5 reasons to go to Hyuna’s North American tour

When first asked to write something to get people excited about Hyuna’s upcoming North American tour, I thought “what’s the point in that? Who wouldn’t already be excited to see Hyuna?” It took me while to accept that some people may not be as excited as me. After that realised that it’s really just a good excuse to write about Hyuna, a woman whom I think to be a singular K-pop artist. Few idols had carved out such a successful solo career outside of their groups quite like her. Best of all, she did it with a confidence that few others can attest to. That’s only a tiny part of the reason you should go see her, though. Let’s take a look at some more and remember as well her great career.

“It’s all because I’m the best”

Has K-pop ever topped “Bubble Pop?” Probably not. Hyuna certainly hasn’t. That’s not to say her output since her debut has been weak, of course. “Bubble Pop” is just the greatest.

Her career after it has been sharpened with every release. She has seemingly found her sound in the bass heavy electro rap of “Roll Deep” and “How’s This?” Those songs are at best, growers. I came to enjoy them for purely dance reasons after a number of listens. Performed live they’ll bring the energy but her qualities lie elsewhere.

The song that started that sound for her, “Red,” is her best after “Bubble Pop.” The brash fun of Hyuna repeatedly saying her name and the obtuse lyrics make it the best Hyuna experience. The not-even-trying-to-be-cute “Ice Cream” is a more hypnotic song; its synths whipping around the beat with a refreshing elasticity. It also contains a vocal range that Hyuna is capable of, but uses less often these days. Although, she did on recent b-side “Morning Glory,” a breezy slow jam with wonderful details. There’s a diversity to Hyuna’s discography that doesn’t get the recognition it deserves. Songs like this and “Unripe Apple” and “Get Out of My House” show a more vulnerable side to the seemingly all powerful queen that Hyuna is. Her image does her a disservice, and there’s nowhere better than on stage to make this right.

Also on KultScene: Weekly K-pop Faves: Jan. 9-15

“Red is Hyuna, Hyuna is Yeah”

Hyuna didn’t get to where she is now in her solo career purely thanks to her looks and music. She has something that few idols can match up to without help of choreography or strong vocals. When Hyuna is on stage, no matter who else is there, she owns it. Her stage presence runs through her whole performance, be it dancing or not. It’s thanks to a confidence she brings in being sexy. Sometimes we see sexy as just another concept in K-pop, something a group can try out to see if it sells. With Hyuna, it’s almost a lifestyle. Her performances and music are all based around it, and this shines through when it comes to being on stage. She really came into her own with the promotions of “Red.” It is, after all, a song about how great and sexy she is. Hyuna picks her moments, glaring down cameras or interacting lovingly with the audience. She holds off singing, or lip synching at times, to give herself a break, knowing that everyone watching understands that it’s not easy to continually sing while dancing. Breaking through the facade, we see someone who was born to be on a stage.


“There’s no meaning, They’re just dancing”

Listen to any Hyuna song and it’s obvious dance is going to be important. She is supreme, to say the least. There are few idols who carry such an ease of movement with moves like hers. Her every moment on stage is filled with clear enjoyment. A regular criticism has been that she has turned to sexy choreography too often now. Which is true, but it fails to look at her choreography as a whole. She has gotten sexier, but has simultaneously been getting more intense as well. Watch her perform the endless body rolls of “Roll Deep” and the incessant shaking of “How’s This?” and tell me that’s merely sexy.

Also on KultScene: WJSN, April, & MIXX: K-Pop girls trying to take 2017

“When I stand next to you, I’m a trouble maker”

This is really wishful thinking, but something we probably all thought about. The recent shake up at Cube Entertainment left her and Hyunseung without their flagship groups (4minute and Beast). But as many noticed, both Hyuna and Hyunseung are the only members remaining in the company. So a Trouble Maker comeback has to happen, right? That does seem likely given their success, yet we really are dreaming if we think they could appear on this tour. I want to dream for a moment, though, just to remember how great they were. Co-eds may be getting a revival now with K.A.R.D seemingly gathering buzz, but Trouble Maker are co-ed at its peak. Watching Hyuna and Hyunseung feels like you’re being told a story. They move together so closely and sensually that I can’t help but think it’s all real. Nothing would be more exciting than to see them once again burn up the stage. Also, it’s way more possible than my real dream for this tour, a Dazzling Red reunion.


“What’s wrong with going out late at night?”

Literally nothing, Hyuna, and there never will be. The best possible reason to see Hyuna is because it will be a party. Those who think she’s too trashy for their taste are missing out on a K-pop concert that won’t be like the rest. Catch her in these cities:

February 22: Vancouver @ Hard Rock Casino
February 24: Toronto @ Danforth Music Hall
February 26: Montreal @ L’Olympia de Montreal
March 1: Chicago @ VIC Theatre
March 3: New York @ The Town Hall
March 6: Dallas @ Granada Theatre
March 9: San Francisco @ Regency Ballroom
March 10: Los Angeles @ The NOVO

Are you excited to see Hyuna in the US? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Why experiencing GOT7’s Turbulence in USA fanmeet may be better than a show

got7 turbulence in usa tour fanmeet fan meeting

I never knew a fanmeet was an actual thing prior to K-pop because American musicians don’t hold such events. The closest thing to a fan meet in their eyes are those quick interactions they have with the fan(s) (you’d generally have to have bought the VIP perk/upgrade in order to even get that close to them) either prior to or after their show. Also depending on how popular the artist is, it’ll either be whilst at their merchandise table, as you’re buying their cd’s and T-shirts or an “exclusive” one-on-one, “hey how are you? I’m your biggest fan” meet and greet. Of course the actual concerts themselves are always fun; music is the best when it’s live, but there’s something about fan meetings that makes the experience a bit more memorable.

Korean artists — or in this case GOT7 — are all about those fan meets; they’re about getting that “me and my fans” type of time, doing unscripted Q&A’s, and just letting looser. At most concerts, I’m generally found standing (alike all the other attendees), even if there’s seats, but having personally gone to a few fan meetings here in the States (ahem, three GOT7 ones, in fact), the time spent sitting back in your seat and watching your idols also get a chance to sit back is rather satisfying.

Having said that, you could say I know a thing or two about fan meets and how they compare to their shows — especially for GOT7. Luckily, early next year you could have the extraordinary experience of attending one of their fan meets, since the Turbulence in USA Tour is coming to multiple cities in the country. The first stop is in Miami on Jan. 21 at the Fillmore, then it’s DC on the 22nd at Echostage. Next up is Chicago on the 25th at the Rosemont Theatre, then Houston on the 27th at Revention Music Center, and finally Los Angeles on the 29th at the Pasadena Civic Auditorium. Tickets for all shows go on sale on Dec. 17 at 10 a.m. local time, so watch out for those time zones! Prices range from $65 for the cheapest all the way to $205 for VVIP. For more information, follow the organizer’s, SubKulture, website, Facebook, and Twitter.

These upcoming fan meetings on the Turbulence in USA Tour mark the group’s third time holding them in North America since their debut in 2014. And if anything, that goes to show that other than their concerts, these work for them well. And as mentioned earlier, I’ve gone to more than a few of these in the past so I’m here to tell you the scoop of what goes down at these events and why they may be better than a show. Keyword “may,” ok?

