Gaeko & Yankie ‘Cheers’ Song Review

Gaeko and Yankie have collaborated with Beenzino and Babylon on the new track Cheers for Amoeba Culture’s NEWorkend project. The four artists worked together to give us life during theses cold winter months. Cheers will take you away to a tropical location to forget about the Winter blues.

Music:

The music that makes up Cheers automatically gives off a summer, laid back vibe. You can instantly feel the warmth of the sun and the air of summer nights. The instrumentals are all basic, but the way they are being played adds to the summertime feel. The electric guitar is used in a more subdued manor than in rock and punk songs. It sounds so subdued and calm with the amp turned up. The percussion, again, is pretty simple and basic. It keeps the beat going while adding in some wooden blocks that adds the beach vibe to the song. The exhaling (ahhh) throughout the song is not creepy nor distracting, instead it reminds listeners of the almost automatic reflex of exhaling with joy after quenching one’s thirst. There are trumpets that come in throughout the song, and clapping and a piano toward the end. They all continue to keep the summer feel and only add a little more instrumental thickness to the song.

Also on KultScene: Flash K-Pop Music Video Reviews: Jonghyun, Jung Yonghwa, Mad Clown, From The Airport, Eddy Kim, GFriend

Rapping:

Yankie starts the song off with a smooth flow that adds to the laid back vibe of the music. His verse sets the mood of the song perfectly, which is on the weekend everyone is ready to let loose and enjoy themselves. People are quite different from their work selves and their party selves. Yankie starts out the night, which includes meeting up with your friends at the club.

Beenzino then raps about what happens next in the second verse. In the club drinks are ordered and free flowing, and the lust that comes with the weekend party scene is at an all time high. Beenzino’s rap flow has a bit of punchiness to it, but nothing too extreme or intense to throw off the groove of the song. The tone of his voice gives off the feeling of having a good time and not caring if he breaks the law or not.

Gaeko’s rap is at a slower pace than Yankie and Beezino’s. He crisply articulates each English word with a little more punch than the Korean words. During Gaeko’s verse some of the instrumentals are cut out creating a shift in the song that breaks up the monotony of the music. The change is a cue that tells the listener that there is a slight interruption in the flow of the song, which then encourages the listener to pay more attention.

Also on KultScene: 4 Amazing Talents To Watch For From ‘K-Pop Star 4’

Singing:

Babylon sings the chorus throughout the song and his vocals have a higher pitch and vocal tone. Although his tone is higher, his vocals are full and easy on the ears. Babylon’s vocal quality matches the overall vibe of summertime and having a good time. His falsetto oohs at the end of the song briefly show off his vocals abilities. The chorus clearly shows that he is capable of singing and singing well, but his oohs at the end tease listeners into wanting more music from Babylon.

Conclusions:

Cheers not only displays the multiple talents of all of those involved with the song, but it gives listeners happiness and the feeling of being carefree and enjoying one’s self. Whether you listen to Cheers in the summer, the winter, or throughout the entire year, it will always make you feel great and let you escape to a warmer place with friends, fun, and drinks.

Do you like Cheers, do you feel like you’re taken away to a warm Summer’s night partying with your friends? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Flash K-Pop Music Video Reviews: Jonghyun, Jung Yonghwa, Mad Clown, From The Airport, Eddy Kim, GFriend

There’s a lot of really great music coming out of Korea nowadays and listening to every chart-topping song, let alone watching every music video, is near impossible. Here at KultScene, we’re going to try something new: Reviews written in the span of the entire music video, inspired by the idea of flash fiction. Once the video stops, the review comes to an end.  These reviews aren’t in depth, and are essentially just first reactions, but it’s a good introduction to many of the songs that you’ll want to check out this week.

Mad Clown Fire

First things first, Hani from EXID is blatant media play since it’s actually Jinsil singing and Hani is just lip-synching. I like the lighting and Hani’s eyes really are mesmerizing so I guess it’s okay, but still kind of sad for Jinsil. The big-band beat and Mad Clown’s rap nicely go together to create a dramatic song that describes the craziness of the lyrics. As usual, Mad Clown doesn’t disappoint with his rap, but instead delivers every line in an aggressive, statement-like way.The lyrics of the song don’t really match the music video, other than showing their craziness, but it’s really beautifully filmed. Jinsil’s voice isn’t too cloying in comparison to Mad Clown’s intense raps, but instead her raspy voice sounds exactly like how a confused, lover should sound. The bleeping and blurring out curses is really amazing for mainstream Korean music, as if Mad Clown is protesting the clean-cut rapping that is prominent in Korea. Overall, I’m impressed.

Eddy Kim My Love

We’re behind scene, and Eddy Kim takes a pause to look at a piano, sits down, and tells the person he’s talking to wait a minute. This piano medley is nice, like something you’d hear in a hotel lobby, and then Eddy Kim’s voice starts up to sing a sweet, powerful melody. The song is really interesting because it uses an orchestra rather than any electronic beats, which are popular nowadays. The singing into the phone while his girlfriend rides a bus is a really cute touch, showing how Eddy feels his love even though they’re apart. It doesn’t really sound like it, but Eddy Kim’s songs always makes me think of Michael Buble. Between the song looking good and Eddy Kim appearing as handsome as ever, My Love is a winner.

