‘real’ feel and personally, I feel more connected that way.

— Tam

What’s your favorite ’90s K-pop song? Share your faves on the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Zion. T & Crush’s ‘Just’ Music Video & Song Review​

It’s been two years since Zion. T and Crush’s last collaboration, but these guys are back to melt hearts with their soft and mesmerizing voices in Just. For many of those Amoeba Culture fans out there, the anticipation for this collaboration has been at an all time high. And since they’ll be going on tour Stateside this upcoming March, they’ll surely sweep everyone in the audience off their feet with their latest release.

Setting

​Although I wasn’t sure what to expect, I was indeed taken aback a bit. The way the teaser was portrayed and the contrast with the actual music video and song almost felt like they were telling two different stories. ​

zion.t crush just mv

via Tumblr

A majority of the music video takes place in a run down, vacant building with the classic ‘sitting in a non-moving vehicle’ shots and scenes that looked like they took place outside of a cemetery. The teaser was hard to grasp in terms of what was to come, and because of the black and white imagery, I thought the music video would portray a sad and dark image. However, the teaser’s beat was relatively uptempo and you can see scenes of Zion. T and Crush just swaying along with the music, full of positive vibes in their movements.​

Also on KultScene: 4Minute’s ‘Crazy’ Music Video & Song Review

​Videography​

​Zion. T quickly sets the tone of the song with his smooth R&B voice and, of course, we can’t leave out those various shades that he always wears. Will we ever see the day when he performs with them off? I think not. Zion. T matched his movements with the beat, from the slightest head bop, hand and brow movements, mouth covering to the shoulder leans, meanwhile still maintaining that hip hop aura.

zion.t crush mv just review gif

via Tumblr

Even if everyone watching this who are acquainted with Crush knew he would deliver on his singing, nothing prepared us for his rapping. He’s at the bottom of my list of people I’d picture rapping, but I didn’t mind it one bit! It was fresh, something different, and he did a marvelous job! The feelings that were behind the lyrics as he was rapping and singing were properly presented. ​

The artistry of this video was very well-planned out, from the locations and set-up, to the transitions between Zion. T to Crush, and that little interlude with the solo dancer and piano player, which gave off a contemporary feel. To match with the overall feel of the song and the set up itself, their outfits were very simple and chic. They incorporated that classic trench/pea coat look, with a casual yet sophisticated black attire, and casual leather and white bomber jacket.

The black and white concept added a sense of mystery to the music video, but at the same time, it was oozing with innocence. By keeping his shades on, Zion. T gives off a mysterious image, meanwhile Crush, with his baby face and sweet voice, added purity and clarity to the overall production.

crush just zion. t mv review gif

via Tumblr

Also on KultScene: Not Making The Cut On ‘No.Mercy’ Highlights Weakness Of Idol Survival Shows

​Meaning​

​​It’s a song about love, a bittersweet breakup, and the feelings that are left after everything has ended. The lyrics are direct and meaningful: ​

I don’t want your pity anymore
I don’t want to be pathetic
So I got up first
Don’t linger, I’m really okay

ziot.t crush just mv song review gif

by soo-hyuks

​It stems from being able to pull yourself together and walking away from a relationship, which was headed for a bad turn, before it was too late to leave, and to then being able to stand on your own two feet, without the weight of one’s pity holding you down. There’s so many songs out there about your stereotypical break ups and getting back together, and the hesitation that comes with all that, and in most cases, it’s usually the girl that’s in that predicament. However, I really appreciate that this song took it in a different direction and allowed viewers to see it from a different point of view.

​​Overall Thoughts

​There’s always that possibility that when two solo artists collaborate one will outshine the other, but this wasn’t the case. These two compliment each other very well; it’s almost like they’re the missing pieces to one another’s puzzles.

The music video and song weren’t over the top, nor were there unnecessary adlibs. They kept it simple, clean, but intriguing at the same time. The only complaint that I have is that it was too short! It was as if Zion. T stopped mid sentence when he finished the song, and then just left the audience hanging on, waiting for something else to happen. But that was the end!

One doesn’t think of mainstream K-pop when they think of Zion. T and Crush. K-pop is usually upbeat, energetic, and gives you automatic happy, get-out-of-your-chair, feels. But from the moment that Zion. T started singing, I felt an overpowering feeling of calmness and peace. This song reminds of me of music from Musiq Soulchild, Babyface, Anthony Hamilton, and Maxwell. You know the artist is doing something right when they’re able to portray so much emotion and feeling into a song, and make it look effortless. This is just an example of what neo-soul can do to you! This track was an amazing incorporation of slow jams, R&B, jazz, blues, and hip hop. Overall, I am beyond satisfied with this song!


Zion. T & Crush's 'Just'
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What’s your take on the song? Leave your thoughts on the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Win Korean Cultural Books from Tuttle Publishing

KultScene joined up with Tuttle Publishing to get you a taste of Korean culture. For the next few weeks, we’ll be sharing reviews of some popular Tuttle prints, starting with Lawrence Tabak’s young adult novel, In Real Life. And don’t worry, we have you covered also. Enter now to win one of four books!