Also on KultScene: 5 reasons to watch ‘My Annoying Brother’

Actual fan interactions

These fan meetings aren’t meant for just songs; these shows allow real time artist and fan interactions because it involves both parties’ full and undivided participation. Generally, after every two songs, there’s usually a break for questions from fans for the members, which are usually submitted the weeks leading up to the fanmeet. The Q&A sessions not only give the members a minute to catch their breath, but it’s also for them to give the fans their most genuine answers. Depending on who’s answering what question, there’ll be some sort of a reaction from the crowd and then based off of that, sometimes the members will either elaborate more (possibly telling you more than they should have), or due to embarrassment, might start poking fun at another member and then suddenly it all turns into a big laughing session.

Fan meetings also mean there’ll be time for games. Some of the games are played between the members, where they split themselves up into two teams, usually the hyung-line (older members, Mark, JB, Jackson, and Jinyoung) and maknae-line (youngest members, Youngjae, Bambam and Yugyeom). And then the others are played with some very lucky audience members. When will you ever get to stand next to your bias, within breathing distance, arm in arm, sometimes even hand in hand, other than at a fanmeeting? Although it’s all lottery and pretty much pure luck on whether or not your seat/ticket number is called, once it actually happens, you’ll never be the same. If you are indeed one of the lucky fans to be called up on stage with GOT7, keep in mind that not only are you potentially standing next to your bias in the group, not only is this your very own personal one on one time (you’ll practically be in each other’s personal bubble and you’ll probably forget that there’s hundreds of people in the audience staring on in jealousy because everything will become a blur), but try to remember that those members whom you’ve probably dreamt about having as a imaginary boyfriend, is suddenly right next to you. Yes, right next to you.

Their personalities come across more naturally

As most IGOT7/ahgases (GOT7’s fanclub) already know, Jackson and Bambam are the kings of being extra. But it wasn’t always this way! These two probably always had it in them, but it was only within the last year that they’ve gone above and beyond… unusually over the top. Actually, come to think of it, each member is relatively extra in their own (quiet) individual way. Mark, JB, Jinyoung, and Youngjae are extra but in a rather discreet and sly way, and Yugyeom, well, he’s just a rebel. However, that’s totally fine; it’s what makes them them. It took them a couple of years to break out of their shell but it’s no big deal. Every member of GOT7 has found their groove, stepped into their own element and have figured out what suits them.

These fanmeets have been a great opportunity and I believe a great learning curve for the guys to show to kind of figure themselves out, even if it’s not totally 100 percent right now. These meets are a great platform for them to show off their quirky, goofy and boisterous sides; it’s a great way for the fans to see first hand and understand the members better, which will result in a better connection. With Jackson and Bambam’s love for MCing, you can bet that if even there’s nothing left for the actual MC to say, those two will fill in the silence.

Games seem lame, but they’re not

Do you ever find yourself binge watching every video known to man that your favorite group has ever gone on or been featured on, from music to variety shows and especially the groups’ own web series? On most of these shows, the variety ones especially, there’s always a segment, whether brief or extended, of them playing a game. It can usually range anywhere from a simple game to an extensive game of kai-bai-bo (rock-paper-scissors), girl/boy group dance covers, speed dance challenges, the showcasing of a special (sometimes weird) talent, which would then result in the winner flicking the losers in the forehead or hitting them with a rather hard plastic toy hammer.

Although none of the members have been hit or flicked at any of GOT7’s fanmeets here yet, these guys make sure to bring laughter to the crowd with their mischievous gaming tactics.

For example, instead of playing the typical games that they’re probably all so bored of and used to already, at the group’s recent fanmeets in Vancouver and Toronto this past November, they had the crowd roaring in screams from enjoyment at their onstage gaming shenanigans. The panicked faces they’d make as they’re running away from an inflating balloon, to their quivering hands as they played the “what’s in the box” game is priceless. It’s one thing seeing these games being played and laughing at monitor but it’s on an entire different level when you’re able to laugh at the outcomes, in front of you, as it’s happening in real time.

Also on KultScene: B1A4’s ‘Good Timing’ Album Review

More relaxed performances

Although it’s still a day of work for these guys, the “free” moments that they get to sit on stage and converse with the crowd during a fanmeet, are probably the only moments where they’re able to somewhat catch a breather. There’s fewer songs to sing, less choreography to remember, more time to “chill,” even if they’re not actually kicking back on the couch somewhere, it still gives them a little time to rest. Of course, just like any other job, there’s still an urgency to do things a certain way. There are guidelines and rules that they must stick to when performing, but like the name states, fan meetings are meant for the fans. In order for the fans to enjoy, GOT7 needs to also be enjoying it.

Not to say that the members are less strict on themselves at fanmeets, but it does however allow them more freedom. Freedom as in, if they’re doing or saying something that’s apart of the script and suddenly there’s an outburst or some sort of feedback from the crowd, perhaps a fan screaming out “Bambam, dab!” and he does reacts to it by doing so, and the other members follow, they don’t feel the pressure of needing to jump right back into the script. Fan meetings leave room for them to joke around, more than usual, prancing around the stage, acting all sorts of willy nilly, acting like how they probably would back at the dorm.

Just because there’s fewer songs and less choreography doesn’t mean that they don’t try just as hard as they would with a 15 song set, fan meetings help relieve any extra pressure that they might have. And like Bambam and Yugyeom like to say, it allows them to take it “eaaasy”.

The closest we’ll ever be to an Asia-like fan meet

I’m sure you’ve all seen photos and fan cams of GOT7’s fan meetings in Asia, especially the most recent promotional ones in Thailand this past summer. Sure, we might not be getting those long eye to eye stare offs as we link fingers type of fanmeets, or the ones where the members are hugging you from the side, back, and all sorts of angles. And as much as overseas fans would love to get that same fan service that some of the Asian countries get, we’re just as grateful for the enjoyable fan meetings and effort that GOT7 always puts in. No, but really. When will that ever happen here and when will my bias and I lock fingers?

Subkulture delivered a successful GOT7 US tour this past summer so we can only expect that the fan meeting in January will be just as entertaining! You’ll probably think I’m being repetitive when I say this, but truly, the memories that you leave a fanmeeting with will linger on and stick with you for a lifetime. Whether this will be your first time attending a fanmeet or maybe you’ve already gone to one, or two… or five, you can expect to leave the venue that night yearning for more of GOT7.

Are you planning on hitting up one of the stops in GOT7’s fan meet tour? Share with us what you’re looking forward to see in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

5 rising female acts at Zandari Festa ’16

Zandari Festa 2016 Female Musicians Spotlight

While South Korea is musically known for “Gangnam Style” and K-pop, the country has a burgeoning indie scene based in Seoul’s Hongdae neighborhood. Each year, Zandari Festa brings a bevy of Korean and overseas musicians to the area to perform around town at the Korean Peninsula’s closest thing to SXSW. This year, Zandari Festa will take place from Sept. 30-Oct. 3 and feature a lot of acts that we know and love, like Love X Stereo, Patients, The Barberettes and more.

Since the festival began in 2012, it has been integral in showcasing some of Korea’s best lesser-known talent so we always love to take a look at the roster to see what musicians we should be listening to. Like many music festivals, and music industries, throughout the world, Zandari Festa is geared heavily towards male and co-ed music acts, so we decided to highlight some of our favorite female Korean indie acts who will absolutely slay the audiences at this year’s Festa.

Sweet Revenge

What happens when you combine the spunk and beauty of Girls’ Generation with the rock flair of CNBLUE and Day6, then actually let them create their own music? Sweet Revenge. The most idol-like of all-female acts at this year’s Zandari Festa, Sweet Revenge is pop-rock quartet. Even though they look like any other K-pop girl group out there, Sweet Revenge writes all of their songs and plays live. In heels! Their more recent songs, like last year’s “Fly High,” feel like a hybrid of J-pop, primarily thanks to the lead vocalists high-pitched vocals, and American alternative rock.