Also on KultScene: Brave Brothers And The Culture Industry

 

Jonghyun Crazy (Guilty Pleasure)

A steady beat mixed with classic piano introduces a song that’s like a pop ballad trying to grow up into a hip-hop track. Jonghyun’s acting and the music video are impressive, but these up-close facial shots are a jarring thanks to these jerky camera movements. He’s singing about being crazy, emphasized by the gas mask and being chained up, but it looks like it’s just an excuse to show off his ripped body. Iron’s speedy rap is a completely different sound from Jonghyun’s breathy falsettos and high notes, which is really a different sound than what I’m used to hear from SHINee, but that doesn’t mean I don’t like it. The song completely shows off Jonghyun’s best skills, dominating high notes, while the video shows off his body’s best aspects to entice any fan of SHINee to watch. A little bit over the top in general, though, with all of the special effects that aren’t limited to explosions and mechanical giant spiders. But Jonghyun’s a singer first and foremost, and this new style really matches his personality.

GFriend Glass Bead

So here’s the Into The New World similarities, especially the girl that looks like ex-Girls’ Generation member Jessica. The athletic styled outfits, the retro-style sweet pop song is really like something that I’d expect to hear from late 2000’s K-pop girl groups, so I see why everyone’s comparing GFriend to Girls’ Generation. But while the images are similar, the dancing is really impressive. None of the vocalists stand-out particularly, but it’s likely that as GFriend releases more music several of their vocalists will stand out. An all around good song, even though it’s nothing that we’ve never seen before. The concept is cute, sweet, and totally needed in K-pop, which is becoming so overly sexualized that it’s losing the innocence that made songs like Gee and Tell Me viral hits in 2009.

From The Airport Sight

I don’t know if this is supposed to be the response, but when I pressed “play” and heard Sight I wanted to close my eyes. The music video almost demands this, by hiding the two members of From The Airport amid shadows, star-like lights, and occasional bursts of light that essentially blind the camera. The song has a bit of a heavier bass beat than many of From The Airport’s songs, with an occasionally heavy handed rock sound as the backtrack to their heavily synthesized vocals. The profiles of the two members don’t distract from the sound of their song, but aren’t really supposed to be the point of this video. The song climaxes with From The Airport being completely dissolved by light, and then continues with mere music, highlighting not the singers but the sounds themselves.

Jung Yonghwa One Fine Day

Clubbing, two people see each other across the room, and then we wake up in a depressing, green and gray environment. A slightly misleading title? This video is really visually beautiful, I actually feel like it would do well as a magazine spread. Yonghwa’s side profile is really prevalent, and changes his overall style and feel as an actor.The cinematography is really the thing that makes or breaks this video, but it’s a little disappointing as a song overall. This is CNBLUE’s lead singer, who is a popular actor, Yonghwa simply… singing and acting? So what is new to this? Nothing. This could just as easily be a music video for a song from the soundtrack of a drama that Yonghwa is starring in. The song isn’t particularly memorable, although Yonghwa’s voice perfectly depicts the emotion described in the lyrics. It’s a heartfelt song, but if you’re a lead singer with such a distinct voice, just going the ballad route is a little bit boring.

Do you like this idea of quick music video reviews? If there are any music videos you would like to see reviewed, please leave suggestions in the comments section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

4 Amazing Talents To Watch For From ‘K-Pop Star 4’

Every season of the SBS’s survival audition program K-Pop Star has us on the edge of our seats. The hidden talent keeps coming up during every run of the show. This competition has given us a lot of artists that we now love, many of whom have had tremendous success in the Korean music industry like Lee Hi, Park Jimin, Akdong Musician, and, the show’s latest winner, Bernard Park. Season 4 so far has us discovering hidden gems with amazing vocals, unique timbres, and even some contestants that are very young but are singing better than professional singers out there. Yang Hyun Suk of YG Entertainment, Park Jin Young of JYP Entertainment, and singer-producer Yoo Hee Yeol will surely have a hard time this season to choose the next K-pop star. These five new faces are the new amazing talent that we need to watch for from K-Pop Star 4.

4. Jung Seunghwan

Jung Seunghwan became a hot topic not only in the show but in the music charts in Korea after his performance of Kim Jo Han’s I Want To Fall In Love.” His rendition topped various music charts in Korea. Jung managed to impress all three judges and was even promised by Yoo Hee Yeol himself to have a spot on his music show, Yoo Hee Yeol’s Sketchbook. His voice full of emotions, which is perfect for gayo (Korean popular music,) has made other competitors fear to go up against Jung Seunghwan, and has the viewers falling in love and supporting him. Keep an eye on the judges; Jung’s performances has one ending up in tears.