Anyone in any country can participate, you just have to follow @KultScene and tweet a message about the giveaway. After that, you have a few more chances to enter by liking us on Facebook, commenting on our website, and subscribing to our email list. We will check the entries, so if you don’t meet the guidelines, you will be disqualified. Here’s the list of books you could win:

The giveaway runs from February 13th until the 20th at midnight PST. The winner will be chosen at random and will be able to choose the book they want from the list above. After the giveaway is over, the widget on this site will display the winner, as will we announce them on our social media. The winner must contact us within 48 hours by sending us an email to [email protected], otherwise, we will have to redraw.

a Rafflecopter giveaway

Good luck to everyone!

Any questions about the giveway? Want to hear about more Korean books? Leave your thoughts on the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

YA E-Sports Novel ‘In Real Life’ Shows The Dark Side of Korean Trainee Life

K-pop is popular, but eSports is the biggest cultural industry in South Korea, and Lawrence Tabak’s young adult novel In Real Life highlights the growing appeal of South Korea’s gaming industry to international fans.

The best thing about In Real Life is that you don’t need to be a fan of eSports or Korea to like the book. The story is a typical tale of the growth and realization of dreams, narrated by Seth Gordon aka GamerSeth. Seth deals with issues revolving around his family, high school, and girls before even focusing on Korea and eSports. In fact, at first, Seth is just like any other high school teenager who loves gaming. But In Real Life soon makes it obvious that is not only Seth a fan of online gaming, but he’s also an E-Sports champion.

The book introduces the reader to eSports and prevalent cultural attitudes towards professional gaming in both the U.S. and South Korea, often using Seth’s family members to represent how strange the idea of professional eSports is to America.

Also on KultScene: YG Entertainment Wants You To Know It’s Different

Seth is one of the best western players in Starfare, based on the popular Korean game Starcraft, and he gets recruited by a Korean E-Gaming team (not unlike how trainees are approached by Korean K-pop companies), set up with the gaming headphones, rig, and all the other equipment he would need for the road ahead. Seth and his brother are both athletes, but Seth’s potential career in eSports is looked down upon by his parents, who are concerned that there’s not really any money in playing video games all day. In comparison, they take pride in the fact that his brother plays league basketball, even when he doesn’t get scouted by major leagues.

The novel is about personal growth, but also about cultural differences and the shocking life of eSports athletes in South Korea. Seth isn’t exactly a trainee, but is brought on Team Anaconda almost immediately, but his lifestyle is reminiscent of the infamous lifestyle of K-pop trainees. Every moment of his life is practically planned for him, and when he gets caught in a scandal, there is outrage from his handlers.

Yes, handlers.

In Real Life shows the shocking divide between fantasy of going to South Korea to be an entertainer (because that’s really what professional athletes are) and the reality of being a professional there. I don’t want to ruin anything for readers, but Seth’s story is both illuminating and a tale of caution about the life of foreigners in Korea.

Also on KultScene: 4Minute’s ‘Crazy’ Music Video & Song Review

Want to read In Real Life? Check out our KultScene giveaway in collaboration with Tuttle Books, or buy the book on Tuttle’s website, Amazon, or Barnes and Noble.

Do you play eSports? How do you imagine Korean trainee life? Leave your thoughts on the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Not Making The Cut On ‘No.Mercy’ Highlights Weakness Of Idol Survival Shows

Starship Entertainment recently announced the lineup of seven trainees who will debut as Monsta X. However, the interesting thing is that the seven were picked through the competition show No.Mercy, but some favorites were excluded from the final lineup. While the point of any survival show is to dwindle down the competitors, Monsta X includes some picks that the casual viewer may question. The reason? Korean idol survival shows aren’t about the most talented singers or performers. They’re about forming the most perfect idol group a company can put together while showcasing the talent of more trainees than they will allow to debut. So dropping two popular trainees in the last episode makes a lot of sense.

No.Mercy began with twelve competitors, with a 13th added later on, and individuals were gradually removed until there were nine trainees competing for seven spots of the upcoming boy group. Starship Entertainment announced the final line up for Monsta X on February 11th, including rappers Jooheon and IM and vocalists Shownu, Kihyun, Hyungwon, Wonho, and Minhyuk. One of the youngest vocalists, Seokwon, and rapper #GUN (pronounced “sharp gun”) were cut in the final episode –the latter being a true shock considering #GUN was continually ranked high in the show. This writer has seen a lot of fans commenting on social media about how the whole thing was fixed, and that may be true to a degree.

#GUN & Jooheon via prince-mino

#GUN & Jooheon via prince-mino

Even though No.Mercy took viewer’s votes and judges’ opinions into account on the show, at the end of the day, it’s Starship Entertainment’s group. So if competitors don’t fit the image for Monsta X, they’re gone. Talent only matters so far when there’s many things that K-pop idols need to accomplish nowadays. And that’s what happened with Seokwon and #GUN and all of the others who were cut, for a variety of reasons.