Sweet Revenge will perform at Evans Lounge at 5PM on Oct. 3.

Also on KultScene: Retro-Inspired Girl Group The Barberettes Makes Music in a K-Pop World [Interview]

Shin Seol Hee

The folk-pop singer-songwriter Shin Seol Hee released her first album in 2013 and since then has released an album and several singles. Her sound primarily revolves around strumming guitars intertwined with other sounds, such as the lilting chimes and electronic elements like what was heard on last year’s “Circle.” She has a breathy voice with a surprisingly strong tone so hearing her sing is a sheer pleasure. Her latest single, “Another Season,” was released just this week (Sept. 19) so take a listen ahead of Zandari Festa.

Shin Seol Hee is performing at Veloso on Oct. 2 at 5PM.


After changing her name from STQ Project, Kirara’s become a fan favorite and is rising as a Korean electronica darling. The electro-pop tunes that the producer has put together are sprinkled heavily with 8-bit blips and modern rock and dance sounds to create a style that’s very much of the moment while still sounding like it came out of an ‘80s arcade. Anybody who is a fan of Clazziquai Project will certainly fall in love with her sound. Definitely go listen to her.

Kirara is performing at Steel Face on Oct. 3 at 5PM.


If you’ve ever watched a Korean drama, there’s nearly always one song on the soundtrack (OST) that is a dreamy tune with comforting words sung softly over the melody. Earip’s moving ballads sound exactly like that and have ever since she released her first album in 2005. The folk singer released her fifth album, Exile, earlier this year with the music video for the single. Our personal favorite is the sweet-sounding “뒷일을 부탁해” from 2013.

Earip is performing at Steel Face Rooftop on Oct. 3 at 6PM.

Also on KultScene: Puer Kim discusses her return with ‘Gem,’ inspiration & loving her body


Like Kirara, Aseul is a rising star in the Korean electropop scene but Aseul’s music is more ethereal than Kirara’s playful sound. Her latest single, June’s “Fisher,” is a trance-filled earworm that takes nearly two minutes before Aseul’s vocals join the fray. Previously known as Yukari, Aseul has produced a variety of music since 2014 and this will be her first time at Zandari Festa with the new moniker. If you’re in the area, definitely check her out. (And tag us in the videos so we can pretend we’re experiencing her sound too!)

Aseul is performing at Steel Face on Oct. 3 at 7PM.

What do you think of these acts playing at Zandari Festa? Whose set would you like to attend the most? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook,Twitter,Instagram, and Tumblr to keep up with all of our posts.

Fave songs performed at Dok2 & The Quiett’s NO RE$T Los Angeles stop

dok2 the quiett no rest no re$t tour us 2016 los angeles la

by Jean Libert

For the second time this year, Illionaire Records CEOs and rappers Dok2 and The Quiett got Los Angeles lit with their NO RE$T tour on July 29. Set at Koreatown’s staple The Wiltern, the rappers performed almost 30 of their most popular and recent hits after being introduced by their friend, the jeweler Ben Baller.

But before the show, Dok2 and The Quiett gave a quaint press conference and gave their curt yet solid input. On the state of K-hip-hop’s globalizations, The Quiett, in English, said they felt good about it. Dok2 resonated the sentiment, “We feel good, we feel thankful, it will get better and better. I don’t know, we don’t think that deep. We’re just enjoying it,” he said with a laugh. The Quiett shared he’s working on his new LP, which will come out later this year. When asked to describe their music, “I don’t know, it’s up to [the listener],” Dok2 answered a bit dismissively. However, The Quiett jumped in and called it “positive hip-hop.” At this, Dok2 added, “we don’t do negative shit, we only do positive shit.”

Dok2 said he wasn’t working on collabs with anyone while in LA, “only food [and] shopping.” Moreover, he shared he didn’t have anyone in mind from Korea he wanted to collaborate with or plan on bringing anyone new into Illionaire. However, when asked about the possibility of releasing a collab album with AOMG Records, Dok2 said: “… Jay, we grew up together. Since 2010, we’ve been doing a lot of shit together. So AOMG and Illionaire is like a family. We’re not like business partners or nothing, we just [collab together]. But an album — when it comes to an album, it’s a business, so, we don’t know.” He said he’d be down to work with anyone in the US though, but shared he doesn’t know yet if he’d try to break the market here. “It’s hard to discuss it, when we’re talking about marketing, it’s just different,” explained The Quiett. Dok2 stated they weren’t going to rush.

dok2 the quiett no rest no re$t los angeles 2016 la

by Jean Libert

Another topic of interest was the fact that they were playing at an iconic Los Angeles venue. Dok2, true to brand, commented on their performance: “We don’t do nothing special. Just, you know, feel some LA vibes. Connect with each other.” A terse response, but a true one nonetheless. Without any gimmicks or even long talks with the audience, Dok2 and The Quiett put out a fun yet casual show, in the sense that it felt as if you were turnin’ up at a club with your favorite songs. And as previously mentioned, the rappers performed well over 25 songs, so here’s a recap of our faves.

Also on KultScene: Inside KCON 16 LA [PHOTOS]

“Beverly 1lls”

Kicking off things quite appropriately given the locale, the rappers started out their show with the newly dropped “Beverly 1lls.” Echoing from a darkened stage, Dok2’s omnipresent voice boomed from the speakers before diving into the chorus and before he came out on stage with The Quiett. Even if the audience didn’t know the verse (though doubtful since it was filled with fans), the repetitiveness made it easy to sing along to — just like everyone seemed to be doing, which prompted Dok2 to point his microphone at the audience. This tracked also marked the first dab of the night by The Quiett.

dok2 the quiett illionaire no rest tour los angeles 2016

by Jean Libert

“2 Chainz & Rollies”

This classic Illionaire song got even Dok2 dancing early on in their set. Not The Quiett though. He was more into stuntin’ and spitting his verses. As for the crowd, however, hands and glow sticks went up in the air as soon as the first beat dropped.

the quiett illionaire no rest tour 2016 los angeles

by Jean Libert


Even without frontman Beenzino, the Illionaire CEOs delivered a lit performance of “Profile.” And given the fervor with which the crowd sang the chorus, it’s no surprise that they keep this track in their set list.

dok2 the quiett no rest tour 2016 illionaire

by Jean Libert

“1 Life 2 Live”

“Put your motherfucking hands in the air,” commanded The Quiett before delving into “1 Life 2 Live.” After mostly delivering Dok2’s punch lines or choruses, this song marked the moment when The Quiett became fiercer than in the previous songs.

the quiett no re$t tour los angeles 2016 no rest

by Jean Libert

“Future Flame”

For the first few bars on “Future Flame,” Dok2 spit acapella before the beat kicked in and further proved why the snapback that read “Rapstar” was well suited for him. The Quiett, of course, sat this one out and uttered an “aye” and “yeah” here and there and repeated punch lines and hooks.

dok2 no rest tour 2016 los angeles illionaire

by Jean Libert

“Rocking with the Best”

Like many of the songs that feature all three Illionaire Records artists, the performance of “Rocking with the Best” was cut short given Beenzino wasn’t around for his part. And even if his presence would’ve been nice (hint, hint future production companies), Dok2 and The Quiett, with their signature blase demeanors, carried the track on their own.