Also on KultScene:Artist Spotlight: DaeNamHyup

3. Lily M.

Lily M. is one of the youngest and most talented singers on K-Pop Star 4. She is a Korean-Australian actress-singer that has the judges falling in love with her every time she performs. Her unique raspy voice, falsettos, and her natural control over breathing while she sings has Park Jin Young amazed at what she can do at such a young age. Yang Hyun Suk has picked her as his favorite this season, and has stated many times how he wants to train her at YG Entertainment. Did we mention that Lily M. is only twelve years old? Imagine what she will be able to do when she’s older and after proper training! We just cannot wait for her to debut formally as a singer.

2. Lee Jin-Ah

As soon as Lee Jin-Ah opened her mouth she had not only the judges and guest panelist amazed, but also all the shows viewers amazed. Her unique voice when she spoke had everyone wondering how her voice would change once she sang. To the surprise of everyone watching, her unique voice also translated to a unique vocal style, which everyone fell in love with. Yoo Hee Yeol even said during her first audition that her voice was like a fresh breathe of air. Not only did her voice impress everyone that witnessed her audition but her self-composed song also impressed everyone. Her songwriting skills so simple but accompanied by the keyboard and her music arrangement, Lee Jin Ah’s song made such an interesting combination that left everyone who listened to it wanting more. Park Jin Young himself couldn’t even seem to categorize her in any genre and said how she is a complete new genre of music that he has never heard of. The childish tone in Lee’s voice makes everyone rejoice and have a nostalgic reaction to her music.

1. Grace Shin

27-year-old New Yorker, Grace Shin had previously auditioned for the show, but due to visa problems she wasn’t able to be part of the show. As a true comeback kid, Grace came back and auditioned again. She had previously managed to impress only Park Jin Young in her New York audition, but this time around she impressed all of the judges. Her vocal range is so high that even Yang Hyun Suk commented that her skills are better than those of many established recording artists. She was only criticized for not showing enough emotion during her first audition, but starting in the ranking auditions she proved the naysayers wrong by showing the judges that she can convey emotion with her features while she sings. Her powerful vocals will surely keep her in the competition and could lead to her taking one of the top spots.

Bonus Video:

Here’s an amazing rendition of 2PM’s Again & Again by Grace Shin and Lee Bong Yeon that had Park Jin Young, who wrote the song, amazed by their version.

This season of K-Pop Star has many unique incredible talents. We can anticipate that the live shows will leave us all in shock with everyone’s performances but make sure to keep an eye on this four contestants.

Are you watching K-Pop Star 4? Which one is your favorite contestant? Let us know in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

9 K-Pop Songs for Twerking pt. 2

Even if twerking is still frowned upon by people in Korea and abroad, it hasn’t prevented K-pop artists from releasing songs suited for this type of dance. The perfect track to twerk to needs to have a hard and heavy beat — bonus points for a bass drop. And in an era where hip hop is beginning to adopt EDM music more and more (um, hello Diplo!), the repertoire extends. So in order to keep the list going, we came up with a second installment of best K-pop songs to twerk to.

1. f(x) Rainbow

When one thinks of twerking, the aggressive and hard motions are the first thing that comes to mind. But in order to get to that point, we need to start somewhere. f(x) is not a sexy or even hip hop group, but the beat on Rainbow gives way for some slower, cuter twerking.

kpop twerking songs jimin

via funnykpopdotcom

2. TOP Turn it Up

In order to segway into a sexier yet still slow paced twerk, Turn it Up is a good choice. For his duo project with GD, TOP flexed his way through the whole song with his signature deep, husky voice. This together with the jumpy beat created a great contrast that’s easy to follow.

kpop twerking songs wassup

via fywassup @ Tumblr

3. EXO-K Two Moons

EXO is probably one of the most unthinkable groups to release a twerk-ready song, and yet, they released Two Moons in their first mini-album. The song is the only one in their discography with a strong hip hop influence, lead by the rapping of the members and SHINee’s Key. Two Moons is also jumpy, and the chant-like “hey’s” emphasize and set an explicit mark for twerking.

kpop twerking songs hyuna

via Tumblr

Also on KultScene: Why ‘Yoo Heeyeol’s Sketchbook’ Works

4. WA$$UP Shut Up U

WA$$UP were named “twerk dolls” since their debut, and while their first music video included a whole lot of booty shaking, there wasn’t much of twerking. Not only that, but music and vocals were a bit all over the place. That changed with their latest relase Shut Up U, which sounds like f(x)’s Rainbow with a dancehall spin. The difference in tempos in the track allow for differet twerking speeds.

kpop twerking songs top

by yellowgiant

5. MADTOWN YOLO

MADTOWN debuted last year after a few teasers with a song written by the same guy who wrote EXO’s Growl. With that being said, it came as no surprise when the guy’s debut track YOLO had great groove and flow and a great beat to twerk to. The chorus gives way to a fast tempo, fun twerking opportunity complete with “YOLO” verses.

