WJSN’s “Dreams Come True” Music Video & Song Review

WJSN/Cosmic Girls had a pretty disappointing 2017. After releasing the best song of their short careers “Secret” along with an otherworldly concept to match their name, they turned to something more simple; “I Wish” had elements of the girl group’s concept in the music video but none in the music, and “Happy” was a complete 180 turn. Sticking to concepts isn’t something that groups should always do, and it is in fact often discouraged. But WJSN’s was perfectly pitched with “Secret.” So it’s no surprise then that they see a return to that style with their new single “Dreams Come True,” a strong return to form.


Even though it comes months later, “Dreams Come True” feels like a direct sequel to “Secret.” This time helmed by producers Full8loom, WJSN bring their unique vocal flavour to a mix of europop synths and orchestral pop. Full8loom do a good job of replicating’s style on “Secret,” combining electronics and an orchestra to create WJSN’s cosmic sound. The synths give it the classic sci-fi feeling while the orchestral elements sends it into the stratosphere.

It is clearly not a rehash though. “Secret” was decisive, an almost complete song right from the beginning. “Dreams Come True” takes more time to reveal itself. “Secret” would swap between its synths and strings within a section whereas “Dreams Come True” devotes whole sections to a particular sound, slowly adding elements to prepare for the climax. “Secret” was a song about hidden feelings, the anxiety of simultaneously falling for someone and barely knowing who they are while “Dreams Come True” is about bridging that gap, a song about gradually building the courage to give yourself to someone.

As the music begins its ascent, it is ambiguous. The girls are tasked with being the major deviations at the front of the song. WJSN have a lot of vocalists that have similar sounding voices but with noticeably different timbres when lined up. In the first verse it moves from Seola’s divinely clean voice, to then a quartet of Eunseo, Mei Qi, Bona, and Xuan Yi. Eunseo goes against the grain type by pitching high, accentuating her slightly nasally voice which meshes well with Mei Qi’s sensual whisper. Bona is more conventional and sets up the true alien of WJSN, Xuan Yi and her tiny and distinct, almost vacant voice. The sense of nervousness is clear with each one’s delivery: Eunseo complains that, “When we pass by we seem like strangers,” and Mei Qi replies, “And I hate thinking about it.”


Dawon takes advantage of the diminutive Xuan Yi to bring the power and lift the song as only she can. She represents the bubbling confidence of WJSN as she bellows, “It’ll become a miracle, It’ll pull us together, It’ll make our dreams come true so…” This line has its own weird internal rhythm. Dawon is fitting as much as she can into the bar, ignoring usual resting spots. Whether or not she is ready to believe what she’s saying, she knows she doesn’t have a choice but to trust it.

From there the chorus hits,at first with a thud and then grows as it goes on. It’s given time to breathe and slowly differentiate itself from the verse, andit finally ends with the opening signature synth which even Cheng Xiao can ride with ease into outer space.

Exy’s rap represents the biggest vocal shift of the song and the music follows her. Holding on to the electro tone of the chorus, it shifts into dubstep as Exy slows things down and opens with the ominous line, “I am in the dark.” Her rapping is nicely crisp but gets slightly more emotional as it goes on, increasing in tempo as she starts to move out of the dark. Finding courage, the beat intensifies and continually adds drum fills that changes the second verse.

The bridge’s stunning quiet moment is the highlight. It has time for four of the girls to sing variations of the same scale, while the track reduces itself to just strings, a few keys, and some beautiful harmonies. It’s a stunning moment of clarity and tension, as if the whole song was leading to this point rather than the actual climax. It contextualizes the cosmic dramas of their lives in terms of their lover’s dreams. “You and me to be drawn as a dream, it will be done as you dream,” they repeat, finding the hope of their love in the short moment of peaceful stillness among the shifting scales of the track.


Music Video

“Dreams Come True” continues one of the better visual collaborations in K-pop as Kim Zi Yong and Fantazy Lab return to direct the music video. It is definitely a sequel to “Secret” as we see some references from it including the book with the iconic phrase, “Have you ever felt cosmo inside of you?” In “Dreams Come True” the girls are separated by space and time and are faced with the threat of a giant wormhole opening up over Seoul. There seems to be human versions of themselves that inhabit Seoul and the cosmic versions who are in a heaven type area who stay connected via phones. They work together to call down Bona from her flying space bed, and she flies straight into the wormhole, destroying it.

This is all communicated much more elegantly in the video by Kim. No one is better at connecting the real and imaginary worlds with special effects than he is. He uses a large amount of smaller moments to build his world. Each image has very simple fantasy elements executed perfectly, but this formula is slightly tired at this stage. Compared to “Secret” it’s not much better or worse but doesn’t have the same surprise factor. It also has an unnecessary and ugly bluish colour grade. If they had gone for something closer to the wizarding world of the teasers, there could have been a lot of room to try new things. Kim Zi Yong’s aesthetic has worked well in a number of concepts and would have been unique enough to separate itself from obvious potential Harry Potter comparisons.


WJSN’s return to the cosmos has turned out to be as appropriately dramatic as can be though “Dreams Come True” lacks the dense, unique production of “Secret” that lends it its immediate qualities. Structurally though, “Dreams Come True” betters “Secret.” It produces an epic scale from disparate parts coming together and finally disappearing so the girls can dream clearly.

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