dok2 the quiett illionaire no rest tour 2016 los angeles

by Jean Libert


One of the –if not the most — most hyped songs of the night was another Illionaire classic and fan fave, “YGGR.” Typically, English hooks and choruses are what get the most response from the audience. Not this track though. From the pit all the way to the second story terrace, everyone was singing the famous hook and jumping around as it gained momentum. The crowd was so loud that Dok2 and The Quiett largely let them sing the hook and they just went about the stage doing their own thing.

the quiett illionaire no ret tour 2016 los angeles

by Jean Libert

Also on KultScene: KCON 2016 LA’s M! Countdown Day 2 Concert Recap


As one of Dok2’s most recent releases, the crowd received it with hands in the hair and intense vibing. At the hook, when the rapper asks “Is it ill?” fans replied with a roaring “Yeah,” showing just how intense the connection was between them and the performers.

dok2 no rest tour los angeles 2016 illionaire

by Jean Libert


Another song missing its main attraction (cough, Zino, cough) that was a surprising addition to the setlist but much appreciated was “L4L.” You know, that one song that helped Bobby win Show Me the Money 3 under Dok2 and The Quiett’s wings. Just like with “Profile,” “L4L” takes on a new form performed just by these two rappers becoming more hard hitting and, well, even more swagged out.

dok2 illionaire no rest tour 2016 los angeles

by Jean Libert

“I’m 1LL”

Announcing it was the last song of the night, Dok2 gave shout outs to openers Junoflo and KillaGramz, before they came on stage to join them for “I’m Ill.” For this performance, the pit turned out to be the soak zone, since many water bottles were thrown throughout the whole song, especially during the hook. At one point, rapper Dumbfounded also made his way onto the stage to dance and vibe around with the rest. And after making the crowd sing out the lyric, motherfucker I’m illlllllllllllll, as everyone was wilding out, Dok2 and The Quiett, with Illionaire hands, bowed out the stage (after taking the mandatory selfie with the audience, of course).

the quiett killagramz junoflo dumbfounded no re$t no rest 2016 los angeles

by Jean Libert

Just as “Beverly 1lls” had been the perfect opener, “I’m 1ll” was the most appropriate closing track because a) it resumed what the rappers and the performances were like and b) it left everyone with an adrenaline rush.

Honorable Mention

This one’s neither a Dok2 nor The Quiett song. The bonus song on this list goes to Junoflo, who opened the show with a few of his tracks. Despite him premiering a couple of songs at NO RE$T, his performance of “Flo” was a highlight. He commanded that stage like if he were part of the Illionaire crew — plus the crowd received him with arms open. It was a cool contrast to see Junoflo all smiles and thankful for the opportunity to play The Wiltern while Dok2 and The Quiett were their nonchalant selves. Junoflo’s positive energy was infectious and set everyone in high spirits for the main show.

junoflo no re$t los angeles no rest tour illionaire

by Jean Libert

What are your favorite songs by Dok2 and The QUiett? Share your picks and thoughts with us in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Inside KCON 16 LA [PHOTOS]

kcon 2016 la los angeles 16 convention

Courtesy of CJ E&M

With each installment, KCON outdoes itself, and this year was no different. Held for the second year in a row (fifth in total) at the Los Angeles Convention Center, KCON 16 LA Presented by Toyota received 76,000 fans throughout July 29, 30, and 31 and pre-registration for the convention doubled from 2015. This year, the event expanded from the typical K-music and K-drama related booths and activities emphasis and hosted more diverse booths and panels including beauty, food, and gaming booths, which allowed con-goers to entertain themselves with far more options than previous years.


kcon 2016 los angeles 16 la convention

Courtesy of CJ E&M

Walking into the convention hall, the first thing you saw was the Toyota stage featuring dancers (and occasionally idols like GFRIEND who showed up on the second day) and the Soompi booth where you could spin a wheel and walk away with “K-pop Trash” swag. And then you were accosted by every possible product remotely related to South Korea on display at the booths filling up the room.

flower boy cafe coffee shop kcon 2016 los angeles la 16

by Yasamine Entesari

You wanted snacks? You could pick up chocolate ab lollies at the Dramafever booth or stop by the SnackFever booth for some trendy snacks like Pepero cookie sticks or Crunky chocolate bars. And, if you were lucky enough to book a time slot, you could get some food at the Flower Boy Cafe. Yes, a cafe where handsome looking men would go out of their way to make the customers happy.

But maybe you wanted clothing? If you went to the Celeb Shop to pay a few dollars, picked a random number, and got a bag filled with some snazzy clothing. And the bag? It had Monsta X’s logo on the side so it looked like a whole lot of Monbebes (Yup, that’s what Monsta X’s fans are officially) were walking around KCON this year. And of course, we can’t forget the little sprout and flower hairpieces Bibigo was giving out as KCON jumped on the trend.

Also on KultScene: KCON 2016 LA’s M! Countdown Day 1 Concert Recap

And, of course, we can’t forget about the K-beauty. Don’t worry. There was a whole “beauty block” especially for beauty booths with a different makeup or skin care product in every direction you looked. K-beauty fave brands like The Face Shop and Etude House were readily available, while stores like Glow Recipe, Soko Glam, and Meme Box were also selling goods. And if you stopped by NYX’s booth, you could get a free application of lipstick or eyeshadow and walk away with a full-size sample or two (or even three).

kcon 2016 los angeles la 16 soko glam

by Yasamine Entesari

This year, the convention stage was a bit more active than last year, hosting live bands, aegyo battles, and live beauty tutorials. On Friday, KOCCA (Korea Creative Content Agency) hosted K-Pop Night Out featuring indie bands Dead Buttons, Love x Stereo, and Sultan of the Disco. Despite a few hiccups with the sound and an initial low turnout, by the end of the show, the indie bands had drawn a very specific crowd (mainly older than your average K-pop fan and corporate Koreans) and made everyone there dance and sway.

love x stereo k indie korean kpop kcon 2016 16 la

by Yasamine Entesari

Another new thing this year was the debut of KCON.TV, a video platform and online community that live streamed KCON throughout the whole weekend. In addition to stream the concerts, KCON.TV also aired interviews with celebrities conducted by popular YouTubers like BapMokja and Haeppy. Their booth at the convention also hosted mini meet and greets with YouTubers and even Justin Kim, an ex-contestant on America’s Next Top Model.

sultan of the disco k indie trot disco korean kcon 2016 16 los angeles la

by Yasamine Entesari

Panels & Workshops

The panels at KCON LA were more diverse than ever this year, with directors of dramas in one room chatting about their inspiration as K-beauty gurus gave people tips in another and YouTubers performed dance covers in another. Want to learn Korean? There’s a workshop or two for that. Want to hear what it’s like producing for idols? Yup, you guessed it. Any and every sort of topic relating to Korean pop culture (films, music, television, etc.) were covered at the second half of the con.

The only downside of this year’s panels were that they were a far walk and additional security check away from the main convention hall, meaning that people had to make quite the effort to go and access them.