kpop twerking songs secret

via Tumblr

6. G-Dragon Niliria feat. Missy Elliott

Having built up momentum, Niliria is where the party really begins. G-Dragon and Missy Elliott’s different rap flows and the change in beats, like Shut Up U, lets the twerking go from slow to hard to deep to slow again throughout the whole song, potentially creating a Bohemian Rhapsody of twerk.

kpop twerking songs wassup

via hungryapp

7. GD X Taeyang Good Boy

What happens when you mix EDM with R&B and rapping? A GD and Taeyang song, of course. The ‘88 liners teamed up this year to release a club banger perfect for twerking, especially the hook. The tempo is fast, the beat hard, and it calls for the volume to be turned up.

kpop twerking songs minzy

via onehallyu

Also on KultScene: Top 20 K-Pop Albums Of 2014

8. Masta Wu Come Here feat. Dok2 and Bobby

Continuing with YG Entertainment releases, Masta Wu came back last year with Come Here. Right off the bat and without a warning, the song opens with fast paced claps. Each of the guy’s verses have a more fluid flow than the hook. Other than twerking and booty clapping, there can’t be a better suited dance for this particular song.

kpop twerking songs nari wassup

via hungryapp

9. 2PM Superman

Continuing with the hip hop and EDM hybrids comes Superman by 2PM members Jun.K and Wooyoung. Yep, you read that right, not Taecyeon or Nichkhun, but the group’s vocalists. Like Go Crazy!, Superman is a fun song that makes you want to let loose. However, this song has that special beat and change in tempos and flows that make it the best canvas for a twerking masterpiece.

kpop twerking songs exo kai

via Tumblr

What’s your favorite song for twerking, even if you don’t twerk per se? We’d love to hear your thoughts and don’t forget to follow us on Facebook, Twitter, Instagram, Tumblr, and Bloglovin’ so you can keep up with all our posts.

[Render: HaraYoung230603, ByMadHatter, Yourlonglostsister]

Best BTS SoundCloud Songs

[Disclaimer: Some of the content below contains profanity.]

BTS is, without a doubt, a very talented group. The majority, if not all, of the members have a hand in the writing of their songs, and some of them have even ventured into producing music. But before these seven talented guys became a huge success, they were writing and recording demos. Luckily for us, some of those have made it onto their SoundCloud. With a total of 21 tracks on the site, BTS gives fans a little bit of everything. Singing, rapping, singing and rapping, great beats, and catchy tunes. The following highlights a few tracks from BTS’ SoundCloud that you should listen to.

1. Beautiful

Beautiful displays the rapping and singing skills that BTS as a group holds. The sound and music is light and enticing. The boys’ younger, more raw vocals truly showcase the base for their talent. The rapping isn’t too harsh, which parallels the soft vocals throughout the song.


2. Born Singer

Born Singer is another of the singing/rapping tracks on BTS’ SoundCloud. Similar to Beautiful, Born Singer, again, highlights the groups’ individual skills and skills as a cohesive group. The rapping is much more intense and hard hitting, whereas the singing is softer and more delicate.


Also on KultScene: Has Wa$$Up Found Its Musical Niche?

3. Monterlude

The next song only showcases Rap Monster’s skills. But instead of highlighting his impressive rapping, Monterlude introduces fans to Rap Monster the vocalist. Now, he does not have the strongest vocals in the group, but the way he delivers the lyrics to Monterlude perfectly embodies the emotion of the song.


4. All I Do Is Win

We have to give Suga some love, his solo rap track All I Do Is Win displays his quick rap with an attractive beat. The song may be short but it perfectly embodies Suga as a rapper. He is hard hitting, fierce, and confident in his delivery.


5. Rap Monster

Similar to Suga’s solo is one of Rap Monster’s many solos on their SoundCloud, Rap Monster. The song personifies the young rapper. The beat is the first thing we hear and it immediately grabs you for the entirety of the song. Rap Monster’s delivery, at first, is steady and crisp. As the short solo continues, he quickly increases his words per beat for a portion of the song, which perfectly shows off his impressive rap skills.


6. 어른아이

Rap Monster, Suga, and Jin are the perfect combo to pull off this style of song. Jin’s soft vocals perfectly match the high pitched piano, while Rap Monster and Suga’s deep and raspy voices beautifully create contrast and add another layer to the already good song.


Also on KultScene: Beenzino’s ‘Up All Night’ Party In Los Angeles

7. Too Much

The beginning of Too Much is something completely different than what you might expect from someone who calls himself ‘Rap Monster.’ Sampling Drake’s song by the same name, the introduction immediately grabs you with the hollow piano and Rap Monster’s raw vocals at the chorus. He goes between his impressive singing and flawless rapping throughout the song. Too Much is a beautiful song that impressively showcases the leader’s multiple talents.


What are your favorite tracks from BTS’ SoundCloud? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

The Colors Of K-Pop: Orange

Next up in our Colors of K-Pop line-up, the color orange!