IM Over #GUN? Idol Mentality Versus Individuality

Adding IM halfway through was ostensibly to lead to more competition from the rappers, but to this writer, it appeared that he looked like an obvious replacement for #GUN in Starship’s new group. Bringing in a new trainee seemed, at the time, to signal that Starship Entertainment had decided that Yoonho and #GUN were still not set as final members; Jooheon was ranked number one throughout the show, and as such there was never a doubt that he would debut. Although Yoonho had trained for a long time, his rap never really could compare to #GUN or Jooheon’s, which meant that he would probably be cut, which he was in episode nine.

Also on KultScene: 4 Amazing Talents To Watch For From ‘K-Pop Star 4’

This means that IM was really brought in to either force #GUN to rap better or to be included in the final lineup. #GUN is a rapper who has his own colors and strengths, but throughout the show, judges picked #GUN’s theatrical, occasionally improvised rap as a potential weakness for an idol, and his dance skills were ranked low by other trainees.

via no-yoonho

#GUN via no-yoonho

Even though viewers and the judges were wowed by #GUN’s dance skills, particularly in the seventh episode, his individuality is ostensibly a liability for idol groups, which are based on teamwork more than actual skill. IM only appeared in a few episodes, but his rap skill quickly became obvious and his personality appeared less dynamic than #GUN, who is a human firecracker.

#GUN is extremely talented, but stylistically he doesn’t really fit into an idol group. A solo debut could potentially be in his future, or, as fans request, a debut with the other trainees who lost on No.Mercy, akin to members from Team B on YG Entertainment’s own survival show, WIN: WHO IS NEXT debuting with iKON.

Hyungwon, Minhyuk Over Seokwon? Visual, Moodmaker, Maknae.

Why pick two of the three over the other vocalist? Because there are roles in an idol group. Monsta X has rappers, vocalists, and dancers, and needed the visual and moodmaker position filled.

In addition, No.Mercy did a relatively poor job highlighting the uniqueness of the vocalists’ styles. The four rap trainees (and the later addition of IM) each had their own memorable style and sound, but only a few vocalists stood out for sounding unique (Kihyun, Minkyun, and Yoosu) throughout the show. That’s not to say that the rest of the vocalists aren’t talented, but No.Mercy was weak when it came to showcasing individual vocalists.

via starshipboys

Seokwon via starshipboys

Seokwon wasn’t included despite being a strong candidate because he neither stood out nor fulfilled anything that Monsta X would be lacking if either Hyungwon or Minhyuk were cut instead of him. Minhyuk and Seokwon were competitors, and often collaborators, during No.Mercy, which meant the final cut really had to come down to the two of them.

Throughout the show, the two varied in rank, but in the final few episodes, it seemed more likely that Minhyuk would be cut before Seokwon. However, from the start, Minhyuk was shown not only as a talented singer but also as the moodmaker. Every time he was in a scene, Minhyuk set the tone and it was really noticeable. Idol groups aren’t only about singing but performing, and Minhyuk’s personality is generally warmer than Seokwon. Moodmaker tops young member any day, and it also means that Seokwon has a few more years before he has to worry about not debuting.

Also on KultScene: What To Expect From ‘Mix & Match’

As for Hyungwon, idol groups need visual members, and Starship Entertainment has continually touted Hyungwon as the most visually pleasing member. Hyungwon really didn’t shine except during a handful of moments of No.Mercy, but he was shown to have a lot of fans during scenes the show filmed in the streets of Seoul and with live studio audiences. Hyungwon can sing, but his voice is not particularly memorable; his model-like features were his highlight. He beat his opponent in the second round, but he never stands out throughout the remainder of the show. But neither did Seokwon, and in music video for the song Interstellar in the last episode, Hyungwon really showed off his skills.

So, when it comes to a survival show like No.Mercy, or even ones like YG Entertainment’s WIN: Who Is Next?, where Starship Entertainment is showing off talent but prioritizing an idol group, the picks make sense. Why leave #GUN and Seokwon hoping until the end? Because it’s still a competition and they both were in the running the entire time. But, at the end of the day, #GUN and Seokwon didn’t fit. It really was a show with no mercy, as much as some of us are saddened by the last minute upsets.

Monsta X will feature:

Jooheon- Rapper

via Taehyunggiehyung

via Taehyunggiehyung

I.M – Rapper

via jiwwon

via jiwwon

Kihyun – Main Vocalist

via shinwonseok

via shinwonseok

Shownu – Vocalist, Dancer

via bemineinseoul

via bemineinseoul

Wonho – Vocalist, Dancer

via Jiwwon

via Jiwwon

Minhyuk – Vocalist, Moodmaker

via minhyeoks

via minhyeoks

Hyungwon – Vocalist, Visual

via chubjibunny

via chubjibunny

Are you excited about Monsta X’s debut? How do you feel about the final member line-up? Leave your thoughts on the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.