Red Carpet

danny im kcon 2016 los angeles la 16

by Alexis Hodoyan-Gastelum

The second day of KCON’s convention came to conclusion with the red carpet ahead of that night’s concert, hosted by first generation idol Danny Im. And boy did the stars come out to talk to. Beginning with the handsome Lee Minho himself, the crowd was full of cheers for one of Korea’s top actors as he expressed his delight at meeting LA fans and his desire to go surfing, just like his character did in 2013’s “The Heirs.”

lee min ho kcon los angeles 2016 la 16

by Alexis Hodoyan-Gastelum

Next up was another solo male, but this time it was the relative newcomer DEAN, who had just finished his fanmeet a few moments before. The endearing singer-songwriter also had a warm welcome from the crowd as he posed like a rockstar (sticking out his tongue and all), especially as he broke into a quick rendition of his song “21.”

dean kcon 2016 los angeles la 16

by Alexis Hodoyan-Gastelum

Following the men were a gaggle of girls, namely I.O.I (11 members) and GFRIEND (6 members). The two girls groups clearly won over the hearts of the audience. I.O.I’s Somi, who is half Dutch-Canadian and half Korean, did most of the talking for the group and expressed the team’s happiness at being at KCON so shortly after their debut. GFRIEND, decked out in light pink gowns, expressed similar feelings. (They would both excite the audience later that night with their dance-pop songs).

i.o.i ioi produce 101 kcon 2016 los angeles la 16

by Alexis Hodoyan-Gastelum

gfriend kcon los angeles 2016 16 la

by Alexis Hodoyan-Gastelum

After the ladies left the stage, Danny, who was part of 1TYM, reunited with once-rivals (well, at least they both were angling for top place in the late ‘90s) Turbo. Turbo’s Kim Jong Kook (yes, Running Man Kim Jong Kook) and Mikey did most of the talking, but the older act definitely surprised with their playful personalities.

turbo kcon 2016 los angeles la 16

by Alexis Hodoyan-Gastelum

Ending off the first night’s red carpet were two SM Entertainment acts. f(x)’s Amber, who was performing at KCON solo for the first time, received a huge warm welcome, which may or may not have had to do with the fact that a) she’s a fan favorite b) she’s from LA. SHINee, that night’s headliners, then came on to end the red carpet with their winning smiles and every glance they took had a fangirl fainting in the audience. (Not really, but the screams were insanity).

amber f(x) kcon la 2016 los angeles 16

by Alexis Hodoyan-Gastelum

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KCON 2016 LA’s M! Countdown Day 2 Concert Recap

bts kcon la los angeles 2016 16 m countdown

Courtesy of CJ E&M

If KCON’s first concert night was amazing, there was little to prepare attendees for the pandemonium that was day two. For the second and final night on July 31, fans were treated to a first-rate show filled with the hottest names in K-pop at the moment: BTS, TWICE, Girls’ Generation TTS, Monsta X, Eric Nam, Davichi, and Astro. In total, the fifth edition of KCON drew 76,000 fans and sold out both M! Countdown shows at the iconic Staples Center. KCON LA 2016 Presented by Toyota’s second concert night proved that K-pop is no longer reigned by the second generation groups. It is a new era in K-pop and fans in the U.S. are ready for it.

For the pre-show, indie act Echae en Route graced the stage with their delicate performance. But the unexpected yet incredibly entertaining performance was presented by Xplore Taekwondo Team, who flew and soared on stage with their fierce moves, kicking boards ten feet on the air. The crowd cheered and clapped so loudly for them, it was as if they were the stars of the show. And in that moment, they were. BTS, who?

monsta x kcon 2016 16 m countdown la los angeles

Courtesy of CJ E&M

With the crowd’s energy hyped up, Monsta X opened the main show with a solo performance of rapper Jooheon’s “Yessir.” Spitting fire, the rest of the members later joined him and delved into energetic and — dare I say– sexy performances of “All In,” “Hero,” and “Tresspass.” Monsta X may have opened KCON’s M! Countdown for a second year in a row, but unlike last year when they were a couple of months into their debut, their devoted fans were present and bopping to all of their tracks. Monsta X is, indeed, a group to watch out for…

astro kcon 2016 los angeles la 16 m countdown

Courtesy of CJ E&M

Also on KultScene: KCON 2016 LA’s M! Countdown Day 1 Concert Recap

Giving the show a stark 180 degree turn, Astro came out dancing cutely and all smiles and aegyo with “Breathless,” “Cat’s Eye,” and “Hide & Seek.” While the lesser known group of the entire lineup, the group managed to captivate the crowd with their infectious cheery vibe. The high spirits were carried on when girl group TWICE followed them, decked out in varsity jackets and short shorts. It was their first performance at KCON, let alone the U.S., but when the whole Staples Centered chanted out “Sha Sha Sha” during “Cheer Up,” it was clear. TWICE had made it as Hallyu stars in less than a year since debut. The positive reception of “I’m Gonna Be a Star,” “Like Ooh-Aah,” and their intros by male and female fans alike only further solidified the notion that TWICE is a top-tier group now.

twice kcon la los angeles 2016 16 m countdown

Courtesy of CJ E&M

Next up was another K-pop fave for the U.S. audience, Eric Nam. While the ex-ASC emcee had been a regular at KCON — hosting Red Carpet and holding fan engagements, — he hadn’t had the chance to actually perform. That changed this year with KCON NY and later LA when he was added to the lineup last minute. His performance, however, was on point and in no way less prepared or stellar than the rest of the acts. Fans sang along to “Good For You” and even did the point dance in “Can’t Help Myself.” Moreover, Eric had two collaboration stages, singing “Into You” with singer KOLAJ and “I Just Wanna” with BFF Amber, much to the delight of everyone in attendance. Eric also took a moment during his set to talk about being an ambassador for CJ UNESCO Girls’ Education campaign and drawing attention to its importance. Which draws the question: is Eric Nam a feminist? We hope so.

eric nam kcon 2016 los angeles la 16 m countdown

Courtesy of CJ E&M

After Eric’s lively set and overall persona, things turned heart-wrenching thanks to balladist Davichi. The got everyone in the feels with their renditions of “This Love” and “Don’t Say Goodbye.” But not all was gloom and doom for they also performed “8282,” which is a trot/disco track that had all the ahjussis and youngsters alike dancing. And to continue with the disco-ey vibe, TWICE followed up with a special stage, singing to “Uptown Funk” and Monsta X with “Moves Like Jagger.”

davichi kcon 2016 los angeles la 16 m countdown

Courtesy of CJ E&M

Sparkling onto the stage, Girls’ Generation TTS charmed everyone with “Twinkle,” “Holler,” and “Only You.” Taeyeon, Seohyun, and Tiffany received a warm welcome from the crowd, especially the latter, considering it was her birthday, they were performing in her hometown, and they were on the eve of SNSD’s ninth anniversary since debut. So after asking the crowd what time it was and announcing it was “party time,” the trio performed a surprising yet much appreciated version of “Party.”

girls generation tts taetiseo snsd kcon 2016 los angeles la 16 m countdown tiffany seohyun taeyeon

Courtesy of CJ E&M

Also on KultScene: An Ode to SHINee on the Eve of KCON LA 2016

Girls’ Generation are legends in K-pop and no one can take that away from them. But as mentioned before, times are changing, and nothing embodied this notion than the overall madness that erupted once BTS showed up on screen. They opened up with the ethereal “Forever Young” as fans were in full frenzy. But then the first beat for “Fire” dropped and the entire Staples Center, well, got lit. Their sharp moves and chants of “Fire” resonated through the whole arena, which made it feel like if it were their solo show — and the guys knew it. The demeanor with which they carried themselves through “Save Me” and “Cypher Part 3” showed they know they’re popular and that the venue was filled with their fans. Just like SHINee before them, only the headliners could pull off performing a b side track and having the crowd react to it positive. And while they were rapping to “Cypher Part 3,” hands were in the air, dancing took place, and it was overall dope… Just like their closing song. Marking it the end of the concert and KCON 2016 altogether, there couldn’t be a better suited song than “Dope,” which made everyone jam out to the fullest. And when they were done, it was set in stone. KCON was BTS’.

bts kcon 2016 los angeles la 16 m coutdown

Courtesy of CJ E&M

With that, another year of KCON came and went. It’s crazy to think that there’s still a next year to top. And while it’s hard to fathom someone topping both SHINee and BTS, we can’t wait for what 2017 will hold.

amber eric nam kcon 2016 los angeles la 16 f(x) m countdown

Courtesy of CJ E&M

What do you think of the KCON 2016 performances? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

KCON 2016 LA’s M! Countdown Day 1 Concert Recap

kcon shinee 2016 m countdown

Courtesy of CJ E&M

To say the concert portion of KCON 2016 LA Presented by Toyota was bigger than ever is an understatement. Because not only was M! Countdown held in the Staples Center for the second year, but the July 30 show was sold out and featured some of the hottest names in Hallyu right now. For day one, the line up was a diverse mix of pop and R&B with I.O.I, Dean, GFriend, f(x)’s Amber, Block B, Turbo, and headliners SHINee.