Even though orange is the next in the rainbow’s acronym Roy G. Biv, it is not a color that is extremely popular in South Korean music. Only a few songs had the song title,

Seo Taiji Orange

Korea’s King of Culture Seo Taiji recently made headlines for his 2014 comeback and appearance at MAMA 2014, but its song Orange that we’re highlighting today. From Seo Taiji’s 2000 album Ultramania, the song features Seo Taiji’s typical metal-synthpop style. Orange is not one of Seo Taiji’s most well-known songs, but it’s definitely worthy of listening to.

Orange Caramel Playlist

The number one search term in South Korean music and the word “orange” was, unsurprisingly, Orange Caramel! If you haven’t listened to Orange Caramel’s zany songs yet, here’s a playlist for your listening pleasure. The playlist includes top hits by Orange Caramel, including Lipstick, Aing, and more.

Kwon Sohyun Orange

4Minute’s youngest member Sohyun may look a little different to you now, but when she debuted as a member of the young girl group Orange, she still had a lot of her charge. The group’s debut music video is absolutely sweet and adorable. Unfortunately, Orange disbanded due to numerous anti-fan cafes, but Sohyun ended up debuting with popular girl group 4Minute.

Coming soon to KultScene’s The Colors of K-Pop? Yellow!

Did we list all your favorite “orange” songs?  Let us know in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

The Colors Of K-Pop: Red

K-Pop is a musical genre that is as colorful as music can be. There are a lot of bright colors in music videos, K-Pop acts with color in their name, etc. Here are some of the most popular songs in Korea that have the color red in their name.

HyunA Red

You may know this song. It has over 16 million views on YouTube, and Hyuna’s Red made a lot of headlines for its sex-filled concept. Red reached number one on several music charts, and the music video stayed atop of China’s Yin Yue Tai V-Chart for four days. The rapid-fire rap, HyunA’s twerking, and electronic-EDM-hip-hop elements seems like a mess at first, but Red is an enthralling song, filled with red-related passion.

SMTOWN Red Sun

One of SMTOWN’s from 2006, multiple SM Entertainment artists including TVXQ, BoA, Kangta, The TRAX, Super Junior etc. lent their voices to the song. Some of the artists are no longer active or have since left the company (the three members of JYJ, ex-Super Junior members, The TRAX, Black Beat, CSJH The Grace,) but the song is still an upbeat summer song that will make you want to head to the beach and enjoy the sun. Fun fact: Pre-Girls’ Generation SM Entertainment had only less than ten active female singers.

Shinhwa Red Carpet

Shinhwa may be one of the longest running groups in K-Pop, which made its comeback in 2012 after a four year break. On that comeback album, The Return, Red Carpet stood out as a strong dance track. The song was written by member Minwoo (known as M,) and is a synth-dance mix up that emphasizes Shinhwa’s vocal line.

f(x) Red Light

One of the most experimental songs out of SM Entertainment in years is f(x)’s hit song Red Light. The song is an electronic house song with a rhythmic beat that is addictive. Red Light‘s promotional period was cut short due to member Sulli going on hiatus, but it still did well on multiple music charts, including reaching the top 5 on the Billboard K-Pop Hot 100 chart.

IU Red Shoes

A song meant to show the transition of IU from Korea’s little sister to a more mature singer, Red Shoes describes a woman trying to find her way. Red Shoes uses a big band sound, evoking swing and jazz music. It, and other songs from IU’s Modern Times album, won multiple awards and gained much acclaim in South Korea.

Heyne Red Lie

Not to be confused with Hyuna, Hyene is an up-and-coming solo singer. Her cute voice may be typecast to sickeningly sweet love songs, but Red Lie is anything but, with lyrics like “love please go away.” The song and cinematography of Red Lie are really unique and definitely worth listening to. Fun fact: There’s very little red in the video. Perhaps a shout out to red being the color of lies, as the title suggests.

Son Dambi Red Candle

Composed by SHINee’s Jonghyun, Son Dambi’s Red Candle is a sophisticated track that depicts celebrity life. The gentle intro into the song seduces the listener to the gentle Latin-fusion style that’s different than Son Dambi’s typical dance song. Dance is prevalent and the music video is absolutely beautiful with a black-and-white film noir feel to it.

Did we list all your favorite “red” songs? Look forward to the rest of this ROGYBIV series in coming weeks. Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

K-Pop Stand Out Remixes Part 2

There are so many K-Pop remixes that stand out for us here at KultScene that we just had to continue our list of stand out remixes. Whether you feel like twerking or just dancing like crazy with any of the remixes, this time around the list went a little more club influenced. Making it the best additions to your personal K-Pop dance party playlist.

1. T-ARA – Sugar Free (Aeria Remix)

When T-ARA released their comeback single Sugar Free it gained the attention of many fans and the media due to plagiarism claims. Aeria’s remix for Sugar Free really makes the listeners forget about those past allegations and enjoy the good and addicting chorus of the song. The trance remix blends in very well with the original voice track and makes it remix that is perfect for the club.