Kicking off the pre-show, Korean hip-hop duo Eluphant got things going by performing a three song set including “B There” from their latest album “Man on the Moon.” Despite rappers Minos and Kebee being largely unknown by the crowd, their performances set the pace for an upbeat evening. Thereafter, the legendary Quincy Jones granted a scholarship to a Berklee College of Music student and even gave past alumni, such as 2NE1’s Park Bom and PSY, a shoutout.

lee minho kcon 2016 m countdown

Courtesy of CJ E&M

But the Staples Center didn’t actually erupt in screams and squeals until none other than the king of Hallyu himself Lee Minho came onstage to officially commence the main event. While he wanted to remain collected throughout his speech –which was aired live through KCON.TV, by the way — he couldn’t help to crack in smiles and laughter after the audience began chanting his name. It may have been brief, but his appearance was a definite highlight of the night for many in attendance across age groups and gender.

kcon kpop i.o.i ioi 2016

Courtesy of CJ E&M

Also on KultScene: Fei’s “Fantasy” Music Video & Song Review

The first act of the night was none other than the girl group I.O.I. They got the Staples Center thumping with their earworm “Pick Me” and a couple more songs as they danced in signature K-pop unison. Through their English-speaking members Somi and Chungha, I.O.I expressed their excitement to be there and promoted their upcoming work as a sub-unit. Next up was this year’s breakout star; the R&B singer/songwriter Dean. KCON marked the “Bonnie and Clyde” singer’s third LA show this year — a huge growth in five short months since the first that warranted his spot on the lineup. And for a few minutes, what seemed like the whole arena sang along to “I’m Not Sorry” before Dean’s set was up and the next girl group emerged, proving the singer’s fans had shown up to support him.

kcon 2016 dean m countdown

Courtesy of CJ E&M

Another group that has shot into stardom in the short few months since their debut last year is GFriend. The lovely ladies decked in athletic wear didn’t disappoint with the knife-like choreography they’re known for as they performed “Me Gustas Tu,” “Rough,” and their latest “Navillera.” For the first time in KCON’s five years of existence, GFriend and I.O.I managed to bring out the boys to the concerts, for their presence was even more visible and audible than last year.

gfriend kcon 2016 m countdown

Courtesy of CJ E&M

After GFriend, fans were surprised by a special stage with Block B’s Zico performing his solo “Boys and Girls” with the help of fellow member U-Kwon. The chemistry between the fellow members was undeniable and treat for everyone, as they danced to the choreography together and bounced verses off each other. Immediately after, from the other smaller stage, Dean ascended crooning “Pour Up,” which Zico joined in with his stellar rap verse. Both songs were unexpected yet greatly appreciated once in a lifetime performances for US fans who never expected to see the collabs live.

Next up was LA native Amber, who came out on a skateboard accompanied by more skaters and did a fun performance of “Shake That Brass,” with the help of I.O.I’s Chungha for Taeyeon’s part. But it all turned too real for the singer when she expressed her gratitude of performing in her hometown as a soloist and being received so warmly. It was the perfect preface for her performance of “Borders,” which the audience witnessed the first ever performance of the song.

amber f(x) kcon 2016 m countdown

Courtesy of CJ E&M

For newer K-pop fans, Turbo’s set was not a high point in the night. For older fans, however, it was one of the rare moments where they stood up and cheered along like the teenagers and 20-somethings around them. Fronted by Running Man’s Kim Jong Kook, Turbo dusted off their hits “Lovable” and “Reminiscence,” their 2015 single “Again,” and even brought Astro and GFriend as their backup dancers for “Twist King.” By the end of their set, they had made everyone in the crowd dance along with them, even if they didn’t know the songs for their performance was just that contagious.

kcon 2016 turbo m countdown kpop

Courtesy of CJ E&M

Also on KultScene: Yoo Seung-Ho Shines in Comedic Caper “Seondal: The Man Who Sells the River”

After Turbo bowed out, Block B turned brought the pace down with “Toy” and “A Few Years Later,” then turned it back way up with “Her” and “Very Good.” Fans squealed through P.O.’s verse on “A Few Years Later” and rocked out to “Very Good,” making it apparent that despite the ordeal they went through a couple of years back, fans are still here for Block B and they’re not extinguishing any time soon. Unfortunately, Kyung missed out on the performance, but the rest of Block B — with all their dabs and Zico’s use of AAVE — more than made up for it and delivered a great stage for the second year in a row at KCON.

kcon 2016 block b m countdown

Courtesy of CJ E&M

But the peak for KCON’s first concert night was indisputably headliner SHINee and the potential for a mini SHINee World (their signature concert) like fans got last year with Super Junior and SHINHWA. It seemed attendees were in for the same deal when the group opened their set with “Into the SHINee World,” which features a few verses from “Replay,” sending fans into a frenzy. The madness continued as the quintet dived into “View” and the fan favorites “An Encore” and “Beautiful.” Unfortunately, with such a large lineup, fans didn’t get more songs or medleys from them like last year’s headliners. And yet, to wrap up, SHINee still delivered an amazing performance of “Everybody” to close out the concert. The crowd might not have witnessed more of their hits, but their performances were still stellar and worthy of the headlining spot.

kcon 2016 m countdown shinee

Courtesy of CJ E&M

And with that, KCON’s first night of concerts ended. This concert showed how Hallyu encompasses not only traditional K-pop groups, but is already opening up to R&B and hip-hop and following the trends of ‘90s nostalgia. Also, the night showed that there is a place for male fans and they can be just as passionate as women. The second night further reinforced these notions, plus so much more — but more on that later.

kcon 2016 m countdown f(x) amber key shinee

Courtesy of CJ E&M

What do you think of the KCON 2016 performances? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

5 Songs to Get You Ready for Dok2 & The Quiett’s NO RE$T US Tour


If you’ve ever scrolled past Dok2’s Instagram, you know that, together with The Quiett, the Illionaire Records CEOs are no strangers to the US — especially if we’re talking about partying. But this time around, the “YGGR” rappers are not only dropping stacks in Las Vegas or displaying their #blessed lifestyle in Hawaii. Dok2 and The Quiett are finally embarking on their first US tour, NO RE$T, stopping in four major cities to unload their trap masterpieces upon K-rap fans.

The NO RE$T Tour kicked off in Chicago on July 21 at the Concord Music Hall, then heads to New York on the 22 at Terminal 5, Atlanta on the 23 at Center Stage, and lastly Los Angeles at The Wiltern on the 29. Tickets are still available here and general admission prices vary depending on the city and range between $65 and $80.