2. 2PM – Go Crazy (BOYTOY Crazy Remix)

If 2PM’s Go Crazy wasn’t danceable enough, BOYTOY’s remix gets the track ready for the clubs or a fun night out with your friends. The remix is packed with electronic and dubstep beats that create a chaotic track that goes well with the title of the song. This crazy remix includes a few clapping sounds that make the listener feel that you are watching 2PM live. If you really think about it, this could have been a very good rendition for one of 2PM’s stages.

Also on KultScene: K-Pop Stand Out Remixes

3. 2NE1 – Happy (Aeria Remix)

Yes, we have another Aeria remix on our list, but we just can’t help it. Their remixes are very well produced and they have remixes of the best songs in K-Pop. 2NE1’s Happy is one of my favorite songs from their CRUSH album, and when I found this remix, I instantly fell in love. The bubbly feeling and happy vibe of the song translate perfectly into the remixed track.

4. Mino – I’m Him (Mr. Haneul Remix)

Feeling like you want to twerk? Mr. Haneul remix of Mino’s solo song, I’m Him, from WINNER’s debut album brings out the twerking vibes from the original song. The trap in the remix makes the listeners wants to dance, twerk, wiggle, or whatever style of dance you feel like doing while listening to this track.

5. EXID – Every Night (Moises Karo Remix)

EXID’s Every Night remix by Moises Karo really brings out the sexiness of the song. He took the ringing phone theme of the song and made the listeners feel like you are in a sexy phone conversation with the ladies of EXID. If you listen carefully, the vocals and the sound of the ringing phone change to the left and right speakers through the remix creating a sense of desperation, like when you are hearing your phone ring, and you can’t find it. Which, in a way, if something is unavailable to you, it makes you want it even more. The strong bass through the track ties in the remix combined with the different arrangement of the girls’ vocals, making it a very sexy and sultry house track.

Also on KultScene: Artist Spotlight: Beenzino
Bonus:

SAINT & G-BUCK – Gijibae

Saint & G-Buck collaborated to create a remix that samples CL’s The Baddest Female. Diplo and CL even sampled this track on their SIA 2014 performance, and it gained a lot of recognition for it. The remix uses CL’s chorus of the song and Saint & G-Buck loop it throughout the song and blend it with amazing trap beats.

Below is CL’s and Diplo’s performance in SIA 2014. CL even did a live cover of Diplo’s Revolution that slayed the original version.

Will you be adding any of this remixes to your K-Pop dance party playlist? Which one was your favorite remix? Let us know in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

[Renders:KseniaKang, bibo2203, classicluv, seouleater, milevip]

5 Overlooked Female K-Pop Singles

Is there anything worse than discovering a song and then realizing that it has not received the love and support it deserves? In short, yes, but for the purpose of this article, no, there is nothing worse than that discovery. Below is a short, and by no means complete, list of overlooked K-Pop singles by female artists. Theses ladies, in most respects, get shafted quite a bit and we wanted to shed light on a few hidden gems of the K-Pop music scene.

HELLOVENUS- What Are You Doing Today?

HELLOVENUS’ What Are You Doing Today? was released in December 2012. Even though it is a fun song that may not be everyone’s style, the peppy, synth-dominant music will grab your attention during your first listen. But, the girls’ vocals will either pull you in more or make you turn and run the other way. Make sure to give the song a chance! The song perfectly embodies the phrase, “bubblegum pop;” the sweet, innocent vocals are prominent throughout the chorus. Leading up to the chorus, the girls only give listeners a small fraction of the sweetness they are about to unload.

About two-thirds of the way through, the song starts to get repetitive. But there is a saving grace, the rapping. In a song like this rap verses are not expected. The rapping is perfectly placed. It breaks up the monotony of the song and adds rock guitar to the instrumental. HELLOVENUS’ What Are You Doing Today? is a fun song that should be in everyone’s music library.

Also on KultScene: What To Expect From ‘Go! B1A4 2.0 – Road Trip’

Kiss&Cry- Domino Game

From the opening musical and vocal notes, it’s clear that Domino Game and Kiss&Cry are different from the mainstream female K-Pop acts. There’s something familiar about the style of Domino Game, yet one cannot put a finger upon what it is. The music utilizes horns on top of a pop, ballroom dancing-style beat. This creates a sound that is current, but not widely used in K-Pop.

The ladies’ vocals sound great together and individually. But together they create a force of power that rings through the speakers. Domino Game is a song that does not sound like any other K-Pop song. The use of the horns, the guitar, and ballroom dancing-style music helps make the song stand out. It’s so unfortunate that the group has disbanded.


D-UNIT- Talk To My Face

There is a lot going on music-wise and in the music video, but somehow it all works. If you just listen to Talk To My Face you will notice there are a lot of sound effects and layers of music throughout the song. Although there is a lot musically, the vocals are never compromised. Even when watching the music video, which also has a lot going on, the vocals and dancing are still the highlight of the video.

Talk To My Face is a song that will make you get up and dance. You simply can’t sit still while listening to this song. The music video adds to the song, but the song is also capable of standing on its own. The music video has a fun video concept, a lot of bright colors, and a fun dance. When Talk To My Face first came out, I was surprised and impressed. The vocals are not overly sweet, but they aren’t fierce either. They fit the group’s image for this particular song and create a pleasant listening experience.


퍼펄즈 (Purfles)- 1,2,3

Who is 퍼펄즈 (Purfles) you may ask? To be honest, we’re not really sure here at KultScene. They just appeared out of no where and debuted with this amazing song. 1,2,3 showcases these talented ladies’ vocals as well as gives K-Pop fans, and music fans in general, a strong dance track.

From the opening acapella notes to the strong club beat, 1,2,3 is a diamond in the rough of constant releases of K-Pop songs. These ladies are fierce and show it through their powerful vocals and their dancing in the music video. 1,2,3 is a song that will be on repeat.

Also on KultScene: Album Review: BEAST “TIME”

Mamamoo ft. Bumkey- Don’t Be Happy

Mamamoo is one of the most underrated girl groups to come out of K-Pop. Although their debut was only this year (2014), they deserve much more recognition and popularity, hopefully in time.

Don’t Be Happy was a pre-debut release single and is actually different than the album version (Bumkey has a more prominent role on the album version). Don’t Be Happy showcases the ladies’ soulful and powerful vocals. Mamamoo’s style is different than other K-Pop groups and songs currently out. Swing and jazz are major influences,which add to the refreshing style of the quartet. I really cannot say enough about Mamamoo or Don’t Be Happy. And once you listen to the song and hear their amazing vocals, you will understand why.

There are many female K-Pop singles that have been overlooked throughout the years. What are some that you enjoy? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.

Album Review: Far East Movement ‘KTown Riot’ EP

[Disclaimer: This review talks about adult content and uses profane language.]

Far East Movement pay homage to their hometown with their new EP KTown Riot. The quartet collaborated with many artists and producers to create this EP that gives back to their community. The whole EP focuses on the group’s experiences growing up and living in K-Town in Los Angeles, California. From an official statement on their Facebook page, Far East Movement stated:

…we named this mini album KTOWN RIOT to show love to the city that’s had our back since day one and the word RIOT mean growth from chaos, and we’re proud to see how the community has grown And inspire us to grow as artists and people.

Far East Movement doesn’t stray from their well-known sound or style, which adds familiarity to the songs. But with their Far East Movement flair, each song on the KTown Riot EP keeps fans and listeners entertained throughout, whether the sound is familiar or not.

1.The Illest ft. Schoolboy Q

The Illest starts out completely different than where it ends up. But listeners can tell from the subdued, and slightly muffled, music that the beat will eventually build upon itself and escalate into a club song. The beginning of the intro already adds a layer to the original beat and music. Halfway through, the beat builds, then briefly stops and introduces a new beat used for the first verse and bridge. As the hook comes back into play, we hear the marimba-inspired music from the beginning of the song. The lyrics show listeners how the guys party. And when they party, they party hard.

Got a v-mail from my K-Town chick that wanna hook up and blaze

The use of “my K-Town chick” tells the listener that this EP is about K-Town and all its vices. Partying hard, getting into trouble, hooking up with each other, smoking, and heavy drinking are all present and doable in K-Town. It’s what makes living there (and visiting) an experience.

No motherfuckers can out-drink us

The Illest is your basic hip hop party song, but with Far East Movement personality throughout it. They’ve cut down some of the verses from the original and just stuck with Schoolboy Q’s rap verse. Rapping about drinking Tanqueray all night, smoking cannabis, and entering the club alone, but not leaving alone. To close out the song, Prohgress tells listeners explicitly why they are the Illest:

“I” is for the way these beezies love how I bang
And “double L” is for the way I blow that smoke in ya face
We roll on “E’s” and we be easy rollin that bank
And “ST” is for the Illest shit we rep every day


2.Bang It To The Curb ft. Sidney Samson

If The Illest was about partying and hip hop nightlife, then Bang It To The Curb is about driving around recklessly with the music bumping and the stash in the dash ready to go:

Hit the stash in the dash, better puff puff pass
Flyin faster than the 5-0, bang it to the curb!

Bang It To The Curb shows what it’s like driving around in K-Town. Bang It To The Curb starts out similarly to The Illest in that the listeners are eased into the song and not thrown into the club right from the beginning. A female vocalist starts the song off with the hook, and then we get some hardcore house music fit for the club. Musically, there aren’t as many layers as in The Illest, but that suits this song much better. The beat is hard-hitting and the quick, high-pitched house music fits the tempo and feel of the song.

R-Reppin 213, California lotto

Using one’s area code in a hip hop song is the way to represent your city and hometown. A subtle way to show love to where one is from and still calls home. The use of 213, the area code for downtown Los Angeles, is actually a very small area that is completely surrounded by another area code. Using 213 shows that K-Town is very exclusive and tight-knit. They may be surrounded by a different area code, but the only thing that matters is what’s happening in the 213.