Saying you can’t miss the NO RE$T Tour is an understatement, given we can’t even begin to describe how lit it will get. So let’s start getting in the mood with 5 Illionaire songs to get you ready and turnt.

1. “2 Chainz & Rollies”

Let’s start off this list with a classic. The rappers released “2 Chainz & Rollies” back in 2013 and it has quickly become an Illionaire staple given that it epitomizes their whole concept and aesthetic. With a music video that follows them through the Vegas strip and their hotel, the track is only meant to make you turn up rather than focus on meaningful lyrics. You know turnin’ up is a universal language.

Also on KultScene: 13 Things We Learned at GOT7’s ‘Fly in Los Angeles’ Show [PHOTOS]

2. “Beverly 1lls Remix”

Released just this week, viewers got an early taste of “Beverly 1lls” when Dok2 lent the track to their “Show Me the Money 5” team members Superbee and myunDo. And while that version was alright, they had nothing on Illionaire’s CEOs. The official version with is a bop, with its haunting bells, subtle piano, and signature trap snares. Also, good luck getting that chorus out of your head after listening to it.

3. “Profile”

While “Profile” is label mate Beenzino’s song originally, the verses Dok2 and The Quiett dropped on it as featured artists are so fiery that they deserve to be performed even without the main attraction. Beenzino is better known for his artsy rap rather than signature Illionaire turn up trap and self-promoting narrative, so it makes sense that the CEOs have taken this song on tour given it suits their style better.

4. “Don”

Another song that the Illionaire heads took on the road from another artist is “Don.” The track was originally released by rapper Vasco to mimic their sound and entire concept, so Dok2 and The Quiett took it, dropped their own verses, and released a music video just to show off their newest rides. If that doesn’t scream “Illionaire” to you, I don’t know what does.

Also on KultScene: Inside KCON 16 NY [PHOTOS]

5. “Rockin with the Best”

Circling back to songs that epitomize the Illionaire sound and concept, “Rocking with the Best” essentially embodies what Dok2 and The Quiett are all about: making money, being at the top of the game, and trap beats that will make people jump and dance. We can already picture both rappers bouncing all over the stage throwing water at the audience. We can’t wait.

What’s your favorite Dok2 and The Quiett song? Llet us know your picks in the comments below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

13 Things We Learned at GOT7’s ‘Fly in Los Angeles’ Show [PHOTOS]

got7 fly in los angeles la concert show

by Alexis Hodoyan-Gastelum

After two weeks of dabbing through the US, GOT7 closed their first American tour in Los Angeles at the Novo DTLA on July 11. Their last show was an addition after the original LA show sold out quickly and fans demanded a second date to accommodate IGOT7’s (GOT7’s fans), a fanbase which has notably grown since the last time the group was here.

But after shows in every major US city, several interviews with them, and thousands of fan cams and accounts recounting everything the guys said or did, what is there left to say about GOT7’s US tour? Well, other than it being an amazing show, it was also an opportunity to witness just how much GOT7 has grown in two short years since debut. So instead of being redundant and telling you things you might already know, here are some highlights from the show and a rundown about the things we learned at “Fly in Los Angeles.”

1. They Sing Live

In K-pop, it’s commonplace that idols lip synch during their concerts so that they can focus on powerful performances. Not GOT7 though. These guys kicked off the show singing live and hitting every move with “Put Your Hands Up.” They may have slowed it down here and there throughout the show with the more vocally demanding songs, but still it was a balancing act they mastered.

got7 fly in la los angeles concert show

by Alexis Hodoyan-Gastelum

2. “Can’t” Is The Best Thing That Could Ever Happen To IGOT7’s

Let’s give credit where credit is due; “Can’t” is one of the best songs on their latest album “Flight Log: Departure.” It has a bubblegum bumpy hip-hop beat that, together with the buttery delivery from the vocal line at the chorus, creates an interesting and yummy sonic experience. Now, how this group went from GOT7 to THOT7 with the choreography for this song is beyond us… but greatly appreciated. Those crotch rolls and invisible love making to the floor was well worth the ticket price by itself. We never thought GOT7 would ever measure up to the Chippendales-like shows their seniors 2PM put on. But with “Can’t,” fans now have hope.

3. A JB & Youngjae Sub-Unit Needs To Eventually Happen

“Fly in USA” was the “Give GOT7 Their Kudos” tour, for they emphasized all their lyric writing achievements on this album every chance they got, giving each other handshakes and requesting applause from the audience. And it was well-deserved. Junior came up with the lyrics for “Can’t,” and Bam Bam put his “rapper” role to good use by writing the rap for Youngjae composed “Rewind.” But the clear standout (#sorrynotsorry) was JB and Youngjae’s ballad “1.31 am.”

Sitting with their backs to each other, Youngjae caressed the piano while JB unloaded his truck-full of feels onto the microphone. Named after the time in which the song was written while in Japan, the unreleased song brought the audience nearly to tears with the heartfelt performance, proving these two could easily kill it with a vocal a-la 2AM sub-unit. Their styles might be very different, but there’s something about the mix of JB’s soulful vocals with Youngjae’s angelic tone that just works.

got7 fly in la los angeles concert show

by Alexis Hodoyan-Gastelum

Also on KultScene: Seoul-Based Punk Band …Whatever That Means Talks Music & Multiculturalism [INTERVIEW]

4. … Seriously, Witnessing “If You Do” & “Fly” Live Are Bucket List-Worthy Experiences

If we’re gonna pick favorites, the performances for “Fly” and “If You Do” are definitely at the top. This, of course, is due to the fact that both songs have the most intricate choreographies in GOT7’s discography to date and require the most energy from the boys. But after two weeks of touring, a sick member, and another member with a bad back, the performances could’ve easily fallen flat. And yet, there was not a missed beat on either song. Maybe it was because this was GOT7’s last show of the American tour or maybe their worth ethic is just that good, but the boys managed to give it their all with the choreographies. They even broke the monotony of the song and changed pace, expressions, and freestyle moves. The honorable mention goes to “Just Right,” for Bam Bam and Jackson took their last verses to indulge in a back and forth with the crowd instead of doing their normal parts, which was a fun little interaction with the fans.

5. Someone Give JB A Cold Shower. JK, We Love It

And speaking of “If You Do” and “Fly,” geez, JB… While Yugyeom is GOT7’s main dancer, Im “No Chill” Jaebum trails at a very close second, and that was apparent during “Fly in LA.” Truth is, JB was in his feelings throughout the whole show, but it was especially noticeable during his exaggerated yet much appreciated body rolls in “Stop Stop It,” which lead to his Best Actor in a Drama-worthy performance in “If You Do.” I don’t know where he draws all that angst and anger from, but the boy was definitely going through some stuff in his head, which just proves how much of a pro the leader is.

got7 fly in la los angeles concert show

by Alexis Hodoyan-Gastelum

6. Youngjae Is A Real Trooper

After missing the tour’s opening show in Dallas and making lots of fans upset and concerned over his health, Youngjae powered through his high fever throughout the whole tour. Even though the second LA show was a little over a week after Dallas, GOT7’s sunshine was visibly not as bubbly on their closing night. However, Youngjae must have taken care of himself as best as he could given the circumstances because he slayed all of his vocals as if he were at 100 percent. He might have channeled his energy towards his singing instead of his performance, because the latter was definitely not on par with the rest of the members. But still, he was amazing and everyone was thankful he endured his sickness for the fans.

7. Breaking News: Jackson Was NOT Extra

In the weirdest of plot twists, GOT7’s resident megaphone that always does too much was actually quite tame during the last LA show. As mentioned before, maybe it was due to fatigue, but other than some light bullying and laughing here and there, Jackson was not his usual extra self. In reality, it was Bam Bam who took over the position and delivered many zingers and comedic moments throughout the show like singling out a guy on the second floor and trying to make a couple in the pit kiss.

8. Yugyeom Is Grown, Y’all

The maknae (youngest member) is no more, you guys. While Yugyeom has been the dancing machine since the start, the hyungs (older brothers) have attempted to shield him from more erotic dances. And even though they tried, Yugyeom still freestyled a Chris Brown song and spilled sex appeal all over the stage. Jackson might have declared Bam Bam as the “most nasty” GOT7 member, but Yugyeom is closing in.

got7 fly in la los angeles concert show

by Alexis Hodoyan-Gastelum

9. Mark Can Speak

Time and time again fans have assumed that despite his shyness, Mark will come through when it comes to speak English. And as seen in their ASC appearances, KCON LA fan engagement, and countless other instances, this is never the case. Even if Mark is the English native speaking member, he heavily relies on Jackson and Bam Bam. That’s why it was amazing to see him take the lead during the LA shows, probably because his friends and family were in the audience. Mark talked to the audience a lot, he MC-ed the interlude where all the members solo dance, etc. His interactions weren’t as smooth as Bam Bam and Jackson’s perhaps, but the audience could tell Mark felt comfortable and was pushing through the awkwardness for the sake of it all.

got7 fly in la los angeles concert show

by Alexis Hodoyan-Gastelum

10. Bam Bam Is Never Not On Social Media

By the time the last show in their tour rolled in, Bam Bam was out of dabs. He maybe busted the move a couple of times throughout the show, but he definitely was out of dabs by this time. However, he did roll out his repertoire of memes. Bam Bam flicked a water bottle, brought back the whip and nae nae, and even said “Damn Daniel” a few times.

got7 fly in la los angeles concert show

by Alexis Hodoyan-Gastelum

11. We Can Confirm Junior Is Perfect, Bye.

From his looks, to his facial expressions, and down to his singing… Yup, he’s perfect. That’s all.

[Editor Note: … But she’s not biased at all!]

Also on KultScene: IMLAY Remix of Jonghyun’s ‘Deja-Boo’: Exclusive Premiere

12. They’re The Most Engaging K-Pop Group Out There

Maybe it’s because most groups don’t have any let alone three members who can effectively communicate in English, but the interaction with fans is practically unprecedented in K-pop. GOT7 spent time speaking with individual fans and put fans on the spot (i.e, that guy Josh who Bam Bam called his baby) and even went back and forth with them during the speaking interludes. For a couple of hours, fans got a glimpse at what K-pop concerts in Korea are, where the artists can communicate effectively with fans. Because even if the rest of the members aren’t fluent, Yugyeom and Junior, specifically, tried their best to speak English. If anything, the “Fly in USA” tour proved that GOT7 can become a favorite on this side of the Pacific because they have the ability to remove the language barrier between idols and the fans fans.

13. Despite Fatigue, GOT7 Left Their Souls On Stage

As mentioned previously, on the closing night of their “Fly in USA” tour, the members were battling injuries, sickness, and tiredness. Because even if they were only in America for two weeks, GOT7 had been touring for awhile. Some members were visibly out of it or not at their full potential throughout the night, but despite this, they all pulled through and delivered an amazing show. JB did the most with choreography, Mark stepped up his talking, Junior shined with his improved English, Jackson did not disappoint in the body rolls department, Bam Bam had everyone laughing the whole show, Youngjae showered us with his adorable smile and laugh, and Yugyeom was the cutest he’s ever been. GOT7’s second show in Los Angeles established that they’re real entertainers and artists who are in it for the long run. And judging by the fact that all their shows were sold out, we can safely say fans are here for it.

got7 fly in la los angeles concert show

by Alexis Hodoyan-Gastelum

Did you go to any of the “Fly in USA” stops? What was your favorite performance? Share your experience in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Kim Tae Woo Brings a Night of Soul to NYC [PHOTOS]

kim tae woo new york nyc show jazz

Taking advantage of the long Fourth of July holiday weekend, 7000Miles (a New York based concert production company) hosted a show at (le) Poisson Rouge, a small downtown venue. The night’s headliner for the “Night of Soul” was non-other than singer Kim Tae Woo. Known mostly as being the lead singer of g.o.d (a first-generation idol group), Kim Tae Woo has gone on to a successful solo career collaborating with many artists and contributing to OSTs. Fans were all lined up to get into the venue and enjoy the rare occasion where a top singer would perform in such an intimate locale.

After a very hip opening act, Kim Tae Woo took the small stage and started with the upbeat “Lonely Funk,” which immediately got the audience up and dancing. The Super Session band that accompanied Kim Tae Woo was made up of local musicians; Youngjoo Song on Piano, Hyunwook Yang on Saxophone, BIGYUKI on Keys/Synthesizer, Randy Runyon on Guitar, Sangmin Lee on Drums, Dukrae Noh on Bass, and Sori Kim as the Chorus. Together, they perfectly melded the funky beats and modern jazz sounds to create a great atmosphere that everyone enjoyed.

kim tae woo new york nyc show jazz

by Katherine Villalon

Also on KultScene: Kim Tae Woo Talks His Upcoming NYC Show, Career, and More [Interview]

After the first few songs, Kim Tae Woo began a typical introduction which quickly turned into a talk session with the audience. The intimate stage allowed him to get up and personal with the audience members, chatting some of them up and even telling some to post his performance on YouTube. He then incited a freestyle dance session with I Love Dance (a local K-pop dance class) with the band playing Michael Jackson’s “Billie Jean.”

kim tae woo new york nyc show jazz

by Katherine Villalon

Kim Tae Woo went on to sing a few covers of Stevie Wonder’s popular songs including “Isn’t She Lovely,” followed by a lovely duet with Sori Kim to “When I Fall in Love.” After the duet, Kim Tae Woo randomly selected a phone number from the ones that were submitted prior to the show. After dialing it, the crowd went quiet to hear for the phone to ring. Once someone answered, Kim Tae Woo called her up onto the stage where he gave her a single rose and began to serenade her with “Two of Us” while she filmed him on her cell phone.

kim tae woo new york nyc show jazz

by Katherine Villalon

After a quick instrumental break, Kim Tae Woo returned to the stage and began the rest of his set that included popular g.o.d songs like “To Mother” and “Lies.” The g.o.d set was by far the audience’s favorite, where you could clearly hear everyone singing along causing Kim Tae Woo to have a huge smile on his face. The show closed with Kim Tae Woo’s rendition of “New York State of Mind” and he thanked the audience and left the stage.

kim tae woo new york nyc show jazz

by Katherine Villalon

Also on KultScene: Inside KCON 16 NY [PHOTOS]

The show was an overall great success. Being able to interact the way Kim Tae Woo did with the audience is something only a veteran in the K-pop industry could do. Sure, you can get a fangirl/boy scream from flashing lights and sexy dance moves, but Kim Tae Woo was able to connect on a more personal level and create fun and beautiful memories for his fans.

kim tae woo new york nyc show jazz

by Katherine Villalon

Did you attend Kim Tae Woo’s show? Share your experience and favorite moments with us in the comment section below and be sure to subscribe to the site and follow us on FacebookTwitterInstagram, and Tumblr to keep up with all of our posts.