3.Grimey Thirsty ft. Rell the Soundbender & YG

Grimey Thirsty is all about the instrumental. The song showcases producer Rell The Soundbender’s ability to fuse hip hop and dance music. Grimey Thirsty is a song that the DJ would play toward the end of the night in the club; it gives off energetic club vibes needed as the night comes to a close. Always leave on a high note, and dance to Grimey Thirsty, the ultimate club song.

The first rap verse is essentially about rolling up to the club, drinking in the club, meeting a girl in the club, and hooking up with that same girl girl. Rapper YG has a verse about halfway through the song where he raps about being pulled over by the police and searched for an hour because the police want to find something to pin on him. The song title really says it all: Grimey Thirsty. That’s what the club scene is like: the guys, the girls, the venue. They’re all grimy and everyone in the club is thirsty, which leads to large amounts of alcohol and a lustful thirst.

In regards to YG’s rap verse, the term Grimey Thirsty correlates to his view of the police that pull him over because of his race. The cops are grimy human beings, and they thirst at the slightest reason to find something on him.

Police pull me over
Driving while black
Search the car for an hour
Trying to find the strap


4.Level (Palm Trees) ft. La’Reda & Sha Sha Jones

The second half of the KTown Riot EP gives off a laid-back, more subdued tone compared to the club-heavy tracks in the first half of the EP. Electro duo La’Reda gives a breath of fresh air to this EP in Level (Palm Trees). The previous tracks are more similar to Far East Movement’s usual musical style and genre, but La’Reda adds their mixed beats and sounds of EDM and melodic tunes to create a laid-back vibe that perfectly depicts the sunny days in LA. Sha Sha Jones’ vocals also perfectly embody the feeling of this song, a feeling of finally making it to the top.

Level with these palm trees

The sounds and lyrics of the song portray the feeling of dreaming of bigger and better things. The rapping perfectly fits into the song and doesn’t feel forced. The pace matches the beat and music beautifully. The final third of the song sees a change in music and pace, with more of an EDM feel, but then we are back to the laid-back, chill vibe.

”One day we’ll be level with the palm trees”

The lyrics are a perfect metaphor for wanting to reach success that puts one at the top of the top. Experiencing all the lows throughout life only adds to the process of reaching that pinnacle moment in life and will make it so much sweeter.


5.Melody ft. Play-N-Skillz & Fingazz

At the beginning of Melody, it seems like a sweet serenade, and then it changes within the first few lines of lyrics…

I can tell you want to fuck with me

The song is still a sweet serenade, just Far East Movement-style. There’s no beating around the bush with this song. They clearly say what’s on their mind to the girl and expect her response to mirror their thoughts and actions. The sweet vocals pair nicely with the funk-inspired music and beat. The whole song is about throwing away all their inhibitions to have a melodic love-making session, or two. The lyrics may be explicit and to some, crass, but they get the point across:

…get you singing melodies you never sung before
Cause you can (get it, get it)
Yeah you can (get it get it)
Go ahead and hit that D sharp you know that’s my chord, oh lord (get it, get it)
Yeah you can (get it get it)
Screamin higher than Mariah back in ’94…

Obviously this song is not about a simple hookup. There is more involved, there are deep feelings. He wants to experience a melodic love session with this woman:

I suppose you and mean could just drift away
and leave behind our former selves


6.Up To No Good ft. Adrian Delgado

Up To No Good has a slight R&B feel to it fused with hip hop. Adrian Delgado’s vocals add to the R&B feel, especially his falsetto. Up To No Good is a great song to round out the KTown Riot EP. It’s an anthem that states:

K-Town always up to no good

It’s about living life to the fullest even if it means getting in trouble. Be adventurous and don’t regret anything and K-Town is the place to do that. In the KTown Riot mini documentary K-Town Riot Part 1, OG Chino states

the things that go on in Koreatown probably don’t go on anywhere else in America.

Koreatown is the place to go to break the rules.

Keeping to the overall theme of the EP, Up To No Good talks about the various rebellious acts one can do:

Cause I’ll be the reason you’re up to no good

They’re seeking trouble and the song is paying homage to the fact K-Town is its own entity where one can have a lot of fun, and get into a lot of trouble.


Overall Thoughts:

I am pleasantly surprised with Far East Movement’s KTown Riot EP. I expected the usual EDM, club hits, but the second half of the EP showed a softer side to them, musically. The first half is definitely for getting ready to go out and for at the club, the second half adds more emotion to the mix. They stick to the theme of showing listeners what it’s like for them living in K-Town.

Overall the EP flows well from hard-hitting, club hits to softer, more laid-back songs. Somehow they manage to make all the songs work well with each other. The layout has a lot to do with that. Rapping about all the lavishness of partying in K-Town and then rapping and singing with more focus on doing things with just one girl.

What is your favorite track off of Far East Movement’s KTown Riot EP? Share your thoughts in the comment section below and be sure to subscribe to the site and follow us on Facebook, Twitter, Instagram, and Tumblr to keep up with all of our posts.